• 대한가정학회지
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• 제47권6호
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• pp.79-90
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• 2009

The purpose of this study was to improve the understanding of housing experiences of the married women in Korean sociocultural context and to explore their housing mobility. The grounded theory was adopted in this qualitative study. Data were collected through in-depth interviews with the seventeen married women. The major categories found in the data are 1) the inducement of housing mobility, 2) social constraint and opportunity, 3) the strategy and resource of housing mobility, 4) the intervening conditions, and 5) self-evaluation of their own housing life history. People construct their housing life history toward home ownership. There are a few factors to induce housing mobility, and social constraints and opportunity have an effect on obtaining home ownership. They utilize the diverse strategy and resource to solve their housing matter. Through interview, it is founded that they evaluate their housing career in the light of their life through interview.

• 디자인학연구
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• 제18권2호
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• pp.233-242
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• 2005

본 연구는 디자인의 사회사가 한국디자인의 역사를 연구하고 교육하는데 있어서 하나의 유용한 방법론이 될 수 있는가 하는 문제의식에서 출발하였다. 디자인에 대한 사회사적 접근방식을 이해하기 위해 우선 제2장에서는 니콜라우스 페브스너 이래 지속되어 온 디자이너 중심의 디자인사 서술 방식과 이를 비판하며 사회사적 관점의 디자인사를 주장했던 에이드리언 포티의 디자인사 서술 방식을 비교하였다. 제3장에서는 한국 근현대기 일상문화와 시각문화에 대한 사회문화적 접근을 시도했던 <일상 기억 역사>, <캠페인을 보면 사회가 보인다>, <신화 없는 탄생: 한국 디자인 1910 - 1960> 등 세 개의 국내 전시회를 통해 한국디자인에 대한 사회사적 접근 방식의 사례를 찾아보고자 했다. 제4장에서는 디자인사 연구와 교육에 있어서 디자인의 사회사적 접근 방식이 갖는 의미와 특성 등을 고찰해보고 질적연구방법론 도입의 필요성에 대해서 논하였다.

• 복식
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• 제46권
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• pp.133-142
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• 1999

The purpose of this study was to investigate trends of subject matter emphasis in clothing and textiles and to show the future directions to cooperate the fashion & textiles business and college. The data were included clothing and textiles related reasarch articles published in two professional jorunals from 1990 through 1998. The identified 1131 articles with clothing and textiles subject-matter emphasis were categorized in six areas: history of costume textiles design and aesthetics social-psychological aspect of clothing fashion merchandising. The results were as follows: 1. The number of each area research was ranked as follows history of costume(231-20.4%) textiles(221-19.5%) design and aesthetics(198-17.5%) social-psychological aspect of clothing(183-16%) fashion merchandising(169-15%) clothing construction(129-11%) 2. In the area of history of costume most of research have been published through Journal of Korean Society of Costume (197 out of 231. 85%). Especially history of korean costume was the most dominant area(154 out of 231.67%) 3. In the area of textiles most of research have been published through Journal of the Korean society of Clothing and Textiles(209 out of 221.95%) 4. Fashion design and aesthetics area was getting increased remarkably(ranking 3) as compared with preceding study(ranking 6) 5. Nineties' research(1990-1998 1131) has been a significant growth in terms of the number of research as compared with preceding study(1977-1989. 346)

• 대한건축학회논문집:계획계
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• 제34권10호
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• pp.95-106
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• 2018

Currently, the way of providing housing in Korea has been regarded as public rental housing through large-scale development by the government. However, there is an increasing need for qualitative growth not only in quantitative growth but also in policies, systems, and sustainable design. The purpose of this study is to explore the applicable methods for domestic social housing through the policy and design guideline study of UK social housing which has achieved qualitative growth through diversification of development subject. First, the concept of social housing in the UK and sustainable housing design elements will be examined. Second, the characteristics and policy direction, project background, management and sustainability of five social housing projects over the last 10 years in the UK will be analyzed. In conclusion, in order to achieve the sustainable design of social housing, the construction of the social housing in terms of policy and environment must include safe and eco-friendly design adaptability that can secure local identity and respond flexibly to social change. In addition, the social housing in the UK, which forms a sustainable complex through cooperation between the public and the private sector based on its place and history, can be a guideline for establishing policies and design guidelines in terms of urban regeneration.

• 건축역사연구
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• 제6권1호
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• pp.81-90
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• 1997

The 1960s is a transitional era in the history of architecture. The Byker housing redevelopment project well reflects this situation, and is a good example of materialization of social pluralism and expressional needs of a community. Therefore it was investigated in order to see its meanings in the history of mass housing in the Western countries. The conclusions are as follows: It is the first large-scale project where the concept of user participation was sucessfully realized; It suggested various tools of desirable design methodology; It made a paradigmatic change from modernism to post-modernism in the history of contemporary mass housing projects.

• 한국실내디자인학회논문집
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• 제7호
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• pp.87-96
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• 1996

In today's man's domestic environments, the development of furnishings in their various shapes and functions is as complex as human lives. Architecture, Interior, and Furniture, each one of these have the relationship closer and closer to the direct human environments. In this study, by choosing the theme of sitting , the transformation of man's behavioral models would be examined in sociological terms. By viewing the chair as an emblematic objects made for more than just sitting, the chair has revealed the relations of man with his environment since the history of furnishings began. Qualified architects and designers know that chairs are no longer the objects, but the primary subject of furnishings. Through this examination of the emblematic typologies of periodic chairs in the history of the Western culture, in terms of their relationships with politics , religions, monarchies, societies, and etc., the meaning of the designs could be find and which could be the resolutions for the future innovative design. These refound or recreated meanings in the history of design could create another typology for the future reality.

