• 복식문화연구
• /
• 제16권4호
• /
• pp.722-734
• /
• 2008

This study focuses on the trend of modern society that places importance on health and happiness. By using gilsang (signs that brings good fortunes) patterns that wishes for fortune and health, the objective of this study is to design a distinct but universal fashion good that is unique to Korea and is used not only as a piece of artwork, but as part of development of new and assorted cultural products that is competitive in the international society. This study was conducted first by studying related documents for the theoretical background. In addition, in order to satisfy consumer demands, a jacquard that can procure international competitiveness was designed and fashion goods fitting to this was planned. Through this, the various possibilities of using the jacquard designs were suggested. The development process of fashion goods using jacquard was divided into 10 stages: theme setting, gilsang pattern setting, sketching, textile plan, design organization, input, simulation process, perforation and sewing, selection of design for the fashion good and goods production. Fashion materials are a very important element in creating variations and uniqueness in the fashion industry. Development of new materials has made the aesthetic and ornamental elements, together with the practical and functional aspects of textiles possible. A major issue today is rising out of the past mass production method of OEM (Original Equipment Manufacturing), and developing various artistic patterns that can be used in mass-produced products and assorted production in small quantities in order to develop specialized fashion goods.

• 한국의류산업학회지
• /
• 제17권3호
• /
• pp.351-363
• /
• 2015

This research explores diachronic fashion design trends through a structure analysis of a connection network based on fashion show concepts implemented by modern fashion designers from S/S 2009 to F/W 2013. The findings from this research are as follows. First, four categories affect the inspiration and thinking of design: the experience of the designer, social atmosphere and phenomena, natural sensitivity (or formative characteristics of natural objects), and the influence and quality of other fields. Second, in cases where the designers' experiences influenced design inspiration and thinking, designers express personal memories with keywords like high school, grandmother's closet, prom, beauty and the beast, heritage, past, and reminiscence through design elements such as lines, silhouettes, materials, and colors. Third, the representative example of the social atmosphere and phenomena that influenced design inspiration and thinking was the 2008 Global Financial Crisis that reflected the social climate through design concepts of keywords such as Recession, Black, Economy, US, Depression, Gray, Dark Age, White and New York. Fourth, inspired by nature and the formative characteristics in design, the designers employed ornamental elements to collections and design concepts that focused on nature words connected to light, sun, wild, dirt, rock, moss, and trees. Fifth, the designers took their ideas from different fields of personal interest in the arts, science and humanities (sports, architecture, sculpture, painting, and literature) that were decisive in determining materials, design colors and silhouettes. The theme of architecture was analyzed as a central element that had an ongoing impact on the concepts of designers.

• Journal of the Korean Wood Science and Technology
• /
• 제18권4호
• /
• pp.26-40
• /
• 1990

The plane trees(Platanus occidentalis L.) have been grown in Korea very widely as ornamental garden or street trees but they have not been used as manufacturing materials The proportion of imported wood has been now over 85% of raw materials needed in the wood industry, and therefore, many of studies on the substitution of domestic wood for imported wood and on the increasing the utilization rate of domestic species have been attempted and considered as very important projects to solve. From a this point of view, this study was carried out to investigate solid wood bending properties of plane trees and then to develop their end-uses, and the size of specimens tested was $15\times15\times350mm$ for steaming treatment and they were dried to $15\pm1%$ before bending. The results obtained were as follows: 1. The optimum conditions for solid wood bending processing of Platanus occidentalis are showed in Table 7. 2. The minimum solid-bending radii of Platanus occidentalis were 40mm in steaming treatment. 3. The effect of knots, diagonal grain and decay on the degradation of bending processing properties were very severe. 4. The bending stress was setted successfully through $80^{\circ}C$-15hrs drying after bending and the spring back for 24hr-exposing time was only about 1%.

