• The Journal of Korean Institute of Communications and Information Sciences
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• v.29 no.6C
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• pp.770-776
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• 2004

The goal of perceptual audio coder is to reduce redundancy and irrelevancy of audio signal based on the concept of masking. Several studies on masking effect reveal that the masking threshold varies as a function of the noise-like or tone-like nature of audio signals. Therefore, tonality of audio signal influences significantly the quality and efficiency of perceptual audio coder In this paper, we propose a new effective algorithm for tonality measure using spectrum energy. Since the proposed algorithm consists of a few transcendental functions and simple operations, it has lower complexity than MPEG psychoacoustic model-II. The proposed algorithm was tested with some audio signals, and DSP implementation showed that the proposed algorithm could be implemented with 3 MIPS. These results illustrate the efficiency of proposed algorithm in both performance and complexity.

• The Journal of the Acoustical Society of Korea
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• v.22 no.2
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• pp.96-103
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• 2003

This paper describes a method for sinusoidal modeling of audio signals using perceptually weighted matching pursuit. Matching pursuits extracts iteratively the greatest energy signals from the input signals until the residual between the original and the reconstructed signal is zero. In this paper, perceptual matching pursuits using psychoacoustic model to matching pursuit extracts greatest perceived energy iteratively. To evaluate the performance of the perceptual matching pursuits it is compared with the sinusoidal matching pursuits which is not included perceptual weighting. For various audio signals the result of simulation shows that the perceptual matching pursuit is superior to the sinusoidal matching pursuits, especially for a high change rate in time domain it can synthesized original signal.

• Journal of The Institute of Information and Telecommunication Facilities Engineering
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• v.5 no.1
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• pp.37-42
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• 2006

A reversible audio watermarking algorithm is presented in this paper. This algorithm transforms the audio signal with the integer wavelet transform first in order to enhance the correlation between neighbor audio samples. Audio signal has low correlation between neighbor samples, which makes it difficult to apply difference expansion scheme. Second, a novel difference expansion scheme is used to embed more data by reducing the size of location map. Therefore, the difference expansion scheme used in this paper theoretically secures high embedding capacity under low perceptual distortion. Experiments show that this scheme can hide large number of information bits and keeps high perceptual quality.

• Journal of the Korean Institute of Telematics and Electronics B
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• v.33B no.4
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• pp.156-163
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• 1996

In this paper, we described the implementation and the sound quality assessment of a real-time stereo audio codec using TMS320C40 DSP (digital signal processing) chip for low bitrte and high quality audio. We implemented hardware and software in order to overcome a real-time processing problem of audio compression algorithm that can be produced by largely recursive computing and complexity of the process. We have studied five types of distortion that can be produced by perceptual coding and the codec was evaluated by eight test musics that are selected in SQAM (sound quality assessment material) 422-2-4-2 produced by EBU (european broadcast union). The subjective listening tests were carried out on the codec quality and preformance by double blind method in a listening room with eleven listeners. As a result, 5 grade-impairment scale was scored under minus one and the codec quality was evaluated to be perceptible, but not annoying.

• Proceedings of the IEEK Conference
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• 2000.06c
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• pp.125-128
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• 2000

In this paper, we proposed the high quality digital audio watermarking algorithm in the frequency domain. The spread spectrum technique is used to encrypted a stream of information by spreading the data as much of the frequency spectrum as possible. It's technique adapt well to data hiding in audio signal. We have used the perceptual model and MDCT/IMDCT for the high qualify digital audio watermarking. The proposed watermark algorithm preserved high quality audio data from watermark signal.

• Journal of the Korean Society for Precision Engineering
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• v.24 no.1 s.190
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• pp.101-109
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• 2007

In situations of spatio-temporal perception about visuo-auditory stimulus, researches propose optimal integration hypothesis that perceptual process is optimized to the interaction of the senses for the precision of perception. So, when the visual information considered generally dominant over any other sense is ambiguous, the information of the other sense like auditory stimulus influences the perceptual process in interaction with visual information. Thus, we performed two different experiments to certain the conditions of the interacting senses and influence of the condition. We consider the interaction of the visuo-auditory stimulation in the free space, the color of visual stimulus and sex difference of testee with normal people. In first experiment, 12 participants were asked to judge the change in the frequency of audio-visual stimulation using a visual flicker and auditory flutter stimulation in the free space. When auditory temporal cues were presented, the change in the frequency of the visual stimulation was associated with a perceived change in the frequency of the auditory stimulation as the results of the previous studies using headphone. In second experiment, 30 male and 30 female were asked to judge the change in the frequency of audio-visual stimulation using a color of visual flicker and auditory flutter stimulation. In the color condition using red and green. Both male and female testees showed same perceptual tendency. male and female testees showed same perceptual tendency however, in case of female, the standard deviation is larger than that of male. This results implies that audio-visual asymmetry effects are influenced by the cues of visual and auditory information, such as the orientation between auditory and visual stimulus, the color of visual stimulus.

• Proceedings of the IEEK Conference
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• 2000.06c
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• pp.93-96
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• 2000

Currently, the most important technology is the compression methods in the multimedia society. Audio files are rapidly propagated through internet. MP-3 is offered to CD tone quality in 128Kbps, but 64Kbps below tone quality is abruptly down and high bitrate. on the other hand, MPEG-II AAC (Advanced Audio Coding) is not compatible with MPEG-I, but AAC has a high compression ratio 1.4 better than MP-3. Especially, AAC has max. 7.1 channel and 96KHz sampling rate. In this paper, the perceptual model is dealt with 44.1KHz sampling rate for SMR(Signal to Masking Ratio)

• The Journal of the Acoustical Society of Korea
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• v.29 no.1
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• pp.62-68
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• 2010

This paper proposes a new masking threshold adjustment strategy to improve the performance for speech signals in low bit-rate audio coding. After determining formant regions, the masking threshold is adjusted by using the energy ratio of each sub-band to the average energy of each formant. More quantization noises are added to the bands that have relatively large energy, but less distortion is allowed in spectral valley regions by allocating more bits, which reflects the concept of perceptual weighting widely used in speech coding. From the results of objective speech quality measure, we verified that the proposed method improves quality for the speech input signals compared to the conventional one.

• Journal of Broadcast Engineering
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• v.8 no.1
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• pp.11-18
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• 2003

In this paper, we introduce a novel signal quality enhancement algorithm with a perceptual interference analysis and perceptual convolutional noise suppression. A perceptual convolutional noise is reflected in the audible disturbance that can still be recognized after the additional noise suppression and tonality change which is caused by the noise energy excitation. The enhancement system is organized with a perceptual additional noise suppression part and a perceptual convolutional noise suppression part. Experimental results show that these two parts have an equivalent quality enhancement performance.

• Journal of Broadcast Engineering
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• v.6 no.2
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• pp.195-202
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• 2001

As a solution for copyright protection of digital multimedia contents, digital watermark technology is now drawing the attention. In this paper, we presented two novel audio watermarking algorithms as a solution for protecting unauthorized copy of digital audio. Proposed watermarking schemes include the psychoacoustic model of MPEG audio coding to achieve the perceptual transparency after watermark embedding and preprocessing procedure before correlation in watermark detection to extract copyright information without access to the original audio signal. Experimental results show that our watermarking scheme is robust to common signal Processing attacks and it Introduces no audible distortion after watermark insertion.