• Journal of the Korean Home Economics Association
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• v.44 no.9
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• pp.31-39
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• 2006

This study was conducted to reproduce the two-piece sleeve pattern of the ladies' jacket of the 1890's for Korean women of the twenties who have the standard body type and the average size. Fourteen two-piece sleeve patterns of the ladies 'jacket of the 1890's were collected and drawn to actual size. The length and width proportion of the upper-sleeve and under-sleeve pattern of the ladies' jacket of the 1890's were similar to the two-piece sleeve pattern of jacket which we see now. The elbow line of the two-piece sleeve pattern of the ladies' jacket of the 1890's was lower than the two-piece sleeve of jacket of today. The cap of the sleeve of the ladies' jacket of the 1890's was gathered and this gave volume to the upper part of sleeve but the lower part of the sleeve was tight. The study pattern of two-piece sleeve pattern which had the characteristics of the sleeve pattern of the ladies' jacket of the 1890's was designed like for Korean women of the twenties who have the standard body type and the average size through modifications based on the evaluation of dressing on two occasions. The study pattern was evaluated to have the silhouette of the sleeve of the ladies' jacket of the 1890's and to fit Korean women of the twenties who have the standard body type and the average size with the sensory test.

• The Research Journal of the Costume Culture
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• v.9 no.5
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• pp.700-711
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• 2001

The purpose of this study was to investigate the differences in the method of patternmaking, difficult in draft of patternmaking, fit in sleeve, aesthetic view, fashionableness in the five types of two-piece sleeve under the controled situation. Five types of two piece sleeve that were originated from five countries including domestic companies which called A type, B type, C type, D type, and E type were used. In order to conduct the experiment fur the study, 10 persons who were well organized about the patternmaking drafted 5 types of sleeve and were tested for the differences in the method of patternmaking, difficulty in draft of patternmaking. Another panel were tested for fit in sleeve, aesthetic view, fashionableness in the five types of two-piece sleeve in jacket under the controled situation. The results of this study were as followed 1. C type was needed height of armhole in bodice and D type was needed height of armhole and width of armhole in bodice as well as all parts of sleeve measurements to draft patternmaking. 2. There were significant differences of the items such as cap height, ease amount around sleeve cap, width of sleeve, forwardness of sleeve and the length of elbow line of the five types patternmaking drafted. 3. There were significant differences of difficulty in draft of the five types of patternmaking. C type and E type were easier to draft. 4. There were significant differences in fitness of the sleeves in jacket. C type and E type were more fit. 5. There were significant differences in aesthetic view. A type, B type and E type were more aesthetic under the situation. 6. There were significant differences in fashionableness in jackets. A type and E type were more fashionable under the situation.

• Journal of the Korea Fashion and Costume Design Association
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• v.18 no.2
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• pp.101-113
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• 2016

This study was conducted in order to analyze draping and flat pattern according to jacket design, and provide basic materials for developing a jacket pattern that can enhance fitness, functionality, and aesthetic expression of clothes by reflecting esthetic expression of draping and efficiency of flat pattern at the same time. For the experimental jacket designs of a one-piece sleeve jacket and a two-piece sleeve jacket were selected among the entries of the designer Rubina for 2014 F/W Seoul Fashion Week. Designer brand Rubina usually produced clothes using draping and the designer brand company provided the experimental patterns for the study. We also had flat patterns of the same design and size specifications designed by a flat patternmaker who has 30 year-experience in flat pattern like Rubina. The test apparel jacket was made of 20's cotton yarns. Three models wore the jackets and evaluation on appearance fitness was conducted by 7 members in an expert panel group from August 10, 2015 to September 10, 2015. As a result of appearance fitness analysis on one-piece sleeve jacket, there were significant difference in 4 items among 17 items in terms of overall appearance. The appearance of jackets by draping had higher score than those using flat pattern. As for two-piece sleeve jacket, there were significant differences in 7 items among 17 items related to overall appearance. As for the items related to sleeve, 5 items out of 13 showed significant differences. Except for one item, appearance of jackets using draping had higher score than flat pattern. As for motion fitness, draping was evaluated to be more comfortable. Applying the items with high scores in appearance and motion fitness in draping to flat pattern, The study suggests a new jacket pattern development that would increase the satisfaction of consumers for future research.

