• Title/Summary/Keyword: 미장

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블라인드 장착에 따른 실내 공기 순환 연구

  • Nam, Do-U;Hwang, Jae-Min
    • Proceeding of EDISON Challenge
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    • 2016.03a
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    • pp.625-627
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    • 2016
  • 본 논문은 EDISON CFD의 전처리기, eMEGA를 이용하여 격자를 생성하고, 2차원 정렬 격자 기반 비압축성 해석자를 이용하여 유동해석을 진행한 뒤 후처리기, eDAVA를 통해 유동선을 그려 블라인드 장착에 따른 실내 공기 순환에 대한 연구 내용을 담고 있다. 본 연구는 시중에 판매중인 사생활 보호용 블라인드를 포함, 여러 블라인드의 장착 여부에 따라 실내 내부 공기 순환의 양상을 확인하고 실제로 블라인드 장착 시 실내환기에 어떤 영향을 주는지 유동 선을 통해 확인해 보았다. 블라인드 미장착시, 실내 전체적으로 공기가 고루 순환되는 모습을 보였으며, 블라인드 장착 시 대체로 블라인드 형태에 따라 유동이 이동하는 것을 볼 수 있었다. 본 연구는 사생활 보호와 환기 효율성의 관점에서의 소비자 선택권에 영향을 미치는 효과를 가져 올 것으로 보인다.

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청양중석광산 주변 토양의 중금속 오염 및 황화광물의 산화작용 연구

  • 이평구;강민주;최상훈
    • Proceedings of the KSEEG Conference
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    • 2003.04a
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    • pp.48-52
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    • 2003
  • 폐광된 금속광산의 폐광석 적치장, 선광시설, 광미장 등에는 폐광석과 황화광물의 분말이 그대로 방치되어 있어, 풍화작용에 기인된 황화광물의 산화과정에서 용해된 유해 중금속의 이동과 확산이 심각한 중금속 오염문제를 발생시키고 있다 그러므로, 황화광물의 산화작용에 의해 형성된 2차 광물에 대한 광물학적 연구는 유해 중금속의 물리$\cdot$화학적인 거동, 오염물질의 확산 등을 규제하고 있는 지구화학적 메카니즘 규명에 매우 중요한 자료가 되며, 폐광석 및 광미에 대한 복원 결정을 내리는데 있어 결정적인 판단 자료가 될 수 있다 (강민주, 2003). (중략)

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Trend Analysis of Labor Input Ratios by Work Types in Apartment Housing Constructions (공동주택 건설공사에서 공종별 실투입 노무비율의 추이분석)

  • Jeon, Sang-Hoon;Koo, Kyo-Jin
    • Korean Journal of Construction Engineering and Management
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    • v.16 no.5
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    • pp.97-104
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    • 2015
  • Apartment Housing 25 in the field of construction since 2000 collected by types of labor: reinforced concrete, plaster, internal, equipment, electrics communication, the other work. And the performance of labor input was collected in the amount of construction work performed on a monthly basis. After changing the construction period in the standardization work that is 100% of the construction period, the amount was converted into labor ratio by type. Analysis of the input flow rate and the amount of labor conclusions were as follows: (1) The size of the labor rate is reinforced concrete work (38.25%), plastering work (5.10%), internal work (5.67%), equipment work (9.10%), electrics communication (8.76%), the other works (33.12%) and the size of labor rate is the largest work in reinforced concrete work. (2) The peak of labor input ratio was from 52.5% month to 62.5% month. This was when the labor rate of 3.6%. (3) The period month of the largest labor ratio% is 35% month by reinforced concrete construction, and this time it was 2.12% per month labor rate, and reinforced concrete construction is finishing from 65% month to 80% month. This showed the greatest congestion of mutual interference between each works is being continue. The results of this study are the greatest congestion in apartment housing construction has informed the high period(%months), which is essential to a successful project.

