• Science of Emotion and Sensibility
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• v.1 no.1
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• pp.3-11
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• 1998

In an urgent situation of interdisciplinary research and method, we feel eagerly the necessity of discussing the philosophical background of ´the science of emotion and sensibility´. If human cognitive faculties lie in split dualism of sensibility and reason, it is difficult to find out the whole image of just recognition, Therfore, it is so important that we should pursue the interrelational context between reason and sensibility through the rationalization of sensibility and the sensibilization of reason. Both reason and sensibility constitute the immanant system of knowledge, The science of sensitive cognition has lower cognitive faculty in contrast to the science of logic, but commonsense plays a rloe to expand the world knowledge which the logical cognition can not fully accomplish. it is dur task to expand the problem of sensibility from the level of humanities on the ground of the communal to the scientific objecticity, which is based on the observation of natural appearances.

• Journal of the Society of Cosmetic Scientists of Korea
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• v.26 no.1
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• pp.125-138
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• 2000

화장품의 개발에서 기계적인 측정결과 뿐만 아니라 소비자가 실제 사용할 때 느껴지는 감성적인 요인의 중요성이 높이 인식되어감에 따라, 관능적인 특성평가의 필요성이 대두되고 있다. 그런 관점에서 트원케익에 대한 사용성 테스트의 한 방법으로 기호형 관능평가를 시도하였고, 본 실험에서는 동일한 소비자(28 명)가 9개의 트윈케익을 일정한 시간에 비슷한 화장 조건하에서 사용하여 비교 평가하도록 하여, 평가의 재현성과 신뢰성을 꾀하였다. 평가는 트윈케익의 세부 관능적 특성에 대한 강도 조사와 선호도 조사 및 전체적인 만족도에 대한 것이었다. 수집된 테이터를 주성분분석에 의해 데이터를 분석하였고, 그 결과 크게 커버력 요인과 입자감 요인이라는 2 가지 요인으로 트원케익의 특성을 평가할 수 있음을 알았다. 일반적인 트윈케익의 분류 방법인 촉촉함과 매트함의 경우, 매트함에 있어서는 트원케익의 공통적 속성으로 제품간 차이를 느끼지 못하였고, 촉촉함에 있어서는 트원케익제품간 차이를 약간 느끼는 것으로 나타났다. 또한 트윈케익의 관능적 특성별 강도와 선호도의 상관관계를 분석하였고, 그 결과에 따른 트윈케익의 (+)매력품질과 (-)매력품질을 분석하였는데, 선호도가 높은 제품이 되려면 여러 가지 (+)매력품질을 고루 갖추고,(-)매력품질을 적게 가져야 할 것으로 사료된다. 본 실험의 평가자들이 대부분 25∼30 세인 점을 감안하면 이 연령 대에서 선호도가 높은 트윈케익 제품의 특성은 커버력이 있으면서 고운 입자감을 느낄 수 있으며, 너무 촉촉하지도 매트하지도 않은 중간 상태와 자연스러운 화장상태를 유지하는 것으로 나타났다.

• The Journal of the Korea Contents Association
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• v.13 no.9
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• pp.58-71
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• 2013

This paper will study on the films of Chang-dong Lee, focused on , , .These films concentrate on the internal mind of hero and heroine who react actively to social reality around their environment. Also these films share another common thing which retain to strong emotional tie with spectator, based on the sympathy through the identification of hero. , < Peppermint Candy> represent to the mixture of realism and de-realism.. Specially shows the mixture of the realism and fantasy. This Quest for the films of Chang-dong Lee will include discussion of a critical attitude from realism, discussion of de-realism factors, and study of screen fantasy from the respective of psychoanalysis.

• Science of Emotion and Sensibility
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• v.21 no.2
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• pp.61-72
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• 2018

Different types of traditional Korean clothes (Hanbok) are appearing in the market with the increasing interest of culture consumers. In order to turn traditional Korean clothes into everyday clothes that adequately reflect various demands of culture consumers, it is important to satisfy both functional and emotional aspects of clothing. However, there is lack of existing studies on emotions of culture consumers while wearing traditional Korean clothes. In this study, 28 emotional words regarding traditional Korean clothes were extracted by applying the Delphi method and conformity rating survey to 182 emotional words reported in existing studies and references from areas such as psychology, linguistics, and sensibility engineering. The 28 selected emotional words can be used to express emotions felt by culture consumers about traditional Korean clothes. Also, words were grouped based on the correlation according to factor analysis. Based on common characteristics, the emotional words were classified into 6 categories of 'pleasure,' 'aesthetic sense,' 'harmony,' 'novelty,' 'likability,' and 'stability.' These 6 emotional categories were concluded to represent emotions of consumers about traditional Korean clothes. The 28 emotional words and 6 representative emotions noted in this study can be used as basic data for measuring emotions of culture consumers of traditional Korean clothes. A future study task is to design a detailed assessment scale to measure emotions of culture consumers about traditional Korean clothes using representative emotions.

• The Journal of the Korea Contents Association
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• v.7 no.11
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• pp.175-181
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• 2007

Design prototype is described from the stately aspect as a principle of formative art, and from the shapeable aspect of physical feature. The prototype can be a common denominator which is contained in one nation's culture, art and life, as the thing which corresponds to the daily industrial craft, architecture and art's production intention and activity with the thought and background of the culture. We have formed the design prototypes with time and space in the process which absorbs and integrates the new culture. Modern Korean design's prototype can be seen in the late Chosun. As the upper culture and sub-culture were combined, the active culture was developed. Nobody can deny that Chosun's culture and art becomes a basis of today's design and Korea's beauty. In creating the design prototype, the natural environmental factors such as topography and climate are the most important. Such natural environmental factor led the design recognition of art and craft art, as well as an architecture and indoor environment's form. Korea design produced the artisan sprite which is devoted to a moral duty and instinct as our nation's nature and emotion, and ensured the emotional process not the rational process. So, it created naturalism which accepted the material and shape. Our design prototype's path tracking as an energy of future society's new design identity, can be the important theme for our design development.

• Science of Emotion and Sensibility
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• v.9 no.1
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• pp.49-61
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• 2006

The present mobile phone industry has significant effect on the domestic economy and has taken root as the core item that has the responsibility to lead the Korean economy for a considerable period of time. As the mobile phone market becomes gigantic, the mobile phone is being used by people in broader age bracket, and functions or designs preferred by people of various age are getting more diverse. Like that, as the mobile phone has greater effect on and meaning in our daily lives, consumers of mobile phone have growing expectation of the mobile phone Now, the core function of voice communication via the mobile phone is not a great concern to consumers. But the function, such as more convenient and friendly information input and output, processing and storage, and the design, which is more sophisticated and optimized for the user environment, are being demanded, not just the simple voice communication. And as the modern design is getting more similar to the objects of traditional high art consumed by consumers every day, the aesthetic aspect of design can play an important role, as the factor that differentiates the product, in creating new value which forms the spiritual and emotional value of human beings to improve the quality of living, and in addition, the willingness of consumers to buy is determined by the design that they prefer the most. Like that, a new design of mobile phone based on a new dimension and preferred by the consumers the most is urgently required to be developed by shedding light on the factors related to the preference of consumers on the basis of the analysis on the aesthetic aspect, which can be said to be the most critical factor in the design process. Therefore, this study aims to identity the common preference and different factors of aesthetic aspects through the analysis on the aesthetic aspects of the mobile phone preferred by users among countries, and figure out the formative artistic factors of aesthetic aspects that are considered to be important, in order to propose the guideline on the aesthetic aspect of mobile phone that can be applied to the design of mobile phone practically.