• 복식문화연구
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• 제13권2호
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• pp.300-313
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• 2005

Hybrid trend of the 21st century is an important basis to express fashion Alexander McQueen is a representative designer of Hybrid trend which combines heterogeneous elements into oneconcept. Accordingly, this study distributed and analyzed Hybrid trend which was in Alexander McQueen's work like below. First, there was a racial Hybrid trend which combined different local culture in shared space of the world in his fashion work and he challenged to Westernized ideal beauty with new recognition and knowledge about beside countries of Western Europe which were considered as not important culture due to perceiving relative value of a pluralist society and created new way aesthetic consciousness. Second, he expressed a historical character of a combination of tradition and modern by his fashion work based on wide historical knowledge of a dress. He created a new line in contrast to the past with a perfect design through combination of the style from the tradition with the parody and displayed his own design world. Third, he treated instability and disorder from the interior essential dissolution, thus he had a cultural character which broke down the boundary of cultural genre and style. This attitude showed transformation of constructivism and deconstruction view, secession and distortion, mixture, duplication, secession and insert by his fashion work.

• 한국주거학회논문집
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• 제15권1호
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• pp.85-93
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• 2004

This study does try to proceed on the assumption that complex buildings can vitalize urban life of contemporary society from contemporary complexity and cases of past failure. The scope of investigation on complex buildings in Sangju built in 1990s' and 2000s' on this thesis is that site size is 400 square meter, total area 1500 square meter, and the number of stories on the ground below 5 floor. Method of investigation on twenty one buildings which have been built on new C.B.D. between the Namwon avenue and the Joongang 1th street in Sangju is through field investigation, field photographs, recordings and drawings on these buildings. Investigative contents have been divided and analysized into physical and functional elements in urban and architectural dimension. On the basis of these results, the future planning approach of complex buildings in medium and small cities has been considered into planning principles of convenience of building use and efficiency of site size, physical plans reflected on the traffic and pedestrian movings and the face of buildings, pedestrian resting space-creation like plazas and central gardens, regional character reflected with urban context, and separation and union of approached movings interrelated among the components.

• 고전문학과교육
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• 제37호
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• pp.185-215
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• 2018

이 글은 설화 <전생의 인연으로 부부가 된 중과 이[蝨]와 돼지>를 중심으로 전생론에 대한 새로운 해석을 시도하였다. 설화 전승주체들의 발언이나 독특한 방식으로 설화를 기억하는 사례를 통해, 부부갈등 설화 속 전생화소는 '막강한 운명에 대한 체념'을 강화하는 역기능을 발휘할 수 있다는 점을 확인하였다. 본고는 이 점에 문제를 제기하고, 이 설화 속 주인공이 품은 "왜?"라는 질문을 시작으로 이어지는 진중한 사유의 과정이야말로 좌절 속에서 극복의 가능성을 찾아내는 구비설화의 본질적 가치라고 주장한 것이다. 그리고 또 한 편의 각편 사례를 들어, '전생 발견하기' 화소가 이 설화에서 '존재와 삶을 스스로 선택할 수 있는 계기'로 의미하고 있음을 논하였다. 설화와 전생 화소에 이러한 해석은 운명에 대한 수동적 태도나 비극적 운명을 신념화하는 비관과는 달리 삶에 대한 긍정과 주체성인데, 이는 고정된 자아를 고집하지 않는 불가의 무아윤회론으로 풀이될 수 있었다. 이에 본고는 설화 속 주인공의 변화를 '전생 발견하기' 과정을 '"왜?"라는 질문을 던지고, 나와 아내의 존재를 사유하기 시작함 ${\rightarrow}$ 현존재적 '나'의 기억(혹은 인지)이 지닌 한계를 인정함 ${\rightarrow}$ 나와 아내의 존재를 재규정하고, 새로운 실존으로 거듭남'의 사유 과정으로 분석하였다. 설화의 서사 맥락에 따라 이러한 사유의 과정을 경험하는 것이 전생 화소를 포함한 부부갈등 설화의 효용성을 확인하는 문학치료 활동이 될 것이다.