Nietzsche in the Square of Carlos Alberto (카를로스 알베르토 광장의 니체)

  • Lee, Wang-joo
    • Journal of Korean Philosophical Society
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    • v.142
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    • pp.221-241
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    • 2017
  • I try to elucidate the essence of cinematic art in terms of Nietzsche's physiological philosophy of art. According to Nietzsche, the mise-en-$sc{\grave{e}}nes$ in the film are expressions of willingness to the power of the author, the director. These are not re-imitations of the imitations with Platonic measure, sinker, number, but framing the elan vital Erde, die $urspr{\ddot{u}}ngliche$ Vorstellung with the director's body-camera. In this context, the film is essentially die Kunst des Lebens, in which the body and the earth are mediated by cameras. Therefore, it is not the eyes or the head, but the body that is necessary to appreciate film art. But the body at this time does not mean the heavy body of Hollywood standard audiences manipulated, controlled, or transformed by capital. We should stand in front of the film work with body shaking between trauma and Rausch, a dancing body, and a light and fresh body. Only by watching film with the body, can we achieve the small revolutions in everyday life. For example, if we watch $B{\acute{e}}la$ Tarr's film The Turin Horse in such a way, we can no longer be the dwarfed human beings, der Herde-Mensch. Also, $B{\acute{e}}la$ Tarr's mise-en-scene will make us realize why Nietzsche had said that there is art to us not to be destroyed by the platonic truth.

A Study on Development of Chinese xian-xia films and its Space Aesthetics in the 21st Century -Foucuse on Journey to the West films (21세기 중국 선협영화의 발전 및 그 공간 미학 연구 - 서유기류 작품을 중심으로)

  • Kim, Bo-Kyong
    • Journal of Convergence for Information Technology
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    • v.9 no.2
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    • pp.115-120
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    • 2019
  • Chinese xian-xia films is a new genre that occurred through the fusion of the genre of martial arts and fantasy. This study analyzed the development of xian-xia films and the space aesthetics of xian-xia films through the miseenscene of the journey to the west films. In particular, the space for xian-xia in the films is divided into the human, urinary, heaven world and the space of conflict. It looks like the fantastic Middle Earth that Tolkien presented, however it is discriminatory in that it shows a highly Chinese appearance and overlapping world centered on the natural environment (the world of Mountains and Livers), such as mountains, deserts, caves, and grasslands, which usually appears in traditional martial arts history. Resently, the boom of journey to the west films is regarded as the change of the Chinese film industry under the influence of the development of IP (Intellectual Property) industry and the western fantasy genre in the 21st century China. This change marks the birth of the new Chinese fantasy "xian-xia" genre with the spirit of the present era that transcends the original world of journey to the west through the hybridization of the genre.

A Study on the Application of Visual Special Effects to TV Dramas; Focus on , (시각특수효과의 드라마 적용사례에 관한 연구 -<태양의 후예>,<미스터션샤인>을 중심으로-)

  • Chung, Tae-Sub
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.20 no.3
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    • pp.400-406
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    • 2019
  • This study will explore the reenactment of visual special effects used in TV dramas. The subjects of the study are images that are reproduced in visual special effects through and . Accordingly, we looked at the changes in the way TV dramas were produced according to the times, and looked at the changes in the market. Also, we looked at cases of visual special effects of Korean dramas, and looked at expressions according to the degree of completion of visual special effects. For the purpose of the analysis of the research targets, the images of reproducibility and the flow through reality were analyzed. In the case of , the period setting is realistic, but visual special effects were used to maximize the actor's safety and expression, and in the case of , the visual effects were used to maximize the aesthetic of the period background. In addition, it can be seen that the visual special effects were used for the effect of PPL on the export of images. This shows that the emphasis of reality and image montage techniques are being used to pursue hyperrealism. It is now possible to actively express and use the beauty of TV dramas rather than technical limitations. In addition, the pursuit of realism can actively express the changing times of digital age. This is an active representation of the camera's angle, lighting, and perspective that coincides with the background. The environment of video production is crucial for realistic expressions. The study examined various visual directions and applications. In TV images, we looked at reproduction, which can make a natural period of time by combining. As a follow-up study, we are going to study the changes in the new quadratic image based on the present image representation.

