• 복식문화연구
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• 제23권2호
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• pp.254-269
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• 2015

The digital technology that has brought about the information revolution acts as the causes of multi-faceted socio-cultural phenomena. The spread of the digital environment and the popularity of the digital devices accelerate the phenomenon or the fusion of culture and technology, and such a phenomenon is no exception in the fashion design. Namely, the combination of fashion design and digital-based technology draws more and more attention; Not only the technology is simply applied to the fashion design, but also it is used as an emotional tool to enhance consumers' satisfaction, while some designs and marketing cases stimulating consumers' emotion are highlighted importantly. This study was aimed at surveying and analyzing the contemporary fashion using the digital technology and thereupon, assessing the characteristics of the emotional representations of technology as well as their aesthetic values. To this end, the theory of 'science of emotion and sensibility' was applied to divide the characteristics of emotional technological expressions in the contemporary fashion into immateriality, non-boundary, multi-media and interaction, while the aesthetic values of the emotional technology immanent in the contemporary fashion were categorized into communication & participation, conceptual configuration, physical expansion and variable movement. This study analyzed uses of technology for human emotion and sensibility shown in not only collections but also communication media and exhibition spaces and thereby, suggested the direction for our fashion industry to fulfill consumers' changing needs and advance further.

• 한국인터넷방송통신학회논문지
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• 제19권4호
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• pp.129-137
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• 2019

새로운 기술로 인해 현대에는 4차 산업 혁명 시대에 맞게 빠르게 변화를 하고 있다. 이러한 시대에 발맞춰 가듯 현대인들의 일상생활뿐만 아니라 문화생활 역시 변화하고 있으며, 이러한 변화는 실제로 직접 가서 감상해야 하는 연극이나 뮤지컬, 오페라 같은 문화 역시도 디지털화시켜 언제 어디서든 내가 보고 싶을 때 볼 수 있는 시대로 바뀌어 가고 있는 것이다. 그러나 공연영상 분야는 다른 분야와는 다르게 더 높은 수준의 화질과 서비스를 기대하기 때문인지 관련된 연구가 활발히 이루어지지 못하고 있는 실정이다. 이에 본 연구에서는 소비자들이 공연 영상콘텐츠에 기대하는 바가 혜택, 편리, 혁신성이라고 보고 이러한 속성이 신뢰 및 만족도에 미치는 영향력을 살펴보았다. 뿐만 아니라, 이러한 요인들이 구전효과에 미치는 영향력을 살핌으로써 향후 공연 영상콘텐츠의 확산 가능성을 파악하고자 하였고 유의미한 시사점을 도출하였다. 본 연구결과 공연 영상콘텐츠 특성 중 혜택과 편리는 신뢰와 만족에는 긍정적인 영향을 미치는 것으로 나타났지만, 혁신은 신뢰와 만족에 아무런 영향을 미치지 않는 것으로 나타났다. 다만, 신뢰와 만족은 구전효과에는 긍정적인 영향을 주는 것으로 나타났다.

• 한국농촌건축학회논문집
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• 제9권1호
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• pp.61-68
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• 2007

Rutian village is situated at the lower stream of Tumen river- U shaped entrance which is around many small mountains. This village which can be entered through the ferry of the HyoRyongBong village had started to be founded before the "Korean village"was founded. It was cultivated by Chinese, but because of the increasing number of the Korean immigrants, it finally became the village for only Korean Chinese. It has become from the very small village in the reclamation period to the prosperous one containing 45 houses in the Cultural Revolution period. Unfortunately, after adopting the Open policy, the village got smaller and contained only 15 houses. The reasons were: many young people emigrated to big cities for economic security and the education of their children; some went abroad to get job. To see the space structure for the village, streets and the roads, which can connect 130-year-old village to the villages around it, were opened as national roads. Bat these roads disappeared and also were not used much because of the decreasing number of resident population. The residence has become from the very small village in the reclamation period to the prosperous one and then become a smaller one again now. Especially, front villages and remote villages have started to disappear. Moreover, because of a good geographical condition such as the mountain and the water, fish farms have been much built up, and so houses with business facilities have started to build up.

