• 복식
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• 제53권7호
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• pp.57-68
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• 2003

The purpose of this study is to develop a creative perspective technique in fashion illustration through analyzing perspective in visual art experienced a great variety. This study was analyzed by examining the general theories based on the discovery of perspective and investigating the modern perspective in fashion illustration related to the method of spatial expression in visual art. A complex perspective of existing perspective gives the effect of reapperance of actual space and three-dimentional form in a plane. Because of being used as not only one perspective technique but also some perspectives technique, its expression can be more realistic. An amplified perspective gives the effect of visual illusion just like being suck in space inside and come out from screen outside by distorting the human body. A confused perspective of space gives the visual illusional effect of collapsing actual space and misunderstanding three-dimensional form by distorting the form of the space and changing the nature as an object of fashion. A reiterated or duplicated perspective gives effect of interpreting invisible space as imaginary space by overlapping and eliminating the object of fashion. An irrational perspective of spatial illusion gives the effect of disorganization experienced thinking by strange shapes and new recognition of irrational space by extraordinary visual connection. It has a tendency to surrealism. In conclusion, the modern perspective in fashion illustration has made the best use of not only new perspective since 1980, but general perspective before 1980. By the modern perspective expression. the viewer has made a chance to experience imaginary spaces indirectly, and the author has been able to express emotions by his or her new attempt in the screen.

• 한국의상디자인학회지
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• 제17권2호
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• pp.93-109
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• 2015

Advent of diverse media and advancement in digital technology significantly affected our perception of time and space. By utilizing digital media actively, fashion illustration has come to go beyond the limitation on conventional perspective expression. This study aims to examine the phenomenon of deconstruction of perspective in fashion illustration, and to analyze a variety of space expressions and effects of visual expression in fashion illustration. By way of literature research for the study, theoretical data are reviewed about basic concepts of conventional perspective and the characteristics and aesthetic concept of perspective deconstruction expression in visual art. By way of an empirical study, fashion illustrations that represent the deconstruction of perspective are classified and analyzed characteristics and image effects of such expressions. Deconstruction of perspective in fashion illustration find in expression of spaces by means of multi-space, multi-layer space, reverse perspective, perspective through the exaggeration, multi-perspective space, and panoramic visual condition. Fashion illustration expresses visual confusion or fantasy rather than creating realistic spaces that have utilized reasonable perspective. Fashion illustration is moving toward a trait with disharmony and an in-depth visionary space by overlapping or mixing spaces differing from each other, and by means of such peculiar and unrealistic expressions, unfamiliar images are created.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 추계학술발표대회 논문집
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• pp.177-178
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• 2004

The study will focus on an exploration of a variety of perspectives drawing technique, which is the three-dimensional presentation measure. Through this course, student develop effective expression and introduction of their Interior Design. The contents of the course are as follows : 1. Comprehension of the perspective 2. Comprehension and practice of the 1point perspective 3. Comprehension and practice of the 2point perspective 4. Comprehension and practice of the axonomatrics 5. Practice of the drawing technique through visual note

• 한국조경학회지
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• 제31권2호
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• pp.58-69
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• 2003

The Hemi-sphere projection method produces an image that includes all surrounding visual landscape from a view point. This characteristic can solve the problem of perspective method that has only a limited view angle, and thus can be a potentially effective method for the analysis of visual landscape. This study tried to adopt the hemi-sphere projection method in the evaluation of streetscape, and examined its effectiveness and possibilities. Computer animations using the perspective method and the hemi-sphere method were produced for Bang-Hak Ro, Seoul, and the kames of the animations were reclassed to identify the visibility ratio of physical elements(buildings, sky and mountains). A preference questionnaire was given to 51 university students, and the relationships between the visibility ratio and visual preference were analyzed. The results showed that visual preference of streetscape can be explained by three factors: Openness, Uniformity, and Variousness, accounting for 63.2% of the total variance, and among which Openness showed the highest proportion at 32.1％. The visibility ratio calculated by the hemi-sphere method yielded strong correlation coefficients with Openness, and it was much higher than with the perspective method. The hemi-sphere method also produced significant correlation coefficients about Uniformity and Variousness, but the perspective method could not. The results demonstrated that the hemi-sphere method can provide more accurate observation of visual changes, and that it can be an effective method for the analysis of streetscape.

• 한국실내디자인학회논문집
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• 제38호
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• pp.48-56
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• 2003

This study is purposed to find the transition of the perspective connected with visual modality. The perspective based on Greek optics and euclidean geometry and rediscovered in Renaissance represents the object according to the particular moment and the point of view, is a principal fact which affect architecture, the form of a city and the spatial organization and symbolizes an ideal of the times. It embodied perception which treats the space rationally on the basis of realism and became visual modality based on the separation of the seeing subject and the world of the object. The point of view became one with the vanishing point which made up the shape and after Renaissance for four hundred years a straight line, a right angle and a circle got to be favorite geometrical choices in architecture. A fixed point of view of the subject is getting to change and break up fundamentally by the new visual technologies of the modem times.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.56-65
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• 2004