• Journal of the Korea Fashion and Costume Design Association
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• v.13 no.1
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• pp.59-71
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• 2011

As an exaggerated-shoulder becomes a growing trend women's clothing, the crescent shaped sleeve with parallel style lines in the arm hole is a highly used women's sleeve pattern. This study develops and provides an applicable method for making the crescent shaped power shoulder sleeve. An efficient basic method for making the 2 piece crescent shaped sleeve was developed and the sensory appearance test was carried out with experimental clothes. There are two principles for making the crescent shaped sleeve: having a style line in the sleeve and pasting part of the cut arm hole of the bodice to the sleeve. The latter would be more convenient for a 2 piece sleeve, mostly used for jackets. The crescent shaped sleeve used in power shoulder jackets should set the shoulder angle as you wish to extend and raise the shoulder point of the bodice and sleeve to the same height. For a stronger power shoulder image, a 3 piece sleeve has a better appearance. Also, the height of the shoulder has to be enhanced with a shoulder pad for a more stable sleeve.

• Fashion & Textile Research Journal
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• v.11 no.1
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• pp.130-139
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• 2009

This study was conducted to reproduce the Leg of Mutton Sleeve pattern of the ladies' costume of the 1890's for Korean women of the twenties who have the standard body type and the average size. Nineteen Leg of Mutton Sleeve patterns of the ladies' costume of the 1890's were collected and drawn to actual size. Nineteen Leg of Mutton Sleeve patterns of the ladies' costume of the 1890's were classified into three groups(S1~S3) by the pattern pieces and the bend of the lower part of the elbow line. The S1 was one-piece sleeve pattern and the lower part of the elbow line of S1 was not bent. The gathers volume of sleeve cap of S1 was smaller than S2 and S3. The S2 was one-piece sleeve pattern and the lower part of the elbow line of S2 was bent. The S2 pattern had typical characteristics of the Leg of Mutton Sleeve that the gathers volume of sleeve cap was large and the lower part of elbow line was tight. The S3 was two-piece sleeve pattern and the lower part of the elbow line of S3 was bent. The gathers volume of sleeve cap of S3 was similar with S2. The study patterns of three groups of the Leg of Mutton Sleeve which had the characteristics and the silhouette of the Leg of Mutton Sleeve pattern of the ladies' costume of the 1890's were designed like for Korean women of the twenties who have the standard body type and the average size through modifications based on the evaluation of dressing on two occasions. The study pattern of three groups of the Leg of Mutton Sleeve were evaluated to have the silhouette of the Leg of Mutton Sleeve of the 1890's and to fit Korean women of the twenties who have the standard body type and the average size with the sensory test.

• The Research Journal of the Costume Culture
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• v.23 no.3
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• pp.439-453
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• 2015

This research is regarding Park Ki-Jong's Western-style court costume and emphasizes the shape and style peculiarities of Western-style court costumes in the Korean Empire from the 1876 Port Opening to the 1910 annexation of Korean to Japan. Park Ki-Jong's frock coat was made during the period of the established law from 1900 to 1910. 1) The brand was ASADA TAILOR from Kyung-Sung. 2) The shape was long at the front and back, and it featured a picked lapel and double breast with six buttons to fasten and two buttons for decoration on the upper part. 3) The frock coat's materials were black wool fabric and black ridged silk. The lining's material was black plain silk and the sleeve's lining was white with blue striped silk. 4) The front separated the upper and bottom parts. The bottom was composed of a one-piece A-line skirt that continued from the front to back. The top of the back was separated by the princess line and the center-back seam was also separated with a vent. However, the center-back of the waistline was not separated, and it continued to one piece. The sleeve shape was a two-piece sleeve style with a phony vent and two wrapping buttons.

