• 보존과학회지
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• 제27권2호
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• pp.223-229
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• 2011

불화 문화재는 재료의 특성과 환경적 요인에 의한 색의 변화와 박락현상을 피할 수 없다. 특히 안료 표면에 발생하는 미세한 균열과 탈색 현상의 시작은 곧바로 유물 전체의 안정성이 현저히 급감하는 것으로서, 각별한 조치가 필요하다. 따라서 이 연구는 가평 현등사 수월관음도(경기도무형문화재 제198호)의 보존처리에 관한 것이며 유물 손상 부위를 보존처리하고 안정화시키기 위해 배접과 색맞춤을 실시하고, 안료의 과학적 분석을 수행하였다. XRF, 영상 현미경, FT-IR(자외선 분광 분석법)를 통한 비파괴 분석을 실시하여 유물에 사용한 한지의 재질과 안료의 성분 및 그 특성에 대해 조사하였다. 그 결과 현등사 수월관음도의 한지에서는 우리나라 전통 한지와 일치하는 FT-IR 스펙트럼이 검출되었고, 백색 안료위에 엷은 층을 이루고 있는 흑색 안료는 XRF와 FT-IR로 확인되지 않는 먹이나 그을음 등의 탄소화합물로 추정할 수 있었다. 또한 백색 안료는 Pb와 탄산염을 포함하는 연백($PbCO_3{\cdot}Pb(OH)_2$)이며, 현미경 관찰을 통해 청색 안료의 결정 상태를 확인한 결과 크고 작은 입자 분포를 보였다. XRF 분석 값은 Cu와 Pb 모두 높게 검출된 것으로 보아 청색의 경우 석청과 연백이 혼합되어 사용된 것을 알 수 있었다.

• 한국가구학회지
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• 제21권1호
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• pp.72-82
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• 2010

The objective of this study is to identify the species of 17 wooden Buddhist statues of the late Joseon Dynasty (the 17th and 18th century) in Jeollado, southwestern region of Korea. The bodies of statues were made of Ginkgo (Gingko biloba L.: 88%) and alder (Alnus spp.: 12%). The hands of statues were alder(64%), willow (Salix spp.: 27%) and Ginkgo(9%). The bottoms of hollow bodies were covered all with Japanese red-pine (Pinus densiflora S. et Z., 'sonamu') panels. The main species of statue body, Ginkgo tree was known to be introduced to Korea from China with Buddhism. The results indicated that Ginkgo trees of Korea in the 17th century had already become large and rich enough to be used for most of statues. Ginkgo wood has low shrinkage and even texture, which are crucial for carving sculptures. Alder and willow woods used for statue hands have fine and firm textures. The pedestals for these statues were also made of red pine wood. Red pine woods have rather high shrinkage and low hardness, but it is versatile woods strong enough to support heavy statues.

• 한국재료학회지
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• 제26권10호
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• pp.528-534
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• 2016

The aim of this paper is to consider the effect of the manufacturing processes on corrosion and centerline cracking of ancient bronze spoons. The ancient bronze spoons in question were made by several steps of forging, in reheated condition with cast ingots. The manufacturing method is similar to that of the modern spoons. The investigations include observations from light and scanning electron microscopes of the microstructure in terms of the crack propagation. Cracks in the centerline are caused by solute segregation in the center-line region; this solute is solidified in the final stage of bronze spoon manufacture. Centerline cracking is also caused by ${\alpha}$ phase segregation, accompanied by forged overlapping along the longitudinal direction of the spoons. A vertical stripe with cracks along the centerline of the spoon's width is formed by folding in the wrought process. The overlapping area causes crack propagation with severe corrosion on the spoon surfaces over a period of a thousand years. The failure mechanisms of ancient bronze spoons may be similar to that of modern spoons, and the estimation of the failure mechanisms of ancient spoons can be appropriate to determine failure causes for such modern spoons.

