• Journal of Digital Convergence
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• v.14 no.1
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• pp.479-489
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• 2016

This study examines how disability pride of people having acquired visual impairment can be constructed. The theme is explored with the Japanese TV drama "Challenged". The paradigms regarding construction of disability pride and acceptance of disability are fundamentally different. In this context it can be said that a criticism of disability acceptance theory has something with a criticism of medical model of disability. It is main character Hanawa and chairman of teachers, and principal who were noticeable specifically at the point of forming disability pride, and these characters show a common feature that social idealism is embodied in their awareness. Other characters of the drama show a change of their consciousness to social idealism. As a conclusion this study suggests importances of humanistic and social scientific analysis as well as of educational effects achieved by means of drama.

• The Journal of the Korea Contents Association
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• v.14 no.6
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• pp.11-25
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• 2014

In strong dramas, pot, character, and theme, three basic elements in dramatic structure, are effectively integrated forwards the same dramatic idea. Plot might be considered as the most important element to combine events and character. However, at some point of the script, the writer becomes less interested in the mechanics of the plot, and the characters take over, because audiences remember the characters or the situations more clearly than the plot. Therefore, the workshop of dramatic structure would be successful when it starts from excogitating the character and the situation, by improvising 'voices' of characters, building 'back story', and reconstructing 'outline from the antagonist's view'. With these exercises, the writer and the director understand the mechanics of dramatic plotting by characterization, which include the choice of the protagonist, and the description of plausible actions and the theme, and they consequentially find the way to obtain solidity and plausibility in the scenes.

• The Journal of the Korea Contents Association
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• v.17 no.12
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• pp.226-235
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• 2017

Reflecting times, Korean TV dramas have gone through massive changes. So have their main characters. This study is about their jobs, which have become more professional as well as diverse. It is observed that the male characters" jobs and job-related episodes take the center stage in the stories of dramas, rather than love stories of those characters. While main characters' jobs used to be part of the overall backdrop in the past, it has been the latest trend for a drama to begin building conflicts around and in the meticulously described work settings. This is opening up the possibility for new categories of genre dramas, as opposed to the typical Koran melodramas. For further success of this newly burgeoning trend, the sense of reality matters the most. Then, it requires elaborately built narratives, based upon a high level of expertise of playwrights in the relevant fields, and realistic proper image processing techniques.

• Proceedings of the KGS Conference
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• 2005.05a
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• pp.107-109
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• 2005

• The Journal of the Korea Contents Association
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• v.19 no.6
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• pp.179-191
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• 2019

It is not easy to predict the return on investment in the content business, and there is no index to evaluate cast & crew. The absolute number of TV ratings is steadily declining, but there is no substitute index yet. In this study, we tried to predict the relative popularity of the drama by designing the relative superiority of the individual drama viewership as the response variable and designing the relative superiority of the drama participants as the explanatory variables. We used various machine learning algorithms and added explanatory variables that were found to be useful in previous studies. As a result, with properly combined explanatory variables, a high prediction accuracy of 84% is obtained. In this study, we intend to promote the investment efficiency of the entire contents industry by predicting the relative popularity of the contents.

• Journal of Digital Convergence
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• v.10 no.11
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• pp.595-601
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• 2012

Narrative art is primarily narrative fiction realistic possibility for human figures into the contents of the work to build the core structure of the narrative, and the most important factor. Constitute the narrative structure of the story, while leading configuration is the subject of the act. Portrait of the artist's work presented in this perspective is the default attitude that gives the order to the drama itself, because it is the drama of aesthetic structure will eventually work through the people in the know. Mixture of aesthetic pleasure and aesthetic understanding of the regular drama is when you think that consciousness is through characters in his works is a shortcut to identify the writers think about the narrative structure.

• The Journal of the Korea Contents Association
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• v.17 no.8
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• pp.351-365
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• 2017

Illness has long been an important plot device in Korean dramas. In earlier years, the device typically was supposed to be in the form of a terminal bodily disease occurring for the female main character toward the end of the story. On the other hand, the latest trend is to situate a mental illness for the male lead character at the earlier part, and use it as a tool to build characters, construct causal relations and set the intense tone for the overall story. The mental illness as a plot device helps to provide a series of reversals, revelations and turnarounds, giving viewers a stronger sense of intensity, empathy and identification. While the illness used to play the role of a deus ex machina to make a big emotional finish, the latest adoption of the mental illness as a main plot device has enhanced the flexibility of the plot and the effect of versimilitude in dramas. These noticeable changes make one suspect that the focus of Korea's drama contents might have already begun to grow out of the conventional soap operas into different genres.

