• 한국실내디자인학회논문집
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• 제17권2호
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• pp.47-55
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• 2008

This paper attempted to analyze the Sainte-Chapelle(1242-48) in Paris in terms of Gottfried Semper's theory of four elements. For this aim, this study was divided into two parts: the first part regarding Semper's theory, which included not only the theories of four elements and four technical arts but also the concepts of the two types of primitive dwellings; the second part regarding the Sainte-Chapelle, composed of the overall study and the characteristics of the building and finally the analysis of it in terms of Semper's theory. The Sainte-Chapelle was regarded as a real example of Semper's four elements, in that the building was composed of a sacred altar containing Christ's earthly relics, stereotomic bases made of stone, a tectonic structure featuring linearity, and textile stained glass as an elaborate enclosure. While the bases and the structure were employed as serving elements, the altar and the stained glass played critical roles to make a whole space immaterial and monumental. These two elements served to reveal not only biblical typology but also the religious and political vision of Saint Louis to establish Paris is as a new Holy Land.

• 대한지리학회지
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• 제34권3호
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• pp.247-264
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• 1999

In this study, I investigate how city parks have been created, and what are some characteristics of the location and function of 69 city parks in Tokyo. The city parks in Tokyo have been made in three patterns. The first is planned parks which have been created as a urban facilities considering the scales and types. The second is memorial parks which have been made to memorialize the national monumental event or to preserve natural and cultural resources. The third is public property parks which have been made by occurrence of public vacant land which is resulted from the grant of Royal Garden, restoration of public rented ground, producton of reclaimed land, utilization of dry river bed. The city parks can be classified in five patterns according to distance from CBD and park area. The first is central parks which have historical characteristics strongly. The second is planned parks that are specialized functionally. The third is large scale urban edge parks which are located in the edge of 23-Gu(district) in Tokyo. The fourth is hill parks which have natural characteristics strongly. The fifth is waterside parks that are located along a lake, a pond, a river, or artificial waterside facilities. From this study I have found out that a great effort has been made to activate the utilization of parks for residents in Tokyo, through mnagement goals and ways of parks, composition and chatacteristics of park facility resources, various Events, residents participation in undertaking of parks.

• 한국실내디자인학회논문집
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• 제26권1호
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• pp.3-12
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• 2017

In today's society, Monolithic expresses itself as a single featured work with a consistent exterior in the urban environment. In particular, such characteristics of the monolithic work have become increasingly influential in the modern society with the emergence of the minimalism. Monolithic architecture in modern has common feature which is maintaining simple construction format (Mass) with complicated and abundance space (Volume) inside. This simple architecture exterior leads new stimulus which is different from previous format and evokes unique sensibility and thoughts with monumental expressing. Uniformed exterior revealed thru purity of material builds up strong presence by itself. In contract with simple exterior, diverse space is expressed by consistent concept and process. Through this, it shows creating metaphorical space and space-oriented feature. We can interpret modern monolithic architecture as a sensation and alternative against Gestalt architecture in consequence of chasing clarity, visual stimulus and uncertain tendency only. It provides architectural experience by spatial imaginary and unexpected space development to users through exclusivetendency against outside and stressing un-private, we can evaluate its value as a space-oriented construction which helped us to think about space meaning in modern society.

• 대한후두음성언어의학회지
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• 제21권2호
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• pp.97-100
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• 2010

After introduction of operating microscopes and laser devices in the 1960's, monumental innovation for had been achieved in laryngeal microscopic surgery. The development of high-tech operating devices made the laryngeal surgery less invasive and more precise. There were long histories until developing of the modem instruments and surgical techniques. The simple oral mirror introduced by Bozzoni in 1807 is the beginning of laryngoscope. In 1859 Green carried out the laryngeal operation under direct view of larynx. The appearance of local topical anesthesia on throat had contributed to laryngeal surgery coming into wide use. Killian and Jackson made much contribution to developing the design of laryngoscope. After that, modem laryngeal surgery have been developed with development of the stabilizing holder of laryngoscope and optical devices. We propose carefully the direction of the development of the laryngeal surgery by historical consideration of laryngeal surgery and instrumental development.

• 대한건축학회논문집:계획계
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• 제35권4호
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• pp.115-126
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• 2019

Construction of the Pyongyang Railroad Station began in 1907 as an important foothold for the Japanese colonization of the Korean Peninsula and the further invasion of Manchuria. As Pyongyang gradually grew in size and political significance, the Pyongyang Station came to have two responsibilities: Fulfill its functional role and serve as a monument to the growing dignity of the city. This study argues that the Pyongyang Station, newly rebuilt in 1958, was the first building to solve the demands for both functional expansion and the pursuit of monumentality. Stylistically, the original single-story wooden building became a three-story classical masonry building. The stylistic change symbolizes the political shift by which the building was reconstructed. The simple wooden building built by the Japanese, representing Pyongyang's status as a colonial provincial town, was transformed into an imposing gateway for the capital city of a newly born socialist state. Socialist Realism, correctly described by its slogan "socialist in content and national in form," harmoniously blended classical architecture, socialist symbols, and Korean local motifs. This study is significant in that it illustrates the historical changes and continuity of the Pyongyang Station from 1907, when it was first built, through the "liberated space" to the postwar reconstruction period of the 1950s.

