• Title/Summary/Keyword: 몰핑

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Morphing Technique using Scanned Data and Level-Set Method (스캔 데이터와 레벨셋 방법을 이용한 몰핑 기법)

  • Lee, Tae-Ho;Lee, Seung-Wook;Cho, Seon-Ho
    • Proceedings of the Computational Structural Engineering Institute Conference
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    • 2011.04a
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    • pp.565-568
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    • 2011
  • NURBS는 매개변수를 이용하여 3차원에서 곡면을 표현한 방법으로서 노트벡터, 조정점, 가중치로 구성된다. 레벨셋은 공간을 음함수로 정의된 장으로 형성하여 음함수의 일정한 값을 추적하여 곡면을 표현한 방법이다. 본 논문에서는 스캔 데이터를 NURBS 형태로 추출한 뒤 이를 정밀한 레벨셋 모델로 변환하였다. 레벨셋 모델을 구성하기 위해서 형성된 음함수는 부호를 갖는 거리함수를 사용하였고, 거리함수를 정밀하게 나타내기 위해 Newton 순환법을 이용하였다. 변환된 레벨셋 모델을 이용하여 형상의 몰핑을 수행하였다. 몰핑은 초기 형상을 목표 형상으로 변화시켜 나가는 과정으로서 레벨셋 모델을 이용한 몰핑은 용이성과 질적인 측면에서 우수하다. 수치 예제에서는 스캔 데이터의 레벨셋 모델 변환과 변환된 형상이 자연스럽게 목표형상으로 변화하는지를 확인한다.

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Feature-Based Surface Light Field Morphing (특징점 기반의 표면 라이트 필드 몰핑)

  • Jeong, Eun-Hee;Ahn, Min-Su;Yoon, Min-Cheol;Lee, Seung-Yong
    • Journal of the Korea Computer Graphics Society
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    • v.9 no.1
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    • pp.3-9
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    • 2003
  • 표면 라이트 필드는 각 시점에서 관찰된 서로 다른 물체 표면의 색 정보를 메쉬에 저장함으로써 물체 표면을 시점 변화에 따라 사실적으로 렌더링할 수 있다. 본 논문에서는 표면 라이트 필드에 대한 영상 기반 편집 기술로서 몰핑 기법을 제시한다. 표면 라이트 필드를 몰핑하기 위해서는 중간 물체의 표면 라이트 필드를 위한 기하 정보와 라이트 필드를 생성해야 한다. 중간 물체의 기하 정보는 메쉬 몰핑을 통해 얻을 수 있다. 중간 물체의 라이트 필드는 두 입력 라이트 필드에서 필요한 정보를 얻어 시점과 기하 정보의 변화에 따라 변형한 후 이를 보간하여 주어진 시점에서의 라이트 필드를 동적으로 얻어낸다. 메쉬 몰핑을 통해 얻어진 중간 물체의 메쉬는 입력 물체에 비해 매우 복잡한 연결 구조를 가지므로 렌터링 속도를 향상시키기 위한 방법을 제시한다. 먼저 메쉬 몰핑 과정에서 메타 메쉬를 만들 때 가까이에 있는 정점들을 병합하여 보다 단순한 메타 메쉬를 생성하고 중간 물체를 렌더링하기 위해 메타 메쉬를 사용하지 않고 메타 메쉬를 근사하도록 두 입력 메쉬를 변형한 후 이를 렌더링에 사용한다.

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The Characteristics of Neuro-image in Post-cinema through Morphing Technique in (2013) (<블랙 스완>(2013)의 몰핑 기술을 통해 본 포스트 시네마의 신경-이미지적 특징)

  • Jang, Mi-Hwa;Moon, Jae-Cheol
    • Journal of Korea Entertainment Industry Association
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    • v.15 no.5
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    • pp.45-53
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    • 2021
  • Digital morph expresses the imaginary beyond the representation of reality by expressing the narrative effect characteristically. In particular, the effect of affect can be considered to be a characteristic of digital cinema as a post-cinema. In (2013), Morphing image prominently shows the characteristics of post-cinema. By actively utilizing software technology, this film gives a shocking effect by expressing the magical image. Paying attention to the post-cinematic characteristics of morphing different from classical film, this article treated the characteristics of digital morphing. The digital morphing presents the flow of affect visualizing uncanny phenomenon of body transformation. This evokes concept of neuro-image which Patricia Pisters distinguished the neuropsychiatric pathology that appears actively on the contemporary digital screen. The Neuro-image goes beyond the temporality of Deleuze's time-image presenting future. Allegedly, the morphing of presents the neuro-images when Nina's body changed to hybrid body with black swan. Digital Morphing technique provides a shocking effect, showing delirium when the body bizarrely deformed while dancing ballet. This is different from the attraction of the morphing in film, it expresses the emotion of the neoliberal era beyond representation. In conclusion, the digital morphing presents the neuro-image system modulating the shock. This shows the characteristics of digital film which interacting and controling the shock effect as post-cinema.

