• 한국의사학회지
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• 제13권2호
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• pp.109-129
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• 2000

The flamboyant progress of Korean Medicine in Mid-Chosun dynasty was possible with the existence of "Eui Rim Chwal Yo" and further more, it formed a main frame of "Dong Eui Bo Gam". Following results were lead to through comparing and analyzing "Yuk Dae Eui Hak Sung See", a chapter of "Eui Rim Chwal Yo". As well as "Yuk Dae Eui Hak Sung See" of "Eui Rim Chwal Yo" took the same chapter of "Eui Hak Ip Mun" as a main frame, it contains profiles of historic doctors and their clinical reports so that next generation doctors could follow, and furthermore had significant influences on Korean Medicine History, not to speak of "Yuk Dae Eui Bang" of "Dong Eui Bo Gam".

• 패션비즈니스
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• 제9권4호
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• pp.79-93
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• 2005

'Chunhyangjeon' was written by an anonymous author in the mid-period of Chosun Dynasty. The personalities of characters and the styles of dress of men in 'Chunhyangjeon' recreated their clothing to one that is more similar to the descriptions in the literature text can be described as follows. Lee, Mongyong was a young man, but he was a man of integrity and honor. In outwear he wore 'Hat(Heulip)' and 'Dopo' and Taesahae. When he earned his title, he wore 'Pokdu' with flowers and 'Angsam(ceremonial robe)'. After he became a secret royal inspector, in order to disguised on himself as a poor man he wore worn-out 'Heuklip' and 'Dopo' and Jipsin. Bangja who was a servant of Lee, Mongyong wore 'Beonggeoji' and 'Kwaeja' and 'Mituli'. Byun, Hacdo was a rash and greedy character, he wore 'Oklolip' and 'Cheopli' and 'mokhwa' when he was on the way to his post. Yeokjol was low grade official wore 'Jeonlip' and 'Cheopli' and 'Red shoulder band' and 'Mituli'.

• 대한지리학회지
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• 제33권1호
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• pp.93-107
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• 1998

본 논문의 목적은 여주 지역의 특성이 경제기반의 변화에 따라 어떻게 달라져 가는지를 밝히려는 것이다. 조선시대부터 산업화의 영향이 적었던 1960년대 중반 이전까지 여주 지역은 비교적 유리한 자연적 조건과 교통로의 역할을 담당했던 남한강을 이용하여 이름이 높은 미작지대였으며 상업적 기능도 활발하였다. 1960년대 중반 이후부터 1980년대 중반까지 여주 지역은 교통조건의 미비와 법에 의한 개발규제로 인해 낙후된 농촌 지역이었다. 1980년대 중반 이후부터는 도로 교통망이 획기적으로 발전되었고 법에 의한 개발 규제도 완화되었다. 여주 지역에서는 미작 지대의 특성이 계속 유지되면서 영농의 다각화와 상업화가 진행되고 있으며 제조업의 비중도 커지는 가운데 도자기 산업이 지역의 주요 경제기반으로 등장하였다.

• 한국작물학회지
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• 제37권1호
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• pp.104-115
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• 1992

도작법은 한도수경법, 만도수경법, 만도건경법 한도(산도)법, 묘종법, 건앙법, (수도)건파농법으로 분화발전하였으며 특히 건앙법과 수도건파농법은 1600년대(경제)와 1800년대 전반(요지)에 우리나라에서 독창적으로 발달한 농법이다. 한도수경법에서는 침종$\longrightarrow$최아$\longrightarrow$구조가 중국의$\longrightarrow$3$\longrightarrow$3$\longrightarrow$3 일(계 9일)과 달리 3$\longrightarrow$적의$\longrightarrow$적의일(단 침종 3일만 회정)로 신축성있게 체계화하였고 상경전에서의 수확 직후 추경법, 유교분얼과 추비에 대한 인식, 인분 이용, 시회에 의한 출아촉진법이 추가되었고, 3-4회의 정밀한 배수후 제초법과 내풍내한성을 증진키 위한 중간낙수법 및 탈립손실을 막기 위한 즉시예취법과 직조파법의 실현이 우리나라 실정을 고려한 독특한 재배기술이었다. 만도수경법은 적품종선택, 증파에 의한 입묘확보, 강세분얼 유도, 족종법의 적용 등이 중국전래의 기술을 향상 발전시킨 내용이며, 여기에 평안도 속력을 체계화시킨 '수도건파재배법'은 우리선조들이 실현했던 탁월한 한지도작법의 하나로 평가될 수 있다. 한도(산도)재배법은 중국전래의한 농법이지만 족종법과 뿌리 자극법과 뿌리 내재해적 혼작법을 결합시키고 품종론을 적용시켜 독특한 기술로 현실화 시켰다. 표종법(이앙법)은 이미 $\ulcorner$직설$\lrcorner$이전부터도 있었고 그 이점을 충분히 인식하고 있었지만 한발이 잦고 수원이 불충분한 여건하에서의 의외의 흉작을 수용할 수 없었기 때문에 선초부터도 원칙적으로는 금지시켰다. 그러나 수시로 특정수전(물이 항상 있거나 광작농인 경우)에는 허가되었고, 특히 삼남에서는 지속적으로 묘종법이 확대보급되어 선말에는 대부분의 도작이 묘종법으로 시행되기에 이르렀다. 이러한 과정 속에서도 선초부터 선말까지의 묘종법 기술에서는 제초, 분양(추비포함), 물관리, 정조시이앙법 등의 내용변화와 발전이 이룩되었고, 이들을 기초고 하여 농업생산력은 5배에 이르는 증대가 이룩될 수 있었다. 건앙법은 조한만수의 우리나라 도작여건에 맞추어 독특하게 창안발전시킨 도작법의 하나로서 최근의 '육묘대이앙법'으로 확립되기까지 지속적으로 발전해 온 기술이다.

