• Title/Summary/Keyword: 사실적인 액션

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Action Game Development Emphasized Skill System and Realistic Action (스킬 시스템과 사실적인 액션을 강조한 액션게임 개발)

  • Ko, Yong-Wi;Nam, Yeong-Jun;Seong, Gwi-Jung;Baek, Cheol;Kim, Beon-Yeong;Park, Gwang-Hu;Kim, Hun-Su;Bang, Gyeong-Seop;Kang, Myung-Ju;Park, Chan-Il;Oh, Hyoun-Ju;Kim, Sang-Jung;Lee, Jong-Won
    • Proceedings of the Korean Society of Computer Information Conference
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    • 2014.07a
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    • pp.495-498
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    • 2014
  • 본 논문에서는 2014년도 청강문화산업대학교 게임 전공의 졸업 작품 프로젝트 중 "Majesty on Sword:위대함이 깃든 검"이라는 액션 게임 개발을 정리한 것이다. 이 게임은 기본 게임이 가지고 있는 단점인 수많은 적들을 한꺼번에 사냥하는 과장된 액션의 지루하고 단순한 패턴에서 벗어나 스킬 시스템의 구현과 캐릭터의 사실적인 액션을 강조하여 기존 액션게임과 어떤 차별점을 두고 개발하였는지 기술한 논문이다.

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Developing a first-person horror game using Unreal Engine and an action camera perspective (언리얼엔진과 액션 카메라 시점을 활용한 1인칭 공포 게임 개발)

  • Nam-Young Kim;Young-Min Joo;Won-Whoi Huh
    • The Journal of the Institute of Internet, Broadcasting and Communication
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    • v.24 no.1
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    • pp.75-81
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    • 2024
  • This paper focuses on developing a first-person 3D game to provide extreme fear to players through realistic camera direction utilizing the features of action cameras. As a new camera production technique, we introduce perspective distortion using a wide-angle lens and camera shake when moving to provide higher immersion than existing games. The theme of the game is horror room escape, and the player starts with a firearm, but in order to overcome the concern that the game's difficulty is low due to the use of firearms, the player is asked to control the use of firearms by imposing burdens such as chasing monsters and reducing the number of magazines. The significance of this paper is that we developed a new type of 3D game that maximizes the fear effect of players through realistic production.

Intelligent Control Framework for Non Player Characters of Immersive Networked Virtual Environment (실감형 Networked Virtual Environment의 사실성 증진를 위한 Non Player Character의 지능적 제어 프레임워크)

  • Jun, Kyung-Koo;Sung, Mee-Young;Lee, Sang-Rak
    • 한국HCI학회:학술대회논문집
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    • 2006.02a
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    • pp.1168-1174
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    • 2006
  • 본 논문에서는 실감형 Networked Virtual Environment (NVE)의 사실성 증진을 위한 Non Player Character (NPC)의 지능적 제어 프레임워크를 제안한다. 이 프레임워크는 반응의 다양성, 실시간성 그리고 NPC의 능동성면에서 기존 게임에서 사용되는 NPC 구현 기법과 차이가 있다. 기존 NPC 제어구조의 경우, 휴먼 사용자의 행동에 따른 NPC의 반응이 일정 스크립트나 규칙에 따르기 때문에 정형적이며, 또한 NPC의 반응시간에 대한 실시간성을 고려하지 않고 있다. 또한 NPC는 휴먼 사용자의 액션에 반응하는 종속적이고 수동적인 역할만을 담당한다. 제안하는 프레임워크에서는 NPC는 각자의 취향을 가지고 있어 다양한 반응과 행동양식을 보일 수 있으며, NPC의 행동 결정 시간에 어느 정도 실시간성을 부여할 수 있으며, 또한 NPC의 역할이 수동적 형태에서 벗어나 능동적으로 계획하여 행동을 실행할 수 있다. 프레임워크의 구현을 위해 SWI-Prolog의 Rule based 추론엔진과 유전자 알고리즘을 사용하였다.