• Proceedings of the Costume Culture Conference
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• 1998.09a
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• pp.39-39
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• 1998

• The Research Journal of the Costume Culture
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• v.10 no.6
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• pp.718-734
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• 2002

The purpose of this study is to provide basic data f3r improvement in Working Uniform in both scientific and efficient ways. The study were enforced by questionnaire and personal interview. The subject of the survey were the workers of 264 in mechanic industry in Seoul. The results obtained from the researches by methods above are as follows. 1. In general, Working Uniform could be classified types of two. One is loose-fitting one-piece garment covering the body and legs, the other is two-piece garment. The latter is a jacket with either sports collar or soutein collar, fastened with either buttons or a zipper and its sleeve is finished by cuffs and tapes. Regarding to color. inkblue, dark navy, khaky, dark beige are favourable ones. 2. In regard to the necessity of uniform that workers suppose, most of them were aware of it and agreed wearing uniform could play an important part. The reason why are on the basis of safety-first and work efficiency and also to protect a body from harmful or toxic dirt specially in machinery workplace. 3. The purpose of wearing an uniform according to statistics of population make some difference in age, gender. categories of industry, and the scale of factory. 4. In regard to care of uniform, front hem, edge of sleeve in a jacket, and knee, hip part in pants were most vulnerable spots for dirt. The parts damaged easily are edge of sleeve in a jacket and a zipper in pants. On the average, laundry have been done by water and was once a week frequency.

• Progress in Superconductivity
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• v.3 no.2
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• pp.218-223
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• 2002

The void volume fraction of cables is one of the effective parameters to characterize the joints of superconducting magnet. Because electrical resistance and cooling stability in the CICC (Cable-in-Conduit Conductors) joint are governed by the void volume fraction, it should be controlled constantly in the termination of cable. The change of cross-section shape in the cable was fecund during the unidirectional compaction of terminal sleeve. The non-uniform thickness of the sleeve after compaction is expected because the loading is not taxi-symmetric, and the plastic flow is also not axi-symmetric. The CICC was compacted from 45% void volume fraction to 15% by using two-piece compaction jig, which could be pressed mini-directionally. Commercial code, ABAQUS, was used to analyze the plastic flow in the sleeve during the unidirectional compaction. The increment of radius of curvature of compaction jig could minimize the change of the deformed shape of cables. The calculated results were agreed with the experimental observations.

• Human Ecology Research
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• v.52 no.1
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• pp.55-62
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• 2014

The purpose of this study is to identify changes in the sleeve patterns of women's jackets from the end of the 19th century to the early 20th century. To meet this purpose, we analyzed nine sets of historic sleeve patterns. The experimental sleeve patterns were selected from the English costume source books that provided women's costume patterns from the 1890s and 1900s. These experimental sleeve patterns were drafted on the basis of the directions given in the source books. The sleeve lengths, widths, and angles of each sleeve pattern were measured. The results of this study showed that the silhouette of the two-piece sleeves of women's jackets in the 1890s had a tight fit; further, they had a sharper elbow curve than that of 1900s' sleeves. The sleeves of the 1890s' women's jackets were 6-11 cm shorter or narrower than the sleeves of the 1900s' jackets. The under-sleeve inseam angle of the 1890s' sleeve was greater than that of the 1900s' sleeve. The outseam angle of the upper sleeve was greater than the under-sleeve angle of the 1900s' sleeve pattern. The elbow curve of the women's jacket sleeve pattern appeared to be a sluggish silhouette. This change happened as the outseam angle of the under sleeve was reduced. This shows that the elbow curve silhouette of the women's jacket sleeves of the 1890s and 1900s has controlled the change in the under-sleeve outseam angle.