• Journal of Applied Biological Chemistry
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• v.53 no.4
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• pp.232-238
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• 2010

In order to investigate the treatment efficiency of pollutants in free water surface constructed wetlands (FWS CWs) with lotus (Nelumbo nucifera) cultivation pond, the experiment was consisted of two sites (site I and II) in Lake Juam, Korea. The sites were configured a lotus cultivation pond (with fertilizer application) - a dropwort bed - a reed bed for site I, and a lotus cultivation pond (without fertilizer application) - a dropwort bed - a reed bed for site II. Removal rate of COD in site I and II were 13.3% and 26.0%, respectively. Removal rate of total nitrogen (TN) was 29.7% for site I, and 36.3% for site II. Removal rate of total phosphorus (TP) in site I and II were 36.0% and 36.5%, respectively. COD, TN and TP in effluent from site I (with fertilizer) was higher than that in site II (without fertilizer), showing that COD, TN and TP in effluent were strongly influenced by fertilizer addition. Therefore, in order to satisfy established water-quality standards, the amount of fertilizer used in lotus cultivation showed be evaluated.

• Journal of Family Resource Management and Policy Review
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• v.8 no.3
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• pp.1-14
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• 2004

This is a historical study of the tea culture and its manners after checking the origin of the tea culture in Korea. Also I created the Blooming Lotus Pond Tea which can be utilized in various meetings or at homes in connection with the tea culture and etiquette by studying good manners, clothing and light refreshments in 'Kyucongyogyul' by Lee-E, 'Karyejibramdo' by Kim Jang-Seng and other books of the Chosun Dynasty. I created the Blooming Lotus Pond Tea by referring to the tea-ceremonies described in the poems by Hong Inmo, his wife, Lady Suh, and her descendants. They can be better harmonized with the modem tea culture rather than the strict procedures of traditional court ceremonies or marriage, funeral, and other formal tea ceremonies. About the costumes of the nobilities, that is especially referred to Kyukmongyogyul by Lee-I of the Chosun Dynasty for the etiquette, also 'The Living Manners' by Professor Lee Gilpyo and Choi Baeyong. In addition, the tea-food is made based on 'the five elements'. The Blooming Lotus Pond Tea is made of frozen lotus flowers and prepared in the lotus formed broad-rimmed tea-utensils and supposed to be shared with family members or guests. It's recommended to hold a poetry-party with a tea-party. At present, this kind of daily tea ceremony is being developed at homes. It'll be desirable if it could recreate the traditional way as a ceremonial tea culture. In that case, it'll regain the quality of the traditional etiquette by harmonizing tea culture and manners. Such a tea culture can contribute to the quality of people's ordinary life and the identity of our country.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.3
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• pp.116-123
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• 2011

This study investigates the characteristics(form, material, structure, method of construction, vegetation) and model of lotus pond in Joseon Royal Tombs for conservation and restoration. The objects of study are the lotus pond of Namyangju Gwangreung, Hyoreung, Gimpo Jangreung and Sungreung that are well-preserved and the record is remaining. The form is two plane types, square shaped include an island and square shaped. The pond is 7.5~81m in width and 6.5~45m in length and the island is 8~16m in diameter. The depth of water is 0.5~1.2m and the cross section form is narrow bottom and wide top. The material of shore protection is soil in Hyoreung, Gimpo Jangreung and Sungreung. The bottom is mud in all sites. I think that the main material of the lotus pond in Joseon Royal Tombs is soil. The lotus pond is built by soil bank in the structure and method of construction. The water supply and drainage are worked through the culvert. There are many kinds of plants in the lotus pond today, however I think that the model of vegetation of lotus pond in Joseon Royal Tombs is lotus the inside, pine tree, fir tree and flowers the around and pine tree the inside of island in compared the present and the old literature. In comparison with the lotus pond in Joseon Royal Tombs and the lotus pond in the Joseon palace, the material is the biggest difference. The main material is soil in Royal Tombs but isodomic in Royal Palace. I think that the difference of material in between two causes the difference of structure and method of construction. The Royal Tombs is valuable in architecture, landscape and esthetics, this study investigated the characteristics and model of lotus pond in Joseon Royal Tombs. I think that this study serves as a momentum to find a traditional technique in Royal water space and offer the foundation to plan in the contemporary water space.

