• Proceedings of the Korean Society of Precision Engineering Conference
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• 2008.06a
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• pp.735-736
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• 2008

• Journal of the Korean Society of Costume
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• v.61 no.2
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• pp.131-151
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• 2011

The study alms to identify how the symbols and images of Greek Roman myths in contemporary fashion have been reflected in respects of meaning and forms, and to find out the organic course from meaning to forms by using Durand's classification. The results define the significance of Greek Roman myths in contemporary fashion, and systematically suggest a direction of imagination for more creative design. In the diurne regime, the symbolism of purity, heroism and fear appeared. In the nocturne regime, the symbolism of maternity and sensuality appeared. In the dramatic regime, the symbolism of androgyny appeared. The characteristics of designs contained in each symbolism are common. In this regard, it is possible to trace organic relationships in the creation of images through the verbal scheme. In addition, the verbal scheme creates archetypal images that lead to images and symbols in the socio-cultural context, so it is possible to analyze the relationships between archetypal images and the format of garments. The study examined how the archetypal images that appeared in the mythical images were expressed in garments through the verbal system.

• Journal of English Language & Literature
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• v.60 no.2
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• pp.211-232
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• 2014

In late Victorian England, a "pervert" meant two things. One meaning designated a person who "turned" or converted from one sect of Christianity to another. In Wilde's time this referred specifically to converts from the established state Church of England to the transnational Roman Catholic Church. The other, newer meaning designated someone who turned from conventional heterosexual relations to a (as yet unnamed) homosexual orientation. In the context of the late Victorian empire, both were considered dangerous. The rising social and political influence of Roman Catholicism appeared threatening as a transnational Church invading a national one. For the Anglican Church of England, this crisis was played out what came to be known as the Oxford Movement, still influential during Wilde's time as a student there from 1874 to 1878. What is interesting in Wilde's life, as in his work, is the way he himself played with the dangerous transgressions inherent in being a "pervert." Sexually, he was converted to same-sex love while still a married man. In terms of religion, he remained fascinated with Catholicism, allegedly converting on his death-bed. But what is provocative is way that Wilde used one "perversion" to play into another: so that in such works as The Picture of Dorian Gray and Salome, his version of a kind of anti-Catholic Catholicism becomes a site of sexual desire, and sexual desire expression for that kind of spirituality, which, as unrequited longing, can ultimately n find no object adequate to its imagination.

• English & American cultural studies
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• v.9 no.1
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• pp.71-90
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• 2009

David Harris argues that mass media suppress counter-hegemonic factors in order to reach audience. According to Harris's theory, the success of the film "Tess" depends on its effective adaptation from Thomas Hardy's novel Tess of the D'Urbervilles (1891). Tess (1979), directed by Roman Polansky, casting Nastassia Kinski for Tess, was acclaimed as a professional and commercial success, awarded with various prizes. Hardy's aim at criticizing Victorian English social and moral standard through Tess appears obscure in Polansky's film which focuses on the aesthetics of human body and capital. Polanski's Tess with urban white beauty does not emerge victimized by poverty, which the late twentieth century audience under the capitalist umbrella may abhor. To examine his use of music, sound effect, visual images by means of camera operation—angles, distances, close-ups and frequent movements—light and color, and mythic elements in the film, show Polansky's sharp perception of his contemporary audience's desire and conscientious work upon it.

• The Journal of the Korea institute of electronic communication sciences
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• v.8 no.7
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• pp.1017-1023
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• 2013

Datacommunications transmit the source codes that are coded in information devices, such as computer to the transmission line by means of the line coded signal. AMI method is applied to the line coding method to transmit the signal for long distance. The disadvantage of the AMI method is to loss the bit synchronization when consecutive binary bit '0' over 4ea is coming into line coder. The scrambling technique is used to overcome the problem. The HDB-3 scrambling method is used in Korea standard which standard in ITU-T. When the HDB-3 technology is used. the method should convert the consecutive bit '0' over 4ea to certain bits format. As a result, when there are many such kind of '0' bit stream in source codes, data transmission efficiency will be decreased to treat in line coder, etc. This paper is directed to study the Roman character code system in $KS{\times}1001$, Korea standard for information exchange code in datacommunication systems. Based on the study result, this paper proposed the maximum optimized Roman character code system. In the study, Character coding rule for $4{\times}4$bits and the statistical data for roman character using frequency were considered to simulate. The paper shows the result that when the proposed new roman character coding system is applied to use, the data transmission efficiency could be increased to about 134% compared to existing code system.

