• Korean journal of communication and information
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• v.49
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• pp.5-19
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• 2010

The purpose of this paper is to disclose the characteristics of knowledge in the age of digital reproduction. To achieve this I extended Benjamin's concept of technological reproduction to three different stages as mechanical reproduction, electric reproduction and digital reproduction. Each stage has different degree of reproducibility and de-materialization. I also combined McLuhan's concept of the electricity at the point of de-materialization with reproducibility. The degree of materiality and reproducibility is the key concept which could scale the technical condition of knowledge production. The social condition of knowledge reproduction is controlled by economic and political factors. In this connection between technological and social condition the current knowledge production and intellectual property could be explained properly. This study could open the theoretical door to deepen such an understanding.

• The Journal of the Korea Contents Association
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• v.19 no.1
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• pp.117-124
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• 2019

This paper investigates how digital technology innovates the aesthetic ontology of film images. The modern civilization of computer and internet bring about the new ontology of film images. Digital hybrid image expands the contradictory combination of physical reality and filmic fantasy. It is inevitable to recount Walter Benjamin' s concept of mechanical reproduction in the age of digital cinema. The modern condition of image arts changes the concept of mechanical reproduction to the logic of digital configuration. In addition, computer simulation innovates the film aesthetics of montage to the aesthetics of digital collage. The technological and aesthetical development of computer simulation and internet network leads to the new ontology of digital hybrid images. This study suggests a new theoretic point that the aesthetic ontology of digital hybrid images leads to the expansion of filmic fantasy and expression.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.241-242
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• 2019

발터 벤야민은 그의 저서인 '기계복제시대의 예술작품'에서 영화를 인쇄술, 사진술과 같은 기계복제의 예술품으로 묘사하였다. 분명 영화는 복제에 기반을 둔 예술이다. 나아가 21세기에는 컴퓨터 기술이 향상과 함께 컴퓨터그래픽에 대한 의존도는 더욱 높아졌다. 이러한 경향은 영화를 제7의 예술로 추동하는 '놀랄 만한' 효과와 그 영향을 약화시켰다. 바로 벤야민이 기계복제로 인해 우려했던 지점이기도 하다. 하지만 기술의 향성은 부정적 우려와 함께 영화제작의 효율성을 제고하고 있는 것도 사실이다. 이에 연구자는 기계복제에서 나아가 디지털까지 확장된 영화에 대해 연구하고자 한다.

• The Science & Technology
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• no.5 s.444
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• pp.104-105
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• 2006

• Cartoon and Animation Studies
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• s.17
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• pp.205-218
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• 2009

The duplication of art works has been made for wide distribution and profit from long time ago. With material duplication due to recent development of digital duplication media its concept was intervened in art works and the meaning gets expanded more. In this thesis, I will review on the concept of recently marked arts duplication connecting with modern mass culture, compare with duplication of machinery duplication era and research on the features to establish in new way. After all, the duplicational features of digital art works got deeply connected with the characteristics of generalized modern digital mass culture for duplication. In previous times old-fashioned machinery duplication such as pictures, woodblock prints and films played their roles as democratic and social value of art works and now it will be enough to say that the modern digital art works could be developed to be non-materialized factor of art works with the concept of duplication as well as duplication of objects just like previous cases. Besides duplicational factors derived spatial and emotional effects with visional sympathy in existing machinery duplication era and could have verified that the object for duplication was transferred from minor commercial producers to major audience.

• Proceedings of the Korea Information Processing Society Conference
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• 2008.05a
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• pp.485-488
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• 2008

디지털 시대의 도래와 함께 국내외적으로 SW 및 디지털 콘텐츠로 확대되고 있는 표절과 불법복제 문제의 심각성은 날로 더해가고 있으며, 이에 따른 사회 경제적인 폐해 규모도 급격히 증가하고 있다. 따라서 SW표절과 불법복제로부터 저작권 보호를 위한 적극적 대응 방안으로 SW복제도 감정에 적합하고 유용한 SW시스템 개발의 필요성을 인식하게 되었다. 본 논문에서는 SW복제도 감정, 즉 두 프로그램 사이의 동일 유사성 정도를 판단하기 위해 제안된 유사성 탐지도구의 핵심 설계구조 및 기반 기술 등 전반적인 구현 메커니즘에 관하여 논한다.

