Journal of Fashion Business (패션비즈니스)
- Volume 5 Issue 3
- /
- Pages.63-71
- /
- 2001
- /
- 1229-3350(pISSN)
- /
- 2288-1867(eISSN)
A study on the Art Style of Sacred Tree - Focusing on the Assyrian Style Tree Pattern -
성수문(聖樹文)에 대(對)한 연구(硏究) - 앗시리아식(式) 수목중심문양(樹木中心文樣)을 중심(中心)으로 -
- Kim, Moon-Ja (Dept. of Clothing & Textiles, Suwon University)
- 김문자 (수원대학교 의류학과)
- Published : 2001.09.30
Abstract
The symbol of the sacred tree represents the world tree. They were influenced by Tree worship in Northern mounted nomadic groups, and the first is quite obvious, that the sacred tree is a palm tree. The Assyrian sacred tree possesses characteristics, making the tree iconographic and rather artificial. The tree typically has a thin trunk arranged in two or three tiers. Each tier is separated by horizontal plates or bands. The top of the tree is crowned with a palmette form. Wavy streamers emanate from the tree abd terminate in palmettes in a criss cross fashion. The central trunk is topped with a palmette and surrounded the trunk with palmettes emphasizing a link to date trees. The number of branches on the tree is limited, and there are usually seven, fifteen or thirty branches. The connection of these numbers with those of the week, and of the lunar wax and wane is so obvious. The branches on the tree may have indeed represented a calender of some sort. Mainly based on the excavated tomb articles of the three kingdoms and referred to Chinese and Japanese ones, Sacred Tree pattern showed that was lightly influenced by the times and area, but was slowly changed and developed to different types through those each ages generally. The Sacred Tree type was three part in according to the wavy streamers emanate from the tree abd, Sacred tree type I, Sacred tree type II, Sacred tree type III[the Mountain(; 山)-typed piled up Sacred Tree].
Keywords