• Title/Summary/Keyword: rhyme

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A Study on the Korean Accentuation Rule for the Korean text to speech conversion (문장-언어 변환을 위한 한국어 액센트에 관한 연구)

  • 진달복;김성곤
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.8 no.4
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    • pp.804-806
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    • 2004
  • this paper is to propose the formative Korean accentuation rule for the korean tort to speech conversion. The accentuation rule is as following: (1) If the rhyme of first syllable is -v, then accent is on the next syllable. (2) If the rhyme of first syllable is not -v, then accent is on the first syllable.

Hunting for the Hurt in Chaucer′s Book of the Duchess

  • Vaughan, Miceal F.
    • Lingua Humanitatis
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    • v.2 no.2
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    • pp.85-107
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    • 2002
  • The word play on h(e)art-hunting has become a virtual commonplace in criticism of Chaucer′s Book of the Duchess. Less widely discussed is the third meaning of ME herte, "hurt." The "hart"/ "heart" pun is, however, only implicit in the poem, while the rhyme of "heart" and "hurt" in lines 883-84 makes clear the close association of the terms for Chaucer. Earlier commentators insisted that this was in fact an instance of rime riche or "identical rhyme," but if it is so it is striking that it is the unique instance of the rhyme in Chaucer, whose works are full of occasions for hurt hearts. The essay argues that this is, instead, an instance of near-rhyme and that the confusion in scribal spellings of ME hurten(with ′u,′ ′0,′ ′i,′ ′y,′ and ′e′ ) suggests uncertainties about its root vowel that modem linguistic study has not clarified completely. If the rhyme of herte ("hurt") with herte ("heart") is, however, established by these lines in BD, then it is probably reasonable to ask about all the occasions where characters in the poem are hurt by emotional or physical distress. In the cases of A1cyone and the Man in Blak, the hurt is revealed plainly as the death of a loved one, and Alcyone′s death and the Man in Blak′s return "homwarde" offer contrasting responses to the realization and acknowledgement of their loss. In the case of the Narrator, however, the exact nature of his "hurt" is nowhere made clear and the questions this Jack of clarity raises for the reader remain unanswered when the poem declares its "hert-huntyng" done. Further examination of the Narrator′s character and his role in the poem may reveal him to be a physician himself in need of healing, and this reading of his character may identify him as an ancestor as much of Chaucer′s Pardoner as of the Pilgrim Narrator of Canterbury Tales.

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A Comparison of Meter in Amoretti and Sonnets from the Portuguese (Amoretti와 Sonnets from the Portuguese의 율격 비교)

  • Sohn, Il-Kwon
    • MALSORI
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    • no.63
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    • pp.23-46
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    • 2007
  • The purpose of this paper is to compare linguistic features of meter in Amoretti and Sonnets from the Portuguese. Amoretti was composed in the 16th century and Sonnets from the Portuguese in the 19th century. Two poems are very strict in satisfying $^*<_I$(LS that makes a lexical stress matched on a strong position. But they allow a peaked monosyllabic word to be matched on a weak position only if it does not violate $^*(\dot{\sigma}\;{\sigma})$. Syntactic inversions which are found in two poems occur to satisfy metrical constraints and rhyme. Particularly, syntactic inversions for rhyme are mainly found in Amoretti, but are rare in Sonnets from the Portuguese which includes many enjambment lines. Furthermore, this paper shows that syntactic inversions can be explained by the interaction of constraints, such as metrical constraints, SCI, and Binary Foot.

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A Study on the FanQie(反切) Mark of HuangdineijingTaisu (『황제내경태소(黃帝內經太素)』 반절(反切) 표기에 대한 고찰)

