• Journal of the Daesoon Academy of Sciences
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• v.16
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• pp.25-43
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• 2003

Daesoonjinlihoe and Buddhism have found the cause of grudge and agony in the human mind. Fundamentally human being suffers grudge and agony which man in it self makes unless he acquire what he wants. So if human being recognizes the cause of that, the cause would disappear. And there are certainly needed regulation of 'dosu' in Daesoonjinlihoe. That implies the limitation of human effort. The worlds of heaven, earth, human being have to stand up in the same time, and there would appear paradise. In that case human being and the world of divinities are able to be relieved. Compared to that, Buddhism does not admit other Power without human effort and cultivation on oneself. Epistemological awakening of the 'solution of grudge(haewon)' and mokṣa accompany the 'saving each other(sangsaeng)' and maitrī·karuṇā. 'Haewon' and 'sangsaeng' have causal relation, further more epistemological awakening of 'haewon' and practical virtue of 'sangsaeng' would not be detached.

• Journal of the Daesoon Academy of Sciences
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• v.35
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• pp.217-253
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• 2020

This study analyzes the principles of the 'Earthly Paradise' (仙境, the realm of immortals), 'Virtuous Concordance of Yin and Yang' (陰陽合德), and the 'Reordering Works of Heaven and Earth' (天地公事) while combining them with Joseon art. Therefore, this study aims to discover the context wherein the concept of Taiji in 'Daesoon Truth,' deeply penetrates into Joseon art. Doing so reveals how 'Daesoon Thought' is embedded in the lives and customs of the Korean people. In addition, this study follows a review of the sentiments and intellectual traditions of the Korean people based on 'Daesoon Thought' and creative works. Moreover, 'Daesoon Thought' brings all of this to the forefront in academics and art at the cosmological level. The purpose of this research is to vividly reveal the core of 'Daesoon Thought' as a visual image. Through this, the combination of 'Daesoon Thought' and Joseon art will secure both data and reality at the same time. As part of this, this study deals with the world of 'Daesoon Thought' as a cosmological Taiji principle. This concept is revealed in Joseon art, which is analyzed and examined from the viewpoint of art philosophy. First, as a way to make use of 'Daesoon Thought,' 'Daesoon Truth' was developed and directly applied to Joseon art. In this way, reflections on Korean life within 'Daesoon Thought' can be revealed. In this regard, the selection of Joseon art used in this study highlights creative works that have been deeply ingrained into people's lives. For example, as 'Daesoon Thought' appears to focus on the genre painting, folk painting, and landscape painting of the Joseon Dynasty, attention is given to verifying these cases. This study analyzes 'Daesoon Thought,' which borrows from Joseon art, from the perspective of art philosophy. Accordingly, attempts are made to find examples of the 'Virtuous Concordance of Yin and Yang' and Tai-Ji in Joseon art which became a basis by which 'Daesoon Thought' was communicated to people. In addition, appreciating 'Daesoon Thought' in Joseon art is an opportunity to vividly examine not only the Joseon art style but also the life, consciousness, and mental world of the Korean people. As part of this, Chapter 2 made several findings related to the formation of 'Daesoon Thought.' In Chapter 3, the structures of the ideas of 'Earthly Paradise' and 'Virtuous Concordance of Yin and Yang' were likewise found to have support. And 'The Reordering Works of Heaven and Earth' and Tai-Ji were found in depictions of metaphysical laws. To this end, the laws of 'The Reordering Works of Heaven and Earth' and the structure of Tai-Ji were combined. In chapter 4, we analyzed the 'Daesoon Thought' in the life and work of the Korean people at the level of the convergence of 'Daeesoon Thought' and Joseon art. The analysis of works provides a glimpse into the precise identity of 'Daesoon Thought' as observable in Joseon art, as doing so is useful for generating empirical data. For example, works such as Tai-Jido, Ssanggeum Daemu, Jusachaebujeokdo, Hwajogi Myeonghwabundo, and Gyeongdodo are objects that inspired descriptions of 'Earthly Paradise', 'Virtuous Concordance of Yin and Yang,' and 'The Reordering Works of Heaven and Earth.' As a result, Tai-Ji which appears in 'Daesoon Thought', proved the status of people in Joseon art. Given all of these statements, the Tai-Ji idea pursued by Daesoon Thought is a providence that follows change as all things are mutually created. In other words, it was derived that Tai-Ji ideology sits profoundly in the lives of the Korean people and responds mutually to the providence that converges with 'Mutual Beneficence.'

