• 비교문화연구
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• 제41권
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• pp.85-112
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• 2015

이 논문은 "김대전전(金臺全傳)"을 연구대상으로 하여 한국과 중국의 판본 상황을 살펴보고 작품의 서사 양식을 분석하여 작품의 가치를 조명하고자 했다. "김대전전(金臺全傳)"은 청(淸)나라 말기에 창작된 작자미상의 협의소설(俠義小說)로 가장 오래된 판본이 남경도서관(南京圖書館)에 소장되어 있는데 1881년에 출판된 석인본(石印本)이다. 우리나라 국민대학교에 소장된 희귀판본과 비교해보면 판형과 문자 형태는 조금씩 다르지만 내용은 거의 차이가 없다. 작품의 서사 구조는 김대(金臺)의 유랑을 중심으로 이야기가 전개되는데, 그의 등장, 결연, 시련, 입공, 귀환 등으로 순차적으로 진행되면서 김대의 영웅적 행위가 점점 확대되고 있다. 김대(金臺)는 소년영웅으로 기녀와 연분을 맺는 파격적인 애정 형태를 보인다. 그는 의리를 중시하여 친구들과 함께 유랑하다가 악인을 죽이게 되지만 결국 송(宋)나라를 위해 세 차례나 공을 세움으로써 안방정국왕(安邦定國王)으로 봉해진다. 김대(金臺)와 더불어 활약한 500명의 영웅 유형은 지휘자형(指揮者型), 지략가형(智略家型), 행동가형(行動家型), 직관형(直觀型) 등으로 분류된다. 이들은 금산(金山)에서 의형제를 맺은 이후 국난 극복을 위해 모인 인물들인데, 거칠고 호방한 성격을 가졌지만 결국 왕칙(王則)과 반란군을 제거하는 일등공신들이 된다. 김대(金臺)와 적대한 악인들은 그의 영웅성을 돋보이게 하는 장치이다. 김대는 악인들과 사소한 개인적 갈등으로부터 국난에 이르기까지 점점 대립과 갈등이 심화되고 있는 양상을 보인다.

• 한국수학사학회지
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• 제33권2호
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• pp.75-101
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• 2020

We considered the context of the publications and transmissions of mathematics books using the Korean traditional book lists and the catalogues of woodblocks in the Joseon Dynasty and DaeHan大韓 Empire period. Among the results, this paper first describes the context of the publication and transmission of mathematics textbooks of national math exams算學取才 in the first half of Joseon, adding a step more specific to the facts known so far. In 1430, 『YangHui SanFa楊輝算法』, 『XiangMing SuanFa詳明算法』, 『SuanXue QiMeng算學啓蒙』, 『DiSuan地算』, 『WuCao SuanJing五曹算經』 were selected as the textbooks of national math exams算學取才. 『YangHui SanFa』, 『XiangMing SuanFa』, 『DiSuan』 were included in the catalogues of woodblocks in the Joseon Dynasty before the Japanese invasion in 1592, and we could see that Gyeongju慶州, Chuncheon春川, and Wonju原州 were the printing centers of these books. Through other lists, literature records and real text books, it came out into the open that 『XiangMing SuanFa』 was published as movable print books three times at least, 『SuanXue QiMeng』 four times at least in the first half of Joseon Dynasty. And 『XiangMing SuanFa』 was published at about 100 years later than 『YangHui SanFa楊輝算法』 as xylographic books, 『SuanXue QiMeng』 was published twice as xylographic books in the second half of Joseon Dynasty. Whether or not the list of royal books included the Korean or Chinese versions of these books, and additional notation in that shows how the royal estimation of these books changed.

• 비교문화연구
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• 제31권
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• pp.65-94
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• 2013

San-he-ming-zhu-bao-jian-quan-zhuan(三合明珠寶劍全傳), this work is characterized as follows: First of all, San-he-ming-zhu- bao-jian-quan-zhuan's charaters appear equally, the readers feels familiar. this work is formed a universal consensus. Ordinary people must empathize about xia-yi(俠義) and retribution, this work was well represented. Because the readers would have liked to this story. It was an intimate relationship between China and the Joseon Dynasty(朝鮮) all the way, The Joseon Dynasty imported books and the products of civilization. High official, official interpreter, woman loves the classic Chinese novel. The classic Chinese novel was transcribed, published, translated into a book. San-he-ming-zhu-bao-jian-quan-zhuan were introduced in the Joseon Dynasty, Sungkyunkwan(成均館) University holds one version. This work is being compromised, many missing words. Domestic holdings are rare. San-he-ming-zhu-bao-jian-quan-zhuan is a novel of chivalry, the character are classified into the chivalry, negative hero, person of affection, fantastic figure. This work is centered around Majun(馬俊). Maluanying(馬鸞英) is the heroin, seen as the classic case of overcoming adversity. Quzhongcheng(屈忠成) is the prime minister, negative figure, he fight with the chivalry, was defeated at the end. Liuxu(柳絮) is person of affection, overcoming adversity, marries the two lady, has a heroic side. Fantastic figure is more enriching the contents of the work, is Buddhist and Taoist figure, serves as the positive and the negative role. San-he-ming-zhu-bao-jian-quan-zhuan is a similar assessment on Zheng-chunyuan(爭春園)'s character and plot, But Liuxu's love story is strengthened. Therefore, continued research is needed for this work.