• 한국자원식물학회지
• /
• 제20권5호
• /
• pp.409-423
• /
• 2007

2005년 3월부터 11월까지 전북 강천산 군립공원에 자생하는 유관속식물을 대상으로 조사한 결과 조사지역내에 분포하는 식물은 97과 253속 328종 45변종 6품종 등 총 379분류군으로 관찰되었다. 조사 지역에서 분포하고 있는 379종류의 식물자원의 유용도를 분석한 결과 총 315종류의 자원식물로 분류되었으며, 식용자원(E)은 161종류(51.1%), 초지자원(P)은 121종류(38.4%), 약용자원(M)은 147종류(46.6%), 관상자원(O)은 82종류(26.0%), 목재자원(T)은 11종류(3.4%), 공업원료자원(I)은 14종류(4.4%)로 나타났다. 한국특산식물은 14과 16속 16분류군으로 조사지역내 분포하는 총 379분류군 중 약 4.2%이었으며, 특정식물 중 $III{\sim}V$등급 식물은 9과 9속 9분류군으로 소산식물 379분류군의 약 2.3%로 나타났으며, 진화식물은 11과 15속 14종 1변종의 15분류군으로 우리나라 전체 귀화식물 225 종류의 6.7%에 해당되었다.

• 한국산림과학회지
• /
• 제29권1호
• /
• pp.20-53
• /
• 1976

주요(主要) 조경수목(造景樹木)의 $SO_2$에 대(對)한 감수성(感受性) 및 저항성(抵抗性)을 구명(究明)하여서 우수(優秀)한 조경수종(造景樹種) 및 대기오염(大氣汚染) 정화수종(淨化樹種)을 선발(選拔)하는데 있어서의 학리적(學理的) 근거(根據)를 얻을 목적(目的)으로 가스 접촉시험(接觸試驗)과 아울러 공기오염도(空氣汚染度)가 극심(極甚)한 서울시내(市內) 각처소(各處所)에서 생육(生育)하고 있는 주요(主要) 가로수(街路樹)에 대(對)하여 계절(季節)에 따른 엽내(葉內) S함량(含量)의 증가현상(增加現象)을 조사(調査)하여 공기중(空氣中) 아황산(亞黃酸)가스에 대(對)한 내성(耐性)과 가스흡수(吸收)에 의(依)한 공기정화능력(空氣淨化能力)에 대(對)하여 연구(硏究)한 결과(結果) 다음과 같은 결론(結論)을 얻었다. 1. 아황산(亞黃酸)가스 접촉(接觸)에 대(對)한 수종별(樹種別) 감수성(感受性) 1) 공시수종(供試樹種) 범위(範圍)에 있어서 피해엽(被害葉) 연반면적(煙斑面積)의 크기를 기준(基準)으로 한 아황산(亞黃酸)가스 접촉(接觸)에 대(對)한 내성순위(耐性順位)는 대체(大體)로 무궁화, 은행나무, 개나리, 수수꽃다리, 일본(日本)잎갈나무, 리기다소나무의 순위(順位)이며 특(特)히 무궁화와 은행나무는 아황산(亞黃酸)가스에 대(對)하여 강(强)하고 리기다소나무와 일본잎갈나무는 약(弱)하며 수수꽃다리와 개나리는 그 중간(中間)에 속한다. 2) 엽중(葉中) 유황함량(硫黃含量)은 접촉(接觸)가스의 농도증가(濃度增加)에 따라서 증가(增加)하며 수종별(樹種別)로는 침엽수종(針葉樹種)이 활엽수종(濶葉樹種)에 비(比)해서 함량(含量)이 적은 경향(傾向)이나 침엽수종중(針葉樹種中)에서도 은행나무는 그 함량(含量)이 활엽수(濶葉樹)와 비등(比等)하게 높다. 3) 수목(樹木)의 