• Proceedings of the Korea Society of Costume Conference
• /
• 2001.04a
• /
• pp.42-43
• /
• 2001

색상특성은 각 계열별로 차이가 있었으나 전반적 으로 고명도.저채도 중심으로 황색계열과 청색계열 은 고명도 위주의 분포특성을 보였다. 이어 반하여 적색계열은 비교적 색조의 영역이 넓었으며 고채도 의 분포특성이 두드러졌다. 자색계열은 저명도.중 채도, 녹색계열은 고명도.저채도 중심이었다. 남.녀복의 색조유형으로서 여복에서는 white보다는 tone 중심의 색조특성이 나타났으며. 남복에서는 white를 제외한 tint의 색조유형이 많았다. 이는 당시대인의 백색지향 의식을 대변하는 것으로 사료된다. 음양오행론의 배색원리에 의해 검토한 결과 여복 은 상생이 남복보다 낮게 집계되었으며, 반대로 파버 비렌의 색채조화의 배색원리에 의한 검토 철과는 남 복보다 여복의 적용수치가 높았다. 이것은 감각적인 색채조화 보다는 의례적인 성향이 좀 더 징한 남복이 서구의 색채조화의 척도에 적합하지 않은 결과로 추측된다. 전통복의 배색특성은 남녀가 매우 다른 양상을 보 이고 있었다. 여복의 기본 복식구조인 저고리/치마 는 백/청색계열, 백/황색계열과의 배색이 중심으로서 면적대비 및 명도대비에 의한 조화가 이루어지고 있었다. 반면에 저고리의 배색은 유채색과 백색계열 의 배색으로 채도대비의 성향이 강했다. 남복은 황/백색계열. 백/청색계열로 명도의 차가 크지 않았다. 포/띠의 의복 구성에 있어서는 흑색 또 는 적.자색 등의 세조대(細條帶)로 인해 채도대비, 면적대비, 명도대비의 배색효과를 찾아볼 수 있었다. 이상과 같은 분석결과를 통한 한국인의 색사용의 특정은 복식의 전면에 등장하는 백색지향과 음양오 행설을 그 배경으로 하고 있다. 백색위주의 색사용은 인공미가 배제된 자연미의 추구에 기인한 것으로 토착화된 한국의 색으로 볼 수 있다. 백색은 여러 색을 통합하고 배색된 색채착화된 한국의 색으로 볼 수 있다. 백색은 여러 색을 통합하고 배색된 색채들을 담하게 만드는 것이 특징 으로 한국전통 복식의 배색특성을 주도하고 있었다. 마지막으로 본 연구는 회화자료를 근거한 것으로 풍속화의 변색 및 탈색에 의해 당시대의 정확한 색채규명이 어려우며, 실물작품이 아닌 도판을 통한 측 색으로 색의 오차가 발생할 수 있음을 연구의 한계 점으로 언급하고자 한다.

• Archives of design research
• /
• v.16 no.3
• /
• pp.231-240
• /
• 2003

As all other cultures do, in the background of color of costume, view of life or spirit are contained in the nature or environment that the people lived in are applied. Marring is the ceremony to be socially recognized that both of sexes are unified, assist ancestor and bear future generation. Meaning and symbolism of color are appeared in beauty and organic composition of Lee dynasty. This paper tried to dear up five colors are dean, beautiful and philosophical colors rather than awkward composition of colors through surveying character of five colors appeared in Korean traditional wedding dress that has been succeeded in present age. This paper compared Korean traditional wedding dress and "Dan-chung" of Korea, Japan and China and surveyed theoretical background of Korean traditional color to find character of color appeared in Korean traditional wedding dress. As a result, Korean traditional color is meaningful symbolic color, its origin starts in yin-yang and the live elements of the Oriental cosmogony and it is related with Taoism of Confucianism and color of "Dan-chung." Five colors of yin-yang means everything under the sun and il is the color achieving beauty of balance due to correlation when it is linked to over one color. Further, it contains nature worship and human dignity, prays happiness and gives the significance of "Buksa", meaning of expelling an evil spirit. Formative beauty praying that all creatures are harmonized while human is happy and escapes from uncertainty is the beauty pursuing mental satisfaction as well as visual satisfaction. In future, the creational and characteristic designs that can appeal to world are required through right understanding and study of the beauty of traditional culture beauty of traditional culture