This study divides the expression techniques of Zaha Hadid into various types who has manipulated her targeted drawings as her unique design tools in the process of architectural design, analyzes them in terms of the vanishing point, visual point for observation and object of observation and attempts to figure out how the multi-visual expression is applied in the conception of form and space and method of observation. By doing so, this study will suggest the characteristics of the expression techniques using multi-visual. Through the above study, the utilization and characteristics of multi-visual expression of the architecture design process of Zaha Hadid are summarized as follows. Firstly, Zaha Hadid utilizes the strained multi-visual perspective technique which can look out over the interaction between masses simultaneously at multi-angles by changing a perspective drawing of vanishing point 1, 2, and 3. Secondly, it utilizes a landscape perspective technique and embodies an Idea of landscape's spatial arrangement through it as the means to search a dynamic relation of architecture, city, land, and space. Thirdly, there is a projected expression using X-ray perspective technique to make the relations between inside and outside of building to three-dimension volume. Zaha Hadid has used the expression techniques using multi-visual by utilizing various points and has developed and used them as her creative tools for idea. By means of escaping from the expression techniques of simple revival, she has used a new expression technique that can represent recognized space. In the past, the content could change the expression techniques in architecture; however, the liberation of architectural expression techniques can change the content in modern times when require new attempts.

• 한국콘텐츠학회논문지
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• 제13권1호
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• pp.91-104
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• 2013

영국의 로스차일드 가와 미국의 록펠러 가에서 전 세계에 영향력을 행사할 수 있는 많은 민간 기구를 설치하여 세계적인 인물들을 영입하고 그들의 입을 통하여 그들의 주장을 전 세계 영상미디어를 통하여 지구의 많은 사람들의 생각에 영향력을 끼쳤다. 그들이 하고자 하는 최고의 목표는 지구를 신 세계질서로 재편하려는 노력이다. 그들은 영상미디어를 통하여 자신들의 메시지를 반복적으로 주장함으로 당연히 그렇다고 믿게 하려는 것이다. 그들은 정치, 경제, 종교에 걸쳐 많은 이미지를 영상 미디어를 통하여 사람들에게 전파하며 자신들의 존재가치와 그 효율성과 미래의 편리함을 전달한다. 이를 기독교 시각으로 바라보면 신의 위치를 자신들이 장악하고 신의 존재를 자신들의 권력으로 치환하여 이 지구를 신 세계질서로 재편하려는 욕망을 들여다 볼 수 있다. 이들의 욕망은 성서에서 적그리스도, 즉 사탄과 동일한 목적으로 보여 진다. 영상 미디어에 나타나는 현실을 기독교 시각으로 허구가 있음을 밝히고자 한다.

• 과학교육연구지
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• 제46권2호
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• pp.151-164
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• 2022

2015 개정 과학 교육과정의 6학년 1학기 교과서에서는 일상적으로 관측되는 천문 현상인 '낮과 밤'이 생기는 원인에 대해 설명하고 있다. 교과서상에서는 낮과 밤이 생기는 원인을 설명하기 위해 우주 기반 관점의 시각 자료만 사용되고 있다. 본 연구에서는 학생들에게 지구 기반 관점의 시각 자료를 추가로 제시하였을 때 지구 기반 관점과 우주 기반 관점의 공간 표상 형성에 어떤 변화가 있는지 알아보고자 하였다. 연구 결과 다음과 같은 결론을 얻을 수 있었다. 첫째, 학생들에게 지구 기반 관점의 시각 자료를 제시하였을 때 학생들의 지구 기반 관점은 물론 우주 기반 관점의 공간 표상 또한 변화시킬 수 있다. 둘째, 지구 기반 관점의 시각 자료가 학생들의 공간 표상 유형이 여러 측면에서 달라질 수 있는 가능성을 확인하였다. 셋째, 같은 지구 기반 관점의 시각 자료를 학생들에게 제시하더라도 성별, 공간 표상의 수준에 따라 각 관점의 공간 표상에 미치는 효과가 다르게 나타난다.

• 한국지구과학회지
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• 제28권3호
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• pp.277-288
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• 2007

이 연구는 교수요목기부터 7차 교육과정에 이르기까지 '날씨'와 '일기예보'를 다루고 있는 시각적 이미지를 사회-기호학적 관점으로 분석하였다. 연구결과 대부분의 시각적 이미지는 실제 세상의 현상을 묘사하는 '실체형'인 것으로 나타났다. 이는 모든 시기의 초등 과학 교과서의 시각적 이미지는 대부분 학생들에게 친숙하였음을 의미한다. 시각적 이미지와 학생 사이의 의사소통에 대한 주도권 양상은 복잡하게 나타났다. 또한 초등학교 과학 교과서의 시각적 이미지들은 시기에 관계없이 대부분 기하학적 코드나 숫자 문자 등을 사용하지 않는 것으로 나타났다. 이 연구는 시각적 이미지의 정보의 양과 형태, 구조 및 사회적 의미 등을 해석하는 새로운 분석도구를 제안해준다. 또한 차기 과학교과서의 이미지 선택에 사회-기호학적 관점을 도입하는 하나의 전기가 될 것이다.

• International Journal of Costume and Fashion
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• 제9권2호
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• pp.19-34
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• 2009

The purpose of this paper was to provide an overview of the existing literature on online visual merchandising and to propose an alternative theoretical framework in which online visual merchandising research can be conducted. Two streams of research including the e-tail service quality literature and the store environment literature from environmental psychology perspectives were reviewed in the context of online visual merchandising. An impression formation paradigm from social psychology was adopted to establish the alternative framework to supplement the existing online visual merchandising research and generate deeper insights into the online visual merchandising phenomenon.