• 대한지리학회지
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• 제41권2호
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• pp.227-243
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• 2006

이 글은 전자 미디어 기술이 기하 공간에서 시공간 차원을 어떻게 수반하고 생산하는지를 네 가지 이론적 관점에 초점을 두면서 고찰한다: 반 딕의 규모의 확장과 수축으로서 네트워크의 이중구조; 라투어의 유동적이고 혼종적 네트워크로서 행위자-네트워크; 비릴리오의 지구적 미디어 벡터로서 속도권 시간; 그리고 카스텔의 비순차적 흐름으로서 초월적 시간. 이들 네 가지 이론적 관점에서, 우리는 전자 미디어 기술이 기하 미디어 공간에서 상이하고 다중적인 시공간 차원을 수반한다는 것을 알 수 있다: 동심원의 이차원 공간 (면), 행위자-네트워크의 일차원 공간 (선), 속도권 시간의 영차원 공간 (점), 그리고 초월적 시간의 다중차원 공간 (하이퍼텍스트). 전자 미디어 공간이 지리적 공간에서 탈/토착화되는 방식을 이해하기 위해서는 우리는 전자 미디어 공간을 기하 미디어공간뿐만 아니라 지리 미디어 공간에서 설명할 필요가 있음을 제시하면서 이 글은 끝맺는다.

• 한국의류학회지
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• 제31권1호
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• pp.21-32
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• 2007

The purpose of this study is to establish the idea of sustainable slow design by analyzing literatures and preceding cases, based on the external elements of a design including forms, the methods of expression, materials and colors. This study reviewed the previous literature of books and pictures related to the research for case studies and content analysis. fashion books, magazines, and web-sites published from 2000 to 2005 were analyzed for this research. The sustainable slow design trends in fashion can be summarized as follow. The first is a timeless style which has sustain ability in design independently of the versatile fads and relies on functionality, serving the purpose of design. One of the examples is both clothes designed by Burberry and suits by Chanel. The second is a hand-touch style which the more time for outputs can be positively tolerated, in favor on eco-friendly design through the techniques of manual arts. The third is a renewable design which the combined values of design with reuse and renewal result in recreation of past ecology as shown in the technique of designs by mix & match. The forth is a transformable design which features the multi-purpose and multi-forms, eventually extending the lift cycle of products. As a result of analysis of the four designs above, it can be inferred that the representation of past styles, the mixture of old design with new design, the appropriate combination of conventional fabrics with advanced ones, the ecological trends of sports look was emerging.

• 복식
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• 제57권9호
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• pp.49-66
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• 2007

Trench coat derived from military uniforms was one of the classical fashion items and has been endeared as everyday outfits thanks to useful traits. Since 1990s classical design of trench coat began to be modified and many variant styles were appeared after 2000s. Trench coat designs after 2000s were appeared as tradition type that was stick to basic British classic style, variation type that was changed in details, colors, materials, and silhouettes, evolution type that was changed into new items, deconstruction type that was dissolved and open-structured. Modern trench coat expressed modern chic, elegance feminine, stylish casual, military and gangster images. The characteristics of trench coat as classic fashion were utility for everyday life style, excellent ability to express images, and strong visual effects of characteristic details. Trench coat was timeless as classic fashion, at the same time, changed into new fashion styles suitable for the sense of the times.

• 디지털콘텐츠학회 논문지
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• 제4권2호
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• pp.181-189
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• 2003

분산 멀티미디어 응용에 대한 요구는 정교한 QoS 관리를 위해서 필요하다. 분산 멀티미디어 시스템 견지에서 보면, QoS의 가장 중요한 범주는 시간성, 볼륨, 신뢰성이다. 본 논문에서는 결함 허용을 통해서 신뢰성을 향상시키는 방법에 대해서 기술한다. ECA는 분산 멀티미디어에서 하나의 소프트웨어 오류를 자동적으로 분류할 수 있는 시스템이다. 본 논문은 규칙-기반 DEVS 모델링과 시뮬레이션 기법을 사용하면서 분산 멀티미디어 상에서의 오류 분류 시스템의 성능 분석을 설명한다. DEVS에서 하나의 시스템은 시간, 입력, 상태, 출력 및 함수들을 가지고 있다.

• 한국항행학회논문지
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• 제11권4호
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• pp.479-484
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• 2007

본 논문은 FRA(Fault Recovery Agent)의 설계와 구축을 설명한다. FRA는 홈 네트워크 환경에서 멀티미디어 원격 교육을 위한 소프트웨어 오류를 복구하기에 적합한 에이전트이다. 분산 멀티미디어 시스템 견지에서 보면, QoS의 가장 중요한 범주는 시간성, 볼륨, 신뢰성이다. 본 논문에서는 결함 허용을 통해서 신뢰성을 향상시키는 방법에 대해서 기술한다. 본 논문은 규칙-기반 DEVS 모델링과 시뮬레이션 기법을 사용하면서 분산 멀티미디어 상에서의 오류 복구 시스템의 성능 분석을 설명한다. DEVS에서 하나의 시스템은 시간, 입력, 상태, 출력 및 함수들을 가지고 있다. 제시된 방법이 기존 방법에 비하여 오류 발생률과 작업 수행 시간에 있어서 더 효율적이다.

