• 복식문화연구
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• 제21권1호
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• pp.17-30
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• 2013

The purpose of this study is to consider and analyze the VM's characteristics of Maison Herm$\grave{e}$s which has tried continuously space presentations through the sensibility and differentiated strategy focusing on the flagship store window displays of Herm$\grave{e}$s. The framework for analysis of this study is established by related precedent studies. The results of this study were drawn through qualitative analysis of experts' group. The results of this study are as follows. Maison Herm$\grave{e}$s window displays have been unfolded a total of 57 times for 10 years, and have introduced a variety of themes by cooperating with 40 artists in various fields. Herm$\grave{e}$s set up eight types of themes in order to show the window displays, and these themes have been developed by the method of display presentation such as surrealistic, symbolic, mood, realistic, information. A majority of the participating artists was the Japanese. In addition, the display components such as the materials that can be easily accessible in everyday life, the object productions that were embodied the tangible and intangible image, the nostalgia, the child's world, good, colors, etc., were most frequently utilized for an effective display presentation of the themes that have been set according to each season. The most frequently used development techniques applied Herm$\grave{e}$s windows' VP were the 'd$\acute{e}$paysement', 'the descriptive narrative', and 'scene of dramatic contrast'. It turned out that a majority of the primary colors to make up Herm$\grave{e}$s window displays were analyzed by the red-orange and white color.

• 인터넷정보학회논문지
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• 제3권1호
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• pp.41-49
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• 2002

MPLS망에서 루프 경로가 형성되는 것을 방지하기 위한 방안으로 Ohba는 칼라 스레드 알고리즘을 제안하였다. LSP를 설정할 때 중간 노드가 칼라와 홉 카운트, TTL 값으로 표현된 스레드 정보를 LDP메시지를 이용하여 다운스트림 노드에게 전달한다. 그 다음 같은 칼라의 스레드가 다시 접수되면, 루프 경로가 형성되었음을 감지하고 다른 경로의 탐색을 시도한다. 메시지가 egress 노드에 도착하면 ingress 노드까지 업스트림으로 확인 메시지를 역 전송하여, 루프가 없는 경로를 설정한다. 이를 위해 Ohba가 스레드의 상태를Null, Colored, Transparent의 세 가지로 정의한 것을Extending, Merging, Stalling, Null, Transparent의 5가지로 확장하여 정의하고, 이에 따라 관련 FSM과 TCB를 재정의 하여 스레드 상태의 모호성으로 인한 잘못된 동작과 오버로드의 발생을 개선코자 하였다. 그리고, Stalling 상태에서 스레드 생성을 회피함으로써, 성능의 향상을 유도하였다.

• 한국식품영양과학회지
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• 제34권3호
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• pp.395-402
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• 2005