• Journal of the Korean Institute of Landscape Architecture
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• v.27 no.2
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• pp.80-94
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• 1999

The purpose of this study is to analyze and interpret the ponds appeared in the Korean traditional temples. Summarized findings are as follows: First, it appeared that the location of ponds of the Korean traditional temples is, in general, in both the entry space and transitional space of temple. And it is considered that such configurations of the location of ponds were done intentionally in order that the ponds should have a significance as same as the concept that a natural mountain stream separates the sacred place and the secular world. Second, since the size of the ponds appeared in the temples are considered to be what is transformed from the original one, it is hard to understand the real size. However, it is judged that since ponds we see at present played an element of the total space of a temple it is deemed that no significant change of the size of ponds have happened if the size of the structure a temple itself has ever changed. Third, it appeared that the forms of the temple's ponds are diversified in a square, oval, egg-shaped one, round shape(circle), natural shape, etc. and it is identified that most of the ponds inspected for this study appeared to be in shapes of an oval, egg-shaped one, and round shape which take a typical curve. Fourth, regarding the temples whose origins are from the Baekje dynasty or Shilla dynasty among the objects of this case study, there appear some uniform styles for each temple respectively. For example, in both the Junglim Temple's twin pond(定林寺 雙池) and the Mireuk Temple's twin pond(彌勒寺 雙池) which were built in the Baekje dynasty appears a twin-pond in a square shape, and in the Bulkuk temple(佛國寺), Haein temple(海印寺), Tongdo temple(通度寺), etc. which were built in the Silla dynasty appears the ponds in an egg-shape one. Fifth, regarding the function of the ponds appeared in the temples, the ponds are characterized with a lotus pond(蓮池), reflecting pond(影池), and pond complex(蓮 . 影池). In consideration of the 20 ponds in the 15 places of this study's object, there are 8 lotus ponds(蓮池), 6 reflecting ponds(影池), and 6 ponds complex(蓮 . 影池).

• Journal of the Korean Institute of Landscape Architecture
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• v.22 no.2
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• pp.53-63
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• 1994

The purpose of this study is to investigate the ponds which were artificially constructed around the castle gate of Han-yang, the capital in Chosun-Dynasty. In order to conduct the research on landscape history, it is necessary to have a field survey and to collect and analyze historic documents. But this study was based on the historic documents published in Chosun-Dynasty because no relics of ponds are found nowadays. There Tong-ji(eastern pond) outside of the East Gate, Seo-ji(western pond) outside of the West Gate and Nam-ji(southern pond) outside of the South Gate. They were constructed as lotus ponds and managed by the landscape management office, called Chang-weon-seo in the ministry of Industry. Tong-ji and Nam-ji were constructed according to geomantic principles. In case of Seo-ji, the situation of construction differed from Tong-Ji in some points. As for the shape of Seo-ji, it was a rectangular pond and had an islet in the middle where flowering plants had been planted. These ponds were enjoyed by the people lived in Han-yang because they were located near the street. Particularly, people in Han-Yang enjoyed the beautiful scenery of lotus flowers planted in the ponds.

• Korean Journal of Heritage: History & Science
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• v.47 no.1
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• pp.32-45
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• 2014

