• 제목/요약/키워드: medieval

검색결과 200건 처리시간 0.03초

고고학으로 본 흉노(匈奴)의 발생과 분포 (The Contemporary Researches of the Xiongnu Archaeology)

  • 강인욱
    • 헤리티지:역사와 과학
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    • 제36권
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    • pp.105-156
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    • 2003
  • Archaeological research on the Xiongnu began in the late 19th century by a Russian archaeologist Talko-Grinchevich. The Xiongnu culture has been reported in the northern steppe of China and eastern part of Eurasian steppe. Mainly, Xiongnu sites, dated from the late 2nd century B.C. to the 1st century A.D., are reported on the east side of Baikal Lake(Zabaikal), east Mongolia, and the Inner Mongolia of China. Based on the historical records and the archaeological remains, the North Xiongnu culture is defined to be the remains of Zabaikal, and the South Xiongnu culture the archaeological remains of Nothern China. The expelled North Xiongnu, while fleeing to the western part of Eurasia, left traces of their own archaeological remains in the Southern Kazakhstan, Xinjiang of China, Altai, and finally appeared in the Europe as Huns. The most characteristic archaeological materials of the Xiongnu are bronze plaques and ceramics made by handicraft, and highly developed iron weapons. After the power of the Xiongnu was dissolved in 1st c. A.D., previously subordinated peoples such as Xianbi, Wuhuan, Wusun rised in the Eurasia steppes and opened medieval age in Eurasia. The "northern type" materials found in Korea are dated to the period of Xiongnu or slightly later, we need to pay more attention to the contemporary Xiongnu. research.

'Crimson Peak'에 표현된 Art Nouveau 영향 (The influence of Art Nouveau on 'Crimson Peak')

  • 김주애
    • 복식문화연구
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    • 제30권1호
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    • pp.145-160
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    • 2022
  • This study analyzes the influence of the social and cultural background of Art Nouveau on the costumes, architecture, and crafts in the period drama 'Crimson Peak'. This research method captures images of women's costumes, architecture, and crafts in the 'Crimson Peak' and selects and analyzes those with a clear Art Nouveau influence. Edith's costumes are characterized by the Art Nouveau style that emerged in the 1890s, with an hourglass silhouette, pastel colors, soft materials, and organic curved embellishments. Lucille's costumes show characteristics that were prevalent before the 1890s, using bustles, strong colors, and elaborate ornamentation. The architecture is characterized by gothic vertical lines and organic curves, naturalistic patterns featuring animals and plants, and steel and glass materials. The crafts of 'Crimson Peak' are characterized by flexible shapes with strong, organic curves. These costumes, architecture, and crafts share formal elements including waving, twisting, and organic curves and plant-shaped motifs. The influence of social and cultural background of the age of Art Nouveau expressed in movies on formative arts was examined as impressionism appeared in costumes made of pastel colors, thin and see-through materials, medieval Gothic historicism expressed in structures composed of vertical design and religious relief ornament, exoticism appeared in Chinese vase and Japanese-patterned tea sets, naturalism with an animal·plant motif and phenomenon of active social activities of progressive women through women's clothing that elements of men's costume are introduced. This study will provide data for the production of period dramas set at the end of the 19th century.

Genetic analysis of mitochondrial DNA from ancient Equus caballus bones found at archaeological site of Joseon dynasty period capital area

  • Hong, Jong Ha;Oh, Chang Seok;Kim, Sun;Kang, In Uk;Shin, Dong Hoon
    • Animal Bioscience
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    • 제35권8호
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    • pp.1141-1150
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    • 2022
  • Objective: To understand the domestication and spread of horses in history, genetic information is essential. However, mitogenetic traits of ancient or medieval horses have yet to be comprehensively revealed, especially for East Asia. This study thus set out to reveal the maternal lineage of skeletal horse remains retrieved from a 15th century archaeological site (Gongpyeongdong) at Old Seoul City in South Korea. Methods: We extracted DNA from the femur of Equus caballus (SNU-A001) from Joseon period Gongpyeongdong site. Mitochondrial (mt) DNA (HRS 15128-16116) of E. caballus was amplified by polymerase chain reaction. Cloning and sequencing were conducted for the mtDNA amplicons. The sequencing results were analyzed by NCBI/BLAST and phylogenetic tool of MEGA7 software. Results: By means of mtDNA cytochrome b and D-loop analysis, we found that the 15th century Korean horse belonged to haplogroup Q representing those horses that have historically been raised widely in East Asia. Conclusion: The horse is unique among domesticated animals for the remarkable impact it has on human civilization in terms of transportation and trade. Utilizing the Joseon-period horse remains, we can obtain clues to reveal the genetic traits of Korean horse that existed before the introduction of Western horses.