국내산 메조, 차조 10-50%를 첨가한 white layer cake을 제조하여 메조 차조 첨가가 제품품질 특성에 미치는 영향을 검토하였다. 부피의 경우 차조 10% 첨가구가 가장 높은 부피를 보였으며 메조 및 차조 첨 가량이 증가함에 따라 감소하였고, 무게는 메조, 차조 40%까지 대조구에 비해 큰 차이를 보이지 않았다 비체적은 메조 및 차조 첨가량이 증가할수록 감소하는 경향을 나타냈다. Crumb color의 경우 메조 및 차조 첨가량이 증가할수록 L값은 감소하는 경향을 보여 어두워지는 것을 알 수 있었으며, a 값은 메 조 첨 가구에서 모두 '－'값을 보여 청색 계열을 나타냈으나 차조의 경우 10, 20%첨가구를 제외한 30% 이상 첨가구에서는 '＋'값으로 적색계열의 색을 나타냈다. b 값은 첨가량이 증가함에 따라 높게 나타나 황색 계열의 색이 우세하였다. Curst color는 crumb color에 비해 L값은 낮게 나타냈고, a 값은 9.4-6.3의 범위로 높게 나타났으며, b 값 또한 높게 나타났다. Texture는 메조 10%, 차조 10-20%에서 hardness값이 대조구와 유의적 차이가 없었으며, 첨가량의 증가에 따라 감소하였는데 이는 메조, 차조 첨가가 조직감 향상에 기여하지 않는다는 것으로 판단된다. 노화 특성은 메조, 차조 첨가량이 증가할수록 노화 속도가 빠른 경 향을 좌였고, 메조보다 차조의 hardness가 높게 증가하는 경향을 보였다. 5℃와 25℃에서 12일 동안 저장 중 노화 특성을 살펴보면 25℃에서 메조 첨가량이 증가할수록 경도가 증가하는 경향을 보였고 10 -40% 첨가구는 완만히 증가한 반면 50%, 첨가구는 급격히 증가하는 것으로 나타났다. 차조의 경우는 0 day에서 경도는 메조보다 낮은 값을 보였으나 차조 20-50% 첨가구의 경우 경도 증가폭이 높아 메조보다 노화 진행 속도가 빠른 것으로 나타났다. 5℃ 저장 중 경도의 증가폭은 25℃보다 증가폭이 크고 저장 3일까지는 유의적 차이가 없었으나 6일 이후 크게 증가하였다. 위 의 결과로 5℃, 25℃ 저 장 중 노화도는 5℃ 저장 중 노화가 크다고 할 수 있다. 관능평가에서 외부 특성은 대조구보다 메조가, 메조보다 차조가 첨가량이 증가함에 따라 어두워지고 딱딱해졌으며, 내부적인 특성의 경우 메조, 차조의 첨가량이 증가함에 따라 기공이 작고 고르지 못한 조직과 향미가 떨어지는 것으로 나타났다 이상의 결과를 종합해 볼 때 메조, 차조를 첨가한 white layer cake 제조 시 10-20% 첨가구가 케이크의 부피, 색, 기공, 경도 등을 고려하여 적용가능 할 것으로 판단된다.

• 패션비즈니스
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• 제19권2호
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• pp.53-68
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• 2015

The Beijing Opera is one of the leading representatives of Chinese culture, which includes literature, music, dance, martial arts, and a type of performance that stems from the Chinese cultural history that is still relevant today. The purpose of this study is to develop fashion-cultural products from the Lian Pu of the Beijing Opera, a Chinese cultural tradition that receives abundant positive feedback from around the world, showing its value in both academic and practical fields. This study was carried out first as a theoretical study of the literature, definition and types of facial make up used in the Opera, as a way of examining the formative aspect. Secondly, an analysis was conducted on the main characters, 'Guan Yu' and 'Zhang Fei' of "The Romance of the Three Kingdoms", 'Li Kiu' and 'Lu Zhishen' of "All Men are Brothers" and 'Monkey King' of "Journey to West", employing the collection belonging to 'Yongqi Zhao' who is an expert on the Chinese Beijing Opera. Thirdly, two concepts were categorized, based on the analytic results of the abovementioned characters, each of which were then further categorized into three sub concepts. In regard to cultural development designs, the results of an analysis on the facial make-up color, form, and texture of the four main characters were utilized to construct the themes, "Modern Chic" and "Traditional Splendor". The simplest form that has been represented in the four figures has been applied to "Modern Chic" to show a modern image in which black, white and light blue has been used alongside the vivid red, which is a Chinese favorite, to highlight the characters. In "Traditional Splendor", which is focused on the stage art of the Opera, we see more artistic traditions and colors, to further appeal to our emotions. Traditional motifs have been applied using traditional Chinese arts, in order to develop strong and brilliant colors. The two styles of cultural products were developed in the form of women's scarves and men's ties; a total of 24 designs were expressed, using Illustrator CS6. In the final step, 4 scarves and 6 ties were produced as a sample, using high quality silk. The development of these cultural fashion products will bring an opportunity to show how Chinese traditional culture can be widely utilized in commercial market design.