• 보존과학회지
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• 제27권1호
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• pp.91-100
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• 2011

본 연구에서는 열화된 소나무류를 대상으로 PEG 처리 후 조습건조시 적정 PEG농도, 습도 및 시간을 조사하고자 하였고, 조습건조과정 중 치수안정화 효과를 진공동결건조 및 자연건조한 것과 비교하였다. 조습건조에서 PEG의 농도가 높을수록 건조시간이 단축되었으며 치수안정성이 우수하였다. 저농도(40%, 50%) PEG 함침 후 조습건조는 치수안정화 효과가 적었고 목재표면 및 내부에 갈라짐이 발생하였으며 PEG의 분포가 불균일하였다. 고농도(60%, 70%) PEG 함침 후 조습건조를 하였을 때 목재의 표면은 흑화현상으로 인해 색은 어두워졌으나, 저농도(40%) PEG 함침 후 진공동결건조한 것과 비교하여 거의 동일한 치수안정화 효과를 나타내었다. 따라서 대형발굴수침고목재의 보존처리시 진공동결건조가 불가능할 경우 고농도 PEG(70%) 함침 후 조습건조하는 방법이 가능하고, 이때 건조습도와 건조시간을 충분히 고려해서 건조해야 함을 알 수 있었다.

• 한국지리정보학회지
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• 제24권4호
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• pp.127-135
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• 2021

본 연구는 지상 라이다에 의해 획득된 두 가지 유형의 한국전통양식의 건축물에 대한 스캔 데이터로부터 3차원 모델을 생성하는 일련의 처리과정을 제시하고 전통건축물, 문화재, 고고학적 유적지 등을 수치적으로 기록·문서화하기 위한 3D 측량방법을 평가하는데 목적을 두었다. 지상레이저실측을 통한 수치적인 기록화를 필요로 하는 대부분의 고건축물이나 문화재 등은 모든 방향에서 데이터를 취득할 필요성이 있다. 본 논문에서는 대상물 주위의 다중 지점에서 데이터를 획득하여 통합하는 과정을 제시하였다. 또한 레이저 스캔 데이터로부터 건축물의 외부와 내부 양면을 동시에 자동적으로 재구성하는 접근법을 제시하였다.

• 비교문화연구
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• 제39권
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• pp.329-354
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• 2015

The major goals of this paper are to identify the degree into which the meanings of 'see' verb can be extended, focusing on the extended meanings shown in the expressions that denote our instinctive actions for survival, such as eating or drinking, etc., and to clarify the doubt on whether any syntactic pattern can be associated with the meaning in the process of meaning extension of 'see' verb. For doing this task, this paper picked out 2,000 examples randomly from COCA (Corpus of Contemporary American English), in which the verb 'see' is used. This paper classified the sentences into thirteen different sentence types, according to the syntactic patterns. This research showed that these thirteen syntactic types lead us to figure out the process of the meaning extension of the verb 'see'. With this result, this paper made an attempt to provide the four steps toward the meaning extension of verb 'see'. The verb 'see' in the first step denotes the meaning of purely seeing the visualized objects. This verb in the second step expresses the shifted function, under which the agent in the subject position takes the seeing action as a secondary task in order to carry out other main task. The verb in the third step denotes the extended meanings irrelevant to the seeing action, because the sentences on this step do not contain any visualized objects. In the last step this verb functions as conventional implicature whose meaning does not contribute to the whole meaning of a sentence. In addition, this paper identified that the syntactic properties are deeply associated with the process of meaning extension of the verb 'see', and tried to formalize this relationship between the syntax and semantics within the framework of Construction Grammar based on A. Goldberg.

• 건축역사연구
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• 제18권4호
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• pp.63-79
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• 2009

Since the 1970's, UNESCO and ICOMOS have adopted or emphasized on the principles of historic preservation. One of them is what to require a repair have not to be repaired beyond the limits of the features and techniques to have been born in those days of establishment. On the premise, this paper is to examine the materials and technique of lime plaster work in order for roof ridge, and for bond paste of stones and bricks in government constructions in the late of Joseon dynasty(17~19c). The result of this examination will come up with a basic conformity in the case of repairing the building established in the late of Joseon dynasty. This paper is carried out for the proper repair and restoration of architectural cultural properties. Construction reports and other documents in those days are examined for the study. Following conclusions have been reached through the study. The components of old plaster mixtures which agglutinate stones each other were quicklime, perilla oil, and paper fiber. The components of old plaster mixtures which point joint of black bricks consisted of slaked lime, perilla oil, paper fiber, and cereal starch. These components were the same as coat surface of roof ridges. In the case of times, one of the following sand, white clay, sap of boiled elm bark was added to these components for the purpose of high efficiency. These materials and techniques which applied to plaster work of those buildings had developed in the process of making royal tombs. But these materials and techniques were quite different from the present.