A Study on the Spatial and Temporal Disjunctive Composition in the movie 'Kill Bill part 1/2' (영화 '킬빌(Kill Bill 1/2)'의 이접(異接)적인 시/공간 구성 연구)

  • Joh, Hahn
    • Korean Institute of Interior Design Journal
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    • v.21 no.4
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    • pp.57-67
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    • 2012
  • The goal of this research is to study the spatial and temporal disjunctive composition of the movie 'Kill Bill part 1/2' and to lay a foundation for the future exploration of the topological relationship between contemporary architecture and cinema based upon the spatial and temporal multiplicity. Since the birth of cinema in early 20 century, architecture and cinema have a dynamic interdisciplinary relationship as Soviet director and theorist Sergei Eisenstein has called the Acropolis of Athens as 'one of the most ancient films' based upon its cinematic spatial sequence, and contemporary architect and theorist Bernard Tschumi has adopted cinematic montage technique to create his own disjunctive event-structure. As french philosopher Gilles Deleuze has traced the cinematic version of his 'disjunctive synthesis' from Eisentein's 'dialectic montage', Deleuzian 'disjunctive synthesis' can be discovered not only from the work and theory of Bernard Tschumi and Rem Koolhaas, but also from the 'Kill Bill's disjunctive composition where the heterogeneous spatial images and temporal images are under continuous interaction to create rhizomatic relationship between the cinema and viewers.

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Omni-Directional Motion Modeling of Concrete Finishing Trowel Robot with Circular Trowels (회전 트로웰의 원판형 가정을 통한 콘크리트 미장로봇의 전방향 운동 모델링)

  • Shin, Dong-Hun;Kim, Ho-Joong
    • Journal of Institute of Control, Robotics and Systems
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    • v.5 no.4
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    • pp.454-461
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    • 1999
  • A concrete floor trowel machine, developed in the U.S in 1990's, consists of only two rotary trowels, and doesn't need any other mechanism for motion such as wheels. When the machine flattens a concrete floor with its rotary trowels, the machine can move in any direction by utilizing the unbalanced friction forces occurring between the rotary wheels and the floor when the trowels are tilted in appropriate directions. In order to automate the trowels machine, this paper proposed the self-propulsive concrete finishing trowel robot which has twin trowels. For the control of the robot, this paper discussed the following. Firstly, the dynamics model of the driving frictional force applied on each trowel from the floor is derived. Secondly, the relationship between the driving force for the robot and the control variable of the robot is derived. Finally, the basic motion of the robot are realized by using the obtained relationship. This paper figures out how the concrete floor finishing robot with tow trowels moves and will contribute to realizing it.

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Analysis and Measurement of Lightning Parameters on Subscriber Telecommunication Lines (가입자 통신 선로에서의 뇌격 파라미터 분석과 측정)

  • Oh, Ho-Seok;Park, Dong-Chul
    • The Journal of Korean Institute of Electromagnetic Engineering and Science
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    • v.18 no.11
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    • pp.1309-1317
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    • 2007
  • In this paper, the Induced voltage on transmission line by lightning was calculated using FDTD method and the lightning parameters such as peak voltage, rise time, and decay time for the lightning location and line length were analyzed. To verify the results, lightning induced voltage was measured in the field using real telecommunication line. Results from the collected data were compared with the calculated results. It was found that the rise time and the decay time were increased as the line length and the distance between the line and lightning location were increased. Also, the peak voltage was affected more by the overhead line length than by the total line length, while the rise time and the decay time were more affected by the total line length.

A Study on the Analysis of Delay Claim Risk in Apartment Housing Projects (공동주택공사에서의 공기지연 리스크분석에 관한 연구)

  • Kim Jae-Wook;Woo Kwang-Min;Lee Hak-Ki
    • Proceedings of the Korean Institute Of Construction Engineering and Management
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    • autumn
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    • pp.217-221
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    • 2003
  • This study proposes a new classification system and analysis methodology for time delay risk of apartment projects. And this study proposes the classification of major trades and risk level and risk index by performing expert-oriented interview and survey report on a national scale. The purpose of this study is to present basic data for time delay risk management system through the analysis of risk level, risk index and rank of major 5 trades(earth work, structure work, masonry work, window and door/glass work, and interior finish work) in apartment projects.

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