• 대한본초학회지
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• 제21권2호
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• pp.109-119
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• 2006

Objectives : This study was performed to approach of properties-flavours theory and the study of morphological standard in CORNI FRUCTUS. Methods : The properties-flavours theory were attempted with bibliographic method and various climate-information. The external-internal morphological standards were determined by using stereoscope and butanol series. Results and conclusion : 1. The significant analysis for the corni fructus as the properties-flavours theory, is a follow-up survey of the effect written in the official oriental medicine book. 2. The other analytic methods according to the gathering time, processing or storing system or especially nature or growth environment(altitude, temperature,. the mean moisture, and the agronomical survey) by way of the explanation of properties-flavours theory appears so many insufficiency at the many cases. 3. The external and internal characteristics according to the shape of original plant or herbal states, entirely correspond to all the literature on this subject. 4. According to the place of production, there are some different points. (l) In the external shapes, it is reasonable that if we make the basic standard of classification by the sharpness of color, the existence of gloss and the size of products. In the case of the Korean products, it shows bright and glossy color totally, but in the case of North Korea products, it shows black and lackluster. And in the case of the foreign products, it has softer body than Korea one and shows white color on the surface. (2) In the internal shapes, the Korea products has a thicker cuticle layer than the foreign one, and has fewer ca-oxalate in the parenchyma cell.

• 한국식품영양과학회지
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• 제44권11호
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• pp.1687-1692
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• 2015

본 연구에서는 국내산 포도 품종을 이용한 'unfined' 혹은 'unfiltered' 포도주의 제조 가능성을 알아보고자 하였다. 경북 영천에서 재배된 Muscat Bailey A 품종을 이용하여 제조하였으며 가당을 하여 $28^{\circ}Brix$로 조절하였다. 알코올 발효 후 정제 과정에 들어가기에 앞서 청징제 첨가와 여과기 사용 여부에 따라 시료 A, B, C로 나누어 청징, 여과, 병 숙성 후의 각 시료별 이화학적 성분을 측정하여 비교 분석하였다. 시료 A는 청징제를 첨가하고 여과기도 사용하였고 시료 B는 청징제만 첨가하고 여과기는 사용하지 않았으며, 시료 C는 청징제도 여과기도 사용하지 않았다. 병 숙성을 마친 후의 각 시료별 총 페놀 함량, intensity, hue, color, 유기산 함량, 휘발성 향기 성분을 측정하여 비교 분석하였다. 총 페놀 함량은 시료 C가 다른 시료들에 비교해 최대 19% 정도 높은 수치를 나타내었고, intensity와 hue, color의 측정 결과는 예상대로 여과 과정을 거친 시료 A가 다른 시료들과 비교하여 가장 선명하고 투명한 색상을 나타냈으나 색의 안정성 면에서는 떨어졌다. 유기산 함량과 휘발성 향기 성분의 측정은 전체적인 결과에서 각 시료별로 차이가 크게 나타나지 않았다. 이는 청징 과정과 여과 과정의 유무에 따른 차이라고 하기보다 다른 요인들에 의해 영향을 받게 된다고 사료된다. 실험 결과 중에서 시료별 큰 차이를 나타내지 않았던 유기산 함량은 발효 중 malo-lactic fermentation 과정이 이루어졌더라면 더욱 좋은 결과를 얻을 수 있었을 것이라 생각되며, 휘발성 향기 성분은 청징 과정이나 여과 과정이 아닌 다른 양조 과정에서의 조건의 변화가 필요할 것으로 보인다.

