• 한국산학기술학회논문지
• /
• 제14권1호
• /
• pp.426-435
• /
• 2013

미니멀 건축의 단순성으로 인하여 최초 시도자를 흔히 20세기 초기 건축가 미스 반 데 로에(Mies van der Rohe)로 잡고 있다. 그렇다면 미니멀 건축이 20세기 초의 근대미학으로 되돌아가는 회귀성 건축인지 그리고 어떻게 이러한 건축이 20세기 후반의 대표적 건축양식 중 하나로 자리 잡고 있는지 알아보고자 하였다. 그 결과, 미니멀 건축은 기능성, 합리성, 위생성 등을 추구하며 장식을 배제하고 단순한 형태의 기계미학을 표현한 근대건축과는 달리 인간의 감성과 체험된 지각에 중점에 두고 간결하고 단순한 형태를 주변공간과 일체화시켜 새로운 질서를 구축하여 감동을 주려고 노력하였음을 알 수 있었다. 이러한 미니멀 건축의 표현 방법은 다감각적 지각 체계와 추상적이며 순수한 개념적 지각 체계 중 개념적 지각체계를 보다 강조하며 대비하여 나타내고 있는 현대건축표현 경향과 일맥상통하고 있다는 것을 알 수 있었다. 그러므로 단순성의 표현만으로는 미니멀 건축을 위한 필요조건은 되지만 충분조건은 되지 않는 것을 알 수 있었다.

• 대한건축학회논문집:계획계
• /
• 제35권2호
• /
• pp.93-104
• /
• 2019

Minimal art, which began to flourish in the mid-1960s, explores perceptual situations caused by the involvement of objects in given site contexts. This has led to the mentions of minimal art as a site-specific art, but its limitations have also been pointed out. This study specifically addresses the limitations of minimal art as a site-specific art with two perceptual points of view. First, according to Michael Fried, situations described as 'now here' focus largely on the bodily experiences of a place. However, they do not rooted in specific time and space of a certain place. Second, the unique characteristics of a certain place are excluded from the perception of the body which occupies the passage of time. Self-sufficient algorithm, which is far from site-specific conditions, is the autonomous system creating the period in the way of arrangement of objects. In addition, Minimal art regards a body only as the objectivity excluding the subjectivity which is essential creating meaning in a place. In the latter part of the article, these features are dealt with through Donald Judd's works. This study on site-specificity also provides a new perspective on the discussion of Minimal architecture and Minimal landscape.

• 한국주거학회논문집
• /
• 제15권6호
• /
• pp.15-25
• /
• 2004

This study examined how the characteristics of abstractive form among various contenporary housing architecture have been expressed. The conclusions were: First, abstractive characteristics and types related to from expression of contemporary housing architectures were minimal form and absolute form of geometrical abstraction, plastic form and atypical form of expressive abstraction and mechanical aesthetics of industrial abstraction. Second, the typological form expression characteristics in minimal expression related to geometrical abstraction were simplicity, purity, and the properties of matter, and the characteristics in absolute expression were overlapping, obliqueness and dispensability. On the other hand, plasticity and mobility of materials were distinctive in plastic form expression, and inclination, curve and asymmetry were distinctive in atypical expression. The distinctive nature of mechanical aesthetics related to industrial abstraction included transparency, simplicity and. the properties of matter Funhermore, the study aimed at the understanding of various from expressions showed up in contemporary housing architecture, revealing the aspects of abstractive form expression characteristics.

• 한국실내디자인학회논문집
• /
• 제15권5호
• /
• pp.68-76
• /
• 2006

Frei Otto, who is called to be the father of the ecological architecture, has shaped a peculiar architectural form style. In distance from the formalistic persistence to the modernist form canon and the postmodern tendencies to the self-representation of architects, Frei Otto has taken a more fundamentalistic position. Through the interdisciplinary researches on the self-organizing processes in the nature and the technical world Frei Otto could reason with architects, engineers, biologists, historians and philosophers the principle and structure of the natural construction that is applicable to the morphological research and the architectural construction research. In the middle of his architectural and scientific works is the idea of 'the natural construction' situated, and the basic principle and instrument of this 'Die Prinzip der Selbstbildung, The Principle of Self-making'. Founding himself on this principle, Frei Otto seeks after the new architectural form that is light, natural, flexible and variable by reasoning the typical formation process which refers to the common denominator of the self-making processes in the nature, the technique and the architecture. Despite his architecture is to be called to the anonymous, his architectural vision is headed toward the rationalistic form in accord with the natural laws. This study is purposed to elucidate the constellation to which his scientific attempts belong and the theoretical and methodological foundations of his architecture of 'the natural construction'.