• The Bulletin of The Korean Astronomical Society
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• v.44 no.2
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• pp.37.1-37.1
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• 2019

We perform Lyα radiative transfer calculations for reproducing Lyα properties of star-forming galaxies at high redshifts. We model a galaxy as a halo in which the density distributions of Lyα sources and HI plus dust medium are described with exponential functions. We also consider an outflow of the medium that represents a momentum-driven wind in a gravitational potential well. We demonstrate that this outflowing halo model with Lyα scattering can successfully reproduce both the spectrum and the surface brightness profile of eight star-forming galaxies at z=3-6 observed with MUSE. The best-fit model parameters (i.e., the outflowing velocity and optical depth) for these galaxies are in good agreement with other studies. We also demonstrate benefits of using spectrum and surface brightness profile simultaneously to the constraints on model parameters and thus spatial/kinematic distributions of medium. We examine the impacts of individual model parameters and intrinsic spectrum on emerging spectrum and surface brightness profile. Further investigations on the escape fraction, spatially resolved spectra, and the spatial extent of Lyα halos are presented as well.

• The Research Journal of the Costume Culture
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• v.16 no.5
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• pp.812-825
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• 2008

This article analyzed fashion representations in France posters, especially the late 19th century France when mass consumption cultures arose. That was analyzed by consumers' sexuality supposed in advertisement contents. Female models mainly figured in posters of the late 19th century France made a role to promote consumption, in which female models were emphasized on fashion, for example, erotic robe, unusual hair style and etc. Posters' type in this period were categorized in three types by presenting style of female body and fashion style. The first were targeting female consumers, and that posters represented bourgeois fashion styles and life styles to clear consumers' social status and to present women's consuming power. The second case was targeting male consumers, and that posters figured female models such as available products. In this case, poster artists emphasized female models' sexualities and used fantasies against eroticism of the legs and feet. And third case was targeting female consumers and males', in this case, two different aspects were required to appealing to consumers. One was to use a female sexuality to appeal for male consumers, the other was to modify female models as transcendental being such like a muse admirable and mysterious, through fashion styles for female consumers. In the late 19th century, female body and fashion were spectacular elements in visual arts specifically. This study clarified representations of female body and fashion in the late 19th century posters according to poster's contents and target consumer's sexuality. This was one of the aspects characterizing early advertisement media.

• Fashion & Textile Research Journal
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• v.9 no.6
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• pp.663-670
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• 2007

Arts is the expression of reasoning and conscious life of human and arouse human the concept of existence, utmost emotion and excellent thoughts. Also it makes humans life very abundant. I make it come first to get rid of the art thirst on the opposite sight of technical one for hair as on part of humans body. Next purpose is that to confirm the esthetic value of 'hair arts' by solidify the academic ground of beauty arts through creating 'hair arts' works and learning and make the direction for the beauty industry and education of the next generation. In this study I investigated the Greek myth and the hair styles of ancient Greek Goddesses. On the basis of that symbols I elaborated hair formative works made of metal and studied, analyzed and displayed that. Work No.1 'aphne' pictures the second of changing into a laurel tree avoiding the love. Secondly 'Muse Erato' was exhibited the peaceful figure that have enough the fine melodies. 'Leda' brings out the feature of Leda resembling a swan and the fourth piece, 'Eos' conveys the brilliant and mystery of dawn. So this study conducted based on the concept of practical hair and have made efforts to be close to theoretical manufacturing research needed at making hair arts works and academic one needed at organic design composition for pioneering new field, 'art hair.' I hope these 'hair arts' works make creativity of the practise hair alive. It will be very thankful to me if this study can help even though slightly for splendid beauty arts to make its status firm as a one part of arts, and there are following studies.

