• International Journal of Costume and Fashion
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• 제16권2호
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• pp.67-79
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• 2016

The Oroqen (鄂伦春) traditional costume refers to what the nomadic Oroqen people used to wear before they settled into fixed communities. With very limited contact with the outside world and with limited resources, the clothing material was virtually entirely animal hide. With settlement, especially after 1996, animal hide clothing has declined among the Oroqen. As an important part of Oroqen tradition and culture, the Oroqen people keep endevoring to promote costume design through competition and exhibitions. Therefore, this paper seeks to present an insightful understanding of Oroqen culture and the formative features of their general clothing. We explored the formative features of Oroqen animal hide clothing based on an analysis of actual artifacts and literature. As a result, the characteristics of Oroqen hide clothing were found in five types - coats, trousers, hats, shoes, gloves. For the decoration, embroidery and applique were their way of decoration, and Mother Nature was their source of pattern design.

• 복식문화연구
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• 제9권5호
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• pp.712-722
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• 2001

The purpose of this study is to classify of the Hair ornaments in old tombs of the Three Kingdom States. Hair ornaments was divided into Combs, Rod-like hairpins, Chae[;釵], Boyo[;步搖] Combs were 2 type in according to the tooth's space, wide-tooth comb[;梳] and fine-tooth comb(;比). The general name of two type was called Jeul(;櫛). Combs were excavated from the only ancient Silla tombs. Rod-like hairpins were called Gha(叉) or Jam(:簪). They were found in most of the old tombs in Goauryeo, Baekje, ancient Silla tombs. The style was L-type and embellished circular head-type. Chae(;釵) was understand Cha(:叉) that had two tongs. Chae(:釵) was generally U-type and rarely hairtweezers -type. Jakchae(;爵釵) was understand distinctive Chae(;釵) hanged with phoenix. This type was excavated from the only Baekje tombs of King of Muryeong. Boyo(;步搖) was originally a hair decoration of the northern nomadic tribes which had been introduced to the Wijin period. Boyo gained its popularity by the women in Dang Dynasty, hair ornaments were considered indicators of status and wealth. Boyo(;步搖) hair accessory features of which are suspended from a elaborate hairpin structure. Such pieces were designed to sway as their wearer walked. The bequest was not found, but we catch the Boyo(; 步搖) that was women'head decoration in painting of old tombs in Goguryeo.

• 한국의류학회지
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• 제18권3호
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• pp.368-386
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• 1994

The primary purpose of this study was to identify the diversity and embellishment of American Indian clothing and relationship between culture and clothing in American Indian Culture Areas. After the introduction of European material culture, change in American Indian clothing was conducted. The result of the Study as follows: 1. The most influential factors affecting the diversity of American Indian clothing were environmental factors. Climates and geographical features, Raw material were reflected in clothing style and clothing material in each culture Area. 2. Economic situation and life style were shown to be influential to clothing development. The best known instance of this was greatly elaborated clothing and personal adornment of the Plains who had higher stand of life and nomadic life style. 3. Religious concepts were important factors influencing American Indian clothing. Indian tribes had different ritual performance they used particular motifs in clothing. Clothing, such as "ghost shirt", Apache medicine shirt and Pueblo ceremonial clothing, served hidden pur- poses. 4. Techenology was another factor identified in this study as influencing American Indian clothing. Especially, weaving skills of Southwest played a great role in textile development. Pueblo "manta" and Navaho "bil" were famous for Indian costume. 5. European material culture allowed great change of traditional native Indian clothing. American Indian had new material, new styles, new concept of clothing. 6. American Indian, although Indian applicated European trade goods, was actually quite conservative in retaining traditional designs and modes of decoration. Asthetics and traction of American Indian were reflected in American Indian clothing.d in American Indian clothing.

• 한국주거학회논문집
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• 제20권4호
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• pp.143-151
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• 2009

The purpose of this study is to analyze the characteristics of the non-sedentary in contemporary multi-housing planning through the understanding and interpretation of the modern nomadic life. A document research method was used to analyze and classified the spatial characteristics and development of the non-sedentary dwelling spaces since 1980. Finally, today the applicable cases of non-sedentary space are as follows; the sharing housing, the adapting housing, and temporary housing for the multi-purpose spaces, huge spaces and the industrialization housing. First of all, in order to conform the concept of nomadism, the theory and characteristics were divided into three aspects; The concept of thought of lines, events and Rhisome, and the spatial characteristics of fluidity, multiplicity and the non-hierarchy, that is mainly based on the philosophy of Gilles Deleuze. This study attempted to analyze how the concept of non-sedentary dwelling space has been developed in what form and method they have been applied and interpreted in the historical background. It attempted to resolve the concept of movement and mobility through the experiment so that they might apply to the space of contemporary city.

• 복식
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• 제23권
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• pp.67-77
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• 1994

The purpose of this study is to investigate the origin of ku and changes of styles from ancient times to recent times. It will contribute to recent times . It will contribute the correct understanding of the historical change of clothing materials. For this study historical comparative method were utilized using documentary records and relic of ku. The results of this study can be summarized as follows. 1. The fur clothes were the first clothes that human beings put on in order to protect human body against the cold. Ku was widely worn by many people in Asia dynasty. ku was an out fit for protection against the cold and it was made of animal fur. 2. The ancient times, the northern part of korean peninsular and Manchus were the mainfield of action of korean people. At this time, koreans preferred the ho-bok that the nomadic tribe used put on. But the territiory of unified Silla was limited to the southern part of korean peninsular, and it be supposed that ku was preferred only in a certain local community and social class. In Chosun dynasty , ku was also adopted as garment for protection against cold. During Sung-Zong and Chung -Zong era it was so popularized that both men and women in noble class preferred it. But in latter part of Chosun dynasty government worned the nation against extravagance in living, ku lots its popurality and it was modified into another garments such as gotzaugori, baeza and magoza.

