• 한국과학교육학회지
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• 제25권2호
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• pp.122-132
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• 2005

선 그래프는 막대그래프와 달리 각 변인들의 변화에 기인한 경향을 보여준다. 따라서 선 그래프로부터 경향을 파악할 수 있는지의 여부는 중요하다. 본 연구의 목적은 선 그래프 도식을 지닌 학생들이 선 그래프를 읽고 해석할 때 선 그래프 도식을 지니지 못한 학생들과 비교하여 어떠한 사고과정을 거치는지 파악하는 것이다. 발성사고를 통하여 고등학생틀의 선 그래프 이해 수준과 선 그래프 유형에 따라 선 그래프를 읽는 사고 과정의 특징을 분석한 결과, 동일하게 주어진 시간 동안에 상위 그룹에 해당하는 학생들은 하위 그룹에 속하는 학생들보다 더 많은 문장을 발성사고하였으며, 하위 그룹의 학생들과 달리 적응단계에서 선 그래프의 유형, 경향, 라벨 등을 파악하는데 오랜 시간을 사용하였다. 또한 상위그룹의 학생들은 하위그룹의 학생들보다 초인지적인 문장을 발성사고하는 경우가 더 많았다. 선 그래프 도식을 지닌 학생들과 단순히 일반적인 그래프 도식을 지닌 학생들을 구별하고 그에 따라 정보를 전달하는 방식을 달리하는 융통성이 필요하다.

• 대한화학회지
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• 제53권3호
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• pp.355-367
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• 2009

이 연구에서는 중학교 3학년 학생들의 면담을 통해 원자 및 분자 개념을 표상한 시각자료에 대 한 이해와 해석 과정을 조사하였다. 학생들과의 면담 및 결과 분석에 기호학적 모델을 사용하였다. 연구 결과, 시각자료의 이해와 관련된 구조화 과정은 잘 수행하는 편이며, 목표 개념에 도달하는 번역 과정 및 시각자료간의 대응에 해당하는 번역 과정은 대체로 어려워하였다. 시각자료와 글을 연결하는 번역 과정은 학생에 따라 성공 여부가 달랐다. 한편, 면담에 참여한 모든 학생들이 시각자료를 해석하는 과정은 유사하게 나타났다. 이에 대한 교육적 함의를 논의하였다.

• 미술이론과 현장
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• 제2호
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• pp.147-168
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• 2004

This study examined the role of interpretation with various practices in art museums to seek a new meaning and a concept of art museum today. The exploration of interpretation would he a starting point to discuss about on art museums with professionals in each art-related field. While museums recognize the concept of interpretation and the scope of the functions in different levels, the study focused on the practices of collecting and exhibiting that will entrust the museum new realms of activities toward the audience. In particular, its emphases are set force on the information on the collections via the museum's web sites, interpretation policies, and theories and methodologies in exhibition development. Art museum websites well reflect how museums utilize the new medium to enhance the understanding of art works by providing in-depth art historical information, comprehensive contexts, and subject/concept based search methods. In recent decades, these have enacted changes to expand dimensions of interpretive functions in most museums, particularly in the United States and others. In an administrative perspective, Tate Gallery Interpretation Policy became an good example how an art museum put its interpretation philosophy as the basis of interpreting collection and public programs. Tate established functions of intrepretation and education not only within a task-based team but also as an intrer-divisional coorperation to provide an interpretation scheme of information provisions such as guide brochure, audio tour, multimedia content, and library. New environment and trends of museum exhibition, and its development processes stem from communication theories, object interpretation philosophy, display strategies, and various evaluation techniques through audiences, with the communication theories of Shannon and Weaver, Berlo's SMCR(Source-Message-Channel-Receiver) models were perceived as to understand the mechanism to communicate museum exhibits to visitors Suzan vogel's insight into object display strategy helped to conceive the mechanism of object recontextualization. She emphasized that the museum's practice to construe opinions and impressions through object display should be discreet and critical, therefore, the professionals to plan the exhibition should reveal the intention and their practices. For a prevailing new methodology from the field, the interpretive exhibition development processes are articulated as the front-end, formative, and summative evaluation, futhermore the team process in industrial product management models was adapted. These have turned out to be more interactive with visitors and effective to communicate the exhibition concepts and messages, hence resulting in enriched museum experiences. Finally the study concluded that understanding the aspects of interpretation should help art museums to set a framework for current practices to expand its public dimension. It can provide curators with a critical view to website planning and its content. And obviously, the interpretive exhibition development methodology will lead museum exhibition developers to be skilled in its current approaches to thematic exhibition concerning diverse subjects and topics.