View Morphing for Generation of In-between Scenes from Un-calibrated Images (비보정 (un-calibrated) 영상으로부터 중간영상 생성을 위한 뷰 몰핑)

  • Song Jin-Young;Hwang Yong-Ho;Hong Hyun-Ki
    • Journal of KIISE:Computer Systems and Theory
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    • v.32 no.1
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    • pp.1-8
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    • 2005
  • Image morphing to generate 2D transitions between images may be difficult even to express simple 3D transformations. In addition, previous view morphing method requires control points for postwarping, and is much affected by self- occlusion. This paper presents a new morphing algorithm that can generate automatically in-between scenes from un-calibrated images. Our algorithm rectifies input images based on the fundamental matrix, which is followed by linear interpolation with bilinear disparity map. In final, we generate in-between views by inverse mapping of homography between the rectified images. The proposed method nay be applied to photographs and drawings, because neither knowledge of 3D shape nor camera calibration, which is complex process generally, is required. The generated in-between views can be used in various application areas such as simulation system of virtual environment and image communication.

Feature-based Topological Mesh Metamorphosis (위상 변환을 통한 특징 기반 메쉬 몰핑)

  • An, Min-Su;Lee, Seung-Yong
    • Journal of the Korea Computer Graphics Society
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    • v.7 no.4
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    • pp.1-8
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    • 2001
  • 3D mesh metamorphosis (morphing) deals with two input polyhedral objects and generates an animation in which the source mesh gradually changes to the target through in-between meshes. The basic and common idea of previous mesh morphing techniques can be summarized as the construction and interpolation of a metamesh. However, an approach based on a metamesh has fundamental limitations of complicated in-between meshes and no topology (connectivity) changes in a metamorphosis. This paper presents a novel approach for 3D mesh morphing, which is not based on a metamesh and overcomes the limitations of previous work. The approach simultaneously interpolates the topology and geometry of input meshes. With the approach, an in-between mesh contains only the vertices from the source and target meshes. Since no additional vertices are introduced, the in-between meshes are much simpler than those generated by previous techniques.

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An algorithm of the natural view transition in the panoramic image based navigation using Fast Fourier Transform Techniques (파노라마 영상 기반 네비게이션에서 FFT 기술을 이용한 자연스러운 장면 전환 알고리즘)

  • Kim, Dae-Hyun;Choi, Jong-Soo;Kim, Tae-Eun
    • The KIPS Transactions:PartB
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    • v.10B no.5
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    • pp.561-566
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    • 2003
  • This paper proposes a new algorithm that generates smooth and realistic transition views from one viewpoint to another view point on the panorama based navigation system. The proposed algorithm is composed with two steps. One is prewarping that aligns the viewing direction in two panorama image, the other is bidirectional disparity morphing (BDM) that generates the intermediate scene from the aligned panorama images. For the prewarping, first of all, we compute the phase correlation between two images in order to get the information such as the displacement, rotation, and scale. Then we align the original images using these information. As soon as finishing the prewarping, we compute the block based disparity vectors (DVs) and smooth them using the two occluding patterns. As we apply these DVs to the BDM, we can get the elaborate intermediate scenes. We make an experiment on the proposed algorithm with real panoramic images and we can get the satisfactory results.

The Expressive Characteristics of Morphing in Fashion Design (패션디자인에 나타난 몰핑의 표현특성)