The Provenance of Lapis Lazuli, the Written Sources, and its Distribution as Pigment in the Wall Paintings of Central Asia and the Middle East

  • Claudio, SECCARONI;Michael, JUNG
    • Acta Via Serica
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    • 제7권2호
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    • pp.89-108
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    • 2022
  • Since the most ancient times, lapis lazuli had been used for luxury goods such as jewelry and seals, to embellish sculptures and weapons or the precious objects of tombs, such as the golden mask of Tutankhamon or the famous "Standard" of the royal cemetery of Ur. Much more recent seems to be its frequent use as a pigment in wall paintings or polychrome stucco. In this article, the question of the sources for this extremely rare mineral is briefly discussed and the places proposed by ancient scholars as deposits of the mineral are presented and examined. The information provided in the medieval Arabic and Persian scientific literature has been considered and compared with the data of our modern geological knowledge. A list of sites in Central Asia, the Middle East, and India with lapis lazuli occurrence on wall paintings illustrate its wide use in different artistic cultures and periods between the 2nd and 10th centuries C.E. These cultures are in fact different in ethnic and linguistic origin and in the religious, economic, and social sphere, but closely interconnected by common pan-regional artistic traditions in style, materials, and techniques employed. A case study investigated by the authors in the Friday Mosque of Iṣfahān gives an example of the use of lapis lazuli pigment in Islamic wall paintings and stuccoes.

Confucianism in Vietnam: A Hauntology-based Analysis of Political Discourse

  • LINH Trinh Ngoc
    • 대순사상과 동아시아종교
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    • 제3권1호
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    • pp.87-108
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    • 2023
  • From the time it was propagated to Vietnam until it was forced to relinquish its leadership position in both politics and philosophy, Confucianism in Vietnam was never orthodox Confucianism. This study employs the theory of invented tradition to examine how Confucianism penetrated the ethnic Vietnamese community at the turn of the first millennium and points out its vital requirement: the construction of a Chinese-style centralized administrative government based on Neo-Confucianism. This requirement unfolded during the Le So Dynasty in the fifteenth century. Moreover, the theory of invented tradition can also be applied to discover the motivation behind Neo-Confucianism's process of manufacturing orthodoxy to speed up the goal of Sinicization. Somehow, the launching of the imperial examination system, meant to fulfill a system of bureaucracy, ended up resolving one of the greatest challenges of medieval times. It is to seek the ruler's uncritical submission to the ruled. This article applies hauntology to analyze two forms of Confucianism discourse in Vietnam. In doing so, this study determined that Confucianism evolved into its own unique system of thought in Vietnam and in the end, was not even recognizable as Confucianism. Throughout Vietnam's turbulent history, Confucianism shifted from a symbol of progress to one of backwardness. This culminated Vietnam's preoccupation with the de-Sinicization during the early twenty-first century.

자연법칙으로서 기하학과 공간 개념의 전개에 관한 연구 - 화이트헤드의 자연법칙 학설을 중심으로 - (A Study on the Development of Geometry as the Natural Laws and the Concepts of Space - Focus on the Whitehead's theories of natural laws -)