• 고문화
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• 68호
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• pp.41-57
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• 2006

이 연구는 문화유적을 역사교육 또는 문화관광 자원으로 적극 활용하기 위해, 유적이 가지는 교육적 가치를 먼저 알아보고 이러한 유적의 교육적 가치를 적극적으로 활용하기 위한 해석 (Interpretation)의 중요성과 그 방법상에 대한 문제를 이론적으로 논의하는데 그 연구목적이 있다. 문화유적이 가지는 교육적 가치는 대상 문화유적에 대한 역사 문화적 사실을 인식시키고 관련 정보를 제공하는 기능이외에도 이러한 교육적 효과를 통한 문화유적의 보존과 관리 측면에서도 큰 중요성을 지닌다. 문화유적의 교육적 활용과 함께 유적 보존의식을 고취하기 위해서는 유적의 교육적 가치를 잘 활용하여 유적이 가지는 교육적 메시지를 어떻게 잘 전달하고 방문객을 설득시킬 수 있느냐 하는 해석의 문제에 대한 많은 연구와 실천적 노력이 필요하다. 해석이란 여러 가지 전달 매개체를 사용하여 유적에 대한 올바를 이해를 제공하고 이를 바탕으로 유적의 본존의식을 이끌어 냄과 더불어, 유적에 대한 의미를 부여하여 유적이 교육적 그리고 관광자원으로 유용하게 활용되게 하는 효과적인 수단이다. 문화유적의 해석프로그램의 개발과 운영에 있어서는 주요 대상층에 대한 설정과 그에 알맞은 프로그램의 적용이 현실적으로 우선 전제되어야 하며, 그들에게 알맞은 수준의 교육적 정보와 지식을 다양한 형태의 해석적 도구와 방법을 사용하여 제공하게 된다. 다음으로는 방문객에게 제공하고자하는 교육적 메시지를 잘 담은 해석의 주제를 먼저 도출하여야 하며 선정된 주제에 맞추어 다양한 형태의 해석 방법과 기술들이 개별적 또는 복합적으로 사용된다. 마지막으로 문화유적에 운영 중인 해석프로그램이 방문객에 대해 의도된 교육적 효과를 내는지에 대한 철저한 평가는 해당 해석프로그램의 계속적 운영에 있어서 큰 중요성을 가진다. 일반적으로 전시를 포함한 해석프로그램의 평가는 크게 기획 단계에서의 평가, 개발과정 중의 평가, 그리고 완성 후 평가 등 3단계의 평가를 거쳐 그 결과를 해석프로그램의 개발과 운영에 계속 반영한다. 문화유적 현장에서의 해석프로그램의 개발과 운영은 현실적으로 많은 인력과 재정적인 뒷받침이 요구되는 일로 계속적인 관심과 지원이 필요하며, 문화유적의 관리측면에서 기존의 하드웨어의 구축에 관한 관심에 병행하여 앞으로는 해석프로그램 같은 유적 활용 소프트웨어의 개발과 운영에 더욱 많은 관심을 가져야 한다.

• 한국CDE학회논문집
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• 제8권1호
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• pp.35-40
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• 2003

In this paper, we present the methods to develop a Web-based CAM system that is capable to simulate machining processes in solid model form through internet. The methods include the dynamic representation on Web of machining operation, workpiece definition on the request of users, interpretation technique of NC par programs through CORBA, and algorithm for efficient machining simulation. Based on the methods, a Web-based CAM system it implemented at http://virtual.ulsan.ac.kr. Using the Web-based CAM system, public users tan simulate machining processes by own NC part programs.

• 한국음향학회:학술대회논문집
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• 한국음향학회 1998년도 학술발표대회 논문집 제17권 1호
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• pp.291-296
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• 1998

In the experiment carried out on 20 college students, recorded were frontal, temporal and occipital EEG, skin conductance response, skin conductance level, heart rate and respiration rate during listening to two music fragments with different affective valences and white noise administered immediately after negative visual stimulation. Analysis of physiological patterns observed during the experiment suggests that affective auditory stimulation with music is able to selectively modulate autonomic and cortical activity evoked by preceding aversive visual stimulation and to restore initial baseline levels. On other hand, physiological responses to white noise, which does not possess emotion-eliciting capabilities, evokes response typical for orienting reaction after the onset of a stimulus and is rapidly followed by habituation. Observed responses to white noise were similar to those specific to attention only and had no evidence for any emotion-related processes. Interpretation of the obtained data is considered in terms of the role of emotional and orienting significance of stimuli, dependence of effects on the background physiological activation level and time courses of attention and emotion processes. Physiological parameters are summarized with regard to their potential utility in differentiation of psychological processes induced by auditory stimuli.