생장초기엽(生長初期葉)(6월접촉(月接觸))은 1ppm을 한계(限界)로 하는 각농도(各濃度)에서 모든 수종(樹種)에서 엽내(葉內) S함량(含量)이 가스농도(濃度)에 정비례적(正比例的)인 증가경향(增加傾向)을 보이나 농도간(濃度間)의 격차(隔差)는 그리 크지 않았다. 4) 생장후기엽(生長後期葉)(10월(月) 접촉(接觸))은 모든 수종(樹種)에서 전체적(全體的)으로 생장초기엽(生長初期葉)보다 엽내(葉內) S함량(含量)이 많아지며 또한 각농도(各濃度)에 있어서 모든 수종(樹種)의 엽내(葉內) S함량(含量)의 농도(濃度)에 따른 격차(隔差)가 심(甚)한 동시에 가스농도(濃度)에 따라서 정비례적(正比例的)인 증가(增加)를 보이지 않고 S흡수농도(吸收濃度)에 한계(限界)가 있음을 나타낸다. 즉(即) 활엽수종(濶葉樹種)인 수수꽃다리, 무궁화, 개나리의 S흡수한계농도(吸收限界濃度)는 0.6mg/L부근이다. 따라서 S흡수한계농도(吸收限界濃度) 구명(究明)에는 성숙엽(成熟葉)을 재료(材料)로 사용(使用)함이 가(可)함을 말해준다. 5) 무궁화, 수수꽃다리, 개나리는 부정아(不定芽) 발생(發生)에 의(依)한 맹아재생력(萠芽再生力)이 강(强)해서 전체엽(全體葉)이 피해(被害)를 받아도 회복(回復)되는 힘이 강(强)하다. 6) 연반(煙斑)의 색조(色調)는 수종(樹種)에 따라 상이(相異)하며 은행나무는 선명(鮮明)한 황갈색(黃褐色), 무궁화는 백색(白色), 수수꽃다리는 오갈색(汚褐色), 리기다소나무는 선명(鮮明)한 황갈색(黃褐色) 또는 적갈색(赤葛色)을 보인다. 7) 엽부위별(葉部位別) 감수성(感受性)은 엽록(葉緣)이 감수성(感受性) 부위(部位)였고 주맥(主脈)의 부착점(附着點)의 엽신부(葉身部) 즉(即) 엽저부분(葉底部分)이 현저(顯著)한 내성(耐性)을 띠운다. 또한 은행나무와 일본잎갈나무에 있어서는 신엽(新葉)이 성숙엽(成熟葉)(2년생엽(年生葉))에 비(比)해서 내성(耐性)이 더 강(强)하다. 2. 서울시내(市內) 각처소(各處所)의 조경수목(造景樹木)의 엽내유황(葉內硫黃) 함량(含量)과 대기오염(大氣汚染) 1)서울시내(市內) 각처소(各處所)의 조경수목(造景樹木)의 엽내(葉內) 유황함량(硫黃含量)은 비오염지(非汚染地)의 대조엽(對照葉)에 비(比)하여 보다 현저(顯著)히 큰 수치(數値)를 나타내며 각(各) 수종(樹種)의 유황(硫黃) 흡수능(吸收能)은 그 대조수목(對照樹木)의 비오염지(非汚染地)에서의 엽내(葉內) 유황함유도(硫黃含有度)에 비례(比例)하여 크며 능수버들, 은행나무, 가중나무, 양버즘나무, 미류나무등(等)이 그 흡수능(吸收能)이 높았다. 2) 엽중(葉中) 유황함량(硫黃含量)의 순위(順位)를 종합(綜合)하면 함량(含量)이 가장 많은 처소(處所)가 서울역전(驛前), 아현동(阿峴洞)고개, 이화여대(梨花女大) 입구(入口)등이며, 동숭동(東崇洞), 동대문(東大門), 을지로(乙支路) 입구(入口), 서대문(西大門)등이 그 중간(中間)이며 덕수궁(德壽宮), 경복궁(景福宮), 창덕궁(昌德宮), 창경원(昌慶苑), 혜화동(惠化洞) 로타리 등이 가장 적은 처소(處所)이다.

