• Title/Summary/Keyword: meaning system

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A Study on the meaning of work and job embeddedness affecting the creative behavior of organization members

  • Kim, Moon Jun
    • International journal of advanced smart convergence
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    • v.10 no.2
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    • pp.97-107
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    • 2021
  • This study attempted to confirm the factors that the meaning of work perceived by organization members and job embeddedness affects creative behavior. In addition, we tried to confirm the relationship between the meaning of work and job embeddedness. On the other hand, we tried to verify the mediating effect of job embeddedness between the meaning of work and creative behavior. Accordingly, the following results and implications were derived through the hypotheses set for the members of small and medium-sized enterprises. First, the meaning of work showed a positive effect on job embeddedness and creative behavior, and it was empirically analyzed that job embeddedness was improved on creative behavior. In order to improve the creative behavior of organizational members, the need for advancement of the management and training system to systematically improve and strengthen the meaning of work and job embeddedness has emerged. Second, job embeddedness showed a mediating effect between the meaning of work and creative behavior. In other words, the employee's job embeddedness acted as a direct or indirect factor according to the improvement of the meaning of work and creative behavior. Accordingly, as one of the major factors in human resource management and strategic human resource development for the advancement of the sustainable management system, the need for institutional establishment and implementation was required as it became more efficient and effective.

A Study on the Method of Semiotic Approach on Environmental Meaning (환경의미 분석을 위한 기호학적 접근방법 연구)

  • 김주미
    • Korean Institute of Interior Design Journal
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    • no.10
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    • pp.34-49
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    • 1997
  • Architectual environment in this study means a language and meaning complex which makes communication between human beings and environment possible. The purpose of this study is to propose a semiotic approach to analyze and examine meaning, as a semiotic system, and its effects, focusing on the generative meaning in the relationship between human beings and environment. For this purpose, it examines the academic status of modern semiotics in postmodernism and the possibility of its being metalanguatge for a study of a variety of cultural phenomena and desigv. It also provides two viewpoints as propositions for its analysis: it explains the necessity of environmental-discoursive attitude and social-semiotic viewpoint which understands environment as social-cultural reflectors. Finally, it provides framework and all the interpretative procedures for analysis of environmental meanings on the basis of the approach of semiotics of space. By applying the methods proposed this study to the case studies, it also proves validity of this approach and the potentialities of the application of semiotics. This study emphasizes not only denotative configuration of the architectural environment but also its connotative meanings. It maintains that designers, architects, and theorists should realize correctly today's changed value system and social and aesthetic paradigms. It also stresses the necessity of development of the new architectural language and meaning system.

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A Study on the Meaning of Cultural Residence in the 1910~1945 (일제강점기 주택개량운동에 나타난 문화주택의 의미)

  • 안성호
    • Journal of the Korean housing association
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    • v.12 no.4
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    • pp.185-194
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    • 2001
  • The purpose of this study is to analyze the meaning of the ‘Cultural Residence(Munhwa Residence)’, which is the most popular keyword in the Korean modernization of housing. In the 1920s, Cultural Residence means a Western Style Housing mainly American Bungalow Style Residence. In the 1930s, the meaning of ‘Cultural Residence’ swifts to the Japanese modern Housing having central corridor with a western style reception room. In spite of changing of its plan type, the word of Cultural Residence holds the meaning of a Western Style Residence mainly in its appearance, materials and structural system.

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A Costume historic study of TANGUN Mythology (I) (단군신화의 복식사적 의의 (I))

  • 김종진
    • Journal of the Korean Home Economics Association
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    • v.32 no.1
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    • pp.239-248
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    • 1994
  • This study analyzed a costume historic meaning of TANGUN Mythology. TANGUN Mythology have been transmitted from many literatures but TANGUN Mythology recorded Samgukyusa(II-Yun) is not false piece or a fiction. A Costume historic meaning of TANGUN Mythology was studied in the clothing system meaning of a headgear worn by nobles in court in the Chun-Boo-In three and meaning of bear and tiger. However results are not clear. In addition the Han stones of Wu Liang Tz'u relates to TANGUN Mythology but results also are not manifest.

