• Journal of the Korean Society of Clothing and Textiles
• /
• v.43 no.4
• /
• pp.521-531
• /
• 2019

Uigwe Banchado are paintings of court events and royal ceremonies of the Joseon dynasty. The paintings record national events and ceremonial rituals performed by the Joseon royal family, such as marriages, celebrations, enthronements, processions to royal tombs, and archery ceremonies. This record provides a combination of information about the event's appearance, including preparation, procedure, people involved, reproductions worn by the participants, and the items used at that time. Through the realistic depictions painted in the Uigwe Banchado, in particular, one can grasp the scene of events at the time and reproduce the diverse attire worn by participants in the event. Based on 31 representative Uigwe Banchado, 550 knowledge nodes were written. These include 31 royal protocols, 41 attires, 136 clothes, 8 storage facilities, 120 objects, 55 people, 33 places and 83 concepts. The meaningful relationships between each node can be explored via a network graph. Digital illustrations of the 41 attires were created to aid in the understanding of Joseon dynasty royal ceremonial ritual attire.

• Journal of the Korean Society of Costume
• /
• v.61 no.10
• /
• pp.55-71
• /
• 2011

Court ladies' tasks were largely divided into two. First, if there is a royal family event, such as the royal family's wedding or feast, they followed the rules and regulations of work division that was defined in "Gyeonggukdaejeon". Secondly, during normal days, they were divided into Jimil (至密), Chimbang (針房), Subang (繡房), Sesugan (洗手間), Saenggwabang (生果房), Naesojubang (內燒廚房), and Oesojubang (外燒廚房) and took charge of female work that was needed daily at the palace including serving, cooking, laundry, needlework, embroidery, cleaning, and nurturing. This organization was operated by different palaces such as the daejeon(king's palace), daebijeon(queen dowager's palace), junggungjeon(queen's palace), or sejagung(prince's palace). Court ladies were selected among female slaves of the government office or naesusa(a ministry of royal household properties). Although commoners were forbidden to be selected, they sometimes became court ladies voluntarily for financial reasons or because of the will of their parents. Court ladies had different appearances according to the division they belonged to. The court girls of Jimil, Chimbang, and Subang wore saeangmeori while court girls from other places had braided hairstyles. At Jimil, they wore all different kinds of chima(skirt) and jeogori(jacket). Usually, court ladies wore navy chima, jade jeogori, green gyeonmagi(top jacket) with the uyeomeori hairstyle. When working in the evening, they wore pink jeogori or yellow-green jeogori, navy chima with the jojimmeori hairstyle for easiness to stay up all night and work. Navy chima was worn by court ladies. If there was a royal family event upper court ladies wore uyeomi, black or green wonsam, and stewards wore garima and dangui.

• Journal of the Korean association of regional geographers
• /
• v.22 no.1
• /
• pp.135-150
• /
• 2016

This paper studied on the geographical distribution location arrangement and the social construction of Pungsu discourse and the Pungsu(Fengshui) management of royal tombs on the Joseon Dynasty from the historical, cultural geographical perspective. The Pungsu landscape of royal tombs during the Joseon dynasty was the direct result of the political dynamics among the king, his family, other royal families, and various groups of vassals. Pungsu was a important factor in deciding tomb sites or landscapes, but it was a secondary factor to politics in the Joseon Dynasty. The primary factor was politics, clearly showing Pungsu's status in social discourse. The royal tomb Pungsu is defined as the Pungsu discourse of the Joseon Dynasty period which is combined with Confucian ideology in Korean Pungsu history.

• Journal of the Korean Society of Food Culture
• /
• v.3 no.1
• /
• pp.29-49
• /
• 1988

Among the 160 documentes on Food menu in the Royal palace of Chosun Dynasty, 137 are cherished by the Academy of Korean study (old Chang Su Gack) and 23 by privates. We can find the other 2 documentes in biliography but they do not exist now. Most of them were written in Korean in the period between 1863 and 1937. Through them, we can learn how to set a meal table for people who served on wedding feast, the birth of Royal family and the national events, and several small feasts and ancestrial rites of Royal palace. And the food menu in them are based on Korean food.

• KOMUNHWA
• /
• no.34
• /
• pp.97-123
• /
• 1989

• The Research Journal of the Costume Culture
• /
• v.21 no.5
• /
• pp.655-670
• /
• 2013

The purpose of this study is to identify the figurative characteristics and symbolic meanings of the patterns of royal families in the late Joseon Dynasty based on the theoretical examination as well as the overall characteristics of the colors based on the quantitative analysis of colors. This study focused on the costumes of King Young royal families in the late Joseon Dynasty which is the last costume of Joseon Dynasty and classified 129 relics under preservation for the analysis. This study analyzed the colors using the digital data in the picture brochure as the previous studies did and presented the color palette. Based on this, a variety of textile designs that are developed by using the traditional patterns and colors could be applied to the modern fashion designs. For Patterns used in costumes of King Young royal families, the five pattern categories include animals, plants, letters, and geometric patterns and the final category of other types. The features of color in the costume were v tone of Y color and lt and p tones of Y color. The implication of this study is to develop textile designs which reflects conversion of past and modern cultures and cultural identity by applying the traditional cultural elements through literature review and empirical study and theses developed 8 textile designs could be applied to the various modesrn fashion designs.

