• 제목/요약/키워드: symbolic place

검색결과 196건 처리시간 0.021초

플레이스 브랜딩 관점에서 본 철도역사의 계획방향 연구 (A Study on the Planning Directions of Railway Station from the Perspective of Place Branding)

  • 우희경;주범
    • 한국실내디자인학회논문집
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    • 제23권1호
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    • pp.172-180
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    • 2014
  • A railway station appears in the form of multi-use station building where cultural and commercial elements such as shopping and leisure are mixed, getting out of simple space configuration oriented to the space for station work, where a passenger stays for a little while. Now, a railway station is a place expanded to the inside of city, and builds a relationship with urban fabric, and therefore it should receive the social change in the time together with the surrounding infrastructure, and should inevitably form the urban environment. And it should become the 'Place' so as to be capable of playing a role of buffer and a role of regional gateway landmark by making users included in the inside through various uses with regard to the dispersed urban connection. Hence, this study is intended to examine the planning through the place branding of railway station. In the method of research, the characteristics that place branding had was investigated, and an analysis was made on the basis of 10 place branding strategic elements and 6 railway design guidelines. And it was intended to set a direction in which the existing place branding strategy could be applied to the railway station, and was intended to derive the place branding planning strategic elements of railway station. Hence, the planning can be classified into the following 5 kinds in connection with railway station. First, identity should be embodied through the strategy of constructing the symbolic image of railway station. Second, a role of mediating variously approaching flows in the city should be played. Third, the spatial layout of railway station, which can increase the efficiency of use, should be arranged. Fourth, special characteristics should be intensified through creative storytelling that stimulates emotion. Fifth, an organic change is gradually necessary for sustainability. These planning elements should be applied in harmonious combination. Therefore, a new railway station can be maded by building identity and placeness and by giving the value through these planning directions in the future.

강원도 지방경찰청 조경설계 (Landscape Design of KangWon Provincial Police Agency)

  • 이시영;김신원
    • 한국조경학회지
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    • 제30권2호
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    • pp.79-87
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    • 2002
  • This landscape design proposal was presented to a design competition for the KangWon Province Police Agency(KPA). The site, about 27,711 $m^2$, is located at 293-4 Udu-dong, Chunchun, KangWon-Do. Design objectives of the KPA were to build a symbolic place which fall community members with pride, to elevate an identity and status of the KPA by creating a landscape correspondent to the concept of the building design, to provide community residents with a space to enjoy cultural and social activities, and to make environment friendly space. The main concept was developed by one of characteristics of the traditional spatial structure of Korea known as an, 'Open and Closed spatial structure.'By re-interpreting the traditional spatial structure and applying it to the site, the design met the various desires of the KPA. The site is primarily segmented into 6 sub spaces; entrance space Podori plaza, symbolic court, police billeting area, sports area, and rear rest area. The entrance space, Podori plaza, and symbolic court on the south-west part of the site represent the publicity of the site as the concept of ″open space.″ On the contrary, considering the specialty of police affairs, the north-east part of the site, which contains the police billeting area and rest area, were designed to maintain security by using the concept of ″closed space.″ To express an identity of the KPA, 'Podori', a police mascot, the plaza was designed and is suppose to function as the hub of the community. In the front section of the plaza, a symmetrical planting pattern, centering the strong axis, was introduced to strengthen its symbolic meaning. Traditional window frames such as the pattern of 'Pisal-jige'and 'Umulsal-jige' were used for the paving system which is applied as the environment friendly design. Site facilities and furnitrue were placed at every important spot in order to connect various spaces organically. As these well-tied spaces properly shared their function, spatial sequence and management would be promoted. The entire space was designed to allow free access of handicapped people. This proposal is meant to create a new image of KangWon province and to enhance the way of inhabitants' think about their community.