• 건축역사연구
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• 제9권2호
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• pp.33-48
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• 2000

This study aims to analyze the construction of Kyungsang KAMYOUNG in the late Chosun dynasty by restoring its constructive system and relating it with the office organization. followings are the summary of this study. 1. Government office of Daegu consists of inn(KAEGSA), Kyungsang KAMYOUNG, and Daegu city hall(BUA), and JINYOUNG. 2. The layout of virtual placement is shown in the in the text. Even though it had been newly constructed due to three times of fire, the fundamental scheme of space is found out not to have been changed since mid-eighteen century at the latest. 3. Followings are the result of analyzing the space of KAMYOUNG, after dividing its space into entry area, main business area and police military business area in the aspect of business. First, entry area consists of 2 door system with external door(UOISAMMUN) and internal door(NAESAMMUN). Second, main business area consists of facilities for inspector, public officials, and low grade employee respectively This space is divided into SUNHWADANG area and JINGCHONGKAK area, and the former consists of active business facilities, and the latter consists of passive business facilities focusing on the rest facilities. Third, business support area consists of facilities for low grade employee and minor assistant respectively, which are placed to the left and right of POJONGMUN and KWANPUNGRU. Fourth, police military business space is in middle(JUNGYOUNG) and forms separate areas to the east of SUNHWADANG. Accordingly, It is certain that the space of Kyungsang KAMYOUNG had been placed in accordance with the nature of business per position.

• 한국의사학회지
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• 제18권2호
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• pp.229-244
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• 2005

In order to find out how SoGal was perceived in the Korean medical history and under what logic it was treated, the SoGal section of UiBangYuChi and DongUiBoGam were compared and examined. Through this process, the following could concluded. First of all, in UiBangYuChi's SoGal Section, mainly the fire/heat theory was adopted. In DongUiBoGam's SoGal Section, the lack of Bodily Liquids and Blood theory was selected. Secondly, in DongUiBoGam's SoGal Section, it went beyond UiBangYuChi's perspective of viewing all thirst caused by fire/heat as SoGal, and perceived SoGal as a state of thirst reached for the lack of Bodily Liquids and Blood. Lastly, UiBangYuChi's SoGal Section accepts the fire/heat theory, and heavily restricts the use of BuJa in PalMi, while DongUiBoGam's SoGal Section elucidates the use of BuJa when needed.

• 한국의사학회지
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• 제19권1호
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• pp.149-166
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• 2006

Following former study(A Study of the Perception of SoGal in the early through mid Chosun Dynasty-Focusing on "UiBangYuChi(醫方類聚)" and "DongUiBoGam(東醫寶鑑)", there were medical attainments in this study on SoGal(消渴) of "UiRimChualYo(醫林撮要) SamSoMun(三消門)". 1. SoGal(消渴) theory of "UiRimChualYo(醫林撮要) SamSoMun(三消門)" presented the lack of Bodily Liquids and Blood theory(津液 血不足論) overcoming the limits of the fire/heat theory(火熱論). 2. In the "UiRimChualYo(醫林撮要) SamSoMun(三消門)", the concept of SoGal was started to change simple symptoms into the diseases including ethology, pathology and prognosis etc. 3. In the "UiRimChualYo(醫林撮要) SamSoMun(三消門)", the prescriptions of JaEum(滋陰) were thought significantly. On the other hand the prescriptions of HuaYul(火熱) were excluded at all. 4. The use of warm herb like BuJa(附子) was showed through GaGamSinGiHwan(加 減腎氣丸) and succeeded in "DongUiBoGam" the kidney's fire(坎火衰少論) lack theory. The futuristic percetion of "UiRimChualYo(醫林撮要) SamSoMun(三消門)" influenced "DongUiBoGam(東醫寶鑑)" was able to have progress ideas about SoGal.