• 패션비즈니스
• /
• 제11권1호
• /
• pp.48-60
• /
• 2007

The purpose of this study is to examine the romantic costume style which has become a big trend before and after the 21th century. For this purpose, I examined the development plans and characteristics of women's costume in France in the Romantic period from the 1820s to the 1850s and analyzed the aesthetic characteristics of romantic costume style The aesthetic characteristics of romantic style in the 19th century were defined by the feminine and elegant beauty, exoticism, and sensuality. Since the 1990s, the characteristics are classified into Feminine & Elegant Style, Ethnic & Fusion Style, and Sensual Style. Feminine & Elegant Style is characterized by delicate, splendid lace and frill decorations that have become more ornamental and technical since the 1990s. They create greater romance and express gentler and more elegant femininity away from the artificial silhouette. Ethnic & Fusion Style use more diverse ethnic patterns, colors, accessories, and details since the 1990s and shows more varieties and creativity in convergence with modern fashion. Sensual Style exposes the physical curve of female body. In the 19th century, cuffs and collars were exaggerated and shoulders were exposed for sensuality. After the 1990s, however, see-through materials have been used to show the beauty of natural physical curves or corsets have been worn as the outerwear. Studying romantic costume style, which arose as a concept of postmodernism, the cultural ideology that exists as a breakthrough of our time, is signified by the understanding of the latest cultural phenomenon and fashion trends.

• 한국전통조경학회지
• /
• 제32권1호
• /
• pp.83-92
• /
• 2014

본 연구는 중국 명대 원림서인 원야, 장물지, 한정우기를 통해 중국 죽병의 용도와 식물소재를 분석한 것으로, 요약된 결과는 다음과 같다. 위 세 서적은 거의 동일한 시기에 저술되었지만 작자가 바라보는 죽병의 시각은 부정적이기도 했고 적극 지지하는 의견이 피력되기도 한다. 이는 명초에 시은(市隱)을 조성할 때 죽병을 사용했던 양상이 퇴색되는 과정을, 나아가 명말 사회경제적 변화에 의해 죽병의 의미가 사치적 성향으로 전화되었음을 보여준다. 죽병은 덩굴성 식물의 가지가 등반 부착하게 하는 보조재(補助材) 또는 유도재(誘導材)의 성격으로 고안된 것이었다. 이는 한편 여름 내내 많은 꽃이 연이어 피는 장미과 식물의 관상효과를 극대화하기 위한 장치였으며, 또한 중국 특유의 문화적 향유와 관련되었다. 죽병에는 주로 꽃이 아름다운 장미과 식물이 사용되었으며, 이 식물들을 부식하여 만든 죽병은 평소에 담장의 역할을 하다가 개화기에는 아름다운 화벽을 볼 수 있는 다목적 시설로 설치되었다.

• 복식
• /
• 제29권
• /
• pp.143-158
• /
• 1996

It was the year of 1903 when avantgarde artists in Vienna gave a birth to the Wiener Werkstaette under the influence of Aesthetic Movement and Guild of Handicraft from England. This study is on the backgrounds of the birth of the Wiener Werkstaette its artis-tic motto and world-wide echo it provoked. This thesis goes back to the time when the decadent Wiener Secession shaped up refiewing the Reform Movement It also covers characteristics works of major members of the Wiener Werkstaette which were produced on the basis of the concept of Gesmtkunstwerk, The conclusion of this study is that : 1. Without losing its own specifc features various fields of formative arts were combinded together coherently and succeeded to realize the idealistic art that is the com-posite are 2. The Wiener Werkstaette was strongly opposed to the ready-made clothes which be-came popular as the society was Industrialized and commercialized. unlike those ready-to-wear clathes those members of the Wiener Werkstaette preferred to make each clothes with different mateirals and printed their own unique pattern designs. 3.As a results of close relationships between the Wiener Werkstaette and paul poiret 'Stu-dio Martine' was established in paris and new pattern deslhns were introduced by Raoul Dufy. 4. After the break-out of World War One cultural exchanges with other foreign countries were vuirtually cut off and the Wiener Werkstaette was disconnected from the influence of Parisl That was the motive for Wiener Werkstaette to start building up its unique artistic style with peculiar materials techniques and methods of productionl Those brisk and creative activities of the Wiener Werkstaette brought forth "the Golden perlod of 1920s" 5. Its historic design and ornamental pattern were assessed as a prelude to the Post-mod-ernism Since the late 1970s with the redis-covery of the culture of vienna in 1900s. the Art to wear which was created by the 'Wiener Werkstaette' but unfortunately tucked away by the Greate Depression and nationalism has been revaluated and studied. In Korea it was since 1985 when 'the art to wear' began to gain attention widely. It is urged that the theory of the 'Gesamtkunstwerk' should be also ac-cepted and shared earnestly.

