• Korean Architects
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• no.6 s.446
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• pp.18-20
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• 2006

• Korean Journal of Heritage: History & Science
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• v.20
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• pp.310-316
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• 1987

• Korean Architects
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• no.12 s.368
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• pp.18-19
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• 1999

• Journal of architectural history
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• v.25 no.1
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• pp.47-57
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• 2016

The purpose of this paper is to review and analyse the influence of Hegel on architectural historiography. With the point of view that Hegel is the origin of architectural history, this study try to find out how Hegel's philosophy and aesthetics deeply influenced the principle and method of architectural historiography. As a kind of meta-history Hegel's idealism played a important role in the interpretation of architecture and its historiography. We can call it Hegelian legacy and it gave a determinant idea in the discours of architecture, especially Modernism. With a critical view point this study tries to reveal the mythical character of the premise and hypothesis of Hegel's historicism and also reviews its positive aspects in the history of writing architectural history. Today Hegelian thinking in architectural historiography is seriously criticized and considered as a old way of writing history. But this study tries to find a possibility to recognize the contemporary architectural situation with Hegel's concept of universal history. The return of Hegel necessarily does not mean the idea of totality and universality in practice as like in Modernism, but to widen the recognition in contemporary practice and historiography.

• Korean Architects
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• v.2 no.3 s.3
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• pp.4-27
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• 1967

건축 중인 국립박물관 부여분관의 건축양식(김수근씨 설계)이 일본 신사건축양식을 닮았다는 시비는 건축계는 물론 사학계를 비롯한 일반의 큰 관심사가 되었다. 특히 민족의 혼이 배어 있는 백제의 귀물을 영구히 보존하며 전시할 박물관이라는데 그 문제점이 있다. 본 협회에서는 지난 8월 27일, 9월 9일 양차에 걸쳐 본 협회 임원과 좌담회에 참석할 각계 대표로서 조사단을 구성하여 현지를 답사하고 9월13일에 신문회관 3층에서 각계 인사를 모신가운데 좌담회를 가졌다.

• Proceedings of the Korean Institute of Building Construction Conference
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• 2022.11a
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• pp.59-60
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• 2022

According to the recent issue regarding the shortage of concrete supply, it is common to appoint various concrete suppliers and allow mixed pouring according to the specification requirements. Moreover, if the concrete is mixed inevitably a strength and property test is carried out for verification. Therefore, in this research, multiple concrete suppliers were selected and each required raw material was collected for the test of all variable mixed design. Through the test, the property of the unhardened and hardened concrete was quantitatively evaluated.

• Korean Journal of Heritage: History & Science
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• v.26
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• pp.287-305
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• 1993

• Journal for History of Mathematics
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• v.15 no.1
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• pp.99-108
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• 2002

Historically, architecture was part of mathematics and architects were mathematicians. In this paper, we attempted to analyze the architecture from the mathematical point of view and conclude that pursuit of beauty and balance lead to the mathematically rigorous shape. For example, the golden ratio in the Great Pyramid and Parthenon prevail in the modem arts and architecture. We also conclude that mathematics is not invention but discovery at least in the area of architecture.

• Journal for History of Mathematics
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• v.10 no.2
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• pp.72-81
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• 1997

황금비는 이집트의 고왕국시대 혹은 더욱 그 이전으로 올라 갈 수가 있으나, 이 비율이 특히 고고학자나 미학자들 사이에서 학문적으로 중시 된 것은 르네상스 시대 이래의 현상이며, 황금비의 이름을 붙이게 된 것은 근세에 들어와서의 일이다. 이 황금비는 가장 조화가 잡힌 비로소 건축, 조각, 회화, 공예 등 조형예술의 분야에서는 다양한 통일의 하나의 원리로서 널리 활용되고 있다. 본고에서는 황금분할의 수학적 내용과 조형예술 분야에 미친 영향과 활용성을 살펴보았고, 그리고 황금비의 수리는 정연하고 신비적이기 때문에, 그것이 항상 아름답고 바람직할 것이라고 하는, 일종의 예측을 역사적으로 행해 왔던 젓임을 알 수 있었다.

• Journal of architectural history
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• v.14 no.1 s.41
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• pp.41-55
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• 2005

Most of researches in Korea by far on Sekino Tadashi were mainly focused on his historical view only. The main observations of this study, instead, are that; (1) his methodology of studying architectural history was closely related to his previous experiences with the conservation of the architectural heritages in Japan, and (2) his earlier activities in Korea made a significant Influence on the conservation of the architectural heritages in Korea. Sekino started his carrier after the graduation from the university by participating in the restoration sites of the architectural heritages in Japan, and his experiences at that time had founded the basis of his methodology of studying architectural history. Later, his on-site experiences were also adapted into the conservation of the architectural heritages in Korea when Korea was about to be colonized by Japan. In other words, Sekino's study on the Korean traditional architectures started from 1902 had a meaning of not only the starting point of the study on the Korean architectural history but also the starting point of the conservation of the Korean architectural heritages. Especially, Sekino's study during 1909 1912 prioritized the conservation of the architectural heritages as the main purpose of the study, and the influences of the study spanned over the entire colonial period by Japan. The influences were that; (1) Sekino's studies in 1909 1912 had outlined the colonial government's policy of the conservation of the architectural heritages, and (2) many restorations were made based on those studies.