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3D Spatial Interaction Method using Visual Dynamics and Meaning Production of Character

  • Lim, Sooyeon
    • International journal of advanced smart convergence
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    • v.7 no.3
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    • pp.130-139
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    • 2018
  • This study is to analyze the relationship between character and human semantic production through research on character visualization artworks and to develop a creative platform that visually expresses the formative and semantic dynamics of characters using the results will be. The 3D spatial interaction system using the character visualization proposed generates the transformation of the character in real time using the interaction with user and the deconstruction of the character structure. Transformations of characters including the intentions of the viewers provide a dynamic visual representation to the viewer and maximize the efficiency of meaning transfer by producing various related meanings. The method of dynamic deconstruction and reconstruction of the characters provided by this system creates special shapes that viewers cannot imagine until now and further extends the interpretation range of the meaning of the characters. Therefore, the proposed system not only induces an active viewing attitude from viewers, but also gives them an opportunity to enjoy watching the artwork and demonstrate creativity as a creator. This system induces new gestures of the viewer in real time through the transformation of characters in accordance with the viewer''s gesture, and has the feature of exchanging emotions with viewers.

A Semantic Analysis of Children's Clothing Advertisement in Magazines (잡지광고에 나타난 아동복 의미분석)

  • 이경화;나수임
    • The Research Journal of the Costume Culture
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    • v.11 no.1
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    • pp.135-152
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    • 2003
  • The purpose of this study is to analyze the symbolic meaning which is immanent in the children´s clothing advertisement text. For the purpose of this research, this study used the semiotic method which are in parallel. Namely, rearranged the R. Barthes´theory and S. Chapman's analysing frame in order to decode meaning which is immanent in the advertisement text, and 1 coded children's clothing advertisement according to the market fractionation cause (age. sex and brand image), and analysed the paradigmatic meaning and socio-cultural meaning- As a result, to carry on the effective children's clothing advertisements. the discriminate paradigmatic system which corresponds with the concept of company brand and the quality of the target consumer should be selected, and the purchaser volition considering desire of target consumer's self image and brand image should be made. Futhermore it should be the social-cultural product reflecting a phenomenon in the social-cultural actual condition. Therefore we must understand the social-cultural meaning in the children's clothing advertisement and then have to establish an advertisement strategy.

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A Study on the Expressional Characteristics of Iconography in Modern Church Architecture (현대교회건축에 나타나는 도상학적 표현특성에 관한 연구)

  • Cho, Kyung-Soo;Oh, Kun-Soo
    • Korean Institute of Interior Design Journal
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    • v.15 no.6 s.59
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    • pp.52-59
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    • 2006
  • The study is intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. Iconography as the relation between described target and the meaning as meaning analysis especially emphasized since the religious reason in religious art. Iconography is the area of discussing rules and habits and involved in the pieces of transition from the piece of experience obtained by sensing to the one of the ethical structure. N. L. Prak who apply meaning theory of E. Panofsky who distinguish between iconography and iconology clear relation of mental foundation which characteristics of shape of art and its concretion in architecture categorized the shape of meaning in three steps. Among them, conscious symbol and unconscious symbol correspond to iconography and iconology of Panofsky respectively. The symbol is mainly showed in religious architecture and is not related to simple practical architecture. Such symbol system can be important discussion objects in modern church architecture and necessary expressional system for expressional characteristics.

The Analysis of Relationship between Railway Signaling Standards and Other Safety Standards for Safety Meaning Establishment (열차제어시스템 안전성 개념 확립을 위한 국제 표준들의 관계분석)

  • Jo, Hyun-Jeong;Hwang, Jong-Gyu
    • Proceedings of the IEEK Conference
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    • 2008.06a
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    • pp.1145-1146
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    • 2008
  • Failures of equipments are linked directly to extensive damages of human lives or financial losses from the increasing uses of railway signaling equipments utilizing computers. Then safety organizations have to establish for guaranteeing safety during the system life-cycle. In this paper, we examine the relationship between railway signaling standards and other safety standards for safety meaning establishment.

