• 한국실내디자인학회논문집
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• 제26권6호
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• pp.42-52
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• 2017

In this modern world of drastic change, folding architecture was an alternative that offered a novel architectural insight. Today, the folding technique is being used above and beyond architecture, spreading to fashion, lighting, medicine, etc. Especially in the interior space design field, the folding technique is in the limelight as an alternative to create an original space for modern society. However, research and experiments into folding mainly remains at philosophical interpretation or architectural examples, and even these were mostly before the 2000s. Therefore, the present study determined it necessary to look deeply into the post-2000s folding technique focusing on interior space. In this paper, 33 cases of indoor space where folding technique appears are derived, and classified them again by use. The folding technique which was the first step of Sophia Vyzoviti's experiment on her book, "Folding Architecture" was extracted and used as the framework. We summarizes the range of application of folding techniques (interior space in general, floor, wall, ceiling, etc.) and major folding techniques by combining photographs, drawings, and descriptions of the works of the architects. This paper summarizes the characteristics of the space described comprehensively, and draws out the spatial characteristics of the modern interior space where the folding technique appears.

• 건축역사연구
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• 제17권5호
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• pp.55-69
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• 2008

One of the most notable architectural aphorisms in modern period must be undeniably Louis Sullivan's, 'Form Follows Function.' The aphorism has been not only an important source of new aesthetic but also an formal principle of machine age. Other most famous source in order to justify modern aesthetic was the short essay by an cynical critic, Adolf Loos(1870-1933), 'Ornament and Crime' of 1908. Apart from what the essay asserted it is also famous for the influence of Sullivan's architectural notion during Loos' States staying. For Architectural historians of the early 20th century this connection is so useful to create a legacy of modern architecture. The historians seemed to believe that Loos understanded Sullivan's aphorism on which the historians wanted to focused. When we however look into two buildings designed and built in the period of publishing both aphorism and essay there must be a big fissure between the buildings and the historians interpretations. With this view point this study aims at showing the true meanings of Sullivan's aphorism and Loos' essay and also the big difference between the machine age's aesthetic and theirs.

• 디지털융복합연구
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• 제16권9호
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• pp.497-502
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• 2018

여성 그레쥬에이션 시술 각도의 변화에 따른 한국남성들의 트렌드 감성별 룩 포지션과의 상관성에 관한 연구로서 시술각도에 따른 여성 그레쥬에이션의 다양한 이미지를 조사하고 이를 바탕으로 창의적인 그레쥬에이션 커트시술이 가능해 지는데 연구 목적이 있다. 설문지법을 사용하여 총 100부의 설문지를 통계분석 하였다. 연구 결과 그레쥬에이션의 시술 각도 $5^{\circ}$, $31^{\circ}$, $85^{\circ}$ 에서는 세련된(sophisticated) 이미지가 나타난다고 응답하였으며 $15^{\circ}$, $65^{\circ}$의 시술 각도에서는 우아한(elegance) 이미지가 나타난다고 응답하였으며 시술 각도 $50^{\circ}$에서는 현대적인(modern) 이미지가 나타난다고 응답하였다. 본 연구를 통해 한국 남성들이 느끼는 트렌드 감성별 룩 포지션에 의하여 세분화 된 여성 그레쥬에이션 커트에 대한 향후 심층적인 후속 연구가 가능해지며 고객만족을 창출과 동시에 보다 심도 깊은 헤어커트 교육의 기초자료로 활용이 가능해지리라 사료된다.

• 복식
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• 제56권2호
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• pp.1-16
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• 2006

The purpose of this study is to analyze the meanings of national images represented in Vivienne Westwood' collections through investigating her works in an aspect of national identity. The results were as follows: British fashion is generally known for having two national identities, Monarchy and Anarchy. Monarchy is the traditional British look and Anarchy is the free-spirited look which is related with the postwar phenomenon of rebellious youth culture. As a punk, Westwood participated in creating Anarchic identity of British fashion. But from the 80s, Westwood's attitude toward the national images has been changed. As a high fashion designer who became to represent British fashion in global market, Westwood started to research British dress tradition, especially through comparing with French fashion. She was particularly fascinated with the traditional fabrics like tartans, tweeds and innovative tailoring skills, which were related with the heritage of Englishness in dress. But she didn't follow the conventional ways and tried to reinvent the historical tradition in modern ways. By combining Monarchic tradition with tempting female sexuality, Westwood transgressed the existing ordinary Britishness of British fashion which was composed of aristocratic and royal identities, and created some innovative British fashion images. With these works, Westwood contributed to consolidate Englishness in dress on the one hand, but on the other hand, served to reconfigure Britishness of British fashion. Consequently, Westwood showed that what is believed as the essential national fashion identity can be challenged and reconfigured in modern fashion field.

• 한국의류산업학회지
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• 제5권1호
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• pp.17-24
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• 2003

Objet, which showed up with the art of 20C, is now an important element giving a creative idea to fashion designers in modern times. The purpose of the study is to review how the objet technique was paid attention and recreated in the fashion, through the analysis of works, and the formative features of each technique for fashion, in order to identify the connection of arts and fashion, and the position of fashion as art. The techniques using object appeared in the 20th century fashion are as follows: First, papier-colle, which is adding printed materials onto the surface, is such a technique that adds cut-feeling materials to impose a new texture, or arrange again the cloth-cuts to create a different clothing from the existing one, which went to the extension of materials in the fashion. Second, collage of daily materials expresses directly and emotionally through direct presentation of the objets. Especially, collage of patch-work is reproduced into a new fabric depending on the objet used, giving a standing over the form. Third, ready-made which presents the material meaning only of the objet expands the range of objets which could be used in the fashion by introducing the daily materials having a meaning itself as a fashion. Forth, an attempt to approach to the objets of popular image by designed techniques come out in modern fashion as a graffiti look or a typography look, making the clothing itself an objet to transmit a message directly to the masses. Introduction of various objets and development of expression technique brought out the diversification of materials, and enrichment and extension of expression sphere, which resultingly spreaded the freedom of expression and progressed into the art sphere, making a direct motif to solidify its standing as a formative art.