• 한국어정보학회:학술대회논문집
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• 2016.10a
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• pp.189-194
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• 2016

본 연구는 다국어 감성사전 및 감성주석 코퍼스 구축 프로젝트인 MUSE 프로젝트의 일환으로 한국어 감성사전을 구축하기 위해 대표적인 영어 감성사전인 SentiWordNet을 이용하여 한국어 감성사전을 구축하는 방법의 의의와 한계점을 검토하는 것을 목적으로 한다. 우선 영어 SentiWordNet의 117,659개의 어휘중에서 긍정/부정 0.5 스코어 이상의 어휘를 추출하여 구글 번역기를 이용해 자동 번역하는 작업을 실시하였다. 그 중에서 번역이 되지 않거나, 중복되는 경우를 제거하고, 언어학 전문가들의 수작업으로 분류해낸 결과 3,665개의 감성어휘를 획득할 수 있었다. 그러나 이마저도 병명이나 순수 감성어휘로 보기 어려운 사례들이 상당수 포함되어 있어 실제 이를 코퍼스에 적용하여 감성어휘를 자동 판별했을 때에 맛집 코퍼스에서의 재현율(recall)이 긍정과 부정에서 각각 47.4%, 37.7%, IT 코퍼스에서 각각 55.2%, 32.4%에 불과하였다. 이와 더불어 F-measure의 경우, 맛집 코퍼스에서는 긍정과 부정의 값이 각각 62.3%, 38.5%였고, IT 코퍼스에서는 각각 65.5%, 44.6%의 낮은 수치를 보여주고 있어, SentiWordNet 기반의 감성사전은 감성사전으로서의 역할을 수행하기에 충분하지 않은 것으로 나타났다. 이를 통해 한국어 감성사전을 구축할 때에는 한국어의 언어적 속성을 고려한 체계적인 접근이 필요함을 역설하고, 현재 한국어 전자사전 DECO에 기반을 두어 보완 확장중인 SELEX 감성사전에 대해 소개한다.

• Journal of Navigation and Port Research
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• v.28 no.10 s.96
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• pp.925-931
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• 2004

Due to the development of Yongsan river estuary weir and Yongam-Kumho sea dike, Mokop coastal area is changed. Especially, Discharged water through Yongsan river estuary weir and Yongam-Kumho sea dike, may muse the environmental influences such as the changes of currents pattern and sedimentation in the vicinity of semi-closed Mokpo harbor. This study deals with the collection and analysis of discharge through estuary weir and sea dike, based on that, we analyzed a characteristics of a sea area from simulation. As the results of this study, it was known that discharge mused the changes of a tidal currents pattern and calculated depth variations showed close relation with tidal circulation.

• Maxillofacial Plastic and Reconstructive Surgery
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• v.34 no.5
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• pp.367-375
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• 2012

Midfacial reconstruction following resection of extensive malignant oral cavity tumors constitutes a challenging problems for reconstructive surgeons. Rectus abdominis muscle free flap (RAMFF) can be considered as the optimal reconstructive option in this case, because this flap has some advantages including consistent deep inferior epigastric artery anatomy, easy to dissect with well defined skin boundaries, acceptable donor site morbidity and the ability to perform simultaneous flap harvest with oral cancer ablation surgery. The rectus abdominis muscle forms an important part of the anterior abdominal wall and flexes the vertebral column, which is a long strap-like muscle divided transversely by three tendinous intersections, fibrous bands which are adherent to the anterior rectus sheath, which is thickly enclosed by the rectus sheath, except for the posterior part below the arcuate line that is usually located midway between the umbilicus and symphysis pubis. Below the arcuate line, this muscle lies in direct contact with the transversalis fascia and parietal peritoneum. For the better understanding of RAMFF as a routine reconstructive procedure in oral and maxillofacial surgery, the constant anatomical findings muse be learned and memorized by the young doctors in the course of the special curriculum periods for the Korean national board of oral and maxillofacial surgery. This review article will discuss the anatomical basis of RAMFF with Korean language.