• 한국문헌정보학회지
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• 제40권4호
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• pp.245-266
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• 2006

이 연구는 조선시대 경기도(京畿道) 양주지역(楊州地域)에서 간행된 불서의 현존하는 판본을 조사, 분석하여 특징을 밝히는 데 목적이 있다. 고서소장목록과 목판을 조사결과 총 99종의 불서가 14개 사찰에서 간행되었던 것으로 나타났다. 분석결과 시기적으로 조선후기 간행이 활발하였으며 불암사본이 53종으로 가장 많았으며, 간행불서의 성격은 위경, 밀교, 반야계통의 경전이 주류를 이루었고, 판종별로는 목판본이 85종, 목활자본이 14종으로 파악되었다.

• 한국조경학회지
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• 제23권2호
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• pp.223-241
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• 1995

Ji Cheng's great work on garden design, the 'Yuanye'(Craft of garden), written in 1631 and originally published in 1634 is the first surviving manual on landscape gardening in the Chinese tradition. This study aims at investigating not only Ji Cheng's life, achievements companionship and design activities, but also the xylographic copies, literary style, and framework of Yuanye in their historical context in order to provide the bases for further study, Ji Cheng was exellent in poetry and painting. And he constructed Dongdiyuan in Changzhou around 1623, Wuyuan in Yiaheng in 1631, and Yingyuan in Yangzhou around 1634 But no poems, paintings, and gardens designed by hi shill exist Therefore his design phi philosophy is able to be interpreted only by his work, Yuanye. After publishing, Yuanye fell into obscurity for several centuries in Chlna. It was redescovered and reprinted for the first time in 1931. Yuanye is composed of prefaces and main text The main text is divided into 'the Theory of Construction' and 'on Gardens', and the latter also into 10 sections. In this text Ji Cheng explains the aesthetic principles underlying garden design and the appropriate emotional response to various efftcts Especially, he emphasizes the importance of basin the garden design on the taxi ting nature and features of landscape and making use of natural scenery. The literary style of the book is highly mannered, and there are so many poetic descriptions and Ji Cheng's native Jiangsu dialects. So the translation of the original text is very difficult After this, the major design concepts of Ji Cheng's landscape gardening theory and whole network of these concepts have to be studied.

• Korean Journal of Acupuncture
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• 제23권4호
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• pp.15-25
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• 2006

Objectives : ${\ulcorner}HuaTaHyunMunNeJoDo{\lrcorner}$ is a medical literature dealing deeply with the theory of internal organs thought to be the core of theories in Chinese medicine. The aim of this study was to explorer on the formation and the organization of ${\ulcorner}HuaTaHyunMunNeJoDo{\lrcorner}$. Methods : We investigated the process of the formation of ${\ulcorner}HuaTaHyunMunNeJoDo{\lrcorner}$ and analyzed the organization of ${\ulcorner}HuaTaHyunMunNeJoDo{\lrcorner}$ on the medical-historical points of view. Results : As a result from studies. Main contents include 11 pieces of pictures about the positions of the regions of acupuncture and moxibustion as well as the internal organs, in addition to descriptions in detail regarding each disease in the internal organs, problems occurred among them, obstinate diseases, etc. Conclusions : A published book in Ming Dynasty and another transcribed by someone in Qing Dynasty as the xylographic books of this literature in China, which turned out to books referred considerably to contents of YangGae's ${\ulcorner}JonJinDo{\lrcorner}$, a famous doctor in Northern Song Dynasty in China. Moreover, the main contents of ${\ulcorner}HuaTaHyunMunNeJoDo{\lrcorner}$ greatly affected the theories of the internal organs for the following generations as they were quoted in Yicheon's ${\ulcorner}UiHakYipMun{\lrcorner}$ in Ming Dynasty in China.