• 한국의류산업학회지
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• 제16권1호
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• pp.66-78
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• 2014

The purpose of this study is to illuminate the location of fashion in contemporary society and to suggest a direction for fashion criticism in aesthetic$\hat{u}$cultural perspective. For this, literature researches about some of art criticism and fashion criticism theories and cultural studies related to fashion are performed. In this study, fashion criticism is defined as a linguistic analysis and interpretation about a variety of discursive networks around fashion as well as an aesthetic analysis of it. Considering this definition, an analytical framework for the contemporary fashion criticism combines Feldman's and Carney's models with Crane & Bovone's and Entwistle's sociological studies for aesthetic and cultural perspectives. At first, its aesthetic perspective shows 'Description'-'Descriptive formative features', 'Analysis'-'Locate the style' and 'Aesthetic value', 'Interpretation'- 'Interpretation of the fashion object' and 'Socio-cultural interpretation', 'Judgment'-'Critical judgment'. Then, its cultural perspective especially emphasizes 'Socio-cultural interpretation' of the 6 steps above. Socio-cultural interpretation gets tangled with the network of various cultural agents within the fashion system, producers/designers, retailers/suppliers, media/editors, consumers/spectators, and so on. In the course of the fashion system 5 analytical methods about the fashion object can be suggested and they are as follows: Analyses of texts, discourses and symbols of a fashion object, Analyses of fashion systems which produces symbolic values, Analyses of the communication of symbolic values and the disseminating processes through the media, Analyses of the attribution of symbolic values to a fashion object by consumers, and Cross-national studies of symbolic values expressed in a fashion object.

• 마케팅과학연구
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• 제18권2호
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• pp.47-64
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• 2008

It is well known that consumer's quality perception is strongly affected by price. Higher priced products tend to be perceived to have better quality than lower priced products although the objective product quality is the same. However, it is less known the process through which quality perception is affected by price cues. The existing literature suggests three potential hypotheses (i.e., the selectiveprocessing hypothesis, the selective interpretation hypothesis, and the representativeness heuristic hypothesis) that explain the underlying processes of the price-induced quality perception. The current research tests among the three competing hypotheses and also examines the role of consumer knowledge as a moderating factor. An experiment was conducted to test the moderating role of the knowledge in the price-quality relationship and to investigate the underlying process. The results indicate that theinfluence of price on perceived quality differs between novices and experts. Expert consumers' quality perception is not significantly influenced by price and this finding is consistent with the extant literature. On the other hand, novice consumers' quality perception is affected by price and the tests on the underlying process support for the representativeness heuristic hypothesis. Novice consumers assess that a high-priced brand should have good product quality due to the belief that high (low) price brands represent better (worse) brand quality and such a representativeness heuristic occurs without involving selective attention or selective interpretation price-consistent information.

• Advances in Computational Design
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• 제5권3호
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• pp.323-347
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• 2020

The enhancements of bioenergy production effectiveness require the comprehensively experimental study of several parameters affecting these bioprocesses. The interpretation of the obtained experimental results and the estimation of optimum yield are extremely complicated such as misinterpreting the results of an experiment. The use of mathematical modeling and statistical experimental designs can consistently supply the predictions of the potential yield and the identification of defining parameters and also the understanding of key relationships between factors and responses. This paper summarizes several mathematical models used to achieve an adequate overall and maximal production yield and rate, to screen, to optimize, to identify, to describe and to provide useful information for the effect of several factors on bioenergy production processes. The usefulness, the validity and, the feasibility of each strategy for studying and optimizing the bioenergy-producing processes were discussed and confirmed by the good correlation between predicted and measured values.

• 한국실내디자인학회논문집
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• 제15권4호
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• pp.64-72
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• 2006

The purpose of this study is to interpret Korean traditional space as text on the basis of Structuralism. The process of this study is illustrated as follows: At first, this research contains basic concepts and theories of Structuralism and discusses the possibilities of typological approaches in Korean traditional space interpretation. Secondly, As typological structure of traditional space, spacial and visual expressive characteristics in traditional residential space based on traditional thoughts of Koreans formed with inherent consciousness are considered with Hjelmslev's Structuralism and Wonhyo's Whajaeng theory. Finally, This study tries conceptual analysis based on Lacan's Metaphor and Metonymy emerged from unconscious mechanisms about interpretation and induction of the traditional spacial structure for contemporary Application. Structure is a group of elements forming a covariant ensemble. From this point of view, this study validates that texts are understood when methods that bring back to the creative processes and intentions are found by Text Hermeneutics.