• 한국농촌건축학회논문집
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• 제25권2호
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• pp.17-24
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• 2023

Seokgojeon(石鼓殿) is a protective pavilion that protects stone drums made in 1902 during the Korean Empire in connection with Emperor Gojong's Mangyuksun (51'st birthday) and the commemoration of the 40th anniversary of his reign. During the Japanese colonial period, Seokgojeon was dismantled and transformed into the bell pavilion of Bakmunsa Temple, which was a memorial temple for Ito Hirobumi in 1935. In November 1945, just after liberation, Bakmunsa Temple was burned down, and the Seokgojeon Hall, which was transformed into Jonggak(鐘閣), was relocated to the Changgyeongwon(昌慶苑). Outdoor Stage in 1966, and was dismantled in 1984 due to the Changgyeonggung(昌慶宮) Palace restoration project, and only the members are currently stored. Therefore, this paper intends to use it as a basic research data to examine the style of monumental buildings during the Korean Empire through literature surveys, absence surveys, and case studies of similar buildings during the same period.

• 영어영문학
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• 제58권6호
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• pp.1103-1117
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• 2012

This paper focuses on eighteenth-century English pastor, poet, and hymnist, Isaac Watts (1674-1748), a significant yet neglected nonconformist dissenter, who defines a public religion and transforms poetry as a new literary political genre. During England's post-Revolutionary religio-political turmoil, Watts's poem, "The Hurry of the Spirits, in a Fever and Nervous Disorders" (1734), deliberately engages in a methodical refusal to settle upon a single system of images or terms for describing or referring to the speaker's identity or situation. Watts's, literal and metaphoric, refusal to identify with one religio-political approach to nonconformist dissent has been the very point of criticism that not only undermines the poet's monumental work on hymns but also the lasting impact that the poet had upon England's national consciousness. This study, therefore, questions why the poet refuses to choose one ideal path in his pursuit for religious freedom and, further, analyzes how the hymn writer defends his demotic aesthetics. This paper investigates Watts's comprehensive and detailed formulation of what a secularized "social religion" should entail and, further, explores its beneficial role in the pursuit for society's peace. In contrast to Milton's apocalyptic vengeance, Watts's nonconformist goal seeks to balance and locate authority in the individual with the ancient ideal of a "sacred order" that is represented in "The Hurry of the Spirits" through the means of poetic imagination.

• 건축역사연구
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• 제32권5호
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• pp.21-30
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• 2023

The study aims to analyze the geometric characteristics of the pointed arches proposed by Al-Kāshī in his book "Miftāḥ al-Ḥisāb" (Key of Arithmetic) and investigate their planning principles, architectural application, and typological characteristics. Al-Kāshī completed this significant work in 1427 and dedicated it to Ulugh Beg, a Timurid Sultan in Samarkand. In the ninth chapter, titled "Al-'Imārāt wa al-Abnīya" (Amīr's Mansion and Building), Al-Kāshī sought to measure the surface areas and volumes of barrel vaults (Azaj) and domes (Qubba). To achieve this, he proposed five kinds of pointed arches (Ṭāq) and analyzed their drawing methods and composition principles. The Īwān and Qubba structures, which are curved architectural elements, hold significant importance in Islamic architecture. However, previous research has predominantly focused on comparing the drawings in Al-Kāshī's book with historical buildings, neglecting the inherent characteristics of the drawings themselves. This study intends to contribute to a deeper understanding of Al-Kāshī's remarkable work and shed light on the geometric aspects of monumental structures in the Timurid Period.

• Acta Via Serica
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• 제9권1호
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• pp.139-160
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• 2024

This study delves into the concept of cultural hybridity, using the Great Mosque-Cathedral in Córdoba, Spain as a unique case study. This monumental site stands as a testament to the convergence of Islamic and Christian architecture and ideology, a phenomenon that is often discussed in modern contexts. However, this study takes a step further, examining cultural hybridity across historical epochs to reveal its persistent relevance in shaping social and cultural landscapes. Originally a mosque transformed into a Christian cathedral, the Great Mosque-Cathedral is a prime example of this phenomenon, reflecting continuous cultural, architectural, and ideological exchanges between the two religions. This paper meticulously analyzes how the structure's architectural elements embody these exchanges, such as its ornate mihrab and unique double-arched columns. By integrating theories of hybridity with a detailed architectural and historical analysis, the study argues that the mosque-cathedral is not merely a physical space but a dynamic medium through which cultural negotiations and adaptations are articulated. The findings underscore the complexity of cultural hybridity, challenging simplistic interpretations of cultural exchange and dominance, and highlighting the mosque-cathedral's role in ongoing debates about identity and heritage in contemporary society. This comprehensive examination contributes to academic discussions on hybridity and enhances our understanding of cultural resilience and transformation through architectural spaces.

