• 패션비즈니스
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• 제14권2호
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• pp.57-72
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• 2010

The purposes of the research were to find out the clothing construction factors of the mechanical industry working clothes by analyzing the working clothes supplied to 5 subject companies; and to suggest the optimized sewing conditions and the seam strength and elongation experimental data according to the clothing material and seam types implied to the working clothes collected. The fabric types and trimmings used for the mechanical manufacturing working clothes were Polyester/Cotton(65/35%), Polyester/Rayon(65/35%), Cotton(100%); and linings, interlining, various fastenings etc. 2 stitch types, i.e. lock and two-thread chain stitches were applied to the construction of the flat, lap felled, French, superimposed, lapped and bound seams for the seam strength and elongation experiment. The results derived from the experiment were as follows. (1) The seam strength results according to the seam types were high in the order of lap felled>lapped>flat, superimposed and French seams. (2) Considering the features of the seam construction, as the number of fabric layers at the seam line increased the seam strength also increased. (3) Apart from the highest seam strength from the experiment using the net lining with the main fabric, the seam construction consisting of two fabric layers with the interlining showed relatively high seam strength results. (4) The seam elongations according to the stitch types were high in the order of two-thread chain>lock stitches.

• 복식
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• 제58권5호
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• pp.198-210
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• 2008

The purpose of this study is to establish the conservation methods of embroidered textiles and textile works. The conservation of remained textiles is consisting of examination, cleaning, support and consolidation, restoration, and storage and display process. It aims to prevent the damage on textile remains for long time display and storage and to prolong their aesthetics and functionality. The embroidered textiles and textiles works, which are remained by handed down or excavated or included in the Buddhist are embossed with colorful threads on the fabrics: the stitches include embroideries on clothing, bed clothes, wrapping clothes, utensil pouches, panels and Buddhist goods; textile works include hats, ornaments, shoes, attachments of clothes etc. These are composed of mainly fabrics, precious metals, leathers and precious stones, etc., and are fabricated by several techniques such as braiding, twining, sewing as well as weaving. Metal threads were also used to add a decorative effect on these goods. In order to conserve and preserve the remained goods, a special care must be taken on the metal threads, which are the most fragile material among the constituents. Hence, characteristics of metal threads and its cleaning methods, general conservation techniques of a rank badge, which is brocaded and partly attached to Cheogori and Samo(men's hat) from the excavated old tombs are introduced here.

• 복식
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• 제53권6호
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• pp.63-74
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• 2003

The first objective of this study is to investigate and analyze the construction of TUTU and secondly, to propose a systematic research background on a sewing method of TUTU. The final objective is to provide the exquisiteness and the comfort for customer when wearing a stage costume. The research method to investigate the TUTU construction in detail is by renting or buying three major TUTU brands, which are selling in Korea. The results of this study can be summarized into four categories. Firstly, the Bustier composes into 8 to10 patches, and the external material or accessory differs by the work of art and its characteristics. Moreover, the cotton is used for the inner material. which depends on dancer's vital activities. Secondly, a skirt layer ranges from 6 to 12 layers with laces. In addition, the gather or the pleats is used to form a crease. Thirdly, lace or cotton is the material used for culottes because it is stretchy and lightweight. For the waist part. a rubber band is used since its wearability plus functionality. Lastly, an adjusting part for a stage costume varied for each dressers physical feature and can be corrected with inner hems together a hook, a thread loop or a zip. In conclusion, the results of this study can provide the quality improvement for TUTU and furthermore can propose a framework for an understanding and a practical use of TUTU construction.

• 헤리티지:역사와 과학
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• 제51권2호
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• pp.4-21
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• 2018

국립고궁박물관에 소장되어 있는 16점의 '평정모' 유물에 대한 명칭을 검토하여 그간 사용해 온 '평정모'라는 명칭의 오류를 바로 잡고 유물을 토대로 제작방법을 제시함으로써 유물 재현에 활용하거나 궁중의례 재현용 관모 제작에 활용할 수 있도록 하였다. '평정모'라는 명칭은 '평정건'에서 유래되었다. "경국대전(經國大典)"에 녹사(錄事)는 유각평정건(有角平頂巾)을 쓰고, 서리(書吏)는 무각평정건(無角平頂巾)을 쓴다고 하였으나 국립고궁박물관에 소장되어 있는 평정모 유물은 녹사나 서리가 사용하였던 평정건과는 무관한 것으로 판명되었다. 오히려 세자궁 빈궁의 별감(別監)이나 수복(守僕) 등이 사용하던 흑주두건(黑紬頭巾), 또는 조건(?巾)에 해당하는 것임을 확인하였다. 유물 조사를 통해 재단 방법과 바느질 방법, 완성된 형태와 접어 보관하는 방법을 확인할 수 있었다. 평정모의 구조는 동일하나, 접었을 때 정면에 드러나는 형태에서 약간씩의 차이를 보이고 있어 이를 3가지 유형으로 분류하였다. 평정모는 한 조각으로 평면 재단하여 접는 방법으로 입체적인 모자로 만들었는데 앞이 낮고 뒤가 높은 구조를 이루었다. 머리둘레는 55~59cm이며, 높이는 19.4~21.5cm이다. 1장으로 재단하기 위하여 머리둘레에 해당하는 부분을 식서 방향으로 재단하였다. 유물 <창덕 23820>을 토대로 재료 준비, 배접하기, 중심 장식 만들기, 바느질하기, 접기 과정을 거쳐 완성된 재현품을 제시하였다. 미리 계산된 독특한 형태로 재단된 흑색 주(紬) 겉감에 삼베를 배접하여 재단을 마무리하였다. 머리 윗부분은 검정색 실로 징궈 주었고 뒤 중심선은 소색 면사를 사용하여 3.5~4cm 간격의 블랭킷스티치로 고정하여 형태가 완성되었다. 앞 중심의 접힌 부분 안쪽에는 착용 시 앞쪽 형태를 곧게 유지하기 위하여 대나무 심을 넣고 흰색 면사로 일정한 모양의 스티치를 해서 고정시켰으며 뒤쪽에는 망건에 고정할 수 있는 길이 2.5cm, 너비 0.6cm 크기의 대나무 첨자(籤子)를 달아 착용 시 벗겨지지 않도록 하였다.