• 한국응용과학기술학회지
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• 제41권2호
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• pp.338-348
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• 2024

에어브러시는 실용적이고 다양한 표현이 가능하므로 산업 각 분야에서 활용하고 있으며 특히 바디페인팅 아티스트에게도 필수적인 도구로 활용되고 있다. 에어브러시는 정교한 색상, 형태, 그라데이션 표현이 가능하며, 작업 시간이 단축되는 장점이 있어 바디페인팅 분야에서도 그 활용 영역이 점차 확대되고 있다. 최근 국제적으로 인정받고 있는 월드 바디페인팅 페스티벌의 에어브러시 전용 카테고리 수상 작품을 중심으로 디자인 구도, 색채 기획 및 배색과 표현기법을 분석하여 에어브러시 바디페인팅 작품의 최신 디자인 경향을 제시하고자 하였다. 그 결과는 다음과 같다. 첫째, 디자인 구도에 있어서 주로 강조(emphasis)와 균형(balance)의 원리를 사용하여 상반신의 정중앙에서 메인 이미지를 강조하고 하반신에서는 좌, 우 대칭으로 균형이 잡힌 구도가 주요한 디자인으로 분석되었다. 둘째, 색채 기획 및 배색으로는 주목성을 높일 수 있는 대비 배색의 활용이 주요하게 활용되었으며 셋째, 주요 수상 작품 모두 스텐실과 그라데이션 기법을 활용하여 형태의 정확성과 입체감을 표현하였다. 이상의 분석 결과를 토대로 바디페인팅 디자인을 기획하고 에어브러시를 활용하여 작품을 완성하였다. 이러한 작품 제작을 통해 에어브러시 바디페인팅의 예술적 활용을 대중화하고 국내 에어브러시 바디페인팅 작품 연구에 도움이 되고자 한다.

• 한국의상디자인학회지
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• 제5권2호
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• pp.75-91
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• 2003

This study analyzed descriptions about dots, lines, and sides which are used as a basic elements to express geometric figures as followings: -In the aspect of formative art, dots form images and feelings through their concurrence when make a slight move to coordinates. The concurrence can bring out either positive or negative images; -Lines have unlimited variation as a core measure in body art. They can make optimal effects with different lines such as straight and curved lines of human body; -Sides express not only effects of texture and perspective but also of space and solid by color effects. Expressive characteristics and geometric shapes can be classified by tattoo, henna and body painting: First, colorful tattoos are favored by Caucasian and original tattoos are mostly used by yellow and colored races in the way of scarification to get decorative effects. Recently, a rapid cycle of fashion change in tattoo figures has developed a tentative method of tattooing and a variety of decoration methods. It has made it a lot easier to change a pattern of a tattoo. Tattoos are now popular among people because they no longer have to suffer from pains when they get their body tattooed for a long time. Since tattoos boast their unique beauty which consists of most dynamic and attractive images among the types of body art. It will be one of the most favored make-up methods in the nearest future. Second, geometric designs used in henna include crosses, dots, straight lines, triangles, date palms, and so on. Henna has been particularly loved as an instant decoration by the public since it gradually disappears as time goes on. Third, body painting enables to draw a three-dimensional effect because of its close relation with body movements in a limited space. Each individual will have a different feeling appealed in their body painting. Body painting has been applied to many different areas, especially to theatrical art using lights, music and performance altogether producing impromptu and experimental works. Unlike other arts such as painting, sculpture, visual and industrial arts, body painting has mobility. Since it is painted on a three-dimensional human body, it can bear originality expressing realistic objects or animals and strengthen creative functions using body lines. Moreover, geometric designs can be diversified by the sexes. As a result of analysis, geometric designs expressed in body art seemed to transcend expressions of beauty and turned out to be another way of decoration. Body art has also been used as a way to express visual integration and consolidation dynamically not by human instinct but by social changes. The needs for body art will grow as the future comes nearer and be recognized as a new and fresh value. Formative elements of geometric figures deliver visual impressions combined with human body and finally create more various types of body art in harmony of body lines.