• 헤리티지:역사와 과학
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• 제42권1호
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• pp.88-99
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• 2009

본 연구는 우리나라 노거수의 생육환경의 악화 및 훼손에 따른 관리방안을 제시하기 위하여 천연기념물 노거수의 생육환경을 분석함으로서 과학적인 보호관리대책을 수립하기 위한 목적으로 실시하였다. 연구대상지는 서울, 인천, 경기 지역의 천연기념물 노거수 20주를 대상으로 개체별 특성을 파악하였다. 생물학적 특성은 수종명, 수령, 수고, 근원둘레 4개항목을 조사하고, 입지현황은 입지유형, 입지환경의 2개 항목, 근원부 성상은 나지화, 복토깊이의 2개 항목, 건강도는 고사지율, 공동크기, 수피이탈율, 병충해, 신초생장의 5개 항목, 토양환경은 토양 pH, 유기물함량, 유효인산, 치환성양이온(K, Ca), 토양경도의 6개 항목으로 설정되었다. 이와 같은 조사항목별 현황조사 결과를 토대로 노거수의 입지현황과 생육환경 및 토양환경과의 상호관련성을 파악하기 위하여 상관관계 분석을 실시하여 노거수의 건강에 가장 영향을 끼치는 인자를 구명하고, 이에 따른 과학적인 관리방안을 제시하고자 하였다. 조사항목별 현장조사 결과 생물학적 특성에 있어서는 천연기념물 노거수는 백송(4주), 은행나무(3주), 향나무(3주), 다래, 등나무, 측백나무, 굴참나무, 탱자나무(2주), 회화나무, 느티나무, 물푸레나무, 소나무로 12종로 분포하였으며, 수고는 4.2~39.2m, 근원둘레 1.01~15.2m이었다. 입지현황은 건물내부형(4주), 유적지형(5주), 주택지형, 들판형, 동산형이 각 3주, 하천 및 해변형이 각 1주로 구분되었으며, 생육환경의 나지화 정도에 있어서는 조사지역 중 75%가 나지화가 진행된 상태이며, 복토깊이는 복토되지 않은 지역 4주(25%)를 제외하고 10cm 이상 복토가 이루어졌다. 건강도에 있어서 첫째, 고사지율은 용문사 은행나무 20%, 강화군 사기리 탱자나무 5%였으며, 그 외 지역은 관리가 이루어져 고사지가 발생되지 않은 상태이었다. 둘째, 공동크기에 있어서는 전 조사지역에서 $5{\sim}100cm^3$로 공동이 발생하였으며, 셋째, 수피이탈율에 있어서는 5~50%로서 공동발생이 높은 서울지역의 수송동 백송 및 문묘의 백송, 삼청동 등나무, 강화군 사기리 탱자나무가 45%로 높은 수피이탈율을 나타내었다. 넷째, 병해충의 피해는 인위적인 관리가 이루어지고 있어 경미한 상태이었으며, 다섯째, 신초생장에 있어서 창덕궁, 선농당 향나무의 신초생장이 1/2로서 주변 대기오염의 영향을 받고 있는 것으로 사료되었으며, 파주 적성면의 물푸레나무, 이천 백사 도립리의 소나무는 신초의 생장상태가 양호하여 근원부 복토가 되지 않아 신초생장에 영향을 미치는 것으로 사료되었다. 토양환경에 있어서 토양 pH 5.2~8.3, 유기물함량 및 유효인산이 각각 12~56%, 104~618ppm으로서 토양의 시비 관리가 이루어지고 있는 것으로 파악할 수 있었다. 토양경도에 있어서는 7~28mm이었으며, 조사대상 중 수송동의 백송, 삼청동의 측백나무, 문묘 은행나무, 용문사 은행나무 지역은 토양경도 21~28mm로 나지화 현상이 심하게 나타나고 있었다. 이러한 조사결과를 토대로 상관관계분석을 실시하였는데, 복토깊이가 수목의 생육에 커다란 영향을 미치는 것으로 분석되었으며, 향후 세부적인 자료구축을 통한 상관관계성 규명이 필요할 것으로 사료되었다. 본 연구를 통하여 노거수의 주변환경으로 건물, 시설지의 제한적인 관리 및 규제 등을 통한 인위적인 영향을 최소화하고 노거수의 양호한 생육을 위한 복토제거 등 근권확보가 필요할 것으로 사료되었다. 이와 같은 노거수 환경에 따른 문제점을 극복하고, 지속적인 관리시스템 구축을 위하여 동일 수종별 객관적인 비교, 분석을 통한 적정한 생육환경 조성 방안의 구축이 필요하며, 지속적인 모니터링을 생육의 피해현상 및 토양환경과의 지속적인 데이터축적을 통하여 관리 시스템의 정립이 이루어져야 할 것이다.