• 기록학연구
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• 제1호
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• pp.189-217
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• 2000

In this article I tried to take an overview of the training course of Chinese Archivists. The emphasis of this work lies on the development of the Archives College of Renmin. Univ. of China after the Cultural Revolution. It includes also the development in 1950's and early '60's. An overview of the Chinese development in 1950's and early '60's will be helpful for the development of Korean archival system, especially in training of archivists. What is necessary above all in our today's situation is to bring some experiences from the advanced countries in this field. It can be carried out in two ways : the empirical studies of archival development in foreign countries and the systematic translation of their publications. It also needs an establishment of professional institutes for the archival studies in Korea. In fact the professional archivists are now hardly found in Korea. Those scholars working in the archival areas now are not archival specialists in their academic origin. Because of the urgent needs some scholars of related fields, i.e. history and library science, take over the roles of researchers and instructors in archival studies. It is therefore very urgent to offer the environment where the archivists are able to devote themselves to research in archival science. In conclusion, we need to pursue the studies of archives to give order to the records we find in the long history of our archival tradition. By doing so, we can develop our own archival science in the end. This project, however, needs supports from the government for the formation of policies, securement of budget and collaboration between the related agencies to pave a way for the strong foundation of Korean archival studies. Without these supports it might take much more time then that Chinese have taken for the enhancement of their own archival studies.

• 한국컴퓨터정보학회논문지
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• 제1권1호
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• pp.7-24
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• 1996

오늘날 선진 각국들은 “초고속정보통신망의 구축"이라는 국가차원의 정책을 잇 따라 발표하고 있다. 이것은 단순히 정보통신망의 구축만을 의미하는 것이 아니라 앞으로 도래할 정보사회의 무한경쟁 시대에 대비하기 위한 것이다. 특히 이러한 초고속정보통신망의 구축은 전자문서와 전자결재의 활용을 가능하게 하여 사무관리의 측면에서도 많은 변화를 예고하고 있다. 따라서 우선 선진 각국의 초고속정보통신기반의 구축사례와 우리나라의 추진 정책을 고찰하였다. 이어서 이를 국가정보화추진의 관점에서 법과 제도의 정비 방안의 일환으로 작년에 제정된 정보화촉진기본법의 제정 사례를 중심으로 하여 살펴보았다 우리나가 초고속정보통신망기반의 구축사업은 이제 막 시작되었으므로 앞으로 사무관리의 측면에서 EDI의 적용업무 분야 등 보다 깊은 연구가 뒤따라야 할 것이다. 것이다.

• Human Ecology Research
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• 제58권1호
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• pp.87-103
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• 2020

This study discusses the institutional change of Chinese early childhood education quality assurance institution (ECEQAI) from the three dimensions of the perspective of historical institutionalism of that refer to the external environment, dynamic mechanism containing with nation-market-society, and the invisible ideology of the institutional change. Chinese ECEQAI was divided into five historical periods, which were 17 years after the founding of China (1949-1966), the Great Cultural Revolution (GCR) period (1966-1976), the early stage of Reform and Opening-up (RO) (1976-1995), the social change period (1995-2010) and the new period (2010-now). This study also concludes five separate change models for Chinese ECEQAI that correspond to the five periods. The first was a compulsory and gradual institutional change model influenced by the Soviet model and dominated by national power. The second was compulsory and radical change model controlled by the counter-revolutionary group. The third was a compulsory and gradual institutional change model dominated by national power. The fourth was induced and gradual^① institutional change model driven by market power and forced by society power. The fifth was a compulsory and gradual institutional change model led by national power and forced by society power. Finally, the future change direction of China's ECEQAI was further pointed out, that was the government-leading and tend to balanced three-pole power model of "Nation-Market-Society", as well as the "three-pole power relationship" of indepth communication and positive interaction.

• 한국엔터테인먼트산업학회논문지
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• 제13권2호
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• pp.111-122
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• 2019

많은 현대인들에게 전통예술은 상당히 오래전 사람들의 삶의 모습으로 인식되는 경우가 많다. 그러나 실제 우리의 전통예술은 짧게는 한 세대나 두 세대, 혹은 채 100년도 되지 않던 시기에 선대로부터 전승되던 예술이며 삶의 모습이다. 그러나 현대의 변화되는 사회적 가치관에 따라 전통예술은 그 고유의 기능과 의미가 변화되거나 소멸되는 경우가 많다. 4차 산업혁명의 도래는 문명적 편리함을 제공하는 반면 인문학적 생태환경은 위기에 처해 있다. 따라서 우리의 문화예술 생태기반을 살펴보는 것은 궁극적으로 미래의 풍요로운 삶을 준비하기 위해서이다. 따라서 바람직한 문화생태계를 구축하는 것은 전통예술을 올곧게 전승하는 것에서부터 시작된다. 본 연구는 농사풀이농악의 연행형태를 유지하는 갑비고차농악의 춤 특성을 살펴보았다. 두 차례에 걸친 현장연구와 영상분석연구를 통해 갑비고차농악이 마을 공동체 구성원의 연대와 협력을 강화하고, 공동체의 정체성을 공유하는 전통적인 농악의 특성을 잘 유지하고 있음을 알 수 있었다. 갑비고차농악은 순리에 입각한 역학적인 춤동작, 최소한의 동작구로 이루어진 모방적 춤동작, 반복적 춤동작, 소통적 춤동작을 통해 마을 공동체의 구성원들의 참여를 독려하고, 점층적인 추진력을 통한 구성의 변화로써 구성원 간의 신바람을 이끌어내고 있었다. 갑비고차농악은 세련되거나 정교하지는 않았지만 문명의 신속함과 편리함으로부터 느림의 미학과 여백의 미학을 생성하여 따뜻한 감성으로 공동체 구성원 간의 조화를 이끌어낼 수 있는 춤의 구조를 갖고 있었다. 이러한 춤의 구조는 경향류의 춤의 전형을 구축하는데 매우 중요한 논의가 될 것이다. 추후의 논의를 통해 전통 춤의 보편적이고 개별적인 전형을 세우는 데 학술적 노력을 계속해야 할 것이다.