• Archives of design research
• /
• v.14 no.2
• /
• pp.67-76
• /
• 2001

Children's Picture Book is the literature with which children face for the first time as a form of close harmony between text and picture. The picture book shows what is happening and also what may happen mn the children's surroundings and takes great Influence on their creativity, thinking ability, emotion, and Intellectual ability by delivering affluent story through the pictures. The color expressed in the children's picture book is as much important as other formative elements such as shape and texture, and the expression of color on the basis of color emotion is much more Important In that It appeals to the children's feeling. The color which is expressed through the illustration of children's picture book conveys distinctly the motion and feeling of characters who are expressed un the picture book as well as distinction of theme and background and expresses persuasively the whole process of plot and atmosphere so that it might convey various emotions such as delight, sorrow, pleasure, wonder, and fear to children. This thesis alms at analyzing various effects of color contrast, process of color, hue variation, and use of color according to the atmosphere of each cut and the process of plot by selecting the children's picture books which were published abroad and home on the basis of color concept, emotion, and image association which children feel In order to Investigate and analyze the symbolism of color and emotional effect expressed through the illustration of children's picture book, and presenting a direction of color use to produce high-level children's picture book with illustrators individuality and artistry.

• Proceedings of the Korea Society of Design Studies Conference
• /
• 2005.05a
• /
• pp.182-183
• /
• 2005

• Science of Emotion and Sensibility
• /
• v.16 no.2
• /
• pp.195-206
• /
• 2013

The main causes of traffic accidents while driving a car is of the driver's visual distraction. In this study, the color sensitivity of the information projected on the windshield were evaluated for HUD (Head Up Display) system which helps the driver's eyes on the road while driving. The driving Information were projected $9^{\circ}$ downward from front sight $0^{\circ}$ under lab's fluorescent lights, LED floorlights and the TV had having 25 [lux] illumination when driving at night environment and 100,000 [lux] of daylight environment. Munsell color hue of the basic five colors (R, Y, G, B, P) and the color of traffic lights YR, W were the color of the seven characters, each character were outlined by White, Gray except for W. Total of 19 experimental stimuli was shown in the environment of day and night driving for asking visibility information of color, fatigue, preferences, and evaluate the degree of interference. The results came out that the bright Y and G color is visibility significantly for daylight. Second, with the outline of the text, the color of the outline works as a background for luminance contrast effects and affects visibility. Third, without the outline, the glass in front of the vehicle acts as the background and the luminance contrast of characters achieve greater brightness and visibility. The luminance contrast between the stimuli and background should be considered for increasing color visibility for driving information which is an important factor for HUD commercialization.