• Annual Conference on Human and Language Technology
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• 2020.10a
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• pp.227-232
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• 2020

본 논문은 의미역 주석(Semantic Role Labeling) 자원인 FrameNet을 준구어 말뭉치인 드라마 대본에 주석하는 과정과 주석 결과에 대해 서술한다. 본 논문에서는 프레임 - 프레임 논항 구조의 주석 범위를 한 문장에서 여러 발화로 이루어진 장면 (Scene) 단위의 대본으로 확장하여 문장 내에서 생략된 프레임 논항(Null-Instantiated Frame Elements)을 장면 단위 대본 내의 다른 발화에서 복원하였다. 본 논문은 프레임 자동 분석기를 통해 동일한 드라마의 한국어, 영어 대본에 FrameNet 주석을 한 드라마 대본을 선발된 주석자에 의해 대상 어휘 적합성 평가, 프레임 적합성 평가, 생략된 프레임 논항 복원을 실시하고, 자동 주석된 대본과 주석자 작업 후의 대본 결과를 비교한 결과와 예시를 제시한다. 주석자가 자동 주석된 대본 중 총 2,641개 주석 (한국어 1,200개, 영어 1,461개)에 대하여 대상 어휘 적합성 평가를 실시하여 한국어 190개 (15.83%), 영어 226개 (15.47%)의 부적합 대상 어휘를 삭제하였다. 프레임 적합성 평가에서는 대상 어휘에 자동 주석된 프레임의 적합성을 평가하여 한국어 622개 (61.68%), 영어 473개 (38.22%)의 어휘에 대하여 새로운 프레임을 부여하였다. 생략된 프레임 논항을 복원한 결과 작업된 평균 프레임 논항 개수가 한국어 0.780개에서 2.519개, 영어 1.290개에서 2.253개로 증가하였다.

• Journal of KIISE:Computer Systems and Theory
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• v.27 no.1
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• pp.1-12
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• 2000

비디오 데이타 스트림을 tit (shot) 혹은 장면 (scene) 단위로 나누는 자동 비디오 인덱싱 기법은 VoD나 디지털 비디오 라이브러리와 같이 비디오 데이타를 이용하는 응용 분야를 개발하기 위하여 꼭 필요한 기능이다. 본 논문에서는 줄거리(stary line)를 갖는 영화나 드라마와 같은 비디오 데이타에서의 장면 단위 인덱싱을 위해 장면의 경계를 자동으로 검출하는 방법을 제안한다. 일반적으로 영화에서 시간적으로 인접한 두 샷이 유사할 때 샷의 중간 부분은 움직임에 따라 변하는데 똑같은 움직임이 반복되지 않는다는 특성을 가진다. 제안한 검출 방법에서는 이러한 특성을 이용하여 각 샷의 처음과 마지막 프레임을 대표 프레임으로 선택하고 이들의 칼라 히스토그램으로 샷을 추상화한다. 이렇게 추상화한 샷에 대하여 영화에서의 장면은 일반적으로 비슷한 내용의 샷이 반복된다는 특성을 이용하여 장면의 경계를 검출하였는데， 하나의 장면에 해당하는 샷들을 묶어줄 때 시간적으로 인접한 이전 샷들과의 유사도만 측정하는 간단한 방법을 사용하였다. 본 논문에서 제안한 영화나 드라마에 대한 장면 경계 검출 방법은 MPEG 형식의 비디오 데이타를 이용한 디지털 라이브러리 등의 구축에 유용하게 사용될 수 있을 것이다.

• The Journal of the Korea Contents Association
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• v.16 no.9
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• pp.679-693
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• 2016

The purposes of this study were to examine the patterns of recalling memories in the series and look into the desires of viewers disclosed in the process. Entering the 2010s, people got to recall their memories from the 1980s and 1990s. Nostalgia and retro became cultural products. What made the series, those depict the pure love, friendship, and family affection of main characters under age in those decades, so popular among the viewers? Finding a repeating pattern in recollection of the past, dating, and family love, the investigator saw that the pattern met the needs of viewers and thus analyzed their desires inherent in the series with a focus on its "narratives" and "characters." Their unique sounds effect and music established a micro-narrative that could be divided, thus allowing viewers to own certain scenes easily, which worked to make "non-existent" memories. Secondly, the series succeeded in capturing the desire of viewers living in the age of neoliberalism to reduce their fatigue from excessive choices by setting the characters in a contrived way and thus presenting the desire of maintaining the stable middle class world with no conflicts and the passive female characters. The recollections provided by the series, in the end, fill the desire and deficiency of the present beyond a simple return to the past.