• 한국의류학회지
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• 제33권4호
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• pp.531-542
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• 2009

This study examines the correlation between the characteristics of sustainable slow design, The outcome derived from the pro-environmental consciousness in fashion design, and the trends of modern fashion design. The conclusion of this study is as follows. First, slow design for sustainability shows an environmental consciousness and stresses the ethical aspects of fashion design that take into account the wellbeing and sustainable development of human society. It also focuses on the continuos present in which the consistent pace of life endures, rather than pursuing speedy changes of fashion by titillating desire. Second, the five characteristics of slow design have been extracted from the analysis of the examples of fashion industry and other fashion-related areas. They are sustainability, recyclibility, handicraft, naturalness, and simplicity. Third, these characteristics of slow design have much to do with modern fashion genres. For instance, classical style fashions such as Chanel suit and Burberry coat have the same qualities of sustainability, while at the same time the Vintage fashion, which reinterprets the fashions from bygone eras in modern style, has the tendency of recyclibility, and the Hippie style, a resurrection of hand-touch spirit that emerged as a secondhand style expressionism resisting uniform mass production, has not only the quality of handicraft but also recyclibility.

• 디지털콘텐츠학회 논문지
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• 제6권1호
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• pp.85-88
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• 2005

분산 멀티미디어 응용에 대한 요구는 정교한 QoS 관리를 위해서 필요하다. 분산 멀티미디어 시스템 견지에서 보면, QoS의 가장 중요한 범주는 시간성, 볼륨, 신뢰성이다. 본 논문에서는 결함 허용을 통해서 신뢰성을 향상시키는 방법에 대해서 기술한다. ERA는 분산 멀티미디어에서 하나의 소프트웨어 오류를 자동적으로 복구할 수 있는 시스템이다. 본 논문은 규칙-기반 DEVS 모델링과 시뮬레이션 기법을 사용하면서 분산 멀티미디어 상에서의 오류 복구 시스템의 성능 분석을 설명한다. DEVS에서 하나의 시스템은 시간 입력, 상태, 출력 및 함수들을 가지고 있다.

• 한국의류학회지
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• 제39권1호
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• pp.91-105
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• 2015

This paper accomplishes the following points: First, the costume style held by women in the Silla dynasty are examined. Second, a new fashion concept is drawn from Silla's costume images with lessons from analyzing how major brands from China and Japan have adopted their own traditional images. Third, a Korean fashion concept is crafted to reflect important modern fashion design factors. The conclusions of this study are: The concept of Korean fashion using Silla costume image based on the 2015 S/S trend was developed and suggested as: 'Harmony of Contrast', new beauty created by mutually contrasting things; 'Timeless' transcending time-space flowing from the past, present, to future; 'Empathy' where past and present are harmonized; 'Modern with Antique' expressing a new style modernism where the old retains value. The efforts to express identity via conceptualization of Korean fashion are an effective strategy that satisfies the goals of setting Korea's fashion design apart from others and spreading Korean culture.

• 한국의류학회지
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• 제41권2호
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• pp.306-325
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• 2017

This study analyzed how a time-honored fashion house has harmonized its design identity over a sustained period with its successor designers. Givenchy Fashion House was selected as the subject of this study. This study focused on literary research, analyzed design features and fashion images based on photos of Huber de Givenchy's collections (1952-1995) and collections by Riccardo Tisci (2006-2016), the creative director of the house. Photos were gathered from books and fashion websites; in addition design was analyzed based on a review by experts on collections. The results are as follows. Hubert de Givenchy won fame for simplified modern elegance that presented a new beauty for modern women and reached the peak of his career from the 1950s to the 1960s. Riccardo Tisci respected the couture tradition of the Givenchy Fashion House. He successfully revitalized the house by simultaneously emphasizing his personal design features and reinterpreting the design identity as well as tried to establish new house signatures. In conclusion, the original design identity of the Givenchy Fashion House is based on Hubert de Givenchy's timeless modern elegance that has been reformed by Riccardo Tisci as romantic goth and sensual elegance.

• Korean Journal of Acupuncture
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• 제28권4호
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• pp.177-198
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• 2011

Objectives : The purpose of this study is to examine the theory of mind and body practice in Dan-Jeon-Ju-Seon from the point of views of Taoism, Buddhism, and Oriental medicine. Methods : An ideological background and development of Dan-Jeon-Ju-Seon was first examined. Then, the definition of, other descriptions of, and various locations of, Dan-Jeon were investigated. In addition, the theory of Qi movement of Shui Sheng Huo Jiang (ascent of water Chi and descent of fire Chi) in Dan-Jeon-Ju-Seon was taken into consideration from perspectives on the thought of Taoist Nei Dan (internal alchemy) and Oriental medicine. Finally, the characteristics of mind and body practice in Dan-Jeon-Ju-Seon. Results & Conclusions : Dan-Jeon in Dan-Jeon-Ju-Seon consists of three parts, upper, middle, and lower Dan-Jeon, which is related to Jing (sperm, essence) Qi (breath, eneregy) Shen (spirit, intellect) of our body. Jing Qi Shen is a crucial part in our mind and body, mind and body are connected by energy, and the energy flow is possible by ascent of water Chi and descent of fire Chi. Ultimately, Dan-Jeon-Ju-Seon is a method of practice to keep one's mind and body healthy, and its purpose is to do timeless meditation in our daily lives regardless of time and place.