• Journal of the Daesoon Academy of Sciences
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• v.31
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• pp.165-197
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• 2018

The purpose of this article is to investigate communal action in the Ox Seeking Pictures of Daesoon Thought as an expression of future prospects. The Ox Seeking Pictures in Daesoon Thought seeks out renewal of thought, renewal of life, and true living. Here, the Ox Seeking Pictures symbolize a world in which good fortune comes true according to faith in Gucheon Sangje. The correlation between searching for the ox and the supporting teachings of the Reordering Works of Heaven and Earth in Daesoon shows the transformation of Daesoon prospects for achieving the renewal of thought. The correlation between Deep Contemplation Leading to Awakening and Finding and Following Heavenly Teachings shows the transformation of Daesoon reason into a practice implemented in daily life. The correlation between a human being's awareness and the heavenly paradise of the Later World shows transformation into true living based on everyday practice and the practical transformation of one's livelihood. In this investigation, we can say that the Ox Seeking Pictures of Daesoon symbolizes the realization of human dignity and respect for lives. No life should be destroyed or violated by another. Heaven, Earth, and Humanity can be changed and born anew. The visions of the realization of the heavenly paradise of the Later World show that this paradise in the world results from Daesoon principles. This provides a unique insight when compared to the bodhisattva ideal conveyed through the Ox Seeking Pictures of Mahayana Buddhism. Daesoon's Ox Seeking Pictures consist of a three-way interlocking of renewal of thought, implementation in life, and the practical transformation of one's livelihood. The communal spirituality based in Daesoon Truth connects and mediates among people and appears in three aspects. Firstly, it is thought to be a vision of the renewal of thought through the 'Virtuous Concordance of Yin and Yang.' Secondly, it is thought to be the vision of a new life based upon the spirit of Mutual Beneficence. Thirdly, it is thought to be a vision of true living through the realization of human dignity. Because of the appearance of the Ox Seeking Pictures of Daesoon Thought, this narrative picture shows the oxherd as searching for an ox which is the symbol of Daesoon Truth and Dao. Even though he catches the ox, he is still holds the rope to tie the ox to himself. He makes an effort to keep the ox steady. Finally, the oxherd's enlightenment becomes the source of responsibility to help unenlightened people in their struggles. In conclusion, it is necessary to interpret these paintings as the start of the Later World.

• Journal of the Korean Institute of Landscape Architecture
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• v.40 no.2
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• pp.49-63
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• 2012

The popular landscape paintings in Jaseon Dynasty had become the prototypes of the paradise of people and played the essential role in making the typical types of garden in those times. The representative types of the paintings include , , and etc. They made ways to produce the typical types of Joseon landscape gardens such as 'Dowon Type Gardens', 'Gugok Type Gardens', 'Prospect Type Gardens' and 'Gilji Type Gardens' etc. The types of garden above showed their landscape characteristics corresponding with the types of painting respectively. The 'Dowon Type Gardens' mostly located at the mountain valley showed enclosed landscape suited for refuge it corresponds with the composition of . The 'Gugok Type Gardens' mostly located at the long and winding valley composed of sequential sceneries with open and enclosed views corresponding with the composition of . The 'Prospect Type Gardens' located mostly m the hilly sites holds open views contrasting with the earlier types, and activated with the influence of . The 'Gilji Type Gardens' influenced by extended their territory beyond the main garden and made the vicinity areas, including the whole village, a paradise in respect with feng shui. Most of the garden types in Joseon Dynasty have alternated the bipolar characteristics of Prospect and Refuge in time and area respectively.

• Journal of the Korean Institute of Landscape Architecture
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• v.38 no.5
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• pp.122-133
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• 2010

Humans desire the achievement a of sense of unity between themselves and place to create an identity of place as a realization of his or her sense of belonging. Humans develop ideas from their culture and environment to be expressed physically within the landscape through symbols. Symbols are formed within a place through the structure of the space and, more visually, through the details. The purpose of this paper is to examine the structure of space and the details of 'the Courtyard of the lions' in the Alhambra and to study how the details influence the formation of the identity of place. This paper also compares the structure and details in terms of the meaning of symbols, design languages, cultural, social and historical background and the experience of the place. The structure of the space in 'the Courtyard of the Lions' represents Paradise in the Islamic religion a common theme in the composition of traditional Islamic gardens. The design languages expressed within the structure are order, balance, accent and enclosure; the inherit meanings of the structure are religion, the natural environment and way of life. The details tell of the ideology of Paradise, royalty, nature, and praise of God, while their design languages include physical and visual continuity, accent, variation, the feeling of movement, rhythm, and depth perception. The details also express the historical background of the Dynasty of Nasrid and the style of Mudejar. The name 'the Courtyard of the Lions' was taken from the detail of the lim figures, details within the landscape which are important in building an identity of place. This study demonstrates that the details at 'the Courtyard of the lions' achieved a sense of unity between man and place. In conclusion, details have immense influence in building of the identity of place.

