• The Science & Technology
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• v.35 no.3 s.394
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• pp.40-42
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• 2002

• Proceedings of the KAIS Fall Conference
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• 2011.12b
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• pp.587-590
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• 2011

본 연구는 근대 건축문화 유산의 보존과 활용을 위한 기초 연구자료를 축적하는 것을 목적으로 서울시 구도심부에 현존하는 근대건축물들을 사례로 그 형성과정과 건축적 특성을 살펴보았다. 조사대상이 되는 건축물들은 1960년대를 전후해 건축되어 서울시의 구도심인 종로구와 중구에 현존하고 있으며 이른바 무명건축가 또는 비건축 전문가들에 의해 건립되었던 건축물들이다.

• Journal of The Korean Digital Architecture Interior Association
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• v.5 no.2
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• pp.15-20
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• 2005

It extended in the opening after simultaneous strong point flag and to Incheon the building where the designer whom the many modem time building comes to build but becomes known was not many so. The research against these people did not become accomplished and not to be the back author research which analyzes the work propensity which is the possibility of doing the possibility of becoming accomplished there was not a basic of architectural design. The research which it sees it led and khu lu thu the road khey keyl the back the depths data, it confronted compared to it secured does not become known during that time the multi architect who and the plan office and and and it searched the result of the back which it puts out well it put to the architects who become known and.

• Korean Architects
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• no.10 s.258
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• pp.30-39
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• 1990

"주제와 대상장소에 의해 그 실험은 다양하게 전개된다.예를들면 1900년대 초에 시작되었던 일부 근대주의가 내포했던 역사성에 대한 인식, 유리, 금속, 콘크리트, 플라스틱등 근대의 소산인 재료의 재질감에 대한 보다 다양한 가능성의 탐구, 구조와 표현사이의 관계모색, 추상도형에 있어 디테일이 갖는 에너지에 대한 신뢰와 발굴 다이나믹한 부분과 전체의 균형에 대한 연구, 이 결과로 생성된 과거와 미래라는 시간의 양의적 관계에서 부상되는 현재의 표현, 그것들은 각각 중요한 주제가 되는 동시에 놀랄만한 상징기능도 내포하는 보다 넓은 의미의 기능주의의 근본이 되고 있다. 그렇기 때문에 한사람의 건축가 그리고 한사무소에서 이룬 결과로서의 건축도 다양하게 전개되는 것이다."

• Proceedings of the Korea Society of Design Studies Conference
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• 2000.11a
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• pp.54-55
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• 2000

근대 사회의 보편적인 건축의 언어를 창출하려던 모더니즘의 신화가 무너지고 난 후에, 새로운 보편적 건축양식을 찾아보려는 노력은 현재까지 계속되어오고 있으나 현대건축에서 공유할 수 있는 보편적 건축어휘는 부재한 상황이다. 현대의 건축가들은 각자의 건축적 언어체계를 만들어내려는 노력과 더불어 여러 방면의 건축적 실험을 통해 새로운 건축의 규범을 정의하려는 노력에도 경주하고 있다. (중략)

• Korean Institute of Interior Design Journal
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• v.13 no.2
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• pp.20-28
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• 2004

This paper aims at researching the characteristics in Bruno Taut of architecture and its influence In Japanese modern architecture. We also can study how to harmonize Japanese traditional architecture with western architecture through activities of Bruno Taut in Japan. Especially, Japanese architectural society had a dispute on their national architectural style in 1910. During the 1930's, however, the rationalist architects denied this 'Jaegwan' style architecture, and insisted a different new Japanese architectural style. Thus Japanese modem architecture adapted two axis of Western and Japan, it had been developed with their conflict and harmony by turns. This activities of Bruno Taut in Japan deeply and freshly influenced on the contemporary Japanese Architectural situation.

• Journal of architectural history
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• v.30 no.3
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• pp.45-54
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• 2021

In 2020, Yi Hunwoo was discovered as one of the earliest modern architects in Korea. However, his personal life was yet mostly unknown, including the time of his death. The research team ('the team' hereafter) searched for the records of his personal life and professional career. First, his family genealogical chart revealed that he died in 1937. Having located and contacted Yi's direct descendents, the team was able to clarify his family background with the descendants' testimonies. They possess the photographs of him and his family members, including Yi's picture when he was a freshman at the Nagoya Higher Technical School in Japan. The team also identifies his birthplace and the location of his grave as Hadong, Gyeongsangnamdo, Korea. The team visited his project site in Jinju, Gyeonsangnamdo, Korea and obtained more detailed information about the Ilshin Girls' High School, which he designed in 1928. Gyohoan, the congregation records of Cheondogyo, one of the leading religions in Korea during Yi's times, confirmed that he was one of the congregation members. The field research also discovered the house he designed and built in his hometown of Hadong, probably the only surviving architectural project by him. This paper is to report the result of the research on Yi's life and career with the aim of providing materials for further studies in identifying and positioning him more properly in the early 20th century Korean architectural scene.

• Journal of architectural history
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• v.27 no.6
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• pp.41-48
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• 2018

For the proper preservation and utilisation of Regional Modern Heritage Buildings, it is necessary to study the history of local modern architecture based on a broad understanding of the region and also to architectural history. The aim of this study is expand the awareness and multi-faceted interpretation of modern architecture in Kwangju in the 1940's to 1950's, by exploring the origin of regional modern architecture from new perspectives. As a part of the discussions of the perspectives, this study will be therefore explained with the regional correlations between the architect Kim Han-seop's works and activity, influential politicians, strong enthusiasm of education, architectural characteristics of the main building of Chosun University, architecture schools and association in Kwangju. Then, it will be finalised that Kim Han-seop and the main building of Chosun University are directly and indirectly correlated and affected each other strongly.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.19 no.2
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• pp.42-49
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• 2018

In this study, "Young Architects Program" pavilion architecture, where many formal, material, structural challenges were examined, was selected for an analysis of the regional expression of various culture in five countries in different continents. For comparative analysis, five criteria of evaluation, symbolic, tectonic, contextual, tactile, environmental, were set through an analysis of previous studies. Through these five criteria, the methods of regional expression of architectural concepts in five different countries were compared to indicate the characteristics of the different culture in same theme and type of pavilion architecture.

• The Journal of the Korea Contents Association
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• v.21 no.6
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• pp.113-127
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• 2021

This study aims to view the architectural space of the postmodern era as a concept of continuous change without being fixed, and to understand the spatial elements in architecture with a changing network of relationships. The purpose of the study is to analyze the spatial composition strategies of the two architects while revealing the spatial characteristics shown in Rem Kolhaas and SANAA's works in terms of relativity. The method of the study defines the meaning of non-fixed relationships through theoretical considerations of relativity and then looks at the architectural approaches of Rem Kollhaas and SANAA. The relationship was divided into programs, environments, users, and furniture and furniture in the space and analyzed the works of the two architects. As a result, both architects are similar in that they reject rigid programs by organization and use potentially inherent relationships for building space activation purposes, while Rem Koolhaas uses the user's behavior-inducing strategy, while SANAA uses the user's relaxation strategy.