• Proceedings of the Korea Information Processing Society Conference
• /
• 2013.05a
• /
• pp.272-274
• /
• 2013

최근 TV 시청자들의 콘텐츠 소비량이 증가함에 따라 방송사에서 제공하는 TV 프로그램들의 수량이 방대해지고 장르 또한 다양해지고 있기 때문에 시청자가 TV 프로그램을 선택하는 것이 점점 더 어려워지고 있다. 이러한 문제를 해결하기 위해 TV 프로그램 추천이라는 연구가 활발하게 이루어지고 있다. 기존의 연구에서는 시청자를 기반으로 하는 협업 필터링 추천 방법과 아이템을 기반으로 하는 협업 필터링 추천 방법이 제안되었지만 시청자의 시청 의도를 고려하는 연구는 사례는 적다. 이에 본 논문에서는 LDA 모델링을 이용하여 사용자의 시청 의도를 고려한 TV 프로그램 추천 기법을 제안한다. 실험을 통해 시청자의 시청 의도가 반영된 TV 프로그램 추천이 가능하다는 것을 검증했다.

• Annual Conference on Human and Language Technology
• /
• 2022.10a
• /
• pp.198-204
• /
• 2022

대화 요약은 다중 발화자와 발화문으로 이루어진 멀티턴 형식의 문서에 대해 핵심내용을 추출하거나 생성하는 태스크이다. 대화 요약 모델은 추천, 대화 시스템 등에 콘텐츠, 서비스 기록에 대한 분석을 제공하는 데 유용하다. 하지만 모델 구축에 필요한 한국어 대화 요약 데이터셋에 대한 연구는 부족한 실정이다. 본 논문에서는 생성 기반 대화 요약을 위한 데이터셋을 제안한다. 이를 위해 국내 방송사의 대용량 콘텐츠로 부터 원천 데이터를 수집하고, 주석자가 수작업으로 레이블링 하였다. 구축된 데이터셋 규모는 6개 카테고리에 대해 약 100K이며, 요약문은 단문장, 세문장, 2할문장으로 구분되어 레이블링 되었다. 또한 본 논문에서는 데이터의 특성을 내재화하고 통제할 수 있도록 대화 요약 레이블링 가이드를 제안한다. 이를 기준으로 모델 적합성 검증에 사용될 디코딩 모델 구조를 선정한다. 실험을 통해 구축된 데이터의 몇가지 특성을 조명하고, 후속 연구를 위한 벤치마크 성능을 제시한다. 데이터와 모델은 aihub.or.kr에 배포 되었다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• fall
• /
• pp.314-317
• /
• 2021

하이라이트 영상은 원본 영상의 중요한 장면들을 짧은 시간 안에 감상할 수 있게 도와준다. 특히나 경기 시간 긴 축구나 야구 그리고 e-스포츠의 시청자들에게 있어, 하이라이트 영상의 효용성은 더욱 증가한다. 하이라이트 영상 추출의 자동화로 방송사나 온라인 플랫폼은 비용 절감과 시간 절약의 이점을 얻을 수 있다. 따라서 본 논문에서는 스포츠 영상에서 자동으로 하이라이트 구간을 추출하는 모델을 제안한다. 제안하는 모델은 멀티 헤드 어텐션 매커니즘과 LSTM 네트워크의 결합으로 구성된다. 해당 매커니즘의 여러 헤드를 통해 어텐션을 다양한 관점에서 진행한다. 이로 인해 영상의 전체적인 맥락과 장면 간의 유기적 관계를 다양한 관점에서 파악할 수 있다. 또한 오디오와 이미지 정보를 함께 이용하여 모델을 학습한다. 학습한 모델의 평가는 e-스포츠 경기 영상을 이용하여 평가한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 2020.07a
• /
• pp.601-604
• /
• 2020