호텔 공간디자인에 나타난 장소성 표현양상에 관한 연구 (A Study on the Aspect of Placeness Expression in Hotel Space Design)

  • 김정아
    • 한국실내디자인학회논문집
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    • 제27권3호
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    • pp.33-40
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    • 2018
  • As the standard for the value of modern people's life increases, hotels make efforts for the users' qualitative and mental satisfaction. As an approach to hotel space design differentiated for new experiences for travelers, a design that reflects the placeness is needed so that people can experience the local culture and historical meaning of the place. Thus, this study divides the components of placeness into physical factors, socio-cultural factors, and semantic factors. As for methods for the design expression of placeness formation, physical factors are classified as the connection to surrounding environments, center, passage, and area. Socio-cultural factors are classified as cultural experiences in the place. Semantic factors are classified as symbolism and historicity. For a case analysis in this study, overseas four-star hotels or higher, where placeness stood out are analyzed, based on the above-extracted components of placeness. As a result of the analysis, the hotels in the cases showed an aspect of expression that emphasized semantic factors despite there were differences in the detailed expression method, depending on the designers. The expression of the place that reflected locality and temporality showed the connection of time, connecting the past with the present. In the future, only the design expression based on the historical and symbolic meanings of the place will be the experience that remains in the users' memories, very precisely.

종교건축 수공간의 현상학적 특성과 의미에 관한 연구 (A Study on the Phenomenological Meaning and Characteristic of Water Space in Religious Architecture)

  • 손광호;김강섭
    • 한국실내디자인학회논문집
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    • 제14권6호
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    • pp.193-201
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    • 2005
  • In this study we analyzed and interpreted the phenomenologlcal characteristics and meanings of water space in religious architecture through field studies and phenomenologlcal approaches, focusing on the religious architecture Introducing water space in contemporary architecture. The phenomenological experience elements of the research ate light, time, place and context. As the results of this study, first, light as a phenomenological element not only induces a contrast and change between light and the shadow in architectural space and various changes of light in inner space, but also operates as an element which expresses building features outward with time. Second, time as a phenomenological perception experience makes us feel changes of the environment and physical properties and experience space visually and physically. The continuity of time shows the change of a day, night and daytime and seasons. Third, water space makes the sense of place more remarkable, connected closely with surrounding nature In outer space, and creates a new space. Fourth, water space is a contextual element which harmonizes with surrounding environment by connecting surrounding natural environment with architectural space. Fifth, water space in religious architecture is a symbolic and central element, and emphasizes the atmosphere of architectural space. In addition, it makes the people who experience water space perceive the place by triggering sensitive response.

A Study on the Vernacular landscape Pattern of Nagan Walled Traditional Village(락안읍성) in Suncheon

  • Shin, Sang-Sup
    • 한국환경과학회:학술대회논문집
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    • 한국환경과학회 2003년도 International Symposium on Clean Environment
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    • pp.185-191
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    • 2003
  • Walled town was located on the axis connecting symbolic places, which was a feng-shui lucky place of a mountain sits to the rear and a body of water sits to the front. It represents environmental development of cultural space by blend of folk belief, religion, social system, administration facilities and living culture buildings. Therefore it is sustainable cultural view connected of formed or formless religious view and artificial view(wall, government buildings, living houses, and cultivated land so on) in a nature landscape. Environmental design technique, enlarging its meaning and value of living to mental level was founded from space composition and settlement, which was constructed organized space of government and residence area of walled town within the wall for looking for lucky place(from best, better, and good places) in order to construct ecological network (天+地+人, 山+水+方位+人, 地理+生利+山水+人心) by outlook of space and settlement.