• Journal of Digital Convergence
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• v.18 no.6
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• pp.279-285
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• 2020

In the era of the Fourth Industrial Revolution, there are many sensors around. People and things are connected to these sensors to the internet. Numerous connected sensors produce the latest data in seconds, and these data are stacked with big data of unimaginable size. Because personal information can be contained in any place of data produced, device and system protection are needed. Digital twins are virtual models that accurately reflect the status information of physical assets and systems that utilize them. The characteristic of digital twin is that digital twin itself has temporal and structural identity enough to represent the object of reality. In the virtual environment the reproduced reality, it continuously simulates and it virtuals of the point of time or the future, the replica can be created. Therefore, this study cited factors threatening personal information in the era of the Fourth Industrial Revolution. And proposed using digital twin technology that can simulate in real-time to overcome the risk of personal information hacking.

• Cartoon and Animation Studies
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• s.44
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• pp.235-261
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• 2016

Media consumers in the context of the Internet and digital media are using the same content to a variety of platforms. As such, the content of various genres is converted to the form of a new content through the process of fusion, combination, transformation, differentiation, reproduction, etc on the basis of digital media. That is referred to as trans-media. In order to create the successful content in trans-media era, it requires the work of Edi-curation. Edi-curation work is the act of editing and adding meaning to the curation work of curators. In that sense, this paper analyzed the definition and meaning for Edi-curation of publishing and comic(webtoon) content in trans-media era. Edi-curation process induces the changing role of consumers and producers of content in the digital media experience. In process of Edi-curation, consumers(producers) will soon lead to a media producer(consumer), namely proconsumer / produser. Diversification of digital platforms and devices, digital 1 person (or SNS) appeared in the media, etc. are also required to Edi-curation of content and comic(webtoon) published in a variety of ways. Depending on the intention of media producers (or consumers), content through the process of replication, montage, disassembly, dismantling, hypertext, compression, and reconstruction births to new content. The work of Edi-curation has the significance that it affects the way the media producers work in creative process, as well as the reading content of the media consumers. In the publishing content, Edi-curation work is the logicality destruction of a chapter or a paragraph, a sentence of colloquialisms, card news, the deformation of the utilization of video and media content. Meanwhile in the comic(webtoon) content, we mention the destruction of cut(frame), the various modifications of speech bubbles, onomatopoeia, and mimetic word.

• Proceedings of the Korea Information Processing Society Conference
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• 2007.05a
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• pp.103-106
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• 2007

디지털 콘텐츠가 나타나면서 시대별 유통 방법이 제안되고 발전돼왔다. 초창기 저용량의 디지털 콘텐츠에서 현재 대용량의 DVD급 화질의 콘텐츠가 유통되고 있다. 아날로그 콘텐츠와는 달리 디지털 콘텐츠가 불법복제 되면 콘텐츠의 저작권자는 더욱 큰 물질적인 손해를 입게 된다. 그래서 DRM(Digital Rights Management)기술이 디지털 콘텐츠에 적용되어 콘텐츠를 보호하게 되었다. 하지만 표준화되지 못한 DRM 기술은 여러개의 전용 클라이언트 프로그램이 필요하게 되었고, 콘텐츠의 유통흐름을 원활하게 못하고 있는 실정이다. 제안된 시스템은 디지털 콘텐츠와 플레이어의 일체화된 구조로서 디지털콘텐츠를 1차 패키징 하고, 플레이어의 Secure Storage에 2차 패키징 하여 콘텐츠와 플레이어가 하나의 파일로 배포되어진다. 2차 패키징 된 결과물은 PackPlayer라 명칭한다. 콘텐츠와 플레이어가 하나의 파일로 배포되어지면 사용자가 쉽게 콘텐츠를 볼 수 있으며, 원활한 콘텐츠의 유통과 다양한 상품서비스를 가능하게 해줄 수 있을 것이다.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 2006.05a
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• pp.413-415
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• 2006

디지털 시대에는 누구나 쉽게 정보에 접근 할 수가 있어 아주 간단하게 다른 사람의 정보를 불법 복제해서 무단으로 사용하는 경우가 증가하게 되었다. 이는 많은 투자와 노력으로 지식을 생성하는 일도 중요하지만 이를 관리하고 보호하는 일이 중요한 과제로 부상하고 있다는 것을 의미한다. 본 논문에서는 다른 사람의 지적 재산권을 침해하고 표절을 하여 사용했을 경우 이를 효과적으로 탐지하는 새로운 방법과 이론을 제시하고자 한다.