• Journal of Environmental Science International
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• v.25 no.10
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• pp.1427-1432
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• 2016

In order to preserve the traditional garden landscape and maintain the harmony between traditional and modern gardens of Inner Mongolia, this study theoretically examined the creation and background elements of Inner Mongolia, and reviewed the nature of the people and the traditional design elements. The results of this study show that: 1) the background factor of traditional garden landscapes was nomadic life in plains, which was a lifestyle of adapting to Mother Nature and promoting mutual existence and survival; 2) Shamanism impacted the views of nature among the ancient Inner Mongolian people; 3) traditional garden landscapes could be categorized into landscapes centered around Mother Nature during the Huns era and those centered around the symbolic landscape during the Genghis Khan era; 4) aesthetic elements of traditional garden landscapes included traditional colors of red, yellow, sky-blue, milky-white, and traditional patterns of external knot, cloud, bull horn, and plain grass. These findings may provide basic data for the creation background and characteristics of traditional garden landscape of Inner Mongolia in the application of the green space design of Inner Mongolia.

• Journal of architectural history
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• v.21 no.6
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• pp.35-44
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• 2012

This paper aimed at investigating into the origin and meaning of the Japanese architect Terunobu Fujimori's 'piercing column', and drew a conclusion as follows. First, the piercing column that made its first appearance in his architect debut work Jinchokan Moriya Historical Museum (1991) was conceived unexpectedly from pencil lines on a sketch that went through over the building's roof. And the tree-like natural treatment of the column's surface was influenced by Takamasa Yoshizaka's description of a Mongolian mud-house. Second, most of piercing columns in his later works have nothing to do with a structural role as in Jinchokan, but were designed for a visual effect and as a symbolic gesture. Again, they allude to a tree in nature through a roughly peeling treatment of the surface. Third, considering his ideas in History of Humankind and Architecture (2005), his column could be related to a universal origin of architecture and a symbol of the sun-god faith, and in particular to independent columns of Japanese Shito shrines, such as 'Onbashira' in Suwa and 'Iwanebashira' in Izumo. That is to say, the Fujimori column is a medium that implies the animistic nature-faith of Japan. Nevertheless, Fujimori's naturalism hints at a disquieting quality through an intentional artificiality and a provocative conflict between structure and finish of a building, which might be one aspect of the modern condition, 'uncanny'.

• Economic and Environmental Geology
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• v.57 no.5
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• pp.647-664
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• 2024

Material and archaeometric characteristics of the original and repaired bricks and roof tiles of the Bogd Khaan Palace and the Choijin Lama Temple, which represent modern Mongolian architecture, were analyzed. These bricks and roof tiles are light gray, and the repaired ones mostly had higher specific gravity and porosity than the original ones. In the body clay, coarse grained sub-angular quartz, alkali feldspar, plagioclase and mica are commonly observed, and hornblende was partially detected. Compared to the original bricks and roof tiles, the repaired ones have a homogeneous substrate and significantly less tempers, suggesting that refined techniques were applied. Weight loss of these bricks and roof tiles was lower in the repaired ones than the original ones, and although there were thermal deformation and non recrystallized. Also, Al₂O₃ was high in the original bricks and roof tiles, and CaO was high in the repaired ones, and Na₂O and ignition loss were low. However, since the other elements showed almost the same behavioral characteristics, it is interpreted that they used homogeneous body clay regardless of location and time. Therefore, the clay content of the raw materials for the original bricks and roof tiles were higher than that used for the repair, but it is highly likely that they were procured from almost the same soil as the body clay, and the firing environment does not seem to have affected the geochemical behavior of the body clay. But, the high Al₂O₃ and CaO in the repaired bricks and roof tiles indicates the possibility of partial refinement and mixing of the clay. There were no high-temperature minerals in all the bricks and roof tiles, and based on the detection of mica and hornblende, the absence of clay minerals and the thermal deformations of the substrate, their firing temperature is presumed to be 850 to 900℃. This was almost the same in the bricks and roof tiles used for the repairs. This result is significant as material science data for the bricks and roof tiles used in modern Mongolian architecture, and will be useful grounds for examining the making techniques of bricks and roof tiles for future restorations.