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구술로 본 1970년대 이후 전주지역 단독주택 부엌의 변화 (The change of Kitchen in a Single Detached House in Jeonju City after 70's through Oral Life History method)

  • 박선희
    • 한국주거학회논문집
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    • 제17권6호
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    • pp.55-63
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    • 2006
  • The purpose of this study is to investigate the change of kitchen in a single detached house in Jeonju city after 70's. Oral life history method which has 12 women's personal narratives and 17 women's personal narratives with written reports was used as a research method of this study. The results of the study were obtained as follows: 1) It was beginning about late 1970 year that heating system and cooking place were separated in a house. 2) Many kitchens were reconstructed for indoor stand-up work place from late 1970's to the early 1980's. 3) There were major factors such as heating system, cooking fuel, and work center in the change of kitchen in old houses. 4) The kitchen toward the center with a living room was appeared in the floor plan of modem house after 1990's. The symbolic words of the indoor kitchen that work for women were 'warmness' and 'convenience'.

의류상품 구매행동에 나타나는 양면적 소비 (A Study on Ambivalent Consumption in the Purchase Behavior of Apparel Products)

  • 김주현;이은영
    • 복식
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    • 제57권2호
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    • pp.172-189
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    • 2007
  • The purpose of this study was to identify the characteristics of ambivalent consumption appeared in the purchase behavior of apparel products by the 4Ps element of marketing mix and to clarify the relation between consumption value and clothing involvement that were the antecedent variable. Among the 4Ps element of marketing mix, brand was selected in the exterior criteria of products, and fashionability was selected in the internal criteria of products. Meanwhile, it was considered that there were no objects of conflicted or ambivalent criteria in the element of promotion. Finally, brand, fashionability, price, place, etc. were selected as the elements of marketing. A self-administered questionnaire was distributed to 550 subjects from Jun, 8th, 2006 to Jun, 22nd, 2006; 507 were used for the data analysis. The results from data analysis were following: firstly, it was identified that ambivalent consumption showed up, as the result from measuring the individual conflicting consumption by elements. Brand was the highest in the frequency of ambivalent consumption among the elements of marketing mix, and price, place, and fashionability were followed. Secondly, by product characteristics, the frequency of ambivalent consumption of casual shirt, group II, was lower than that of mountain climbing jacket, group III, in the brand element and the price element. Thirdly, as the results from conducting factorial analysis to consumption value, it had 5 dimensions, which were practical value, distinguishable/aesthetic value, conspicuous value, social/confirmative value, and enjoyable value. Also clothing involvement was classified into 4 dimensions of emotion, fashionability, symbolic and brand involvement in the result from conducting the factorial analysis to clothing involvement. Fourthly, the mean of ambivalent consuming group by each element was highest among that of other consuming groups in all the dimensions. Fifthly, ambivalent consuming group had the highest mean among other consuming groups in all the dimension of clothing involvement, such as emotion, fashionability, and symbolic by each element of marketing mix, and it means that overall, ambivalent consuming group is highly involved in all the dimension of clothing involvement.

S.I.P(Store Identity Program)을 적용한 백화점 화장품매장 디자인 계획 (Design Plan for Department Store's Cosmetic Shop Application of S.I.P(Store Identity Program))

  • 이주형
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2008년도 춘계학술발표대회 논문집
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    • pp.82-85
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    • 2008
  • A cosmetic shop in a department store is the best place in Korea's cosmetic market flow that shows the total image of each brand. The present day departmental cosmetic shops are centered around global brands and comparative brand power is competing with a small number of local brands. It is a fact that not only regarding the brand power of local brands but also the space design of their shops are different than the global brands. And, influenced by a modern society, culture, economic surrounding, the customers are getting original and individual. Their individualistic life style is demanding a shop environment with new concept. Such a sale environment is not for just product sale and a place where exchange economy of sale occurs. It is requisite for communication where total marketing strategy Is used In an active way. We must acknowledge it as a symbolic place being the ultimate site of customer oriented exchange economy showing the image of both product and the company. The aim of this plan is to set up a sale environment that will enhance the brand awareness and product value. We intended to provide purchase comfort and visual effect to the customer simultaneously with an Increase in customer attention by putting in the appropriate design requisites as per the brand specialty and by the application of a distinguished S.I.P (Store Identity Program) for the shop.