In this study, the characteristics of Mongsimjae in Namwon-si, Jeollabuk-do have been researched focusing on the writings engraved in huge stones and rocks of pavilion standing beside a lotus pond and its formative languages in the garden has been interpreted as follows. Name of pavilion(堂號) Mongsimjae(夢心齋) includes a classical scholar's spirit, refusing to serve two kings and homecoming after resignation from a government office(歸去來) of Songam(松菴) Park Moonsu(朴門壽), an ancestor who has brought to the Juksan(竹山) Park's family again. A pavilion standing beside a lotus pond(蓮塘) built in the reception garden is a gardening facility symbolizing 'Yeondang(蓮堂)' Park Dongsik(朴東式) who built Mongsimjae. The bamboo hill connected to the backyard seems to be relevant to 'Juksan', the family clan of Mongsimjae's owner and this kinds of intention can be found in the bamboos in the outer garden naturally led to inside the garden through the flower beds. The purpose for the western arrangement of the main building and gate contrary to the 'chukjwamihyaug'(丑坐未向; a direction toward to the south-southwest) of the prospect of Sarangchae(guesthouse) is interpreted to naturally attract people's eyes to the pavilion standing beside a lotus pond and to mitigate the sense of closure resulting from the huge stones located in the reception garden. Also the writing engraved in the three huge stones, 'Jonsimdae(存心臺)', implies that it is a place where was selected with heart by Juksan Park family who settled down in Homsil, Namwon after 'Haengchon(杏村) Park Jaryang(朴子良)' in Yiphyangjo(入鄕祖), Namwon and 'Jeongwa(靖窩)' is interpreted as a signature representing that it is the most comfortable house where Jeongwa Park Haechang(朴海昌: 1876~1933), the third owner of Mongsimjae, has lived. The pavilion standing beside a lotus pond of the 'Bangjibangdo(方池方島; square pond and square island)' type has no lotus for now and waterside cornerstones roughly piled with broken stones naturally mitigate the slope. There are two water inflows gathering rainwater in the reception garden other than the water inflow of valley and the upper-side water inflow was built using a high waterfall method. The middle island cut into a square was designed to use in two ways, as 'island' or 'steppingstone', according to the water level and the old name of the pavilion standing beside a lotus pond was revealed as 'Cheonundam(天雲潭)' from the engraved writing located in the side of the middle island. In addition, 'Imni(臨履)', engraved writing in the finishing stone of waterside by citing a line of 'Sigyeong(詩經)', implies 'Be a upright classical scholar who pays close attention to one's own behaviors' and 'Jeongchuk(渟?)' is interpreted as a message that desires the eternal staying of the Juksan Park family's wealth. Ultimately, the writings engraved in the huge stones and rocks of the pavilion standing beside a lotus pond are interpreted as a symbol language that wishes the heaven protects and maintains the wealth of the Juksan Park family who is the owner of Mongsimjae.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.35 no.2
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• pp.1-14
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• 2017

The purpose of this study is to understand the environmental traits and significance of the pond place that appears in historic maps in 'Dongchon(東村)', which is the eastern section within the fortress wall of Hanyang. We reviewed various documents and maps to identify the name of the pond, and of those materials we followed the name provided by official national records and geographical titles to designate it 'Eouidongji Pond(於義洞池).' The results of the research showed, first, that from the standpoint of location and environmental characteristics, that the area of the Eouidongji Pond was an area that contained a pastoral atmosphere within the city. It was located in an area where the waters flowing from the mountains gathered, and the boundaries of the pond would change based on water levels within a plot of land about 2,000pyeong(app. $6,600m^2$) in size. Second, when seen from the perspective of its creation background, the Eouidongji Pond seems to have been a naturally occurring pond which was modified when the water system was managed in the city at the beginning of the dynasty. In addition to its role as a reservoir, it was operated as a lotus pond(蓮池) to offer lotus(蓮) related by-products. With the nearby detached palace being actively used, it seems the pond was managed at the same time. The pond had already been filled in by the early 20th century, and although there were efforts to reconstruct the pond, it was eventually destroyed as the area was included in the site of a school during the colonial period. Third, the Eouidongji Pond was appreciated in many cases by individuals or admired as part of the natural landscape by viewing it from afar. In addition, it provided entry landscape near the road entering Dongchon, and was a location that was easily visited in connection with other nearby pleasure grounds. Through studying the location and environmental characteristics, the background of its creation and destruction, operation and management by time period, usage at the time, and characteristics of scenery appreciation of Eouidongji Pond, the Eouidongji Pond was a pond of high practical value to the nation, as it supplemented the water system in the city and was able to provide lotus harvests for the nation. In addition, from a urban environment perspective, it was a lateral landmark with a large area, as well as an effective boundary. It was an open area that the people of the Hanseong-bu could freely use, and it had a high public value due to its ease of accessibility.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.36 no.3
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• pp.160-171
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• 2018