• Korean Journal of Heritage: History & Science
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• v.42 no.1
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• pp.40-61
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• 2009

The Cretaceous Gyeongsang Supergroup, composed of clastic sediments mostly deposited in the lacustrine and fluvial environment, is widely distributed in the southern part of the Korean Peninsula. Diverse fossils of plants, molluscs, insects, footprints of dinosaurs, pterosaurs and birds, and eggs, bones, and teeth of dinosaurs have been found from the Gyeongsang Supergroup. New types of dinosaur, pterosaur, and bird tracks recently discovered from the Gyeongsang Supergroup attract great attention from the world. Several tracksites of dinosaurs and birds were designated as Natural Monument and nationally conserved, and many efforts have given to them for nomination of UNESCO World Heritage. Bird tracks from the Gyeonsang Supergroup are Koreanaornis hamanensis, Jindongornipes kimi, Goseongornipes markjonesi, Ignotornis yangi, Uhangrichnus chuni, and Hwangsanipes choughi, which correspond approximately one third of Mesozoic bird tracks recorded from the world. The Gyeongsang Basin of the Korean Peninsula yields world most diverse bird tracks which may be called a paradise of Mesozoic birds and they are important natural heritage providing significant information about evolution and paleogeographic distribution of birds.

• Journal of the Daesoon Academy of Sciences
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• v.22
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• pp.471-507
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• 2014

Edification in Daesoonjinrihoe is not only a phenomenon that occurs following the differences of religious experience or spiritual development among the community members, which enables the members to share teaching and learning experiences with one another, but also an issue determined as one of the major activities of the religious order and a plan for achieving the purpose of the religious order-Podeokchenha(Wordly Propagation), Gujechansaeng (Salvation of all mankind) and Jisangcheonguk Geonseol(Building of earthly paradise). The purpose of this article is to clarify its concept and provide an example of edification, through considering the historical model for edification to help the cultivators with their work of edification. The archetype of edification of Daesoonjinrihoe was formed and gradually developed in phases by Sangje, Kang Jeungsan, the Supreme God(姜甑山, 1871-1909), Doju, Jo Jeongsan(趙鼎山, 1895-1958) and Dojeon, Park Wudang(朴牛堂, 1917-1995), by the three of whom the Religious Authority was succeeded. Sangje descended to the human world and preached to people to live by the rule of Haewon Sangsaeng(Resolution of grievances for the mutual beneficences of all life) and set an example of abolishing the old customs, living in mutual beneficences and having respect for human being. Doju, in revering the last will of Sangje, established the religious order by setting its creed, rituals and activities, which formed most contents of the archetype of edification. Dojeon set up a religious faith system by firmly establishing the Religious Authority and performed the True Law in accordance with Sangje's program of heaven to educate the cultivators to achieve the goal of self-cultivation following the last will of Doju. Through this, a perfect method to reach the state of Dotong(The Truly Unified State of Dao) is fulfilled. In this way, the archetype of edification was formed in the process of succession of Religious Authority. In conclusion, edification in Daesoonjinrihoe contributes to a 'systematic conveyance and understanding' through the historical archetype of edification, and it can be described as a concept that becomes a model to put into practice the 'True Law' of teachings given by two Sangjes for Dotong. Therefore, edification of Daesoonjinrihoe is drawing attention of its development as an important activity that realizes the ultimate value of the religious order because it solves the problems of immorality(absence of Dao), disorder and disregard of human value generated from the other side of this material civilization, with the truth of Haewon Sangsaeng, and has a function of rebuilding and leading the individuals and the society to the Truly Unified State of Dao through performing of the True Law.