• Journal of Fashion Business
• /
• v.15 no.5
• /
• pp.144-160
• /
• 2011

This study investigated the colors of the costumes and backgrounds of characters in the films "Thirst" and "Mother" from an integrated perspective. As a study method, ten scenes per film, which contained the characters and backgrounds from the start to the end of the DVDs of "Thirst" and "Mother" were examined. For integrated color analysis of the costumes and backgrounds, the colors of the captured scenes were simplified to extract representative colors, and then color palettes were presented according to the ratio of area. The colors of costumes were analyzed by recognition through the eyes based on the I.R.I. Hue and Tone 120. Furthermore, the color images of the two films were analyzed using the I.R.I. adjective image scales and the I.R.I. color image scales. The colors of the film "Thirst" were generally low in brightness and high in chroma. They are characterized by dark, gloomy toned-down background in the first half, highly chromatic vivid background in the second half, and the contrast of purple blue colors and red colors. The colors of the film "Mother" are characterized by complementary colors between background and costume colors, and various tones of blue and green colors. From the aspect of color tones, they were relatively high in brightness compared to the film "Thirst" but low in chroma. On the I.R.I. adjective image scale, contrasting adjectives were extracted simultaneously from the film "Thirst" as the adjectives were evenly distributed at hard, dynamic and static, whereas the adjectives extracted from the film "Mother" were distributed at hard and statistic. On the I.R.I. color image scale, both films were located at hard, but the film "Thirst" was located at dynamic whereas the film "Mother" was located at static.

• Archives of design research
• /
• v.13 no.2
• /
• pp.45-53
• /
• 2000

All artists set the arrangement of relative probability subjectively by giving the contrast of color and chroma to give higher probability of some colors in their works and then perform the mechanical assignment. Also the analysis of plastic structure in all areas of design has been made by subjective and qualitative method based on the emotion, intuition and experience of interpreter of design structures and that of color structures was done by the same method. Therefore this study compares and suggests the style characteristics of modern and postmodern design with the object quantitative analysis of color structure by selecting and applying Ilya Chashinik's ceramic dishes as the analysis product of modern design and Jim Melchert's ceramic wall painting as that of postmodern design of 'analysis model of color structure' researched and developed for the quantitative information analysis based on information and communication theory and it is also meaningful in introducing and presenting the analytic procedure and methods centering around quantitative analysis model of color structure analysis.

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.13 no.3
• /
• pp.1377-1384
• /
• 2012

The city such as Tokyo is an instance of maximizing the urban character that is different from other cities by actively utilizing color-scape among elements making identities. On this study, It's focused on Tokyo, developing urban identities, and aim to consider the implication and the feature of urban landscape formation by looking for the background of business and future images of the urban regeneration planning, aims, processes, policies, the color-scape about the landscape formation planning. It's expected to be reference for development of urban regeneration and landscape plan in a long-range view.

• Journal of Naturopathy
• /
• v.11 no.2
• /
• pp.123-135
• /
• 2022

Background: The study aims to examine what color representation means to artists by investigating various hypotheses about van Gogh's expression of yellow and verifying the reason of his preference of yellow. Purpose: The purpose of this study is to investigate whether yellow expression of Vincent van Gogh is a result of physiological responses of alcoholism, expression feature of mental disorder, or a problem caused by psychological motivation. Methods: In order to verify the research question, we referred to research literatures that analyzed a characteristics of Gogh's works in a various area such as psychology and psychiatry, and Gogh's symptoms and his own skills. Results: The findings suggested that Gogh's yellow preference is related to the psychological factors such as inner motivation, not a xanthopsia which is brought about alcoholism and mental disorder. Conclusions: Gogh's Yellow expression is dominantly influenced by the psychological factors. Thus, it can say that the psychological factors has a great on characteristic of artist's color expression.

• Journal of the Korean Society of Floral Art and Design
• /
• no.40
• /
• pp.63-75
• /
• 2019

In this study, convergence art education which Based on the overall understanding of color, which is a field of science, the lecture model was constructed in order to operate a fusion curriculum which can be practically expressed by applying it to the artistic field of floral design. The learner was satisfied with the composition of the two lectures (floral design, color) and the way of conducting theory and practice. In addition, they felt that was able to access various areas through one subject. This indicates that learners themselves perceive the purpose and necessity of this study. On the other hand, it is pointed out that the background knowledge level between the majors and the non - majors is different. therefore Continuous feedback and adjustment of the degree of difficulty of the training seems to be necessary to enhance the learner's understanding. In order to develop the floral design, the curriculum development and education model should be built through convergence of various sciences. It is expected that this study will be used as basic data for the development of the curriculum for the artistic design education.