Journal of the Korean Home Economics Association (대한가정학회지)

The Korean Home Economics Association (대한가정학회)
권호 표지
DOI QR코드

DOI QR Code

The Expressive Characteristics of Morphing in Fashion Design

패션디자인에 나타난 몰핑의 표현특성

  • Choi, Jung Hwa (Department of Clothing and Textiles.Center for Beautiful Aging, Kyungpook National University) ;
  • Choi, Yoo Jin (Department of Clothing and Textiles, Kyungpook National University)
  • Received : 2012.06.18
  • Accepted : 2012.09.12
  • Published : 2012.11.30
Download PDF
⟨ Previous Next ⟩

Abstract

This study analyzed the characteristics of morphing in fashion design through the documentaries on morphing and fashion. The characteristics of morphing in fine art, media, and design area were categorized as reversible metamorphosis, sequential dissolve and blurring of interpolation boundaries. The results were as follow in fashion design. Reversible metamorphosis showed an automatic silhouette transformation by remote control, the metamorphosis of folding method by wearer's own movements and the automatic silhouette transformation by the air pressurizing method. It represented the thoughts of omnipotence as in the feeling of the magical world, the human desire for control in life, the rationalization of magical thinking and imaginative power, the creation of a new dress space and the extension of dress function. Sequential dissolve showed juxtaposition in the same area by the time order, juxtaposition in virtual space through the computer graphics, the series of fashion photography by steel cut of the dress making process and the blending of digital film and fashion design. It represented the approach for the storytelling of fashion show, implication of creative fashion design process and the creation of organic forms and the feeling of fantasy through artificial technology. The blurring of interpolation boundary showed an overlay of different fabrics with transparent boundaries, an overlay of different patterns with transparent boundaries and the blending of fabrics through the visual mixing of color. It represented the obfuscation of the object, the connotation of the space order, the connotation of the extensive and various meanings and the integrative property of objects.