• Fisheries and Aquatic Sciences
• /
• 제20권3호
• /
• pp.3.1-3.8
• /
• 2017

Seahorse, a syngnathidae fish, is one of the important organisms used in Chinese traditional medicine. Hippocampus abdominalis, a seahorse species successfully cultured in Korea, was validated for use in food by the Ministry of Food and Drug Safety in February 2016; however. the validation was restricted to 50% of the entire composition. Therefore, to use H. abdominalis as a food ingredient, H. abdominalis has to be prepared as a mixture by adding other materials. In this study, the effect of H. abdominalis on muscles was investigated to scientifically verify its potential bioactivity. In addition, the anti-fatigue activity of a mixture comprising H. abdominalis and red ginseng (RG) was evaluated to commercially utilize H. abdominalis in food industry. H. abdominalis was hydrolyzed using Alcalase, a protease, and the effect of H. abdominalis hydrolysate (HH) on the muscles was assessed in C2C12 myoblasts by measuring cell proliferation and glycogen content. In addition, the mixtures comprising HH and RG were prepared at different percentages of RG to HH (20, 30, 40, 50, 60, 70, and 80% RG), and the anti-fatigue activity of these mixtures against oxidative stress was assessed in C2C12 myoblasts. In C2C12 myoblasts, $H_2O_2$-induced oxidative stress caused a decrease in viability and physical fatigue-related biomarkers such as glycogen and ATP contents. However, treatment with RG and HH mixtures increased cell viability and the content of fatigue-related biomarkers. In particular, the 80% RG mixture showed an optimum effect on cell viability and ATP synthesis activity. In this study, all results indicated that HH had anti-fatigue activity at concentrations approved for use in food by the law in Korea. Especially, an 80% RG to HH mixture can be used in food for ameliorating fatigue.

• 생물환경조절학회지
• /
• 제19권4호
• /
• pp.223-228
• /
• 2010

Hosta 품종 중에서 관상가치가 있는 21종을 선정하여 절엽 소재로 개발하고자 2009년 7월 1일부터 8월 15일까지 광도 750Lux, 온도 $28{\pm}2^{\circ}C$, 습도 52% 의 실내 환경 조건에서 수명을 조사하였다. H. 'June'의 절엽 수명이 29일로 가장 길었으며 10일 이상 수명을 유지한 품종은 'Remember Me', H. lancifolia var. grandiflora, 'Grand Marquee', 'Dress Blue', 'Blue Dimples', 'Frosted Dimples' 'Birchwood Park's Gold', 'Krossa Regal', 'Paradise Power'였다. 이 10가지 품종의 특정은 엽록소 함량이 높고, 경과시간에 따른 엽록소 함량의 변화가 적었으며, 물 흡수력이 높았다. 또한 처리 후 일정기간 엽록소 함량이 증가하였으며, 다른 Hosta, 속 품종에 비해 수명이 길어 화훼장 식용 절엽으로 개발이 가능한 품종으로 선발되었다.