• Journal of Popular Narrative
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• v.25 no.4
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• pp.111-134
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• 2019

Since This study is about game novel. I'm going to discuss the flow and features of game novels. Game novels developed in Korea, the game industry developed and made it possible. Fantasy novels, Muhyeop novels, and the generation of games met, so game novels could develop. By looking at the trends of game novels, I want to lay the foundation for the study of popular literature genre. The reason behind the emergence of game novels is the meeting of the game generation and the novel. The types of game novels can be distinguished according to the 'location of the main characters' and 'the narrative style'. It is not the best, but it is the minimum work to identify the genre. The biggest characteristic of game novels is their connection to games. It also uses the system of the real game. Another characteristic is that a variety of variations are possible with other genres. Game novels were influenced by fantasy novels and Muhyeop novels. Game novels now hold a solid place in the realm of popular literature. But the limits are also clear. It is the repeated use of game novel progression. Here are the limitations that game have to overcome. In addition, active research should be carried out. This study is intended to promote research on these game novel genres.

• The Korean Publising Journal, Monthly
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• s.228
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• pp.28-29
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• 1998

세권의 저서에는 우리 소설의 위상을 재확인하려는 노력이 보인다. 가정소설의 변별성을 추적한 책과 '송사'라는 모티브에 집중시켜 소설을 다룬 연구성과, 명승들의 서사적 전승을 기술한 책등은 각기 의미를 지닌다.

• The Korean Publising Journal, Monthly
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• s.135
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• pp.16-17
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• 1993

우리 소설이 냉전체제의 닫힌 틀에서 벗어나게 되는 것은 제3세계적 인식의 확대.심화에 말미암는다. 월남전이 우리 소설의 중요영역으로 편입되는 핵심근거는 바로 그것이다. 6.25전쟁소설이란 영역이 있듯이 '월남전소설'이란 영역도 설정이 가능할 정도로 월남전을 다룬 소설은 뜻밖에도 많다. 대표적인 작품을 통해 그 대강을 살펴본다.

• Journal of the Korean Society for information Management
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• v.35 no.1
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• pp.61-82
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• 2018

Fiction is a collection that most students read and borrow in school libraries. KDC has several limitations when students look for fiction books they need. In line with this, we surveyed various cases of fiction classifications used in libraries, bookstores, and publishers and use behaviors of fiction of middle school students. Based upon the result of the surveys, we proposed a better way of classifying fiction books according to user needs. In addition to the KDC number, color bands were attached according to genres so that users could easily find the desired books. These suggestions and other information will enhance the accessibility and discoverability to fiction books for middle school students and may be used as reference materials for fiction classification in libraries, bookstores, and publishers in the future.

• The Korean Publising Journal, Monthly
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• s.169
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• pp.20-20
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• 1995

서점 베스트셀러 순위집계에서 소설이 점차 자취를 감추고 있다. 소설책의 이같은 판매부진은 서점수보다 많은 대여책방의 여파라는 게 출판계 중론이다. 출판사들 역시 소설출판보다는 실용적인 대중교양서에 주력하는 양상이다. 일각에선 작품성이 무시된 상업소설의 범람이 가져온 예견된 결과라는 지적도 있다.

• The Journal of the Korea Contents Association
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• v.17 no.12
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• pp.525-536
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• 2017

One of Africa's most accomplished writer, Chinua Achebe is not only known to have to contributed to writing a renowned folk literature but to contributing to the expansion of the English language. This research paper seeks to explore Achebe's most widely read novel "Things Fall Apart" and his 1 other novel and analyze how the incorporation and purposeful use of Ibo words, proverbs and phrases contribute to not only conveying the rich African experience but expanding the English language.

• The Korean Publising Journal, Monthly
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• s.228
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• pp.9-9
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• 1998

설 연휴를 앞두고 진지한 주제의 번역소설이 여러권 선보였다. 기발한 상상력과 형식실험이 돋보이는 유럽소설, 역사 속의 개인을 다룬 제3세계의 소설이 독자들을 기다린다.

• Journal of Popular Narrative
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• v.25 no.4
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• pp.9-43
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• 2019

Web novels are one of the most actively adapted genre novels under a new medium called the Internet. Research on cultural content implemented on top of digital media is naturally closely related to environmental changes in digital media. The same goes for Web novels sparked by the identity of Web platforms. Especially in the case of web novels, the platform itself that provides them has triggered direct changes in genre code and reading patterns. From this perspective, this thesis wanted to examine the formation process and strategic features of web novels, which became content and products on the web platform environment. First of all, through the formation process ranging from communication novels to Internet novels and web novels, I arranged the transition to digital media and the change of genre novel market. This was an attempt to extract that Web novels not only have continuity as genre novels, but also have a turning point as digital content. Web novels are digital content that internalizes the values of the Web 2.0 era. It should also be a core product that grows the pie in the market in its own right. This paper noted that web novels are content that embodies these consumption values. So this thesis considered about what is the visualization and commercialization strategy of the web-based novels that is currently formed, and what is the current status of the web-based romance novels as the content and the product that is driving OSMU most actively in the process of commercialization. Through this process, I found that the greatest characteristic of web novels as genre novels that have evolved into digital content is their division and crack of genre.

• 주택과사람들
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• s.189
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• pp.90-93
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• 2006

<사랑 후에 오는 것들>을 읽으면서 자주 앞표지를 들춰보았다. 공지영이 쓴 소설이 맞는지, 자꾸 의아해져서다. 트렌디한 단어들 속에 살고 있는 소설 속 '홍'은 이전 공지영 소설의 주인공처럼 시대를 향해 전투적이지도, 시대에 짓눌리지도 않았다. 그녀의 소설이 달라졌다. <냉정과 열정 사이>로 잘 알려진 일본 작가 츠지 히토나리와 함께 데뷔 후 처음으로 '사랑 이야기'를 쓴 소설가 공지영을 만났다.

• Journal of the Korean Society for information Management
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• v.37 no.2
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• pp.225-249
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• 2020

The purpose of this study is to identify and systematize various facet elements required by users in fiction search situations from book tags to improve the fiction search environment. Based on the Ranganathan's PMEST formula, the basic facet system of the fiction was defined as 1) the personality that forms the fiction material, 2) the content and external characteristics that compose the fiction, 3) the reader interaction with books, 4) spatial information related to fiction and reading activities, and 5) time information related to fiction and reading activities. Out of approximately 310,000 tags assigned to 7,174 fiction, 3,730 core tags were selected and content-analyzed. As a result, various attributes were systematized around the top 25 categories of the fiction facets. The results of this study can be applied to facet navigation of OPAC and fiction DB in the future.