• 한국실내디자인학회논문집
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• 제20권2호
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• pp.176-183
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• 2011

Modern museums that started from 17th century in Europe have played a role of storage for collections of the upper class as a form of private museum. Since 18th century the publicity has been more emphasized in the society of Europe and there became a public museum that serves as a institution for social education. In addition to this, the mass production that began with the Industrial Revolution relieved the working hour of the public and they started to spend their more time for visiting museums to have social education. In korea there constructed a lot of public museums after economic development and people experienced the social education and the cultural events. However, there raised questions on security issue regarding relic because of growing number of visitors to the museums. Due to this, the museums asked a surveillance system for their relic. But the museums don't have enough research on this nor understanding the current situation. Because the relic in museums of history has a money value, the anti-theft system is more focussed. In addition to the direct surveillance system with staff or closed-circuit television(CCTV), the indirected system with visitor's mutual surveillance in conjunction with spatial structure has to be researched. This study is to understand the relationship between surveillance system and spatial structure with reference to korea's national and public museum of history. With the results of the research, the study provides a planning guideline to the museum architecture to prevent security problem.

• 한국조경학회지
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• 제34권6호
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• pp.111-129
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• 2007

Industrial heritage artifacts may include the industrial products, technologies and infrastructures that have contributed to modernization beginning with the Industrial Revolution. The history of our industrial heritage spans 50 to 150 years and can be characterized by taking into account the site and the technology. This paper analyzes 13 precedents in Japan, Canada, and the United States in terms of these concerns, with focus on the reuse of abandoned mines as industrial heritage. Field surveys and interviews about each abandoned mine were used to obtain historical records and material. The results describe progress in three phases (1) recognizing phase, (2) organizing phase, and (3) maintenance management phase. A proper methodology for reuse is necessary to ensure the authenticity of the abandoned mine, particularly in the face of poor tourism-oriented approaches. As a result of analyzing the 13 cases, we determined that the following principles should be considered during the reuse process. Firstly, reuse of abandoned mines should not be compulsory but should be a spontaneous process and especially, should be carried out by inhabitants. Secondly, education and real experiences in the abandoned mine should be used to ive visitors a feeling of authenticity. Thirdly, creative remodeling methods can be used to enhance the abandoned mine's facilities and the site. Finally, historic and new functions should be the focus of the revitalization. Because this paper mainly focused on 13 precedents, there are likely more diverse cases. However, the conclusions of this report have practical value for reuse of abandoned mines and can be used in establishing methods for reusing Korean abandoned mines as industrial heritage.

• 복식
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• 제62권6호
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• pp.112-126
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• 2012

The style of a dress allows important characterization of an era since they reflect contemporary politics, society, culture and arts. Within a same category, period costumes develop into styles that reflect specific consciousness. The research method and the scope of the study are as follows: the research adopts a historical study method and a comparative research from a microscopic point. The scope includes resistance costumes that proceed with sans-culotte that comprises of the resistance party during the 18th French Revolution (1783-1799), and also a Hippy style which was popularized during the 1960s and 1970s for its anti-war movement. We researched both similarities and differences of design factors reflecting resisting consciousness in costumes that affected costume characteristics related to their socio-cultural background. Sans-culotte and the Hippie style reflect a common denominator in anti-social resisting customs. First, they show common characteristics that combine fashion trends of resistant element and design features. Second, they have common features which are the characteristics of deviation. On the other hand, these two customs also present a discriminative denominator in anti-social resisting customs. In the case of sans-culotte, they tend to symbolize confrontation by dividing into two equal parts: the old and new mode. Sans-culotte confronts the conventional mode and promotes practical costume styles based on justice standpoints. First, hippies pursue an exposition of individual emotions that disclose internal meanings of love and desire. Second, they focus on subjective characteristics and chase after masteries and pleasures by expressing intensity. Third, it extends and develops folk costumes from many countries that reveal ethnic trends. Therefore, this research compares and contrasts different changes in the fashions of revolutionary periods, and aims to recognize the relationship between design and costume characteristics, thus contributing to the predictions of future changes in fashion.