International journal of advanced smart convergence

The Institute of Internet, Broadcasting and Communication (한국인터넷방송통신학회)
권호 표지
DOI QR코드

DOI QR Code

3D Spatial Interaction Method using Visual Dynamics and Meaning Production of Character

  • Received : 2018.08.21
  • Accepted : 2018.08.31
  • Published : 2018.09.30
Download PDF
⟨ Previous Next ⟩

Abstract

This study is to analyze the relationship between character and human semantic production through research on character visualization artworks and to develop a creative platform that visually expresses the formative and semantic dynamics of characters using the results will be. The 3D spatial interaction system using the character visualization proposed generates the transformation of the character in real time using the interaction with user and the deconstruction of the character structure. Transformations of characters including the intentions of the viewers provide a dynamic visual representation to the viewer and maximize the efficiency of meaning transfer by producing various related meanings. The method of dynamic deconstruction and reconstruction of the characters provided by this system creates special shapes that viewers cannot imagine until now and further extends the interpretation range of the meaning of the characters. Therefore, the proposed system not only induces an active viewing attitude from viewers, but also gives them an opportunity to enjoy watching the artwork and demonstrate creativity as a creator. This system induces new gestures of the viewer in real time through the transformation of characters in accordance with the viewer''s gesture, and has the feature of exchanging emotions with viewers.

Keywords

References

  1. P. Ricoeur, From text to action, Northwestern University Press, pp. 105-124, 1991.
  2. P. Johnson, "Effects on reading comprehension of language complexity and cultural background of a text," TESOL quarterly, Vol. 15, No. 2, pp. 169-181, 1981. DOI: https://doi.org/10.2307/3586408
  3. R. Hobbs, "Multiple visions of multimedia literacy: Emerging areas of synthesis," International handbook of literacy and technology, Vol. 2, pp. 15-28, 2006.
  4. M. Merleau-Ponty, Phenomenology of perception. Routledge, 2013.
  5. S. Y. Lim, "Interactive drawing with user's intentions using image segmentation," The Journal of The Institute of Internet, Broadcasting and Communication, Vol. 10, No. 3, pp. 72-80, 2018. DOI: http://dx.doi.org/10.7236/IJIBC.2018.10.3.73
  6. Listening Post, https://www.digitalartarchive.at/database/general/work/listening-post.html, Accessed Sep., 01, 2018.
  7. J. Kato, T. Nakano, and M, Goto, "TextAlive: integrated design environment for kinetic typography," in Proc. of the 33rd annual ACM conference on human factors in computing systems, pp. 3403-3412, 2015. DOI: https://doi.org/10.1145/2702123.2702140
  8. In order to control, http://www.notabenevisual.com/works/in-order-to-control, Accessed Sep. 01, 2018.
  9. Text Rain, http://camilleutterback.com/projects/text-rain, Accessed Sep. 01, 2018.
  10. Written Forms, http://camilleutterback.com/projects/written-forms, Accessed Sep. 01, 2018.
  11. J. J. Carroll, R. Coover, S. Greenlee, A. McClain, and N. Wardrip-Fruin, "Screen: bodily interaction with text in immersive VR," in Proc. of the ACM SIGGRAPH 2003 sketches & applications, ACM, pp. 1-1, 2003. DOI: https://doi.org/10.1145/965400.965533
  12. Text.Curtain, https://rednoise.org/-dhowe/textcurtain, Accessed Sep. 01, 2018.
  13. J. A. Russell, "Evidence of convergent validity on the dimensions of affect," Journal of Personality and Social Psychology, vol. 36, no. 10, pp. 1152-1168, 1978. DOI: http://dx.doi.org/10.1037/0022-3514.36.10.1152
  14. S. Y. Lim, 3D Interactive Typography with Character Deconstruction on Visual Dynamics Model, Ph.D. Thesis. Kyungpook National University, Daegu, Republic of Korea, 2018.