• Korean Journal of Heritage: History & Science
• /
• v.33
• /
• pp.94-135
• /
• 2000

Rituals for burying the tae(胎) is a unique royal tradition of Korea that lasted from Unified Shilla(統一新羅) Kingdom to Joseon(朝鮮) dynasty. However, all of the currently known taesil(胎室)s are of the royal descendants of Joseon dynasty. Therefore, Taesils made earlier than Joseon dynasty are only known by historical documents. Taesils of the royal descendants of Joseon Dynasty divide into two kinds. One is for those of princes and princesses and the other is for those of Kings. The structure of taesils of princes and princesses is a stone chest(石函) in a pit which dug on the apex of the Taebong(胎峰) containing a pair of Tae(胎)-urn(the inner urn and outer urn), a stone tablet called Jiseok(誌石) which the date of baby's birth and Tae burial is inscribed in. And a tombstone-shaped stone tablet which called Taesilbi(胎室碑) was built on the ground. And the underground structure of Taesils of Kings is identical with that of taesils of princes and princesses, but instead of just an stone tablet, this has a Budo(浮屠);means stupa of a monk in korean)-shaped stone structure on the top of the stone chest, and an octagon-shaped porch was built around it, and a Tapbi(塔碑) was built. This treatise is focused on the current status and change process of stone ornaments. The subject of this treatise is 54 Taesils which were transferred to Seosamnung(西三陵) during the japanese occupation and Tae-urns and Jiseok(誌石)s from any other Taesil and its stone chest were not included in this treatise. Researches on Taesils can be great help to history by providing resources about genealogy of Jaseon royal family and social, economical status of that time. And researches on stone ornaments and tae-urns from Taesils can provide great help to stone art history and porcelain history of Joseon dynasty.

• Journal of the Korean Society of Costume
• /
• v.58 no.3
• /
• pp.19-33
• /
• 2008

Hair style of royal ladies in the 19th century according to the wedding record of King Heon-jong and Lady Sunhwagung is studied in this paper and summarized as follows: First, Saengmeori was a bridal hair style for the wedding night in Gyeonmagi(jacket) and Daeranchima(Skirt with gold trimming). It was a typical girls' hair style before the coming-of-age ceremony. It was composed of Saengmeoridari(wig), Seockunghwang, Jogduri(Coronet decorated with Jewellery), Saengdaeng-gi(hair ribbon) trimmed pearls, and jade disk trimmed pearls. Second, Garaemeori(double bun hair style) was the hair style with Wonsam when the chosen bride went to Byeol-Gung, a special palace for the bridal. It was composed of Gareachi(wig) and Cheopji(small wig) with the frontal hair ornament, jogduri, and Saidang-gi(hair ribbon). Third, Jojimmeori(single bun hair style) is a basic hair style for the madame. It was composed of jojimmeorichilbo, jogduri, jojimmeoridari(wig), and Cheopji with a frontal hair ornament. Fourth, Keunmeori is the second most important hair style for the court ceremony. It was composed of Eoyeomjogduri, Eoyeomdari(wig), Cheopji with a frontal hair ornament, Keunmeoridari(wig), and Keunmeorichilbo. Fifth, Susik, the most important hair style for the court ceremony, is the hair style for ceremonies including the day of becoming the formal queen, the first greeting day to the King's family. It was composed of 4 kinds of wigs and Susik-chilbo.

• Publications of The Korean Astronomical Society
• /
• v.33 no.3
• /
• pp.31-44
• /
• 2018

Song, I-Yeong (1619 ~ ?) was an active astronomer in the Joseon dynasty at the era of adopting the Shixian-li, Chinese calendar in Qing dynasty. His astronomical contribution was recorded in Annals of the Joseon Dynasty, Diary of the Royal Secretariat, Comparative Review of Records and Documents-Its Revision and Enlargement, and Treatise on the Bureau of Astronomy. In addition the details on his life and works were found at the genealogies of the Song Family from Yeonan and the Kim Family from Seonsan. His major astronomical activities can be summarized in three items. First, as a specialist astronomer, he has attempted to make a systematic observation of two comets. Second, he designed and fabricated the Jamyeong-jong, the weight-powered armillary clock, which became a typical model of the astronomical clock in the Joseon dynasty. Last, he served as a royal astronomical professor, greatly contributing on implementing the Shixian-li. Song has concentrated on performing astronomical duties for his royal official service time. Song is regarded as an important astronomer who made it possible to enforce the Shixian-li until the late Joseon dynasty.

• The Journal of Korean Medical History
• /
• v.21 no.2
• /
• pp.1-11
• /
• 2008

"承政院日記" is a journal written by the scribes belonging to the Royal Secretariat and consists of objective and detailed records about events, dialogs, and actions that happened in the presence of the king and also collections of all the documents output by the Royal Secretariat. The medicine-related records in "承政院日記" are mainly records of the medical examination and treatment of the king and the royal family and related documents of operation. Of the many different entries involved with clinical practices, this study focuses on the medical examination and treatment of the king. Through the case studies displayed in the clinical records of "承政院日記", trial and error of its time as well as clinical results can be verified. Sorting out of affirmative tradition that could not be handed down due to institutional interruption is also made possible through comparison of effective treatment methods of late Chosun dynasty including patterns or distinctive methods of treating specific diseases against their counterparts in Traditional Korean Medicine of today.