• 건축역사연구
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• 제3권1호
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• pp.57-82
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• 1994

This paper is the result of the researches and the field surveys of the villages and the dwellings of Korean immigrants in Yien-Pien area, north-eastern China. This study aims to persue both of the origin and the process of development of their settlements and dwelling types from late 19C to the present. Their processes are too complex to analysis by single view-point. I have eyes to interprete them from three pionts; 1)correspondences between the dwelling types and the econo-political history of their region, 2)cultural assimilation with the native dwelling types, and 3)the direction of their modernization with the economical development of modern China. Three village types have been pioneered; 1)the villages of indivisual immigration, 2)the villages of planned group immigration, and 3)the villages of socilistic reform villages of 1) were composed of organic village patterns and various shaped dwelling lots on the sloped site; villages both of 2) and 3), gird patterns and uniformed lots on open fields. Historically, villages of 1) were pioneered before 1931; villages of 2), 1936-1945; villages of 3), from 1945. Each of dwelling types had strong relations with the village types to which it belonged. Before 1931, dwellings were built up based on so called "Ham-buk dwelling type" which was dominent in north-eastern Korea. In the era of gruop-immigration, various dwelling types were flew into Yen-Pien from southern Korea. In modern China, their southern types were changed into Yen-Pien type as similar as Ham-book type. After 1945, with the Great leap Forward and the Cultural Revolution, as communization of indivisual properties and reorganization of rural communities, each of dwellings became smaller and simpler in aspects of scales as well as functions. There are two types in Yen-Pien dwellings, those are 'single-file' and 'double-file' type. Three sub-types of latter arc 'six-bays', 'eight-bays', and rarely 'ten-bays'. The most common element of all types is Chong-ju-k'an; which is large room with heated floor, openig to kitchen. Now, modern dwellings of Korean immigrants are changing their spatial compositions, materials, and structures. With cultural assimilation as well as modernization, especially in urban areas, they are compelled to accept the elements of Chinese dwellings. But the spatial element of "Chong-ju-k'an", which is the core element of Yen-Pien dwelling type, never fade away nor is changed.

• 문화경제연구
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• 제21권2호
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• pp.29-51
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• 2018

2012년에 한미 FTA가 발효되었으며 콘텐츠산업분야에서 역대 FTA 중 가장 많은 부분에서 시장개방이 이루어졌다고 평가받고 있다. 본 연구는 한미 FTA 체결에 따른 콘텐츠산업분야의 시장개방 효과의 하나로 수출입 효과를 실증적으로 분석하였다. 이는 정책적으로는 한류로 대표되는 한국 콘텐츠산업의 대외경쟁력이 FTA와 어느 정도 연관성이 있는 것인지에 대한 의미있는 해석을 도출한다. 이를 위해 1차적으로는 ANOVA 분석을 통해 평균적인 FTA 효과 유무를 추정하고, 이후 다른 요인들이 통제된 후 직접적인 FTA 효과 추정을 위해 회귀분석을 실시하였다. 한미 FTA로 인해 미국산 콘텐츠가 국내 시장을 잠식할 것이라는 우려와는 달리, 콘텐츠 수입측면에서는 통계적으로 유의한 변화가 발생하지 않았다. 콘텐츠 수출은 한 미 FTA협정 발효 후에 오히려 증가하여 대미 수출액에 통계적 유의미한 변화가 있었지만 한 미 FTA체결에 따른 효과가 아니라 그 외적인 변수들로 인해 수출액이 증가했다는 해석이 회귀분석을 통해 알 수 있었다. 실제 한 미 FTA협정의 콘텐츠산업 분야에서의 시장개방의 하나인 외국제작물의 편성비율 조정이 별다른 의미를 갖지 못했고 국내 제작물의 편성비율이 오히려 증가한 것을 보면 국내 콘텐츠의 전체적인 시장경쟁력이 높아졌고, 그 결과로 대미 수출이 증가한 것으로 볼 수 있다.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.44-51
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• 2006

Careful attentions should be paid on the renovation of historical building, not only because it conservations architectural heritages by affording new roles of the present days, but also determine their successive value in the stream of the preservation of cultural properties. Among drastically-increasing interest in the remodeling of the modem architecture in Korea, it is meaningful to research the cases in Japan since there are precedent, accumulative, and ample example of lengthened time. In this paper, two examples with different renovation concept, 'harmony' and 'confrontation' are compared. 'Minami-za' is the typical example to harmonize the present requirement with the original purpose and the memories of the buildings, where the use and the design are preserved. On the contrary, 'Shinpu-kan' is exemplified as confrontation where everything except the facade and the structure was remodeled. It is suggested to understand 'harmony' and 'confrontation' as a way to the coexistence of 'new' and 'old' on the basic of the historical meaning of architectures, not only as a design trend.