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A Semiotic Approach to Korean Ceremonial Dress (II) - Focusing on Mourning Dresses in Chosun Dynasty - (한국의례복식의 기호학적 분석 (II) - 조선시대 상례복식을 중심으로 -)

  • 나수임
    • The Research Journal of the Costume Culture
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    • v.8 no.5
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    • pp.648-659
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    • 2000
  • Through this study I would like to examine the meaning system of the symbolized codes related with real costume figures of the abstract concept of the style of the mourning ceremonial dress in Chosun Dynasty as a variable cause of communication through non-language method by the structural analysis of coding of the ceremonial dress style and the meaning system of the codes centering on the traditional book of funeral etiquette dealing with hueneral cereony in the period. To achieve this purpose, I have used the symbolic theory of constructive concept by F. de Saussure, cultural notation theory of Roland Barthes & Umberto Eco, and structural style of costumes by Myung-Sook Han. The result of the study is as follows. 1. As Chosun Dynasty was a society in which people considered courtesy so much important and practiced the basic Confucian ideas of the three bonds and five moral disciplines in human relations, the characteristic of funeral rites in Chosun Dynasty consists in expression of the thoughts of moral ethics & relative systems and systems of clan rules, etc which was a langue determining the symbols of mourning ceremony dress because the mourning ceremony dress in the period should have the feature of a langue. The mourning ceremonial dresses in the period had five grades of the consume and the grades were determined to be classified into five levels according to the clan system of the chief mourner with sang, ha bang. And the method of the association of the mourning ceremonial dress codes had the six principles of Chinchin, Jonjon, Myoungboon, Chulip, Changyu, and Jongbok. 2. Regarding the mourning ceremonial costumes in Korean society, the meaning of funeral ceremony was expressed by the signifier and materials of the mourning costumes in the society. During the process of the funeral, the intangible feeling of condolence was the expression of mourning and the tangible mourning ceremonial dress was the signal with the lamentation meaning. Especially, characters and patterns were removed from the mourning ceremonial dresses in spite of their function of symbols and the styles of costumes were emphasized. Especially the meaning of condolences was symbolized by attachment of some small pieces of cloth on the upper garments. Hemp was mainly emphasized to be the material of the costumes and some different meanings showed according to the quality of the material hemp. The mourning ceremonial dresses were distinguished from ordinary dresses, which were emphasized because they gad some symbolic meaning of the mourning. 3. Considering the association of the synthetic relations of the costumes from the viewpoint that the mourning ceremonial dresses would be classified according to a system, the symbolization of them were avaliable by sex according to how to combine them and there were no distinction between social classes in the society.

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Effects of Vocalization on Upper Extremity Motion During Occupational Performance (발성이 작업수행 중 상지 움직임에 미치는 영향)

  • Park, Ji-Hyuk;Yoo, Eun-Young;Shin, Su-Jung;Shin, Hye-Kyoung;Kim, Jin-Kyoung
    • Physical Therapy Korea
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    • v.11 no.1
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    • pp.75-83
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    • 2004
  • The purpose of this study was to research the effects of vocalization on upper extremity motion during occupational performance and to compare non-meaning and meaning vocalization. Experiments were performed on 30 subjects. They had no medical history of neurological problems with their upper extremities. Using a tea cup, a tea tray, and a tea spoon, they set a table during vocalization. We used meaning and non-meaning vocalization with the subjects. An example of meaning vocalization would be naming something, and an example of non-vocalization would be saying, "Ah." We used a 3-D analysis system called CMS-HS. We analyzed the motion in the angular velocity and acceleration of the elbow while recording performance time. The results of this study showed that vocalization enhanced the angular velocity and acceleration of the elbow, and also enhanced performance time. In short, vocalization improved upper extremity motion by making it faster and smoother. There were no significant differences between meaning and non-meaning vocalization.

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