  • Ahn, Jin-hee
    • Journal of Korean Medical classics
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    • v.32 no.1
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    • pp.29-48
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    • 2019
  • Objectives : The purpose of this study is to investigate which system the FanQie notation of "Taisu(太素)" followed by comparing FanQie notation appearing in "Taisu", with the Sound button(聲紐) and Rhyme system(韻類) of the FanQie notation appearing in the "Qieyun(切韻)" system phonology book and "Guangyun(廣韻)". Methods : Followed by organizing the FanQie list in "Taisu", in comparing this list with the top and bottom characters of FanQie in the "Qieyun" system phonology book and "Guangyun", this study explores the similarity of the system after noting the Sound button and the Rhyme system. Results & Conclusions : 1. Compared to FanQie of "Taisu" with that of "Qieyun" system, the Sound button and Rhyme system were 61.54% identical, and when comparing FanQie of "Taisu" with that of "Guangyun", the Sound button and Rhyme system were 55.45% identical. 2. Comparing FanQie top and bottom letters themselves of the "Taisu" and "Qieyun" system, of the 217 FanQie sound notation Chinese characters, FanQie top and bottom letters of 18 characters were the same, accounting for 8.29%, and when compared to the "Taisu" with the FanQie top and bottom characters of "Guangyun", 15 FanQie top and bottom characters were the same, accounting for 6.91%. 3. Of the total 11,500 characters in "Qieyun", the ratio of FanQie notation Chinese characters in "Taisu" was 1.89%, and among them, nine characters came out in "Taisu" FanQie notation while there was none in "Qieyun". This accounted for 4.15% of 217 FanQie notation sound Chinese characters in "Taisu", demonstrating that this represented a relatively high ratio. 4. Conclusionally "Taisu" was more closely related to "Qieyun" system phonology book than "Guangyun" in FanQie notation, and there is also a possibility that Yang Shangshan has created some FanQie notation by himself or additionally referred to other phonology books that are not "Qieyun" system phonology book.

A longitudinal study on the development of English phonological awareness in preschool children (어린이집 유아의 영어 음운 인식 발달 종단 연구)

  • Chung, Hyunsong
    • Phonetics and Speech Sciences
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    • v.10 no.4
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    • pp.53-66
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    • 2018
  • This study investigated the development of English phonological awareness in preschool children based on a longitudinal study. It carried out a phonological matching task, mispronunciation task, articulation test, explicit phoneme awareness task, rhyme matching task, and initial-phoneme matching task for three-, four- and five-year-old children. A letter knowledge test was also added to the tests for the 5-year-old children. The results revealed that the development of phonological awareness follows a progression of syllable, then onset and rhyme, then phoneme. It was also revealed that language skills such as vocabulary, detection of mispronunciations, and articulation were partially related to the development of phoneme awareness. Finally, we also found that letter knowledge partially affected the children's development of phonological awareness.

왕염손(王念孫) 《초사고운보(楚辭古韻譜)》 고음 22부 운례 연구

  • Do, Hye-Suk
    • 중국학논총
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    • no.66
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    • pp.63-84
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    • 2020
  • 王念孫在≪古韻譜≫收錄了≪詩經≫, 群經, ≪楚辭≫中押韻的例子。學術界對於王念孫古音觀念的研究方向主要側重於≪詩經≫, 與之不同的是本文的研究對象是≪楚辭≫。為了重新探討王念孫在≪古韻譜≫中主張21部之後又承認冬部單獨為一部這一主張, 本文通過對≪楚辭古韻譜≫裏的原例進行分析, 最後得出了從東部到冬部, 一共22個部。這個結果與王念孫最終所主張的古韻22部是一致的。

A Study on The selection criteria of Korean Traditional Nursery Rhyme for Children (유아를 위한 한국 전래동요의 선정 기준 탐색)

  • Cho, Jin Hee
    • Korean Journal of Childcare and Education
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    • v.8 no.5
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    • pp.253-274
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    • 2012
  • The purpose of this study is to make establishing criteria for Korea traditional nursery rhyme suitable for children and apply them effectively in early child education. The researchers of this study are firstly concerned with establishing criteria for Korean traditional nursery rhymes suitable for children. Secondly, they are concerned with establishing Korean traditional nursery rhymes suitable for children which are selected by following the established criteria. A Delphi survey was performed with early childhood educators and 30 related professionals to establish criteria for Korean traditional nursery rhymes suitable for children. The SPSS 12.0 program was used to calculate the standard deviation and average. Through this process the final seven criteria selected are: 'traditional play spaces and fun of play language is showed', 'lifestyles and emotions of children in the past is expressed', 'easy to understand story', 'the content is interesting', 'assisting in the development of children', 'easy to sing melody', and 'simple and repetitive in rhythm'. And 112 songs appropriate to the children were selected based on these criteria. The lyrics of the songs mainly expressed 'the joy of play.' it means songs need to combine with play to succeed to the next generation.