  • 황태주
    • 한국실내디자인학회논문집
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    • 제19권2호
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    • pp.90-98
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    • 2010
  • The concepts of laws like regularity or persistence or recurrence those are discovered in nature, became the essential elements in speculative philosophy, study and scientific technology. Western civilization was spread out by these natural laws. As this background, this study is aimed to research the theories of natural laws and the development of geometry as the descriptive tools and the development aspects of the concepts of space. According to Whitehead's four theories on the natural laws, the result of this study that aimed like that as follows. First, the theories on the immanence and imposition of the natural laws were the predominant ideas from ancient Greek to before the scientific revolution, the theory on the simple description like the positivism made the Newton-Cartesian mechanism and an absolutist world view. The theory on the conventional interpretation made the organicism and relativism world view according to non-Euclidean geometry. Second, the geometrical composition of ancient Greek architecture was an aesthetics that represented the immanence of natural laws. Third, in the basic symbol of medieval times, the numeral symbol was the frame of thought and was an important principal of architecture. Fourth, during the Renaissance, architecture was regarded as mathematics that made the order of universe to visible things and the geometry was regarded as an important architectural principal. Fifth, according to the non-Euclidean geometry, it was possible to present the natural phenomena and the universe. Sixth, topology made to lapse the division of traditional floor, wall and ceiling in contemporary architecture and made to build the continuous space. Seventy, the new nature was explained by fractal concepts not by Euclidean shapes, fractal presented that the essence of nature had not mechanical and linear characteristic but organic and non-linear characteristic.

조선전기 조선통신사와 일본사신 간의 교역품을 통하여 본 복식문화연구 -일본으로부터의 수입품을 중심으로- (Costume Culture Study Based on the Trade Goods Between Chosun Communication Facilities and a Japanese Envoy in the Early Chosun Dynasty - Centered on the imported goods from Japan -)

  • 이자연
    • 복식
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    • 제52권4호
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    • pp.65-73
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    • 2002
  • This research is to reveal an aspect of costume culture interchange in the relationship of the early Chosun Dynasty, by considering the imported goods from Japan, of the trading goods derived by the trade diplomacy between the two countries in the early Korea-Japan relationship in the medieval era. The research results are as follows. A good-neighbor Policy in the early Chosun Dynasty was established by a link of a barbarian ban policy to blockade the frequent intrusion by Japanese barbarians. The exchange was the form of presenting a return present in return for a tribute to the Chosun Dynasty from the Japanese envoy, which has a polycentric characteristic. Pusanpo, Naipo, and Yumpo were designated as the open ports, which played a pivotal role in the Korea-Japan exchange. In trading goods between Korean and Japan. the imported goods from Japan to Korea were a wide variety of items primarily such as dyes, mordant, medicines, steel, spicers, etc. In particular, Somok used as a red mordant, which were intermediate goods to Southeast Asia, was the most heavily-traded items of imported goods from Japan. It had been consumed primarily as a raw material making the costume suit of the royal family and the aristocracy. The increased import of Somok was derived from a thought of preferred red color by our people. As its inflow was increased. the costumes tended to be luxurious In early Chosun Dynasty and resulted in social issues. This active trading from the early Chosun Dynasty caused from the communication of the Japanese envoy. In addition the study of the trading provided an opportunity that can glance at an aspect of the costume culture, though It was fractionary.

17세기(世紀) 네덜란드 회화(繪畵)에 나타난 시민복식(市民服飾)에 관(關)한 연구(硏究) (A Study on the Civil Costumes Appeared on Dutch Paintings in the 17th Century)

  • 유주리;조오순
    • 패션비즈니스
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    • 제3권2호
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    • pp.37-47
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    • 1999
  • In the 17th century, Europe had changed from medieval feudalistic ages into an absolute monarchy taking Catholicism and absolute monarchism together. On the other hand, Holland achieved prosperity in economy, culture, and arts through gradual enlightment of the people by winning independence from Spain, and religious reformation. The culture dress and its ornaments at the time was led by the governing class such as royal families and its aristocracy in Europe, while Holland, united republic country at the time, brought civil costume nationwide wholly by civil class and its effect to other neighboring countries in Europe. In addition, the origin of modern dress and its ornaments dates back to that time. Moreover, civil-looking dutch paintings found its sources in routine daily life and became realistic. With this respect, in this research, we put our purpose of the research in making a better and more understanding of the modern costume and its ornaments and exploring the spirit of human beings by analyzing dutch civil costumes shown in these artistic works. It is very important that this research is rather renovational comparing with prior ones focused on those of ruling classes. As a result of the research, the distinguished parts of the civil costumes appeares as following beauties. First, functional beauty was respected such as natural waist line, peplum, gather of the skirt and sleeve, apron, head towel were some of the examples to those in their costumes and its ornaments. Second, with respect to humanity under rough natural surroundings and long struggle with outside tribes, humanity of costume was brought by optimistic and even free mind to them. The three quater sleeve showed wrist and deep-cut decollete in their dress and ornaments. Third, with respect to simplicity, religious effect on the leading civil class demanding self-abstinence, frugality, and thrift in their way of life resulted in black-tone simple costumes with white collar in their costumes and its ornaments.