  • Choi, Jung Hwa;Choi, Yoo Jin
    • Journal of the Korean Home Economics Association
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    • v.50 no.7
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    • pp.67-79
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    • 2012
  • This study analyzed the characteristics of morphing in fashion design through the documentaries on morphing and fashion. The characteristics of morphing in fine art, media, and design area were categorized as reversible metamorphosis, sequential dissolve and blurring of interpolation boundaries. The results were as follow in fashion design. Reversible metamorphosis showed an automatic silhouette transformation by remote control, the metamorphosis of folding method by wearer's own movements and the automatic silhouette transformation by the air pressurizing method. It represented the thoughts of omnipotence as in the feeling of the magical world, the human desire for control in life, the rationalization of magical thinking and imaginative power, the creation of a new dress space and the extension of dress function. Sequential dissolve showed juxtaposition in the same area by the time order, juxtaposition in virtual space through the computer graphics, the series of fashion photography by steel cut of the dress making process and the blending of digital film and fashion design. It represented the approach for the storytelling of fashion show, implication of creative fashion design process and the creation of organic forms and the feeling of fantasy through artificial technology. The blurring of interpolation boundary showed an overlay of different fabrics with transparent boundaries, an overlay of different patterns with transparent boundaries and the blending of fabrics through the visual mixing of color. It represented the obfuscation of the object, the connotation of the space order, the connotation of the extensive and various meanings and the integrative property of objects.

View Interpolation Algorithm for Continuously Changing Viewpoints in the Multi-panorama Based Navigatio (다중 파노라마 영상기반 네비게이션에서 연속적인 시점이동을 위한 장면보간 방법)

  • 김대현;최종수
    • Journal of the Institute of Electronics Engineers of Korea SP
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    • v.40 no.6
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    • pp.141-148
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    • 2003
  • This paper proposes a new algorithm that generates the smooth and realistic transition views from one viewpoint to another on the multi-panorama based navigation system. The proposed algorithm is composed of two steps. One is prewarping that aligns the viewing directions of two panoramic images, and the other is the bidirectional disparity morphing(BDM) that generates the intermediate scene from the aligned panoramic images. For prewarping, we compute the phase correlation between two images in order to obtain the information, such as translation, rotation, and scaling. Then we align the viewing directions of two original images using these information. Afterprewarping, we compute the block based disparity vector(DV) and smooth them using two occluding patterns. As we apply these DVs to the BDM, we can generate the elaborate intermediate scene. We make an experiment on the proposed algorithm with some real panoramic images and obtain good quality intermediate scenes.

Out-of-core Mesh Chartification (외부 메모리를 이용한 메쉬 차트화)

  • Choe, Sung-Yul;Kim, Jun-Ho;Lee, Hae-Young;Lee, Seung-Yong
    • Journal of the Korea Computer Graphics Society
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    • v.10 no.4
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    • pp.22-26
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    • 2004
  • 본 논문은 거대한 메쉬를 효율적으로 처리하기 위해 이를 조각화하는 새로운 방법을 제시한다. 메쉬의 특징을 반영하여 데이타를 분할하기 위해서 로이드 양자화 방법을 적용하였으며, 거대한 메쉬 데이터를 다루기 위해 외부 메모리를 이용한 부분적인 차트화 갱신 방법을 제시한다. 차트화 갱신 과정에서 효율적으로 매쉬 데이터를 다루기 위해서 임의접근 가능 메쉬 압축구조를 활용한다.이러한 방법을 통해서 수행된 외부 메모리를 이용한 차트화 결과가 지금까지 개발된 메쉬 차트화 결과와 크게 다르지 않음을 보여준다. 이와 같은 메쉬 차트화 시스템을 통해 거대한 메쉬에 기존의 파라미터화, 몰핑, 매칭, 재매쉬화 등의 매쉬 처리기법을 적용할 수 있다.

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Development of 4D System based on New Methodology for Visualizing Construction Schedule Data for Civil Engineering Projects (토목시설물 공사관리 시각화를 취한 4D시스템 적용방안)

  • Kang, Leen Seok;Jee, Sang Bok
    • KSCE Journal of Civil and Environmental Engineering Research
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    • v.26 no.1D
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    • pp.95-103
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    • 2006
  • One of the main functions of the 4D system includes visualizing numerical schedule data in construction. The existing 4D tools have an excellent function for simulating building projects that all activities are progressed according to vertical work zone. However, it is not easy to implement all of it in the civil engineering project because the construction activities of highway and railway projects are progressed on the horizontal work zone and the 4D simulation for those projects should include earthwork objects that depend on the natural ground condition. This study suggests a new methodology for improving those limitations of 4D system for the civil engineering project and develops a new system by the suggested methodology. To verify the developed system, this study attempts to simulate 4D object for horizontal elements such as earthwork, paving work and tunneling work. The morphing and multi-texturing techniques developed in the study can be new approaches to simulate 4D object for the earthwork such as cutting and banking whose activities are progressed on the natural ground condition. The research results can be expected as a draft function for improving the application of 4D system in civil engineering projects.