Study on $Ch{\acute{e}}n$ $Xiuyu\acute{a}n$ by analysing $Y\bar{i}xues\bar{a}nz\grave{i}j\bar{i}ng$ (의학삼자경(醫學三字經)에 나타난 진수원(陳修園) 의학 사상에 대한 문헌적 연구 I)

  • Kim, Jai-Eun;Choi, Dall-Yeong
    • Journal of Physiology & Pathology in Korean Medicine
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    • v.22 no.4
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    • pp.709-717
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    • 2008
  • $Ch\acute{e}n\;Xiuyu\acute{a}n$(陳修園) was a famous doctor and educator of the late Tang Dynasty. He was well known both for his books for beginners, and for his unique medical theories based on his profound research of <$Sh\bar{a}ngh\acute{a}nl\grave{u}n$(傷寒論)> and <$J\bar{i}nku\grave{i}y\grave{a}ol\ddot{u}e$>. He wrote <$Y\bar{i}xues\bar{a}nz\grave{i}j\bar{i}ng$(醫學三字經)> to establish the basic textbook for the beginners to set up right principles in pursuing their medical career. <$Y\bar{i}xues\bar{a}nz\grave{i}j\bar{i}ng$> was written in rhyme form, so that it can be easily memorized and used in future practices. There are quite many medical books in rhyme form, but this book is very unique as $Ch\acute{e}n\;Xiuyu\acute{a}n$ annotated his own notes, which is rare in this form of books. This feature makes <$Y\bar{i}xues\bar{a}nz\grave{i}j\bar{i}ng$> very outstanding, also with the fact that $Ch\acute{e}n\;Xiuyu\acute{a}n$ was the one with profound understanding and original theories based on medical bibles such as <$N\grave{e}ij\bar{i}ng$(內經)> and <$Sh\bar{a}ngh\acute{a}nl\grave{u}n$(傷寒論)>. We have translated this precious educational material into korean, hoping that this work could be of any help to students of korean medicine. And while doing this work, we have found followings: <$Y\bar{i}xues\bar{a}nz\grave{i}j\bar{i}ng$> covers the entire fields of medicine from theoretical discussions to practical clinical information. Nevertheless, as this is written in rhyme form, there are few phrases that are not easily understood for the sake of rhyme. Beginners probably may have difficulties in reading this book. To make this difficulty alleviated, and to develop our own educational material, we need to study further on the notes that $Ch\acute{e}n\;Xiuyu\acute{a}n$ annotated himself.

Grapheme-to-Phoneme Conversion Regularity Effects among Late Korean-English Bilinguals (후기 한국어-영어 이중언어화자의 자소-음소 변환 규칙에 따른 영어 규칙성 효과)

  • Kim, Dahee;Baik, Yeonji;Ryu, Jaehee;Nam, Kichun
    • Korean Journal of Cognitive Science
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    • v.26 no.3
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    • pp.323-355
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    • 2015
  • This study examined grapheme-to-phoneme regularity effect among late Korean-English bilinguals by using whole word level task (lexical processing) and two meta-phonological tasks(sub-lexical processing): [1] English word naming task(whole word level), [2] rhyme judgement task(rhyme level), and [3] phoneme deletion task(phoneme level). Forty-three late Korean-English bilinguals participated in all three tasks. In these tasks, participants showed better performance in regular word conditions compared to irregular word conditions, demonstrating a clear English regularity effect. Post-hoc correlational analysis revealed strong correlation between word naming task and rhyme judgement task, which is different from the results reported with English monolinguals. The contradicting results might be due to the relevantly low English proficiency level among late Korean-English bilingual speakers. In conclusion, this study suggests that late Korean-English bilinguals make use of L2 grapheme-to-phoneme conversion (GPC) rule when reading L2 English words.

왕염손(王念孫) 《시경고운보(詩經古韻譜)》 운례 연구

  • Do, Hye-Suk
    • 중국학논총
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    • no.68
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    • pp.29-53
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    • 2020
  • 《古韵谱》是王念孙研究古音的著作, 其中收录了《诗经》, 群经, 《楚辞》。《诗经》是研究古音最重要的资料, 本文以《古韵谱》中的《诗经》为研究对象。《诗经古韵谱》的韵例在数量上占有压倒性的优势, 通过该资料得出王念孙创造了古音21部的结论。但是王念孙的韵部体系从21部变为了22部, 原因是从21部中的"东部"独立出来了一个"冬部"。王念孙的22部是清代古音学考古派的最终结果, 因此它具有重大的意义。