• Proceedings of the Korean Vacuum Society Conference
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• 2016.02a
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• pp.373-373
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• 2016

파푸아뉴기니 열대 우림에 서식하는 극락조의 가슴깃은 독특한 나노 구조를 가지고 있다. 이 독특한 구조에 의해 구조색이 발현된다. 또한 이 구조색은 입사하는 빛의 각도에 따라 색이 변화 하며 아름다운 색을 낸다. 극락조의 가슴깃의 구조는 keratin과 melanin으로 구성 되어 있는데 keratin과 melanin이 한 층씩 교대로 위치하여 multi layer 구조를 가진다. 가슴깃의 단면의 형태는 부메랑 모양의 구조로 되어 있는데 물질은 주로 keratin 으로 이루어져 있고 keratin 내부에 melanin rodlet이 층층이 박혀서 multi layer를 형성한다. 부메랑 모양의 단면에서 keratin 피질의 각도는 약 $30^{\circ}$ 정도로 이루어져 있고 내부의 melanin 기둥이 이루는 층은 약 $11.3^{\circ}$ 정도로 이루어져 있다. 본 연구에서는 극락조 가슴깃의 구조를 도식화 하여 입사하는 빛의 각도에 따라 나타나는 구조색을 FDTD simulation을 통해 계산하였고 실제 구조에 의해 측정된 reflectance spectra와 비교하여 특성이 유사하게 나타남을 확인 하였다. 실제 극락조 가슴깃의 반사 특성은 부메랑 모양 구조의 가운데 부분에서는 파장이 610 nm 정도인 주황빛이 주로 반사가 되고, 부메랑 모양 구조의 양옆 부분에서는 파장이 420 nm 정도인 파란빛이 주로 반사되어 나타난다. 그리고 각도에 따른 구조색의 변화는 보통의 multi layer의 특징과 다르게 나타난다. 입사하는 빛의 각도가 커질수록 reflectance peak가 나타나는 파장이 점점 짧아지는 특징은 일반적인 multi layer와 일치하지만 일반적인 multi layer가 입사 각도가 커질수록 reflectance가 커지는데 반해 극락조 가슴깃의 반사특성은 입사 각도가 커질수록 reflectance는 오히려 작아진다. 우리가 도식화한 구조를 FDTD simulation한 결과는 이러한 특징이 실제 구조의 측정 결과와 일치하게 잘 나타났다. 또한 keratin과 melanin층의 각도 및 두께변화에 따른 reflectance를 FDTD simulation을 통해 계산 해보았고 구조변화에 따른 특징들을 확인해 보았다.

• Speech Sciences
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• v.12 no.3
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• pp.59-77
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• 2005

The aim of the present study is to investigate how the phonemic characteristics influence on the disfluencies of children and adults who stutter. The participants were 10 children(9 boys and 1 girl) and 10 male adults. After having the participants to read out the Paradise-Fluency Assessment(Sim, Shin & Lee, 2004) passages, each of the productions were divided into syllables and words, and then the frequencies and the ratios of their disfluenceis were analyzed according to the specified phonemic features. In terms of the frequency of the disfluency, the participants stuttered more in the words which start with consonant than vowel. But they showed more disfluencies in the words initiated with vowel than consonant when the ratio of each phoneme's presences were considered. There found different tendencies among the phonemic features related with their disfluencies occuring with ralatively high frequency or ratio. It was difficult to find out the exact relationships among the order of the sound acquisition, phonemic complexity, and the disfluencies. To study the exact influence of the phonemic features upon the disfluencies, it comes important to consider the frequency of the stuttering itself together with the ratio of the disfluencies in which the opportunity of the specific sound's presence was considered. To compare the results of the different studies which has similar purposes, it seems important to consider the tasks and the methodologies in depth.

• Transactions of the Korean Society of Automotive Engineers
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• v.11 no.1
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• pp.49-54
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• 2003

The purpose of this work is to investigate the effect of premixed fuel on the reduction of exhaust emissions in premixed charge compression ignition engine. The premixed fuel is injected into the intake manifold to form homogeneous pre-mixture in the combustion chamber. The pre-mixture is ignited by a small amount of diesel fuel directly injected into the cylinder. In the case of gasoline as a premixed fuel of the engine, $NO_x$ and smoke concentration of exhaust emissions were reduced compared with the conventional diesel engine. But in the event of diesel fuel for premixed fuel, the rate of smoke reduction was small compared with the case of gasoline as a premixed fuel. HC and CO emissions were increased at high premixed ratio in the case of two premixed fuels. The combustion characteristics of the engine such as the combustion pressure, the rate of heat release, and other characteristics are compared.