• 한국실내디자인학회논문집
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• 제17권4호
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• pp.3-10
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• 2008

In the Western and Oriental architecture, corridor and stairs have not been important from the whole architectural composition. The purpose of this study is to analyze their elements from theoretical viewpoint of modern architecture. The subject of analysis are Yangjindang and Daesanru of the Mid-Chosun Dynasty in Sangju. The conclusions are the followings : First, the moving line in the Western and Oriental architecture has the linear axis, and in general moving axis is straighten in Hanok architecture. But unlike common traditional architecture, the two buildings are right-angled in the moving axies. Second, Toenmaru in Yangjindang is the element of visual experience in the whole architectural space as promenade architecture called by Le Corbusier. On the other hand, Toenmaru in Daesanru plays a role the space of thinking in extending a visual field to the nature than its pure function. Third, the stairs of Yangjindang is diagonal shape with a role of entrance, but that of Daesanru was concealed in the wall as interior step. Yangjindang has two different stairs. One is broad and shallow stairs with ceremonial or public expression, and the other is narrow and steep stairs with unstable or private expression. This paper intends to show the latent architectural possibility of our traditional architecture.

• 복식
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• 제65권3호
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• pp.76-90
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• 2015

This is a basic study of the two remaining armors (artifacts number K2366, K2368) from the late Joseon dynasty that is part of the Korean costume collection, which is preserved in the Mission Museum of Saint Ottilien in Germany. The armor No. 1 (artifacts number K2366) is a coat-styled armor with brass studs. It has a U-shaped neckline with the non-overlapping collars and sleeve straight-lined inseam. The armor No. 1 has the Mu to the sides and is not back slit. Both its inner and outer material are padded with cotton. Leather mails are attached on the inner lining, and studs are attached on the outer lining to match the leather mails. For this reason, the armor No. 1 can be named MyeonPiGab (brass studded armor consisting of a cotton coat with internal leather mails). The outer material is faded to have the natural white, or antique white look and the patterns on it are indigo blue. The inner material is blue, but the original color is unknown since it is faded. The lotus blossoms and vine patterns are dyed on the surface of the outer material and a name is written on the inner material. The armor No. 1 was worn between the late 17th century and the 19th century. It is estimated that it was worn by military officers who were above the mid-rank in the end of the Joseon dynasty. The armor No. 2 (artifacts number K2368) is a coat-styled armor with brass studs and a low-cut U-shaped neckline. The armor No. 2 has a slit on the left armpit and a string around it. Studs are evenly attached on the armor. The iron mails are attached to the left chest area on its inner lining. It seems that it was designed with both formality and functionality in mind. The outer material is red flannel, the inner material is blue satin and the pads are cheesecloth. The side of its collars, cuffs, front lines, sidelines, back slit, and bottom lines are trimmed with fur. There are armors called "JeonCheolGap (brass studded armor consisting of a felt coat with internal iron mails)," which is similar to the armor No. 2, however, the similarities are limited because they are not made of the same material nor do they follow the same principle of nomenclature.

• Korean Journal of Acupuncture
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• 제32권2호
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• pp.66-74
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• 2015

Background : Saam acupuncture were composed by applying the elemental concepts from the Five Phase theory - the relationships between the cycles such as Saeng(Sheng, 'nourishing' or 'creating') and Geuk(Ke, 'suppressing' or 'controlling') - onto the Five Phase points and 12 channels to compensate for the imbalance in each of the 12 main energy traits. Objective : The present study is aimed to find out the characteristics of Five Phase points pattern in Saam acupuncture. Methods : We analysed the characteristics of five elements of the Five Phase points in Korean medical texts such as Saamdoinchimguyogyeol, Dongeuibogam and Chimgugyeongheombang in mid Chosun Dynasty. Using non-negative factorization(NNMF) methods, we extracted the feature matrix of five elements of Five Phase points in each classic medical text. Results : In Saam acupuncture, two characteristics were most prominent: (1) "Self" component of Five elements, (2) "Mother" and "Grandmother" component of Five elements. Conclusions : Saam acupuncture used the combination of Five-Shu acupoint based on ZangFu pattern identification. Our findings suggest that grasping the characteristics of Five Phase points combinations can improve the understanding the selection of the relevant acupoints based on the ZangFu pattern identifications.