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Re-examining the Everday Play, Our Town in the COVID-19 Era (코로나 시대에서 바라본 일상극, 『우리 읍내』 재조명)

  • Park, Joo Eun
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.3
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    • pp.297-304
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    • 2022
  • The purpose of this study is to examine the characteristics and theatricality of everyday plays in Thornton Wilder's Our Town, and to re-examine this work that makes us recognize the importance of everyday life in the COVID-19 era. This work seeks to find a certain value in very trivial events with the subject matter of everyday life such as birth, love and marriage, and death. Grovers Corners, the background of this work, symbolizes the town and the universe where everyone lives today, and the action spans from 1901 to 1913, and this action shows universality in everyday life that takes place even today. Wilder won a second Pulitzer Prize for this work and is a leading figure in non-realist theater. Using an empty stage as the basic frame, this work shows theatricalism, a theory that acknowledges that the action on the stage is not true and shows that fact to the audience. In addition, he leads actors to act with mime instead of props, stimulating the audience's imagination and making them think of props that are not on stage as if they really exist. This work is an everyday play that makes people realize the importance of everyday life, and it has the effect of creating an opportunity for the audience to reflect on the play and life while keeping a distance.

Implementation of the Web-based Multimedia Document Authoring Tool (웹 기반 멀티미디어 문서저작도구의 구현)

  • Lee, Seung-Min;Yoo, Min-Ho;Woo, Jong-Jung
    • Proceedings of the Korea Information Processing Society Conference
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    • 2005.05a
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    • pp.163-166
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    • 2005
  • 인터넷 환경의 발달과 함께 다양하고 효율적인 웹 기반 문서의 개발이 요구되면서 멀티미디어 문서저작도구에 관한 연구가 활발히 진행되고 있지만, 기존의 저작 도구는 사용하기 어려울 뿐만 아니라 대부분 전문 지식을 요구한다. 본 논문에서는 멀티미디어 저작용으로 널리 사용되는 플래시의 액션스크립트와 문서의 사실상 표준언어인 XML를 이용하여 효율적인 멀티미디어 문서 저작 도구를 제안한다. 이는 웹 상에서의 가벼운 플랫폼으로 동작하여 유무선 단말기에 탑재 가능하며, 접근 용이성 등 다양한 장점이 있다.

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Balance for Fighting System between Characters (캐릭터간의 대전 시스템을 위한 밸런스 구현)

  • Park, Chan-Il;Yang, Hae-Sool
    • Journal of Korea Game Society
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    • v.7 no.3
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    • pp.23-30
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    • 2007
  • Game balance is an very important factor for game design, it is necessary factor to make game more fun. Most of game companies have been using their own balance method for successful game development. An efficient balance method always can't guarantee successful game development but it is true for game developer to need standard balance method for efficient game development. Fighting system between characters is mainly implemented in genre including action. Direct balance factors for fighting between characters are their characteristics and attack patterns. In this paper, We identify direct balance factors for game including fighting system between characters and propose mathematical method for it.

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A Hong Kong Born Director's Chinese Theme Film : Changes and Influence of Lin Chaoxian's film (홍콩 출신 감독 린차오셴(林超賢) 영화가 중국 주선율 영화에 미친 영향)

  • LI, LA;Moon, Jaecheol
    • The Journal of the Korea Contents Association
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    • v.22 no.9
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    • pp.147-155
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    • 2022
  • This article analyzed the new changes Hong Kong director Lin Chaoxian has brought to theme films of Mainland China and the factors affecting these changes. The objects of the analysis are Lin Chaoxian's films (2016), (2018), and (2020). Compared with Mainland China directors suffering from heavy political burden, Dante Lam directed theme films based on the model from commercial films and adopted lots of elements from Hong Kong films. There, the ideology expression in these theme films was no longer rigid, but a diversified value embodiment resonating with the audience. At the same time, these theme films achieved higher commercial value, in which the stereotyped and unrealistic hero images were replaced by realistic and compound characters, and the display of cool or violent action scenes contributed to lots of visual feasts. All the changes were influenced by the audience preferences and the development of private enterprises in Mainland China.