Keywords

References

  1. All of ambulance are same? form in future. (2009, April 11). News Open World. Retrieved September 4, 2011 from http://nownews.seoul.co.kr/news/ newsView.php?id=20090411601002.
  2. Arnheim, R. (1995). Art and visual perception-a psychology of the creative eye (C. I. Kim, Trans.). Seoul: Mijinsa. (Original work published 1954)
  3. Bukatman, S. (2003). Matters of gravity: special effects and supermen in the 20th century. Durham & London: Duke University Press Books.
  4. Chalayan, H. (2011). Hussein Chalayan-from fashion and back-. Tokyo: Bss Bijutsu.
  5. Choi, J. H., & Choi, Y. J. (2009). The expressive characteristics of origami fashion based on functionality. Journal of the Korean Society for Clothing Industry. 11(4), 515-526.
  6. Collezioni Trends 96. (2011). Alexander Wang. Modena: Logos Publishing.
  7. Dr. Jekyll and Ms. Hyde. (1995, September 2). Naver. Retrieved July 12, 2011 from http://movie.naver.com/movie/bi/mi/basic.nhn?code=17348.
  8. Echo. (2010, April 20) Bart Hess. Retrieved December 7, 2011 from http://barthess.nl/portfolio/echo/.
  9. Flynn, M. (2009). Infinity in your pocket. (J. Y. Kim, Trans.). Seoul: Nulbom. (Original work published 2005)
  10. Frozen. (1998). Pandora. TV. Retrieved July 12, 2011 from http://channel.pandora.tv/channel/video.ptv?ch_userid=markusia&skey=frozen&prgid=46277961&ref=search&lot=prglist_1.
  11. Gans, D., & Kuz, Z. (2003). The organic approach to architecture. London: Wiley-Academy.
  12. Gomes, J., Darsa, L., Costa, B., & Velho, L. (1998). Warping & morphing of graphical objects. San Francisco: Morgan Kaufmann.
  13. Hartney, E., Blistene, B., Buci-Glucksmann, C., Cros, C., & Durand, R. (2004). Orlan: Carnal art. Paris: Flammarion.
  14. Hussein Chalayan. (2003). First View. Retrieved November 24, 2011 from http://www.firstview.com/.
  15. Interpolation. (n. d.). Naver. Retrieved March 27, 2012 from http://100.naver.com/100.nhn?docid=75756.
  16. Jekal, M., Na, I. H., & Lee, Y. H. (2008). Expressional characteristics of media art in Hussein Chalayan's fashion works. Journal of the Korean Fashion & Costume Design Association, 10(3), 89-100.
  17. Jung, M. R. (2011). A study on the representation methodology of visual transparency in contemporary art. Unpublished master's thesis, Korea University, Seoul, Korea.
  18. Kazuya, S. (1998). The formation of illusion. (S. S. Kim, Trans.). Seoul: Jigu. Publishing Co. (Original work published 1978)
  19. Kim, J. G. (2002). Expression study for animation work, used metamorphosis technique: From a work, "Two faces". Unpublished master's thesis, Hongik University, Seoul, Korea.
  20. Kim, Y. W., & Kim Y. K. (1998). Fractals & chaos. Seoul: Wooseong.
  21. Kwon, K. S. (1998). A study on the application of an expression technique by surrealism: with emphasis on the morphing technique. Unpublished master's thesis, Sookmyoung Women's University, Seoul, Korea.
  22. Lee, H. J. (2007). A study of liquefaction of space using digital technique. Unpublished master's thesis, Kookmin University, Seoul, Korea.
  23. Life is a technological idea report. (2011, January 5). MK News. Retrieved October 17, 2011 from http://news.mk.co.kr/newsRead.php?year=2011&no=10076.
  24. Mason, D. (1995). Morphing on your pc. (S. C. Hwang, Trans.). Seoul: Gimmyoung Publisher. Inc. (Original work published 1994)
  25. M. C. Escher. (n. d.). The M. C. Escher Company B. V. Retrieved July 12, 2011 from http://www.mcescher.com/.
  26. Moon, J. C. (2004). A study on magical effect of digital technology. Association of image & film studies, 5, 7-29.
  27. Morphing aircraft. (2010, March 7). Financial News. Retrieved August 31, 2011 from http://www.fnnews.com/view?ra=Sent0901m_View&corp=fnnews&arcid=0921918854&cDateYear=2010&cDateMonth=03&cDateDay=07.
  28. Morphing furniture. (2007). Noiz. Retrieved July 12, 2011 from http://noizarchitects.com/projects/ morphing-furniure/.
  29. Morphing kinetower skyscraper concept is a mind (and literal) bender. (2011, March 17). Inhabitat. Retrieved October 17, 2011 from http://inhabitat.com/morphing-kinetower-skyscraper-is-a-mind-and-literal-bender/.
  30. Phase dress. (2010). Vimeo. Retrieved August 30, 2012 from http://vimeo.com/17030989.
  31. Quinn, B. (2003). The fashion of architecture. Oxford & New York: Berg Publishers.
  32. Ra, S. H., & Hyun, E. J. (2009). Intertextuality in william steig's picturebooks 2-with a focus on the motif of transformation. Korean Journal of Early Childhood Education, 29(4), 23-46.
  33. Terzidis, K. (2003). Expressive form: A conceptual approach to computational design. New York: Spon Press.
  34. Textile View Magazine. (2011). Textile View Magazine-issue 94. New York: Mod Information Ltd.
  35. Textile View Magazine. (2011). Textile View Magazine-issue 95. New York: Mode Information Ltd.
  36. Toffoletti, K. (2007). Cyborgs and barbie dolls: Feminism, popular culture and the posthuman body. London & New York: I. B. Tauris.
  37. Twins is better than computer. (2006, September 21). Ohmynews. Retrieved July 12, 2011 from http://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNTN_CD=A0000361495.
  38. VFX technology in movies. (2008, April 2). Ebuzz. Retrieved August 31, 2011 from http://www.ebuzz.co.kr/content/buzz_view.html?ps_ccid=481 33.
  39. Vyzoviti, S. (2006). Supersurfaces. California: Ginko Press, Inc.
  40. Walter Van Beirendonck. (2008). Bart Hess. Retrieved December 7, 2011 from http://barthess.nl/portfolio/walter-van-beirendonck/.
  41. Wearable privacy shells. (2011, August 20). Toxel. Com. Retrieved November 9, 2011 from http://www.toxel.com/tech/2011/08/20/wearableprivacy-shells/.
  42. Yang, H. Y., & Kim, S. Y. (2008). A study on postformal spatial expression in 21st century fashion design. Journal of the Korean Society of Costume, 58(8), 91-105.

Cited by

  1. 제너러티브 아트(Generative Art)의 시각적 속성이 반영된 패션디자인 분석 vol.41, pp.5, 2012, https://doi.org/10.5850/jksct.2017.41.5.825