This study aims to find an original form of temple flower decoration patterns, considering floral lattice pattern as a view element composing temple landscape. To that end, we analyzed and interpreted the form and symbol expressed in the floral lattice pattern at Nahanjeon of Seonghyel Temple at Yeongju, Gyeongsangbukdo. The front side of Nahanjeon windows shows a sculpture with 176 pure patterns in a form where two squares are in sequence. The basic concept of main front door (the inner gate of Nahanjeon) frames is considered the design language of lotus pond that symbolizes "square land" in traditional gardens. The four leaf clover and arrowhead are water plants discovered in areas nearby ponds, which are a realistic expression conforming to the water ecology of lotus pond. The lotus, which is the most important plant at the main front door, indicates purity, a non-stained state, and the world of the lotus sanctuary, which is the land of blissful happiness in Buddhism. The lotus expressed in the floral lattice pattern is spread in a diverse form, containing the features of creation and destruction, showing the landscape character of the "One Body of Buddha and Lotus". The expression of flying birds such as kingfishers and egrets is an ecologically aesthetic idea to infuse dynamism and vitality into a seemingly static aquatic ecosystem. The floral lattice pattern contains lotus pond scenery showing symbiosis of animals(i.e., dragons, frogs, crabs, fishes, egrets, wild geese, and kingfishers) and plants(i.e., four leaf clovers and arrowheads), which are symbols of relief faith for longevity, wealth, preciousness, and many sons. The pattern is not just an ecological aesthetic expression but a holistic harmony of ecological components such as growth and disappearance of lotus and its leaves, fitting habitats, symbiosis, and food chain.

• Journal of Environmental Science International
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• v.27 no.2
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• pp.123-133
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• 2018

The historical exchanges between the Republic of Korea and Japan have broadly occurred, in terms of both political and cultural aspects, from ancient to modern times. Regarding ancient gardening culture, in particular, Asuka developed gardens with the gardening techniques passed down by the Baekje people. The development of the basic form of a garden pond along with its characteristics, established through such exchanges, is suggested by investigating its components through analysis of data from the gardens of Baekje and Asuka. In terms of the garden pond structure, homogeneity was confirmed between Baekje and Asuka, with a linear rectangular form as the basic design. In addition, the vertical construction technique was used by both ancient kingdoms. In terms of the types of stone used in building the shore of the garden pond, Baekje used diverse types such as natural stone, crushed stone, and cut stone. In contrast, rounded river stone was used by Asuka. Regarding the floor of the garden pond, Baekje used soil, which enabled the planting of lotus flowers. In contrast, Asuka used stones to pave pond floors, which made the growth of plants impossible. In terms of layout, Baekje used ornamental stones for pond landscaping, while Asuka used manmade island and water intake facilities in their pond construction. The effects of Baekje's garden culture on Asuka's garden building can be seen from its influence on the form of the garden pond and shore construction style. In terms of the construction of the garden pond's shore with the same stones and the stone flooring, the garden ponds of the Asuka Kingdom reveal technically unified and refined aspects.

• Journal of The Korean Digital Architecture Interior Association
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• v.3 no.2
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• pp.8-13
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• 2003

The purpose of this study was to analyze the Site layout of Buddhist Architicture by water space of landscape architecture. As a result, the following fact is identified; We knew that land scape of Buddhist Architecture is intentional device. Example from the Tong-do Temple, it leads cleary the intention of water-space. The case of Tong-do Temple, water space is divided into Yeon-ji(lotus pond) and the Yeong-gi(shadow pond) and Gye-ryu(mountain stream). The viewing intention of Gu-Ryong-ji where Yong-ji the construction intention characteristic is positive it was intended there is a possibility of knowing. From the research which it sees it is limited in case of the Tong-do Temple tries to search a concrete instance. but on this outside many multiple architectural space uses water space and It creates the space where it leads the harmony of architecture and intention it was plentifully included.