• 산업경영시스템학회지
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• 제41권1호
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• pp.118-127
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• 2018

Recently, service quality must reflect several demands of customers who show rapid and various changes so as to be compared with the past. So, objective and rapid measuring methods for service quality are necessary. For them, first of all, service company must calculate their standard of service quality accurately by measuring service quality exactly. Kano classified the degree of influence that is the degree of correspondence of the quality attributes of products and services to the subjective satisfaction of customers. As a result, the types of qualities are classified as attractive, must be, one dimensional, and indifference attributes. They have been widely used quality attributes in various industrial fields up to now. However, Kano model has a limit that it ignores the characters of the next frequent numbers even though there are not much gap comparing to the most frequent number in the questionnaire answers. The limit is attributed to the character of Kano model that the most frequent number is accepted as the only quality character. Timko calculated the customer satisfaction coefficient by using Kano's method and studied the differences in quality character by classifying the quality characteristics in a graphical way through the relationship between the satisfaction and the dissatisfaction coefficient. In this study, we used the quality level determination method of the 7-point Likert scale, which takes the weight into account, to complement the deficiencies of the existing Kano model. We also developed and applied a Potential Satisfaction Level (P) and Potential Customer Demand Improvement (PCDI) Index to present a new approach to the determination of service quality attributes. To measure the level of potential service satisfaction and to understand the degree of improvement, we collected specimens of 51 participants who has been trained in the National Strategy Business Training Program, which has been managed by government agent, and analyzed the results.

• 한국시뮬레이션학회논문지
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• 제20권1호
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• pp.39-49
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• 2011

현재 타블렛PC, 전자칠판, 디지털 키오스크 단말, 은행 ATM기기 등에서 키보드 및 버튼이 아닌 터치패널을 이용해 사용자가 더욱 직관적인 입력을 할 수 있도록 지원하고 있다. 나아가 이러한 터치패널은 하나의 접점만 인식하는 것이 아닌 현재 기술로 여러 개 접점을 인식하는 멀티터치 방식을 채택하고 있다. 본 연구에서는 이러한 멀티터치 환경에서의 비밀번호 입력 및 저장방식에 관한 아이디어를 소개하고 시뮬레이션 해보았다. 이전의 싱글터치 기반에서 1글자씩 입력되던 비밀번호가 멀티터치 기반에서는 2개 이상의 글자로 입력될 수 있다. 멀티터치 기반의 패스워드 입력은 단순히 [1, 2, 3, 4]로 입력되던 패스워드를 [(1,3), 2, (3,4), (1,2,3)]와 같이 동시에 여러 숫자를 입력하는 방식으로 설정함으로써 사용자 패스워드의 보안 강도를 높였다. 또한 사용자로 하여금 패스워드 입력의 복잡성을 높여 패스워드의 물리적 노출 위험을 줄이려 하였다. 본 연구는 나아가 멀티터치 기반에서 사용자 인증을 위한 보안 기술 연구의 초석으로 활용 될 것이다.

• 비교문화연구
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• 제39권
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• pp.287-308
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• 2015

Biographical film is a genre narrativizing the actual person and history, and reproducing the character and history in a biographical film is in a dimension different from a film focused on a fiction. Discussion between these methods of narrative composition and image reproduction in a biographical film is also, in line with artistic/aesthetic problems and ethical/philosophical theses of the film text. This study discusses the phase of the way of reproduction of the actual person, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ in the biographical film, The Golden Era and the time she lived in a biographical film and how the audience's discussion of the film and socio-cultural discourse differ depending on their attitude towards the cinematic introspection of the text. The narrative structure, the method of image reproduction and cinematic devices of the film, The Golden Era are completely off the point of the general format of the traditional biographical film. In The Golden Era, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and the history which she lived in did not revive depending on an omniscient subject's selective statement and meta-film structure. Ann Hui removed general, mythic images of $Xi{\bar{a}}o$ $H{\acute{o}}ng$ formed in the field of traditional Chinese culture and reproduced her through multilateral visions of a real, fictional narrator. Each spectator's judgment and interpretation of the film intervene in the multi-layered and sparse descriptions of the actual person's images and the era of the characters. Through this, it is possible to approach the uniqueness and authenticity a historical character, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and to have an opportunity of multi-layered reflection on how to secure a critical distance and make a perception in historical judgment.

