• 복식
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• 제52권3호
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• pp.111-122
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• 2002

The study of traditional costume is significant in terms of figuring out of the reality of its originality and enrich the costume culture of today. The purpose of this study is to analyze the aesthetic characteristics and to contemplate the aesthetic values of the Kokuryo costume. Kokuryo costume were characterized with the simpleness in its clothing constructions. The spaces found on the dresses were emphasized giving a geometric characteristics and abstract images. Many different colors were used for tops, bottoms, and border elements showing value contrast in each parts of dress. Patterns were simplified in a dot or stripe shapes impling a certain symbols. Dot patterns were varied in its shapes. In general. the decorative elements were simple and eliminated. Through the process of investigating these aesthetic characteristics, aesthetic values were found. The aesthetics of nature were favoured and tradition were respected. Religious mind were favoured and progressive spirit were endowed by the Kokuryo people. They have pursued the diversities and many changes in visual forms of dresses which were the manifestations of their esprit.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2019년도 춘계 학술논문 발표대회
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• pp.118-119
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• 2019

The exterior finish not only has a relationship to the functionality of building, but also the spatial aesthetics and visual perception. Common exterior finishes are wood, stone or acrylic based and etc. However, these finishes have different attributes which can alter the quality of the architecture, such as durability, moisture and fire resistance. To make up for the short-comings of these materials, we have used iron based resources for optimization. However, iron materials are expensive, so they have limitations in general use. In this study, we have experimented with various forms of exterior finishes using cement, which is the most efficient and widely used building material with several economic advantages. We experimented with different materials to use as the formwork for the gloss of the cement matrix. As a result, the gloss show that order of urethane, steel, and wood material.

• 해양환경안전학회:학술대회논문집
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• 해양환경안전학회 2008년도 춘계학술발표회
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• pp.75-80
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• 2008

해양레저의 실용분야에 대한 관심과 연구는 많으나 기초분야에 대한 연구는 드물다. 즉, 해양레저의 장점에 대한 연구가 필요한 실정이다. 필자는 해변환경의 시각적, 청각적 정의를 정서심리학을 바탕으로 미학적, 음악적으로 분석하였다. 결과적으로, 해변휴양을 통하여 긍정적인 정서를 얻을 수 있으며, 긍정적인 정서로 변화시킬 수 있음을 알았다.

• 한국철도학회논문집
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• 제6권2호
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• pp.87-93
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• 2003

Serving a function of transportation information and geographic information together with proper composition of design elements, railway route maps have to be designed to easily recognized to the concerning passengers as they offer users to access to the guide information. This study analyzed visual aspects of the maps of 8 underground routes linking Seoul and urban cities(D1 - D8) and the maps of 8 different cities overseas (A1 - A8). As a source of information with condition of easy recognition, universality and aesthetics, route maps should be designed and consistently managed by the manual which establishes the principle of the logical system and the standardized form.

• International Journal of Contents
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• 제18권1호
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• pp.98-104
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• 2022

With Unity creating footage is possible by using 3D motion, 2D motion, particular, and sound. Even post-production video editing is possible by combining the footage. In particular, Cinemachine, a suite of camera tools for Unity, that greatly affects screen layout and the flow of video images, can implement most of the functions of a physical camera. Visual aesthetics can be achieved through it. However, as it is a part of a game engine. Thus, the understanding of the game engine should come first. Also doubts may arise as to how similar it is to a physical camera. Accordingly, the purpose of this study is to examine the advantages and cautions of virtual cameras in Cinemachine, and explore the potential for development by implementing storytelling directly.

• 한국조경학회지
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• 제34권4호
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• pp.1-17
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• 2006

This study emphasizes users' participation, a living-transforming visuality, as users have appeared to be a central element of landscape design but ignored before. Also this study tries to propose meaning of extended visuality in contemporary landscape design on the basis of visual criticism on simple perception-and contemplations convention-based landscape design. For these purposes, this study reviews characteristics of visual changes appeared in modern reductionist paintings. In other words, arts can be interpreted in polysemous ways through bodies' experience. Deconstructive concepts derived from the theoretical reviews can be categorized into three including the participation of the users' bodies from a contemplative point of view, textuality and intertextuality, and experiences from works. Those concepts were used to criticize the previous discourse on landscape designs and to analyze various issues in the theories, themes and techniques in contemporary landscape design. The significance of the expanded visuality in contemporary landscape design is that it brings the users' voluntary participation. This structure can serve as a tool to obtain the users' perceptive effects. At the same time, it can be regarded as a process of establishing the relationships between the users and the works. Thus emphasis is placed not only on the influences of the effects structure of the works themselves, but also on the many different dimensions related to the users' bodies. It implies that the meaning of design is not determined by the designer but a product resulted from the voluntary relationships between users and works. These findings lead to ambiguous distinctions between arts everyday life, and eventually to the end of the concepts of formative dichotomous aesthetics and their effectiveness. Finding of this study call for not only redefining the space where landscape design is created and communicated, but also reconsidering the concepts of landscape design and its ontological meanings.

