• Journal of the Korea Society of Computer and Information
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• v.14 no.10
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• pp.93-99
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• 2009

The color harmony in video was no way to know for giving pleasure. By identifying these color harmony, it gives order, clarity, similarity, contrast, etc. Therefore, to identify the color balance is very important. Color Harmony identify the color is whether the harmony by color harmony theory of Munsell, Ostwald, Firren, Moon & Spenser, Itten, Chevreul, and Judd etc. One of these methods, we identify color harmonies of 2 colors, 3 colors, 4 colors, 5 colors and 6 colors using Itten's color balance. Identification is using by Canny edge extraction, labeling and clustering, and color extraction and harmony etc. By identifying this color harmonies, we have laid the foundation of emotional database construction and emotional recognition.

• Proceedings of the Korean Society of Computer Information Conference
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• 2012.01a
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• pp.61-62
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• 2012

문 스펜서는 색채조화 문제를 각각 색채 조화의 범위, 면적 효과, 배색의 미도로 나누었다. 기존의 색채 조화론의 부족한 점을 제거하여 보다 과학적이고 정량적인 조화이론을 전개했다. 본 논문에서는 영상과 비디오에서 일정 부분을 미도 계산에 활용하였다. 감각 기관이 외계로부터 자극을 받아 감각 지각을 생기게 하는 감수성을 말하는 감성으로 취급되는 색채조화 및 부조화의 문제를 수치적으로 계산하였다. 비디오 영상에서 두 가지 색을 식별하여 미도가 좋은 배색인지 아닌지를 나타내었다.

• Archives of design research
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• no.16
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• pp.89-98
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• 1996

The purpose of this study is to offer proposals of the practical color schemes based on the use of color systems. This study focused on the .\lunsell color system, the Ostwald color system and the ISCC ~BS color names i and then selected the Ostwald color harmony and the Judd color hallTIOny in order to establish the general principles of color schemes. The method of color schemes is worked by' the 10 i hues circle of the .\Iunsell color system and the tone system of the ISCC :\BS color names, because our i country have been adopted the "vIunsell color system for the use of color education and the KS. This method is to make the balanced color schemes easily and effectively through color education ..olor education ..

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2009.10a
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• pp.185-186
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• 2009

In this paper, we explains the process to illustrate the color harmony of the painting by kindergarten students. First pictures of each of the colors to be converted to a vector image is placed. Next, the color balance based on the re-paint colors, each color harmony and disharmony is known. This paper proposed an art education students how to place colors, whether to provide a general education.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2009.10a
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• pp.173-174
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• 2009

Color harmony will look good formative elements of the basic lines, shapes and colors. In this paper, we present the implementation of Johannes Itten's color balance. Yellow, red, blue, on the basis of the first color mixing between the index and second color is placed. 12 color balance made by placing a third color between the first color and second color. we recognize this 12 color balance. Edge is detected using the Canny edge operator and labeling and clustering was expressed through the colors.

• Science of Emotion and Sensibility
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• v.11 no.1
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• pp.1-10
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• 2008

We developed the decision support system by using the fuzzy theory. This system designs harmonious color space according to the linguistic input. This input represents the atmosphere which the user want. If the linguistic input of adjective image scale is given in the developed system, the relation between the adjective and color is supposed as fuzzy relation. The color which match with the whole atmosphere of color space is selected. The search region of harmonious color decision is controlled by the knowledge on color harmony of Moon-Spencer. Harmonious color is selected by it.

• Science of Emotion and Sensibility
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• v.10 no.1
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• pp.37-47
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• 2007

Color planning system can be treated as a decision support system which includes both the recommendation of main color and harmonious colors. In this paper, we propose techniques that are useful to enhance the harmonious color recommendation with the main color selected by user. In order to reflect the knowledge about suggestion of harmonious colors, we use Ostwald color harmony theory, that is very systematical and easy to implement. Actually, Ostwald color space is similar to HMMD color model in MPEG-7. Due to the similarity between two color spaces, Ostwald color space can be represented as a virtual HMMD color space. Accordingly, we propose a technique to align the HMMD color space with Ostwald color space, thereby it is capable of enhancing a performance to search the harmonious colors according to Ostwald harmony theory. For recommendation of delicate and more exquisite harmonious colors in equal hue plane, we made the virtual color space continuous. The system can recommend various harmonious colors according to Ostwald color harmony. He(she) can select harmonious colors among the suggestions from the system.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2011.10a
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• pp.129-130
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• 2011

문 스펜서는 색채조화 문제를 각각 색채조화의 범위, 면적효과, 배색의 미도로 나누었다. 그리하여 기존의 색채 조화론의 부족한 점을 제거하여 보다 과학적이고 정량적인 조화이론을 전개했다. 본 논문에서는 비디오 영상의 미도 계산에 활용하여, 감성으로 취급되는 색채조화 및 부조화의 문제를 수치적으로 계산하였다. 그리하여 비디오 영상에서 색을 판별하여 미도가 좋은 배색인지 아닌지를 나타내었다.

• Archives of design research
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• v.16 no.3
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• pp.329-340
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• 2003

The purpose of this study is to provide the methods of harmony in color combination of environmental color for apartment in order to improve the image of the urban landscape. For this study, apartment in Iksan City was selected is a sample and twenty two apartments were analyzed. This framework of this study is A. Hard and L. Sivik's color combination model based on Natural Color System. This study examines various theories on environmental color perception and new approaches to color aesthetics, and tries to present perceptual properties that can be applied to environmental color design First, the principle of color harmony feeling in based on nuance and tone. Therefore, to control brightness and chromaticness with are related with nuance is important in color combination. Second, the aesthetic experience in color preception can be defined as a combined effect of similarities and differences of color attributes. Third, color harmony theory is one of the areas that can be benefit a great deal from and interdisciplinary approach, add empirical study such as this can be used as a basis for environmental color design and evaluation.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.8 no.6
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• pp.40-49
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• 1994

본 연구의 목적은 문-스펜서 색채조화영역별로 피부색과 복장색의 배색이미지를 분석하여 피부색을 기준으로 한 복장색의 의복이미지를 파악하는 것이다. 연구결과 첫째, 피부색과 복장색의 배색은 3가지 차원의 인상으로 구성되었다(평가, 활동, 조화). 둘째, 문-스펜서의 색채조화론을 적용하여 시각적 평가의 차이를 분석한 결과 조화영역들은 비슷하게 지각됨을 알 수 있었다. 부조화영역간에는 평가차원과 활동차원이 달리 지각됨을 알 수 있다. 셋째, 샛체조화론의 적용으로 분류되는 조화영역별 배색이미지를 분석한 결과, 동일색상들의 배색은 대체로 미도가 높은 편이었다. 제2부조화색상들의 배색은 미도가 낮았다. 유사색상중 빨강색 계열의 배색은 미도가 높았으며 노랑색 계역의 배색은 미도가 낮았다. 제2부조화색 계열, 청녹색 계열의 배색은 미도가 높은 편이며 남색 계열, 보라색 계열의 배색은 대체로 미도가 높았다. 무채색 계열의 배색은 세련된, 아름다운, 사고싶은, 보기좋은, 마음에 드는, 조화된, 멋있는 피부색과 어울리는, 매력있는, 인물이 돋보이는 이미지를 가지고 있다.