• 패션비즈니스
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• 제5권3호
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• pp.63-71
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• 2001

The symbol of the sacred tree represents the world tree. They were influenced by Tree worship in Northern mounted nomadic groups, and the first is quite obvious, that the sacred tree is a palm tree. The Assyrian sacred tree possesses characteristics, making the tree iconographic and rather artificial. The tree typically has a thin trunk arranged in two or three tiers. Each tier is separated by horizontal plates or bands. The top of the tree is crowned with a palmette form. Wavy streamers emanate from the tree abd terminate in palmettes in a criss cross fashion. The central trunk is topped with a palmette and surrounded the trunk with palmettes emphasizing a link to date trees. The number of branches on the tree is limited, and there are usually seven, fifteen or thirty branches. The connection of these numbers with those of the week, and of the lunar wax and wane is so obvious. The branches on the tree may have indeed represented a calender of some sort. Mainly based on the excavated tomb articles of the three kingdoms and referred to Chinese and Japanese ones, Sacred Tree pattern showed that was lightly influenced by the times and area, but was slowly changed and developed to different types through those each ages generally. The Sacred Tree type was three part in according to the wavy streamers emanate from the tree abd, Sacred tree type I, Sacred tree type II, Sacred tree type III[the Mountain(; 山)-typed piled up Sacred Tree].

• 한국식생활문화학회지
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• 제19권5호
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• pp.556-565
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• 2004

This study examined dietary culture in Korea regarding collectivism through literature review. Based on the evidence from the origin of lineage and traditional customs, the Koreans' traditional collectivity appeared to have been grounded upon the northen nomadic culture emphasizing sentimental collectivity and harmonized with the characteristics of southern agrarian society related to mutual support and sociability. The inseparable relationship between collectivity and food was well revealed in the occasions such as rice-planting, kimchi and jang makings in which pooled labor was common as well as the gathering of mutual aid association. In these occasions, foods were offered and shared among members. Food sharing was a main activity and almost play a central role regarding the promotion of friendly relations among each other. In sacrificial memorials, food sharing was extended not only to the live persons but also to the passing spirits. Collectivity was also disclosed in the eating or table manners of Koreans. Koreans quite literally share food at every meal since the side dishes placed centrally on the table. The taste of Korean foods is completed inside the mouth by mixing foods with various combination, which let people create their own choice of taste. Therefore, the collectivity manners at the table appeared to be harmonized with individual freedom of creating his/her own taste of foods. The collectivity is still a very important concept in modem Korean dietary culture, as reflected by an increase of restaurants sewed shared dishes.

• 패션비즈니스
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• 제6권1호
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• pp.71-82
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• 2002

The purpose of this study was to correctly understand the costume of Qing dynasty in the court painting. The starting point of this study was that the painting typically reflects the cultural values, social significations, costume and aesthetic outlook of that period when the paintings were done. Based on this regard, this study analyzed the costume of figure paintings in the court painting of the Qing dynasty that complied and edited by the Palace Museum. The court dress of Qing dynasty represented not only the spiritual world of Manchu tribes but also the influences of Chinese traditional culture. The court dresses of Kangxi and Qianloug showed definitely the luxury of life of Qing court. The everyday dress of Qing dynasty reflected the nomadic environments and it was very simple. The hunting dress of Qing dynasty was very developed and also represented horse riding and hunting activities of their traditional life. The ladies of Qing dynasty enjoyed to dress the costume of old Chinese style. The appearance of noble women was fragile and slim.

• 정보저장시스템학회논문집
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• 제5권2호
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• pp.76-81
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• 2009

Mobile devices have become an important part of daily life. This is especially true of laptop PCs, which are portable enough to be used almost anywhere. Laptop PCs, however, cannot be nomadic if each component is not robust enough to endure rugged laptop operating environment. Generally, external shock makes collision on head-disk interface and damage to read-write performance. To minimize the likelihood of failure, shock analysis must be incorporated into the design of hard disk drive in laptop. This research explores the structure modification of laptop HDD base, for improving shock performance using finite element analysis which considers the flexibility of whole HDD structure. FE model is verified by modal test and finely tuned. Then we obtained the transmitted acceleration of spindle and pivot and the relative displacement between disk and slider head as shock response. Based on shock simulation, the structural dynamics modification is performed and the primary design parameters are extracted.

• 대한가정학회지
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• 제36권6호
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• pp.41-56
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• 1998

The Yo-Dae(belt) was made of cloths and leather orginally. Then, it was decorated with metal decoration to become more developed luxury one. The Kwa-Dae of the Three Kingdom period is called as final shape among those ancient mode. Dae-Gu(The origin of belt buckle) was the metallic decoration of the leather belt that the northern nomadic tribe used to wear it. It was considered that the Dae-Gu was more decorated and changed to Kwa-Dae with Yo-Pae. The first stage Dae-Gu didn't have the hook, but a short hook only could move the belt itself was created, and then a movable short hook(China-Jin period Kwa-Dae, etc) to be inside of belt was showed, after that an axis was necessary when it became to long one, It was completed as a belt buckle. The stick shape hook was main stream in China an dthe other northern countries. Meanwhile, Korea has mostly "T" shape hook, and it shows that we developed our own unique style. Classifying the type of the belt plague, there are five types due to the scarved shapes on the Kwa-Dae and the changes. Mainly based on the excavated tomb articles of the three kingdoms and referred to Chinese and Japanese ones. It showed that the belt plague was lightly influenced by the times and area, but was slowly changed and developed to different types through those each ages generally.