• 한국의류산업학회지
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• 제6권1호
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• pp.41-50
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• 2004

This research proposes the on-stage costumes for the play Hamlet of Shakespeare performed by Yunheedan Guhri Pae - the Street Theater Troupe. Stage costumes have an important role in displaying the characteristics of each characters to the audience and has big visual effects. However, in order to design the costumes in the object viewpoints of the audience, the survey on the images of the characters who had actually watched the performance was taken place and proposed the costume design according to the results of the survey. Hamlet a: This result was applied to propose a sweater in black color, black leather pants and vest. Hamlet b: This result was applied to propose hooded coat in purple in middle level of brightness and color spectrum and yellow coat. For free image, loose pants in blue and vest in the same color tone were proposed. Gertrude a: This result was applied to use purple (violet) with reddish tone to propose the formation of a dress applying tailored suit. Gertrude b: This result was applied to propose purple gown and the one-piece dress with black laces. Ophelia a: This result was applied to propose feminine white dress and cape in purple color tone. Ophelia b: This result was applied to propose dyed and weaved clothes. Through the surveys as above, the images of each character was driven in adjectives, and using the results driven from the brightness, coloration, and color, color images were proposed. Only one costume cannot make up for the stage costumes and because it exists as an element of stage production, it is true that costumes are limited in some areas. However, that limit can become the motive of the costume. There is a limit, which the designer cannot produce the costumes as he or she had designed but I believe it is the center of the on-stage customers to display the characteristics of the characters according to the given concept. The limit of this research is the fact that because the costumes were designed so they fit the conditions already given, thus it was difficult to regard the process of designing and producing the costume as a project done according to the interaction. And in the future, if it is possible, I wish for the joint research with the people responsible for stage art to take place as a practical stage art. It was possible to produce practical costume since they were produced for actual performance and the production of costumes considering the dance steps, line of flow, and acting, was able to reduce the trial and error on stage. Through this research, I felt that the understanding and smooth interaction on diverse other areas not limited to the costume design should be taken place and believe that this was a research that proposes new research method since there had been only a few previous research regarding the on-stage costumes for actual performances. Therefore, this research had depended on the surveys given to the audiences to endow objectivity, however, I wish this research can contribute to defining effective process and methods for the on-stage costumes with more active researches with diverse methods and in diverse areas. I am sorry that the costume production for all the characters and all the scenes in Hamlet couldn't be done due to many limitations. As the following research assignment, I am planning on designing the costumes for all the scenes.

• 패션비즈니스
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• 제4권3호
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• pp.141-155
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• 2000

The purpose of this study is to offer basic data to adolescents' cosmetic culture by investigating and analysing the choices made by female students who have been becoming principle consumers of cosmetics these days. Firstly, social and cultural backgrounds and concepts of N generation, and then characteristics and influencing powers of female students were reviewed. And this study also included questionnaire surveys of 500 female students in middle and high schools located in Seoul. Data were processed using a SPSS$^+$ program and analyzed by using frequency, percentage and the $X^2$-test. The major findings run as follows: Female students have the effects of spreading their words quickly and abilities of making a decision what to buy. And they accept consuming behaviors itself as a part of cultural lives. Therefore, industries have acknowledged them as new principal consumers with a powerful influence in the market. They also play an important role in active consumer as emotional generation who has distinct personalities and prefer fashion trends, changes and innovations. They show conformities with their peer groups and they also want to identify themselves with characters or stars. The cosmetic behaviors of female students relating to demographic characteristics showed a significant relation to grades, majors, school groups and places of residence. Female students have a lot of interest and knowledge about cosmetics. And they use various cosmetic products. This study demonstrated the age for using make-up for the first time has been becoming younger more and more. Recently, female adolescents tend to use face powder, lip gloss, mascara and eye shadow. It is assumed that cosmetic purchases of female students can be considered as an impulsive aspects. However, before purchases, the proportion of students having any particular cosmetic brand in mind previously has been increasing. They take into consideration skin safety, the quality of product and color, when purchasing cosmetic products.