• Journal of the Korean Society of Costume
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• v.34
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• pp.109-120
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• 1997

The conservation of collections in muse-ums is an important aspect for our her-itage. The control of museum environment is a vital factor in the preservation of cool-lections. Inappropriate or fluctuating envi-ronmental conditions can cause irreparable damage to works of arts. In this research we investigated the ac-tual conditions of museum environment for old testiles using questionnaire and mea-sured dye fasing of old textiles on exhibi-tion for 2 months in a university museum the major results are as follows: 1. The control of temperature and rela-tive humidity is a vital factors I the preservation of old textiles in museum generally acceptable temperature and rel-ative humidity standards for old textiles are 18-23$^{\circ}C$ and 50-65% R. H and light level for textiles on exhibition should be limited to 30-50 lux. 2, In university museums the limate control system in exhibition and storage area is in an early stage. Therefore to minimize the deterioration of old textiles the best method of controlling the envi-ronment is to have centralized climate control system in sorage area as well as in display area. 3. Conservator is needed to maintain collections scientifically. Only professional conservator by combining scientific tech-nical and artistic training has the exper-tise needed to maintain the physical in-tegrity of old textiles. In order to solve the inferior environment of museums the staff should recognize the importance of the condition of exhibition and storage. 4. Old textiles are susceptible to damage by light and associated heat. Dyed textiles which have been exhibited under the light without any UV filter were faded notice-ably within two months of exhibition. Light levels for textiles on exhibition should be limited to 30-50 lux. It is de-sirable to use special light source that can absorb UV. and UV filter is also recom-mended to reduce photodegradation of old textiles.

• Journal of the Korean Society of Marine Environment & Safety
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• v.15 no.2
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• pp.119-125
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• 2009

Recently the construction of bridges crossing navigable waterways is being promoted aiming at expanding social infrastructure and optimizing the overland routes through private investment. The construction, however, tends to focus on more the commercial requirements than the marine safety and efficient port management that it has a big risk not only to fail in ensuring the safety of ship traffic, but also to muse some severe conflicts between the parties concerned. These problems result from the lacking of standards about the design guidelines and discussing process considering the marine traffic safety when designing bridges. This research attempts to show the problems mused by bridge construction and suggest the standard discussing process through the survey and process analysis on Kwangyang Bridge and Incheon Bridge.

• Journal of the Korean Geographical Society
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• v.50 no.2
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• pp.217-237
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• 2015

Seokchon Lake, and the area surrounding it, have become symbolic with an environment of 'peace', 'delight', 'happiness', and 'healing' due to the large floating yellow rubber duck which sits within the lake. There exists, however, a hidden intention of a large corporation who wishes to make benefit of this installation and its healing properties. Nevertheless, the lake has become a hot destination for people to come and see the rubber duck and take romantic photos with it. The photographs taken and shared further expand the popularity and romantic environment of the duck and lake. This process is a perfectly hermeneutic circle. Self or group mediation through photographic performances with the rubber duck has allowed the lake to take on new meaning to visitors. For families taking photos together it has become a place of family bonding and love while for couples of any age it has been transformed into a place to express their love through pictures together with the duck. Even for selfie generation it has become a destination and muse. Tourists are not merely written upon, but are also enacting and inscribing places with their own stories. Therefore, photographic performances produce rather than consume and reflect geography of Seokchon lake.

• The Research Journal of the Costume Culture
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• v.23 no.2
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• pp.193-212
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• 2015

The purpose of this study is to analyze the characters and images of Picasso's muses, to extract the color chip from the works of Picasso, and to apply these results to fashion design. The study includes a literature review, an analysis of visual materials. The results are as follows. Fernande, who was cheerful and voluptuous, was depicted with pink-brown, a few browns, grey, black, white, and green and represents an ethnic and elegant image. Eva, a star-crossed lover, was depicted with a few browns, black, and pale-yellow and represents a gorgeous and natural image. Olga, who was jealous and sickly wife, was depicted with a few blues, browns and neutral-color and represents a classic and dandy image. Th${\acute{e}}$r${\grave{e}}$se, who was innocent and sweet, was depicted with the bright and pastel colors of red, green, violet, and yellow and of white, blue, brown, and black and represents a romantic, pretty, and casual image. Dora, who was intellectually and emotionally- challenging, was depicted with the strong colors of red, yellow, green, and blue, which are in contrast to black and also to white, grey and brown and represents a wild and dynamic image. Gilot, who was strong-willed and prideful, was depicted with the symbolic color of green, a color contrasting with black and white, grey, and pale brown and represents a clear, cool casual and modern image. Jacqueline, the self-giving and reclusive wife, was depicted with deep red, blue, green, black, white, dark brown, grey represents a formal, dandy, and chic image.