Market Success factors of Mobile Games: Differences by Genres and Changes over Time (모바일 게임의 시장 성공 요소: 게임 장르별 차이와 출시 후 시간 경과에 따른 변화)

  • Yi, Sang-Yoon;Kim, Moon-Yong;Han, Sung-Don;Ahn, Jae-Hyeon
    • Information Systems Review
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    • v.10 no.3
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    • pp.21-38
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    • 2008
  • After the introduction stage, Korean mobile game market is approaching to the growing stage leading mobile contents market. The environment for the mobile contents business is getting better by the expansion of the 3G mobile networks and the enhancement of the mobile devices. In this research, at a content level, not a service level, market success factors of mobile games and the differences by genres and their changes over time were investigated through the analysis of the real market data of mobile games launched by a Korean mobile carrier. The most important factors for market success, especially for the genres of RPG/Tycoon/Simulation and Shooting/Action/Arcade, were found to be the 'design' factor and its effect turned to be getting stronger as time goes by after the launch. Consumers' purchase rate was actually higher for the mobile games of popular genres or in relation with socially popular subject matters. Also 'design' and 'creativity' factors which are related to the quality of contents, have gotten more important over time. One of the most interesting results was that there existed a "blue ocean" genres like Sports/Racing/Leisure which had a steady demand but not many competing games. In the analysis of the 'convenience' factor, one interesting implication for mobile game producers was that there exists a trade off between the ease of initial adoption and the steady sales of a mobile game.

Social Significance of Recent Korean Courtroom Films : A Case Study of Silenced, Unbowed, The Attorney and New Trial (한국 법정영화의 사회적 의미연구)

  • Kim, Bo-Kyong
    • Journal of Internet of Things and Convergence
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    • v.7 no.3
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    • pp.55-61
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    • 2021
  • This study explores four Korean films: Silenced (2011), Unbowed (2012), The Attorney (2014), and New Trial (2017). Based on these films, this study explores the features of courtroom films and their social significance on society. The ability of Korean courtroom films to have such a profound impact on Korean society is something that is not usually witnessed in other countries. Also, the fact that they are low-budget works, not action/thrillers within the 'guaranteed star' system, and the fact that they present opportunities for netizens to call for change is a defining feature of Korean courtroom films. All four films have sparked controversy over the level of realism in Korean courtroom films, but what is more important is the way in which they portray contemporary social change. In summary, these four Korean courtroom films highlight the characteristics of social action and the means of mobilization required to effect it.

A Study about Control of real working through the synchronized 3D Game Character and Motion Capture System (3D게임 캐릭터와 모션 캡쳐 시스템의 연동을 통한 실사 움직임(Real Working) 제어 연구)

  • Kim, Tae-Yul;Ryu, Seuc-Ho;Kyung, Byung-Pyo
    • Proceedings of the Korea Contents Association Conference
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    • 2006.11a
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    • pp.278-281
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    • 2006
  • In the Contents industry, especially in the field of game contents the area receiving the most spotlight is 3D. With qualitative and quantitative developments in games continue, interest in 3D is becoming more significant. As a result studies and actual application in the area of 3D in the game industry are being most actively conducted. It is true that 3D game characters do not have the same level of natural movement compared to the previous 2D characters. In order to overcome the limitations of movement control of the Key frame method, the method that is currently being rapidly developed is a movement control method using motion capture system. In this study, the focus is placed in production of natural character animation through movement control through linkage of 3D game characters and motion capture system. Hence, production of natural 3D game character animation through a single central action was established as the purpose of this study.

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