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입주기업 확대를 통한 광양항 해양산업클러스터 활성화 방안 (A Study on Revitalization of Gwangyang Port Marine Industry Cluster Through Attracting R&D Enterprises)

  • 김보경;이다예;김근섭
    • 한국항만경제학회지
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    • 제39권1호
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    • pp.131-147
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    • 2023
  • 광양항 해양산업클러스터는 현재 실질적으로 운영되는 국내 유일의 해양산업클러스터이나, 개장 이후 다양한 활성화 정책을 추진함에도 불구하고 현재까지 입주율은 낮은 실정이다. 이에 따라 입주기업 활성화를 저해하는 현행 제도의 제약요인을 식별하고 활성화 방안을 마련하는 것이 본 연구의 목적이다. 이를 위해 우선적으로 광양항 해양산업클러스터의 핵심산업인 해운항만물류분야 연구개발(R&D)사업 현황을 분석하고, 광양항 해양산업클러스터 입주가 예상되는 기업을 대상으로 설문조사를 수행하였다. 그 결과 항만·해운분야 R&D 비중이 타 분야 대비 낮고, 국내 연구개발 사업은 민간 중소기업을 중심으로 추진되고 있다. 또한 실증을 위한 항만시설 필요성이 높지 않으며, 광양항에 대한 기업 접근성 부족이 제약요인으로 도출되었다. 이를 바탕으로 본 연구에서는 입주기업 확대를 위한 개선방안을 다음과 같이 4가지로 제시하였다. 첫째, 현재 광양항 해양산업클러스터에 입주가능한 핵심산업을 해운·항만·물류분야에서 해양수산업 전체로 확대하여 해당 산업에서 R&D를 수행하는 기업이 입주할 수 있도록 개선이 필요하다. 두 번째, 현재 기업 입주 자격으로 제시되고 있는 업종코드 변경을 통해 실제 연구개발사업을 수행하는 기업이 등록된 업종을 반영함과 동시에 해양수산업 전체로 확대되는 핵심산업군을 모두 포함할 수 있어야 한다. 따라서 본 연구에서 향후 광양항 해양산업클러스터 입주기업 모집 시 활용할 수 있는 확대된 기업코드를 제시하였다. 세 번째, 현제 광양항 해양산업클러스터는 연 1~2회 입주기업을 모집하는 방식을 취하고 있으나, R&D 수행기업이 실증을 위한 항만 활용 수요가 발생한 시점에 맞추어 유연하게 입주할 수 있도록 해야 하며, 이를 위해 상시모집 체계로 전환을 제시하였다. 마지막으로 입지적으로 낮은 접근성을 극복하기 위해서는 보편적인 재정적 지원보다는 민간기업 또는 중소기업이 실질적으로 필요로 하는 연구개발에 특화된 기술개발 지원사업이 필요하며, 이를 입주 유인책으로 활용해야 한다.

A Case Study of Shanghai Tang: How to Build a Chinese Luxury Brand

  • Heine, Klaus;Phan, Michel
    • Asia Marketing Journal
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    • 제15권1호
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    • pp.1-22
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    • 2013
  • This case focuses on Shanghai Tang, the first truly Chinese luxury brand that appeals to both Westerners and, more recently, to Chinese consumers worldwide. A visionary and wealthy businessman Sir David Tang created this company from scratch in 1994 in Hong Kong. Its story, spanned over almost two decades, has been fascinating. It went from what best a Chinese brand could be in the eyes of Westerners who love the Chinese culture, to a nearly-bankrupted company in 1998, before being acquired by Richemont, the second largest luxury group in the world. Since then, its turnaround has been spectacular with a growing appeal among Chinese luxury consumers who represent the core segment of the luxury industry today. The main objective of this case study is to formally examine how Shanghai Tang overcame its downfall and re-emerged as one the very few well- known Chinese luxury brands. More specifically, this case highlights the ways with which Shanghai Tang made a transitional change from a brand for Westerners who love the Chinese culture, to a brand for both, Westerners who love the Chinese culture and Chinese who love luxury. A close examination reveals that Shanghai Tang has followed the brand identity concept that consists of two major components: functional and emotional. The functional component for developing a luxury brand concerns all product characteristics that will make a product 'luxurious' in the eyes of the consumer, such as premium quality of cachemire from Mongolia, Chinese silk, lacquer, finest leather, porcelain, and jade in the case of Shanghai Tang. The emotional component consists of non-functional symbolic meanings of a brand. The symbolic meaning marks the major difference between a premium and a luxury brand. In the case of Shanghai Tang, its symbolic meaning refers to the Chinese culture and the brand aims to represent the best of Chinese traditions and establish itself as "the ambassador of modern Chinese style". It touches the Chinese heritage and emotions. Shanghai Tang has reinvented the modern Chinese chic by drawing back to the stylish decadence of Shanghai in the 1930s, which was then called the "Paris of the East", and this is where the brand finds inspiration to create its own myth. Once the functional and emotional components assured, Shanghai Tang has gone through a four-stage development to become the first global Chinese luxury brand: introduction, deepening, expansion, and revitalization. Introduction: David Tang discovered a market gap and had a vision to launch the first Chinese luxury brand to the world. The key success drivers for the introduction and management of a Chinese luxury brand are a solid brand identity and, above all, a creative mind, an inspired person. This was David Tang then, and this is now Raphael Le Masne de Chermont, the current Executive Chairman. Shanghai Tang combines Chinese and Western elements, which it finds to be the most sustainable platform for drawing consumers. Deepening: A major objective of the next phase is to become recognized as a luxury brand and a fashion or design authority. For this purpose, Shanghai Tang has cooperated with other well-regarded luxury and lifestyle brands such as Puma and Swarovski. It also expanded its product lines from high-end custom-made garments to music CDs and restaurant. Expansion: After the opening of his first store in Hong Kong in 1994, David Tang went on to open his second store in New York City three years later. However this New York retail operation was a financial disaster. Barely nineteen months after the opening, the store was shut down and quietly relocated to a cheaper location of Madison Avenue. Despite this failure, Shanghai Tang products found numerous followers especially among Western tourists and became "souvenir-like" must-haves. However, despite its strong brand DNA, the brand did not generate enough repeated sales and over the years the company cumulated heavy debts and became unprofitable. Revitalizing: After its purchase by Richemont in 1998, Le Masne de Chermont was appointed to lead the company, reposition the brand and undertake some major strategic changes such as revising the "Shanghai Tang" designs to appeal not only to Westerners but also to Chinese consumers, and to open new stores around the world. Since then, Shanghai Tang has become synonymous to a modern Chinese luxury lifestyle brand.

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