방송예술 및 콘텐츠 제작 역량을 교육시키는 방송예술특성화 대학으로서 C3(Creativity, Convergence, Contents) 방송예술 창의융합교육 모델인 융합수업을 개설하고 전체 학과에서 신청한 학생들을 대상으로 교육을 진행하였다. 융합수업은 전공이 다른 학생들이 희망하는 콘텐츠 제작과정을 수강하고, 방송사와 산업체에서 실무경험이 풍부한 교수와 전문가들이 직접 콘텐츠 제작을 지도함으로써 고품질의 수준 높은 콘텐츠 제작 교육을 경험할 수 있는 수업이다. 즉, 재학 중 학교수업을 통해 미리 현장 경험을 쌓음으로써 취업 즉시 콘텐츠 제작 역량을 발휘할 수 있는 자신감 함양과 제작현장에 기여할 수 있는 융합형 인재양성 교육프로그램인 것이다. 본 연구에서는 대학이 보유하고 있는 방송용 버츄얼 스튜디오를 활용한 가상 세트 영상 제작 교육 『영화담』을 제작하는 융합수업과 드론 항공촬영을 활용한 제작교육 『드론 탐사대』 융합수업을 실시하여 첨단 기술을 활용한 콘텐츠 협업 제작의 효과와 학생들의 만족도를 분석하였다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 2010.11a
• /
• pp.14-17
• /
• 2010

Following the proliferation of three-dimensional video contents and displays, many terrestrial broadcasting companies prepare for starting stereoscopic 3DTV service. In terrestrial stereoscopic broadcast, it is a difficult task to code and transmit two video sequences while sustaining as high quality as 2DTV broadcast attains due to the limited bandwidth defined by the existing digital TV standards such as ATSC. Thus, a terrestrial 3DTV broadcasting system with heterogeneous video coding systems is considered for terrestrial 3DTV broadcast where the left image and right images are based on MPEG-2 and H.264/AVC, respectively, in order to achieve both high quality broadcasting service and compatibility for the existing 2DTV viewers. Without significant change in the current terrestrial broadcasting systems, we propose a joint rate control scheme for stereoscopic 3DTV service. The proposed joint rate control scheme applies to the MPEG-2 encoder a quadratic rate-quantization model which is adopted in the H.264/AVC. Then the controller is designed for the sum of two bit streams to meet the bandwidth requirement of broadcasting standards while the sum of image distortions is minimized by adjusting quantization parameter computed from the proposed optimization scheme. Besides, we also consider a condition on quality difference between the left and right images in the optimization. Experimental results demonstrate that the proposed bit rate control scheme outperforms the rate control method where each video coding standard uses its own bit rate control algorithm in terms of minimizing the mean image distortion as well as the mean value and the variation of absolute image quality differences.

• Journal of Broadcast Engineering
• /
• v.20 no.1
• /
• pp.122-139
• /
• 2015

Though the digital transition of terrestrial TV has been completed, the transmission system for terrestrial radio has not been determined and terrestrial radio still keeps its analog transmission. This study, under coorientation model, aims to explore the cognitive difference in recognizing important factors to be considered in deciding the digital radio transmission system between the employees of terrestrial broadcasters and then crucial issues related to the factors are driven. It has been found that the most big cognitive difference among the employees of three major terrestrial broadcasters lies in selecting frequency band for digital radio transmission. But there was little difference of opinion on simultaneous production-transmission, efficiency of frequency usage, broadcast quality and standards of service. The most disputable point in transition to digital radio broadcasting is selecting the frequency band for digital radio between the frequency bands used for FM radio broadcast (88-108MHz), terrestrial DMB (VHF Ch7~13) and FM radio adjacent broadcast band (76~88MHz: VHF Ch5~6). So, the question concludes into the selection issue between DAB+, HD-Radio, and DRM+. To improve the quality of radio broadcasting service and enhance the satisfaction of listeners, it is desirable to allow to operate both production system and transmission station, to enhance high transmission efficiency with minimum transmission facility, and to permit new entrance of broadcasters.