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시경(詩經)에 나타난 식물 소재의 문화적 해석 - 상징요소와 경관조성요소의 관점에서 - (A Study on Cultural Interpretation of the Plants in "The Book of Songs" - Based on Symbolic Elements and Landscape Elements -)

  • 윈쟈옌;손용훈
    • 한국전통조경학회지
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    • 제32권3호
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    • pp.96-109
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    • 2014
  • 본 연구는 시경(詩經)에 등장하는 식물들을 도출하고 분석하여, 상징요소와 경관조성요소의 관점에서 기원전 3~11세기 식물들에 담겨 있는 문화적인 의미를 해석하였다. 본 연구의 결과를 요약하면 다음과 같다. 첫째, 시경에 등장하는 식물명칭은 총 147개, 종류는 총 136개로 기원전에 이미 이런 종류의 식물이 존재했고 생활 속에서 향유되었다는 사실을 확인하였다. 둘째, 식물 소재에 대한 문화적 해석을 통해 연인을 상징하는 식물은 부들과 연꽃 등이 있고 이별을 상징하는 식물에는 작약과 수양버들 등이 있고, 군자를 상징하는 식물은 대나무가 있고, 다산(多産)을 상징하는 식물은 화초가 있음을 알 수 있었다. 셋째, 식물 소재와 풍경에 대해서 시경에 언급된 경관에 대한 묘사 내용을 분석한 결과, 황철나무와 비술나무 등은 사랑의 장소를 묘사하는데 사용되고, 갈대와 원추리 등은 우수의 장소를 조성하는 식물로 등장하며, 개암나무와 약밤나무 등은 권위의 장소를, 미나리, 춘재 등은 학문의 장소에 사용된 식물이었음을 알 수 있었다. 시경에 대한 고찰을 통해 춘추전국시대에 주로 사용된 식물 소재와 각 식물에 담겨 있는 문화적 의미를 알 수 있었다. 또한 몇몇 식물은 현재에도 유사한 의미와 용도로 사용되고 있음을 알 수 있었다.

북한산성 지명의 분포와 변천: 『북한지(北漢誌)』 수록 지명을 중심으로 (The Distribution and Changes of the Place Names in Bukhansanseong : Focusing on the Place Names in Bukhanji)

  • 김순배
    • 한국지역지리학회지
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    • 제23권2호
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    • pp.325-353
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    • 2017
  • 본 글의 목적은 북한산성 안에 분포하는 지명들의 지리적 분포와 문화적, 역사적, 상징적 의미를 살펴보고, 나아가 지명 변천에서 나타나는 다양한 특성을 기초적으로 제시하는 것이다. 이를 위해 현존하는 지명 자료 중 가장 많은 북한산성 지명을 담고 있는 문헌으로 평가받는 "북한지(北漢誌)" (1745)를 중심으로 시대별 지명 자료를 수집하였고, 후부 지명소에 따라 자연 지명과 인문 지명으로 나누어 지명의 분포 및 유형에서 나타나는 특징들을 제시하였다. 아울러 '북한산' 등의 주요 지명들을 선정하여 지명의 의미와 그 변천 양상을 전부 지명소를 중심으로 기초적으로 분석하였다. 그 결과 삼국시대에 활발하게 통용되던 북한산이란 지명은 고려시대에는 삼각산, 조선시대에는 다시 '북한산' 및 '북산' 이란 지명으로 적극적으로 사용되었고, 1711년 북한산성이 축조되면서 북한산이란 지명 통용이 공식화되면서 지명 언중들에 의해 활발히 인식되었음을 확인하였다. 한편 "북한지"에 수록된 지명들이 자연 지명 중 산지와 하천 지형을 가리키는 지명들과 이러한 지리적 환경에 자리 잡고 있는 산성 관련 각종 인공 시설물 명칭들, 특히 이 책을 편찬한 승려 성능을 통해 동일시된 불교적 정체성과 이데올로기를 담은 불교 관련 지명들이 다수를 차지하고 있음을 확인하였다.

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