• Science of Emotion and Sensibility
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• v.6 no.3
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• pp.45-54
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• 2003

This study is designed to extract sensibility words of mobile phone image and analyze the relational patterns among those words to develope a sensibility model for mobile phone design. We expected the different sensibility scale would be developed according to the case of open or closed. The 25 representative words were abstracted as a result of words collection. As a result of the factor analysis of sensibility evaluation for mobile phone, the mobile phone design image was different according to the state of folding and unfolding. In the state of folder unfolding, the first factor was named as 'cool', the second factor as 'soft' and the third factor as 'handy'. In the state of folding, the first factor was named as 'stylish', the second factor as 'variegated' and the third factor as 'hard'.

• Journal of Korea Multimedia Society
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• v.12 no.3
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• pp.460-471
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• 2009

This study is the research on sensitivity in the web. The main purposes of the study are to present the objective criteria on sensitivity of web users and to help embodiment of successful design. The study has overall two main subjects, which are the contents and results. They are as follows. First, the study is going to develop sensibility factors and the sensitivity structure model. Second, based on the study above, the further stage focuses on the correlation between sensibility and figurative factors in the web design. By understanding of the correlation between sensitivity and figurative factors, the study assist designer in the embodiment of successful sensitivity design. And it shows one of the various approaches to sensitivity. In the end, it can be considered as a process to make an objective criteria on sensitivity design at the same time expected to play a role providing designers with rational guideline on work and evaluation and helping the presentation of successful sensitivity design.

• Journal of the Korea Society of Computer and Information
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• v.19 no.6
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• pp.37-48
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• 2014

Social emotion is being highlighted as an important factor of human life in terms of quality of communication as a variety of social networks are commonly used. To understand such social emotion, this study verifies and analyzes the significance of lexical meaning and expression of emotion basically for understanding of complex meaning of social emotion. The emotional expressions represented in SNS text messages, one of the major channel of communication, are examined in this study to create scales of meaning and expression and to understand the differences deeply. As a result of the analysis, it turned out that negative assessment factors were more than positive ones among social emotional factors while positive ones were outstandingly many in the case of social emotional expression. Social emotional factors were classified by basic emotional elements and valences while emotional expression included complex meaning and especially positive elements were dominant in general.

• Science of Emotion and Sensibility
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• v.12 no.1
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• pp.109-120
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• 2009

This study was carried out in order to investigate color sensation and sensibility for yellowish natural dye fabrics and reddish ones and to establish prediction models for color sensibility factors of them by color sensation and the related physical measurements focusing on 40s middle-aged people. Eight fabric stimuli which were dyed with a variety of yellowish or reddish natural dyes was subjectively evaluated in terms of color sensation and sensibility by 40s aged participants. As results, three color sensibility factors including 'Active', 'Characteristic', and 'Relax' were extracted and they were examined in respect of their relationships with color sensation and physical color properties. Color sensibility factor 'Active', the dominant factor for the naturally dyed fabrics was explained by $L^*$ and sensation 'Deep' in its predictive model and a yellowish fabric dyed with 300% solution of armur cork unmordanted was perceived the strongest in the factor. Factor 'Characteristic' was predicted by both $a^*$ and sensation 'Light' and reddish natural dye fabrics tended to be felt more strongly for it. Color sensation 'Strong' was the only predictor for factor 'Relax' in that naturally dyed fabrics with lower values for the sensation seemed to show higher 'Relax' factor and a reddish fabric dyed with safflower 125% was the highest for the color sensibility factor. These results could be utilized to design color-sensible natural dye fabrics for middle-aged people.

• Science of Emotion and Sensibility
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• v.13 no.4
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• pp.693-702
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• 2010

This study was carried out in order to investigate the colorimetric values, the color sensation and sensibility for naturally dyed fabrics with microbial prodiginine colorant and to find out the relationship among color sensation, color sensibility factors and colorimetric properties of them. Color sensation and sensibility of four different fabric stimuli coloring red purple by a microbial prodiginine colorant produced from Zooshikella sp. were subjectively evaluated by university students. The color sensibility for the naturally dyed fabrics was classified into four factors: 'pleasantness', 'gracefulness', 'characteristic' and 'relax'. Color sensibility factor 'pleasantness' was the dominant factor for the naturally dyed fabrics with microbial prodiginine colorant. All color sensibility factors showed a significant correlations with the color sensation and colorimetric properties of the dyed fabrics with prodiginine. There were showed significant relationships between the color sensibility factors and lightness $L^{\ast}$, color saturation $C^{\ast}$, $a^{\ast}$ and $b^{\ast}$. Also, color preference of the dyed fabrics with prodiginine was found to be influenced mainly by color sensibility factors.