• The Journal of the Korea Contents Association
• /
• v.10 no.9
• /
• pp.146-154
• /
• 2010

Korean TV program market has started since 1995 along with Cable TV and local TV stations and increased significantly due to Korean wave. Now the new platform such as IPTV makes a new opportunity of growth to the TV program market. This study will analyse the actual status and mechanism of Korean TV program market. To begin, Korean TV market is still dominated by terrestrial TV in domestic distribution market and in exportation even though the windows are diversified. This has influenced not only for the production market but also the distribution market as the following: continuous conflicts between terrestrial TV and independent production companies even though the significant increase of independent production in quantity ; terrestrial TV's dominance in distribution market with enormous libraries as for the major content provider. In addition, there are limited independent distributors due to the exclusive trade of TV programs by terrestrial TV. As for the exportation, foreign market for Korean TV programs are mainly Asian countries like Japan, China, etc. Furthermore, since the genre of distribution has been concentrated in dramas, it is time to make efforts to find a solution. Thus, this research can give a guideline as for the first step.

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.18 no.7
• /
• pp.26-32
• /
• 2017

VOD (Video-On Demand) Services are considered to be one of the most successful data broadcasting services, along with Electronic Program Guides (EPGs). In particular, VOD services provide supplementary revenue for broadcasting companies in addition to the existing subscription fees and advertisement-based revenue. Therefore, each broadcasting company has developed its own VOD service and constantly seeks to improve it. This leads to the development of new VOD services, so developers are considering ways to effectively handle the frequent development needs. In this background, we conducted underlying research to apply the feature-oriented analysis model to the development of VOD services. The feature-oriented analysis model used in this study is the Feature-Oriented Domain Analysis (FODA) one developed by SEI of Carnegie Mellon University. FODA provides a tool for specifying the feature model of a software domain, based on which the developers can determine the configuration of the software with the customers. This study developed a feature model of the VOD service domain and devised the functionalities and test cases in an integrated manner with the feature model. Additionally, we proposed a VOD service development process utilizing the feature model, function specification, and test cases.

• Korean journal of communication and information
• /
• v.64
• /
• pp.31-58
• /
• 2013

With the expansion of digital media platform, there has been a new conceptualization about public function of public broadcasting in and around European countries. Although there are differences between countries, Universal Access including smart and Internet media has been emphasized in Britain and France. However, there is lack of public discussion on service strategy of Internet and smart media platform when public function of public broadcasting is discussed. Therefore, this study tried to investigate not only the public function of public broadcasting in the field of Internet and smart media through audience research but also how the national public broadcasting stations ensure public interest and competitiveness in the field of Internet and smart media platform. The results suggested that smart phone users evaluated real-time broadcasting and VOD are the most important services among the public functions which public broadcasting stations have to persue. Futhermore, the users showed high intension to use when the free real-time broadcasting service is offered. Therefore, public broadcasting stations have to improve the social recognition on necessity and public interest of public broadcasting stations through the free real-time broadcasting services on Internet and smart media platform. And policies which can ensure competitiveness in the era of digital media are needed to become important broadcasting institute.

• Korean journal of communication and information
• /
• v.81
• /
• pp.189-224
• /
• 2017

The case of 'Paik Jong-moon's Taped Conversation,' has presented "an important and serious challenge to the freedom of the press and democracy" in South Korea. Nevertheless, this case has not been reported by the mainstream news media. It has also been forgotten without a proper fact-finding or investigation by regulatory agencies, like The Foundation for Broadcast Culture, The Korea Communications Commission, or The National Assembly. This study aims to examine why the above has happened through in-depth interviews of reporters and TV producers, senior journalists, former and incumbent commissioners of the broadcasting regulatory agencies, and experts of the industry, as well as literature research. Here, I present three answers. First, I found two reasons the mainstream press has ignored this incident. 1) It serves for political interests instead of reporting truth. 2) Public broadcasters' watchdog role has been neutralized. Second, regulatory agencies like The Foundation for Broadcast Culture, The Korea Communications Commission and The National Assembly are ruled by political tribalism. The ruling party's members of the National Assembly and these agencies were reluctant to investigate allegations surrounding Paik Jong-moon, such as illegal dismissals, illegal intervention in programming or production, illegal recruitment and illegal business deals. That's because they considered CEO Paik an ally. Using their majority power, they have rejected the request from opposition-affiliated commissioners or from opposition lawmakers to investigate the allegations. Third, there were no alternative forces within the public broadcasters to unveil the truth. In conclusion, the legal and institutional shake-up of corporate governance is urgently needed for public broadcasters and broadcasting regulatory agencies.