• 한국콘텐츠학회논문지
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• 제19권3호
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• pp.213-222
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• 2019

본 연구는 2000년대 등장한 다수의 분단영화 중에서 간첩영화와 남성 버디무비의 성격을 띤 세 편의 영화<공동경비구역 JSA>(박찬욱, 2000), <의형제>(장훈,2010), <공작>(윤종빈, 2018)을 중심 텍스트로 하여 남북 남성주인공의 관계 변화와 주요 공간적 배경의 차이와 상징성이 갖는 의미를 고찰하는데 목적이 있다. <공동경비구역 JSA>는 2000년대 분단영화의 서막을 연 작품으로 이전과는 다른 차원의 남북관계를 제시한다. 남북한 병사들이 비무장지대에서 만나 친구가 되고 북한군 초소에서 어울리는 것이다. <의형제>는 북에서 버림받은 남파 간첩이 생계형 간첩으로 살아가며 국정원에서 버림받은 전직 남한 요원과 동업을 하는 이야기다. 친구에서 형제로 나아간 남북관계에 대한 전망은 <공작>에 이르면 동반자의 관계로 성숙한다. 10년 정도의 시차를 두고 나온 세 영화들은 지난 20년 동안 이루어진 남북관계 변화 자체도 담고 있지만 남북관계에 대한 사회적 인식의 변화를 보여준다는 의미가 있다. 각기 다른 시기 다른 감독이 연출한 작품들이지만, 궁극적으로 통일서사를 지향한 행보를 읽을 수 있다.

• 융합정보논문지
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• 제12권1호
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• pp.163-170
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• 2022

4차산업 혁명이 도래함에 따라 AI 기술을 적용하는 솔루션 개발이 활발하게 이루어지고 있다. 2017년도부터 금융권, 보험사를 중심으로 AI 기반 RPA(Robotic Process Automation)을 이용한 업무 자동화 솔루션 도입이 이루어지기 시작했으며, 최근에는 RPA 솔루션 도입 단계를 지나 확산하는 시기로 진입하고 있다. 이러한 RPA 솔루션을 이용한 업무 자동화 중에서 각 종 문서들을 이용한 업무 자동화에는 문서내의 문자 정보를 얼마나 정확하게 인식하는지가 매우 중요하다. 이러한 문자 인식은 최근 딥러닝 기술을 도입함으로써 그 정확도가 많이 높아졌지만, 여전히 완벽한 인식 정확도 갖는 인식 모델은 존재하지 않는다. 따라서, 본 논문에서는 딥러닝 기반 문자 인식 엔진에 전/후 처리기 기술을 적용할 경우 얼마나 정확도가 향상되는지를 확인하고 RPA 인식 엔진과 연계 기술을 구현하였다.

• 한국의류학회지
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• 제31권9_10
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• pp.1373-1383
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• 2007

The purpose of this study is to find out the dimensions of kidult fashion emotion and identify the influence of socio-psychological characteristics(nostalgic orientation, change inclination, and self-esteem) on kidult fashion emotion. 'Kidult', composite of kid and adult is indicating a group of people who feel nostalgic for and feel attachment to the products that they have been used in their childhood. A questionnaire was prepared in the survey and a total of 474 women in their twenties and thirties who had purchased the kidult fashion products were selected. The research findings are as follows: 1. Kidult fashion emotion can be classified as 5 factors: pursuits of fashion emotion, seeking girlish image emotion, preference for character emotion, seeking fun emotion, and past oriented emotion. 2. Socio-psychological variable that affected kidult fashion emotion is turned out change inclination. 3. The higher the seeking girlish image and pursuit of fashion emotion tendencies, the more they purchase the kidult fashion products. Based on these results, kidult fashion emotions are not the attachment to the past but positive expression of self and individuality.

• 복식
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• 제51권5호
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• pp.61-75
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• 2001

This study was intended to observe strategic fashion-presentation in Music stars according to the change of the star system in the Korean popular musics. The Korean Music stars since 1990s have been made, fabricated and have excessively depended on the demand of the teenagers. Therefore their distinctive fashion-presentation is considered as more important element than those of the past. Consequently. the characteristics of the fashion-presentation in the Korean Music star these days are as follows : First. Music stars shows fashion-presentation that has a consistent fashion theme. That is one of the key success factor to raise the recognition of star singer. Second. Music star produces fashion images which reflects identity and of subculture. Those appearance have won wild popularity of the Peeps 1990's new generation. Third. although there is no change music genre and emotion. through merely renovation of their fashion image, Music star got diversity and originality of the characteristics of contemporary cultural goods. Fourth. In case of famous dance groups, in the past they maintained a singular atmosphere as a group, but in 1990'Music star group each members of the group have individually fashion-presentation. So, they can get more fans. Fifth, Music singers borrow or duplicate fashion-presentation from each others. Such as similar fashion-presentation guarantees support of the same fans.