• 한국산림과학회지
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• 제103권3호
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• pp.473-482
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• 2014

본 연구는 산림에서의 여가, 휴양 및 산림복지 등 녹색서비스와 공익적 가치 증대로 산림경관 조성과 관리의 중요성이 높아짐에 따라 다원적 가치를 지닌 산림경관의 보전과 관리를 위해 사운드스케이프를 활용한 산림경관 선호도 평가 및 경관특성을 분석하고자 하였다. 백두대간 보호지역 내 점봉산, 소백산 산림경관을 대상으로 시 청각 경관형용사를 활용한 경관평가를 실시하고 사운드스케이프 유무에 따른 산림경관 선호도 및 선호요인, 경관유형별 경관특성(자연성, 음향성, 매력성, 심미성)을 도출하여 비교분석하였다. 사운드스케이프가 산림경관 선호도와 경관특성에 긍정적인 상관성을 지녀 이용자의 산림경관 선호도와 경관의 질적 향상에 영향을 미치는 것으로 도출된 본 연구결과는 산림경관을 보는 경관뿐만 아니라 듣는 경관의 관점으로 접근하는 계기이자 산림경관 내 사운드스케이프 관리의 필요성을 시사하고 있다.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.96-106
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• 2015

Occupying the center of architecture, design, painting and culture, minimalism is aesthetics of essence that reflects modern age but transcends age at the same time. Pursuing minimalist trend like this and covering the range of furniture, interior and architecture, total designer Antonio Citterio is developing minimalist designs of his own. Called one of the 3 greatest furniture designers in the world today, he leads the trend and enjoys high reputation as a world-renowned interior designer and architect. Therefore, the purpose of this study is to analyze and integrate minimalist descriptive characteristics which appeared in interior space of Citterio who pursues minimalist design. As a study method, this study reorganized minimalism from methodological perspective, drew out expressive characteristics of minimalist interior spaces unique to Citterio based on background and influence of Citterio's design and, centering on this frame of analysis, analyzed and integrated interior spaces he designed. The results of this study are as follows; first, in order to overcome problems that can become monotonous in a minimalist space, Citterio provides spatial experiences to feel visual and spatial variations using the ramp and bridge. Second, he created various senses of space with visual and spatial expansion using transparency in the walls made of glass. Third, with linear expressions, he designed modern spaces with beauty of proportion and balance through contrast and emphasis. Fourth, he made constructive expression through exposure of structures or stairs in the space. Fifth, he created sophisticated atmosphere with contrast between natural and artificial materials and emphasis of material properties. Sixth, his design also shows the characteristic of using furniture as the role of adjusting overall atmosphere of interior space, not as separated parts from it. The author hopes that above results of this study will provide new implications for the development of domestic interior design.

• 디자인학연구
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• 제14권3호
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• pp.135-144
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• 2001

우리의 전통문화 유산에서 새롭게 디자인 모티브를 발굴하고 시각적으로 상징화하는 연구는 과거의 것과 현대의 것을 융합시키므로써 형태와 미학의 조화 속에 새로운 한국적 디자인을 창조하는 일이며, 미래의 가치를 찾는 작업이고, 새로운 전통 문화를 만드는 일이라고 할 수 있다. 본 연구는 우리 전통상징문양과 12지신 캐릭터에서 디자인 모티브를 발굴하고, 전통과 현대의 이미지를 접목하여 참신하고 세련된 감각과 흥미를 유발할 수 있는 캐릭터에 대한 표현연구를 통해 독특한 한국적 캐릭터를 개발하여 이를 현대 디자인에 다양하고 실질적인 활용방안을 제시하고자 했다. 이는 전통상징문양의 시각적인 효과와 캐릭터 개발만이 아닌, 우리만의 고유한 문화요소로 정체성과 독창성을 표현하여 외래문화 속에서 우리의 한국적 아이덴티티(Identity)를 찾고 한국적 디자인으로 미래의 세계시장에서 새로운 국가경쟁력을 갖기 위함이 그 목적이다.

• 패션비즈니스
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• 제25권1호
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• pp.80-95
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• 2021

In the modern fashion industry, the application of different materials along with an emotional design is emerging as an important factor stimulating consumer sentiment. This has led to the diversity of materials and continued active research on materials. Traditional Korean paper is expressed in various ways in the field of visual arts based on Korean sentiment and unique formative characteristics. Hanji costumes have been produced in various ways over the past 20 years utilizing Hanji's physical characteristics, showing unique surface texture and various techniques that differentiate them from existing fabrics, making it symbolic in expanding the area of fashion materials. In this work, various techniques were developed by utilizing the nonwoven characteristics and excellent variability of Hanji while considering visual images, focusing on the delicate decorations and materialistic representations of wedding dresses. In addition, minimal wedding dresses with unique textures were produced to realize fantasy ideas and show surface aesthetics, confirming as a fashion material different from that of existing wedding dresses. The direction of high value-added creation for the industrialization and globalization of Hanji wedding dresses was presented, and the usefulness and scalability of Hanji materials for practical and industrialization were identified in materials that expressed visual art. To in the fashion industry, which is changing in both the wedding industry and the global market, the development of materials with high sensitivity images and original and solid identity should continue.