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대학 강단에서 마크 트웨인 가르치기 (Teaching Mark Twain in Undergraduate British and American Novel Class)

  • 최정선
    • 영어어문교육
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    • 제10권2호
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    • pp.159-176
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    • 2004
  • Mark Twain's works are very good texts for students' understanding of American literature and culture deeply and comprehensively, However, professors teaching Mark Twain could be confronted with several problems: how to teach vernacular language in his works; how to deal with the massive volume; how to teach various issues systematically. This article aims to present a way to solve these problems, based on my experiences of teaching Adventures of Huckleberry Finn and A Connecticut Yankee in King Arthur's Court in novel classes. One of good methods of discussing the various issues systematically in his works is focusing on his contemporary dominant discourses and his critiques on them. In teaching Adventures of Huckleberry Finn, the black discourse is the comtemporary dominant dicourse to concentrate on. I tried to discuss various issues in my classes, mainly relating them to exploring how Twain was contained in his contemporary black discourse and how he resisted it at the same time. The representation of the blacks in the work is a good example to show this. To what extent Huck can have human relationship with Jim is an important question to contest his interaction with his contemporary discourse. In my paper I examine various issues and problems I was faced with in the classes. In teaching A Connecticut Yankee in King Arthur's Court, the crucial discourses are industrialism and modernity. Here, what must be paid attention to is that although industrialism is a part of modernity, it is convenient to deal it separately from the issue of modernity. Twain was dominated by those discourses, but he criticized them on the other hand. Various issues can be discussed, related with the question how much he was contained in the discourse of modernity and how much he criticized it. Students' understanding of this work and his contemporary dominant discourses can be enhanced by discussing his ambivalence toward modernization, democracy. and the Medieval feudalism.

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중의서원(中醫書院) '여산당(侶山堂)' 강학(講學)과 '전당의파(錢塘醫派)' (Education in an Academy of Chinese Medicine L$\"{u}$shantang(侶山堂) and the Qiantang Medical School(錢塘醫派))

  • 이민호
    • 한국한의학연구원논문집
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    • 제16권3호
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    • pp.45-52
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    • 2010
  • This study aims to discuss the establishment and development of the Qiantang Medical School(錢塘醫派) represented by Zhang Zhicong(張志聰) via focusing on an academy of Chinese medicine named L$\"{u}$shantang(侶山堂). The teaching method in L$\"{u}$shantang(侶山堂) displays a representative feature of the Qiantang Medical School(錢塘醫派), but the foundation of the method consisting of lectures and discussions had already been laid by Lu Zhiyi(盧之頤) during the Ming-Qing transition period. The tradition was succeeded by Zhong Xuelu(仲學輅) in the Hangyuan Medical Board(杭垣醫局) even after L$\"{u}$shantang(侶山堂) was burnt down during a war taken place under the Qianlong(乾隆) period. That the function and the role of the local Confucian academies, which had been focused on the discussion of Confucian classics and local issues, were changed to adopt the education of medicine which had been treated as a lesser subject may be interpreted as a gradual change in the social perception of medicine. The change in the function of the Confucian academies combined with the tendency in which the literati elites of the period left the Confucian philosophy for medicine presents one of many examples showing the changes occurred during the Ming-Qing transition period. The education of medicine provided by the Confucian academies is regarded historically significant in that it was offered by ordinary civilians rather than the government before the formal school education system was established in the modern period. This educational tradition played an important role in bridging the Chinese medicine in the medieval times with that in the modern period.