• Korean Institute of Interior Design Journal
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• v.22 no.6
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• pp.151-161
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• 2013

This study which analyzed 4th century Constantinus basilica church architecture is on how the Roman basilica architecture became to christianized and christian architecture became romanized. Basilica architecture of Rome which has strong public characteristic had approach from various direction, especially it has formed inter communicable open space to center forum. Even though, the early christian church has became to bigger size on the process of domus ecclesia centered growth, but it has formed essencially unhierarchy community of home based, it also seemed to have loose religious community below hundred. The result of analyzing 22 of 4 century basilica churches had been shown that more than 60% of them were built on historical place such as tomb of martyr, nearly 70% of them were long axis type, the size of church showed up $3,200m^2$ of average total area. In conclusion, this study concluded the result of christianized showed closeness pursue holiness by separation from the secular world, and long axis it was revealed as mass for the procession ceremony of catholic church. The result of romanized occurred from the process that the basilica church abandoned the unhierarchy, small sizing, worship simplicity of early domus ecclesia characteristics and accept hierarchy, big sizing, worship formalism and complexity of Roman empire system in the roman basilica churches. Through this study it could be grasp that the romanized of early christianity bring not only the change of church architecture but also degeneration of christian itself.

• KIISE Transactions on Computing Practices
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• v.24 no.2
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• pp.88-92
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• 2018

'UFO2MF' and 'Korean MetaFont Generator' have been developed to convert UFO codes to the corresponding Metafont codes by using outline editing methods. However, 'UFO2MF' cannot express smooth curves because it use only reference points without using control points. And 'Korean MetaFont Generator' can easily design the curve of characters, and supports Hangul characters, but this system does not support Roman characters. In this paper, we propose a UFO2xMF system, which can convert both Korean and Roman characters from outline text information into Metafont codes. UFO2xMF can apply attribute values which can change the shape of letters during the conversion of Metafont code. It is also a highly compatible system that can convert the characters of various languages not only Korean characters but also Roman and other characters into Metafont codes by applying letters with baseline and centerline of gravity.

• Bulletin of the Korean Mathematical Society
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• v.50 no.2
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• pp.469-473
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• 2013

Let G = (V, E) be a graph and k be a positive integer. A $k$-dominating set of G is a subset $S{\subseteq}V$ such that each vertex in $V{\backslash}S$ has at least $k$ neighbors in S. A Roman $k$-dominating function on G is a function $f$ : V ${\rightarrow}$ {0, 1, 2} such that every vertex ${\upsilon}$ with $f({\upsilon})$ = 0 is adjacent to at least $k$ vertices ${\upsilon}_1$, ${\upsilon}_2$, ${\ldots}$, ${\upsilon}_k$ with $f({\upsilon}_i)$ = 2 for $i$ = 1, 2, ${\ldots}$, $k$. In the paper titled "Roman $k$-domination in graphs" (J. Korean Math. Soc. 46 (2009), no. 6, 1309-1318) K. Kammerling and L. Volkmann showed that for any graph G with $n$ vertices, ${{\gamma}_{kR}}(G)+{{\gamma}_{kR}(\bar{G})}{\geq}$ min $\{2n,4k+1\}$, and the equality holds if and only if $n{\leq}2k$ or $k{\geq}2$ and $n=2k+1$ or $k=1$ and G or $\bar{G}$ has a vertex of degree $n$ - 1 and its complement has a vertex of degree $n$ - 2. In this paper we find a counterexample of Kammerling and Volkmann's result and then give a correction to the result.

• The Journal of the Korea Contents Association
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• v.12 no.4
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• pp.133-142
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• 2012

The Purpose of the study is to identify the aesthetic of anxiety and horror in Roman Polanski's films, focusing on , , and . Polanski's films, of which main concern lies in veritable human under the circumstance of the closed space which is stained violence and horror, present a tendency of instability and brute force in the same age and individual's enervation and solitude isolated from the value of society. Eventually, it steadily deals with the origin horror of being. In this study, I analyzed Polanski's special feature of directing centering on three facters, such as visual storytelling, space design of isolation and enervation, and accompanying sight as a visual point of suspense. The style of Polanski's films, based on the classical priciple for suspense construction and variegated image making, shows that the incapable individual's awkward suffered in the closed circumstance, the strength of horror from the unknowable outside, and human's belief broken by brutal violence. These commonly connect to the theme of Roman Polanski's films.

• Convergence Security Journal
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• v.15 no.7
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• pp.75-84
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• 2015

In an "NTFS Index Record Data Hiding" method messages are hidden by using file names. Windows NTFS file naming convention has some forbidden ASCII characters for a file name. When inputting Hangul with the Roman alphabet, if the forbidden characters for the file name and binary data are used, the codes are convert to a designated unicode point to avoid a file creation error due to unsuitable characters. In this paper, the problem of a file creation error due to non-admittable characters for the file name is fixed, which is used in the index record data hiding method. Using Hangul with Roman alphabet the characters cause a file creation error are converted to an arbitrary unicode point except Hangul and Roman alphabet area. When it comes to binary data, all 256 codes are converted to designated unicode area except an extended unicode(surrogate pairs) and ASCII code area. The results of the two cases, i.e. the Hangul with Roman alphabet case and the binary case, show the applicability of the proposed method.