• Science of Emotion and Sensibility
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• v.7 no.1
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• pp.41-49
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• 2004

The affective words on photographic images were analyzed and a model was structured. Based on this model, the effects of color on the affections were studied. In study 1, the photographic images with various materials and techniques were presented and the affective responses are collected. The factor analysis using principal axing method showed that the variance of the affective words could be explained about 42％ by the three factors. These are named positive-negative, dynamic-static, light-heavy, respectively. In study 2, the effects of color on the affections were evaluated on three basic dimensions. Ninety representative color images were converged black-and-white images, and each of 180 images was rated on the three affective scales. The t-test showed that the effects of color are statistically significant on the three affective scales, respectively. The achromatic images were felt more negative, more static, and heavier than chromatic images.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2009.11a
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• pp.152-153
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• 2009

개인의 감성에 영향을 미치는 요인은 개인적, 사회적, 문화적 요인이 중요한 비중을 차지한다. 여러 자료를 추적해보면 하나의 개체로서의 인간은 다른 개체와 마찬가지로 종족유지 본능이 가장 우선하며 생활경험을 통하여 그 종족유지의 극대화를 위하여 그 구성요소로서의 유전인자들이 최적화되는 방향으로 진화하고 있다고 볼 수 있다. 즉, 우리의 생체는 무엇이 우리의 종족유지를 위한 환경인지 경험을 통하여 터득하게 되고 새로운 내적, 외적 환경자극에 무의식적으로 직관적으로 대처하며, 감성이란 이러한 대처 양상의 하나라고 볼 수 있다. 본 연구에서는 이러한 관점에서 개인적, 사회적, 문화적 요인, 생애초기특정기간(critical period)의 경험, 감성유발 직전의 기분상태 등이 어떻게 감성에 영향을 미치는가를 고찰해보고자 한다.

• Science of Emotion and Sensibility
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• v.20 no.3
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• pp.3-12
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• 2017

This research was carried out in order to suggest useful data for planning fabrics of summer eco-friendly fashion products. For this purpose, four cellulose fabrics were dyed with natural indigo under three different dyeing conditions, then, their colorimetric properties and color sensibilities were evaluated, and their influences on color preferences were analyzed. All cellulose fabrics naturally dyed with indigo showed the characteristics of PB color tones, middle and low value, and low chroma. Color characteristics were significantly different according to fiber type and dyeing condition. The color sensibilities of the fabrics dyed with indigo were classified into three factors: sporty, classic and natural. These sensibilities showed partially significant differences according to fiber type and dyeing condition. Also, there were partially significant relationships between color characteristics and the color sensibilities of the fabrics dyed with indigo. The color preferences of the dyed fabrics with indigo were found to be influenced by the sporty and classic of color sensibility and $L^*$ of color characteristics.

• Proceedings of the Korean Society for Cognitive Science Conference
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• 2002.05a
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• pp.236-240
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• 2002

기존의 감성 연구들은 주회 배색이나 형태등과 관련된 정적인 장면 위주로 수행되었다. 기술의 발달로 역동적인 디스플레이가 가능해지면서 동적인 장면을 대상으로 한 감성연구의 필요성이 요구된다. 본 연구에서는 움직임과 관련된 감성어휘를 추출하여 감성 차원을 밝히고 움직임과 관련된 속성을 살펴보았다. 다양한 방법을 통해 수집된 감성어휘를 적절성 평가를 통해 70개로 정리한 뒤 요인분석을 통해 각 요인을 대표하는 19개의 기본 감성 어휘를 추출하였다. 움직임 패턴을 제시하면서 19개의 감성어휘를 기초로 움직임에서 의 감성을 평정하도록 하였다. 다차원 척도법을 이용하여 분석한 결과 움직임에 대한 감성 차원은 '적극적이다-소극적이다'의 차원과 ‘밝다-어둡다’의 두 차원으로 대부분 설명 될 수 있음을 확인하였다. 움직이는 속도와 진행 경로를 변화시키면서 두 가지 감성 차원에 따라 움직임에서의 감성을 평가하도록 하였다. 움직이는 속도와 곡선 경로의 진폭이 움직임에서의 감성 차원을 결정하는 중요한 요소로 작용하는 경향을 보였다.

• Science of Emotion and Sensibility
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• v.1 no.2
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• pp.1-11
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• 1998

최근 감성연구의 한 측정 방법으로 의미변별 기법을 이용해 형용사를 제시하는 연구가 증가하고 있다. 본 연구는 의미변별 기법을 사용하는 감성 연구의 기초적인 연구로서 우리말 형용사의 전체적인 의미구조를 분석해 보았다. 우리말 형용사의 의미구조는 기존의 다른 언어권에서 얻은 연구결과와 거의 일치하는 것으로 나타났다. 전체 형용사의 의미구조는 다섯 요인으로 나타났으나, 기존 연구들과 마찬가지로 세 요인이 주요 요인으로 작용했다. 한편, 이러한 의미구조가 색채라는 특정 자극과 관련해서 나타나는 의미구조를 파악하기 위해 NCS단색과 형용사 쌍을 사용하여 측정하였다. 색채 이미지와 관련된 형용사의 의미구조도 세부적인 차이는 있으나, 첫 연구에서 발견된 결과와 크게 다르지 않았다. 감성의 표현수단으로서 어휘를 고려할 때, 이 결과는 사용하는 어휘가 다를지라도 기저에 있는 의미구조는 문화에 상관없이 보편적이라는 것을 제시한다. 다시 말해 어휘로 표현되는 감성의 기본구조가 공통적일 수 있음을 제시한다.