• 디자인학연구
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• 제12권4호
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• pp.139-147
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• 1999

일반적으로 근대 디자인의 역사는 19세기 중반 영국에서 시작된 것으로 이해되고 있다. 이 시기의 유럽은 프랑스 혁명과 한업혁명을 거치면서 성장한 부르주와 계층이 역사의 전면에 부상하며 과거 봉건적 전퉁사회와는 전혀 다른 근대사회를 성립해가고 있었다 새롭게 사회의 주역으로 부상한 부르주아 계층은 그들만의 고유한 새로운 미학을 확립하고자 했고 이러한 과정에서 근대 디자인이 탄생하게 되었다. 본 연구에서는 지난 150여 년간의 디자인의 역사를 근대 프로젝트로서의 디자인 혹은 모던 디자인 프로젝트라는 관점에서 파악하고자 한다. 초기 근대 디자인 이념의 형성과정에서부터 최근의 탈근대 논의에 이르기까지의 디자인 역사를 모던 디자인 프로젝트의 형성과 변질, 그리고 이에 대한 비판과 재평가라는 맥락에서 이해하고자 하는 것은 이ㅓ한 논의가 현재 진행중인 탈근대로의 급격한 전환과정을 이해하고 미래에 대한 전망을 갖게 하는데 도움이 되기 때문이다.

• The International Journal of Costume Culture
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• 제5권2호
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• pp.42-52
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• 2002

The purpose of this research is to survey minpo(the nations pojagi), especially supo(the embroidered pojagi), of the Yi Chosun of Korea during the nineteenth century. This study explores the history and background of minpo, its characteristics, including forms, designs, materials, and how they related to women's daily life during the Yi Chosun in social and cultural aspects. There were minpos for use in everyday life as well as for special occasions such as weddings, funerals and religions rites, including Buddhist and other services. The research undertaken here is done by classifying minpos according to composition, design, pattern and motif.

• 복식
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• 제65권5호
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• pp.113-125
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• 2015

The purpose of this paper is to study the $boutonni{\grave{e}}re$, a floral decoration, history of $boutonni{\grave{e}}re$, a floral decoration, with a focus on its aesthetics, its practical use and its traditional meaning. After the examination of its history, the paper, recreated the proceeds by taking into consideration both the contemporary men's fashion, as well as the $boutonni{\grave{e}}re$ designs of the past. The three factors of contemporary $boutonni{\grave{e}}re$ design, in brief, are its historical meaning, the visual aesthetics and the wearability. In this paper, the research and design steps are as followed below. First, the paper examined the history of men's fashion leading up to the twenty-first century in order to get a deeper understanding of the history of $boutonni{\grave{e}}re$. Second, the paper attempted to find the most suitable fabric materials and flowers for the $boutonni{\grave{e}}re$, in order to produce diverse $boutonni{\grave{e}}re$ that can be worn in any season and occasion. As for the fabrics that can be used to make the $boutonni{\grave{e}}re$, organza can be used for the S/S season, and wool, tweed and suede can be used for the F/W season. The major characteristics that differentiate the kinds of $boutonni{\grave{e}}re$ are the "Carnation" and the "Rose of Sharon". The 'Rose of Sharon' $boutonni{\grave{e}}re$ as the symbol of our nation possesses an intricate meaning and practical function, so that this $boutonni{\grave{e}}re$ is used as an alternative badge of the national assembly and other social-national institutions and their members. This idea expands into other social and individual features that the $boutonni{\grave{e}}re$ is a differentiated fashion item that provides other personal styles and expresses individuality.

• 디자인학연구
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• 제17권4호
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• pp.375-384
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• 2004

한국 디자인사의 일반적 접근 경향은 한국의 정치, 경제, 사회적 측면에서 근대화 문제와 관련된 거대 담론에 주로 연구 초점을 맞추어 왔다. 근대화 논의에는, 그러나, 자본주의적 생산양식의 자장 안에서 전개되는 공적, 제도적, 권력적 근대화 외에 일상적인 삶의 양식으로 발현되는 사적, 개인적, 문화적 근대화라는 두 측면이 내재되어 있다. 특히, 현실사회주의의 실패 이후 후자의 관점이 역사학계를 비롯한 제 분야에서 새로운 대안으로 부각되고 있음에도 불구하고, 한국 디자인 역사 연구가들의 근대적 디자인 현상에 대한 역사 인식은 일상적 현실 안에 존재하는 ‘아래로부터의 역사’이기보다는 현실 밖에 담론의 차원으로 존재하는 ‘위로부터의 역사’인 경우가 많았다. 이와 같은 엘리트 중심의 역사인식 틀에 균형감을 부여하기 위해서는 보통 사람들의 자발적인 디자인 행위로 구현된 일상적 삶의 표상들을 연구대상으로 삼음으로써 한국 디자인의 역사를 일상 문화적인 시각을 통해 아래로부터 재구성하는 작업이 요구된다. 이 물음에 대한 한 가지 접근방법은 지순한 한국 어머니 상의 전형인 올해 87세의 양갑조 할머니가 일생동안 제작해 온 규방 공예품을 문화사적 시각으로 읽어내는 일이다. 한국 디자인사의 거시적 담론 속에 묻혀버린 민초들의 일사적인 삶의 구적들에 대한 역사적 반추 작업을 통해 작지만 다층적인 한국 디자인의 의미소들을 발굴해 냄으로써 문화사로서의 한국 디자인의 역사적 전망을 가늠해 보는 전기를 마련하고자 한다.