• 한국응용과학기술학회지
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• 제37권5호
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• pp.1180-1189
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• 2020

본 연구는 시계꽃 추출물의 생리활성 효능을 확인하여 이너뷰티 소재로서의 활용 가능성을 검증하여 기초자료를 제공하고자 한다. 실험 방법으로는 항산화, 항염증, 항노화 효과를 확인하기 위하여 총폴리페놀 함량, 총 플라보노이드 함량, DPPH radical 소거능, RAW 264.7 대식세포와 HDF 세포 내에서의 세포 독성 및 NO 생성 억제 효과, HDF 세포에서의 MMP-1의 발현 억제능 효과를 측정하였다. 실험결과, 시계꽃 추출물의 폴리페놀함량과 플라보노이드 함량은 10 mg/mL의 농도에서 각 157 mg/g, 173.5 mg/g의 우수한 함량을 확인하였고, DPPH radical 소거능을 확인하였다. RAW 264.7 대식세포와 HDF 세포에서는 시계꽃 추출물에 대해 세포독성은 나타나지 않았다. 또한 RAW 264.7 대식세포에서의 NO 생성억제를 통해 100 ㎍/mL에서 69.3%의 항염증 효과를 확인하였으며, HDF 세포에서 MMP-1의 발현 억제능이 유의하게 억제되는 것을 확인하였다. 이상과 같이 본 연구의 시계꽃 추출물은 항산화 효과와 항염증 효과, 피부세포에 대한 낮은 독성, MMP-1의 발현 억제를 통한 항노화 효과가 확인됨에 따라 다양한 이너뷰티 소재로서의 활용이 가능할 것으로 사료된다.

• 복식
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• 제53권8호
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• pp.65-80
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• 2003

The purpose of this study was to examine and fully understand the transformation of female's ideal beauty through time based on word analysis. Word selection was made from the very exemplary Women's magazines : Yuhwon, Jubu-Saengwhal, and Yuhsung-Dongah. Further, in order to research the understanding of female's ideal beauty, a random research was done on 445 women, ranging from the ages 20's through 60's. From the result, a frequency analysis was performed to further analyze the meaning of ideal beauty to each sector of the age groups for different time periods : the 1980's and the 1990's. To the 20's, beauty awareness was defined by the word ‘intelligence’, however, the 1980's endorsed confidence with composure and calmness where as the 1990's preferred beauty to be defined by ‘refinement and goal oriented’. The 30's selected ‘individuality’ marked with confidence in character, but there was a shift from ‘mature intelligence’ in the 1980's to ‘professionalism’ in the 1990's. The 40'E chose mediocrity and commonness, however, likewise, a sense of ‘earnestness’ for life and family was looked upon as beautiful. For the 50's, comfort with a reserved tenure was frequently noted and for the 60's, women chose ‘health and independence’ as describing ideal beauty. The results from the research are justifiable because the articles are in a neutral perspective and are from the representative women's magazines. This research proved that the younger the age group, the more exterior beauty was considered, as opposed to the older generation who found inner beauty to be of most importance.

• 한국콘텐츠학회논문지
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• 제21권5호
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• pp.359-366
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• 2021

BCBS(Broad Conceptualization of Beauty Scale)는 내면적 미의 척도로 개인의 내면적 미의 기준을 평가하도록 고안된 측정도구이다. 본 연구에서 번안과정을 거쳐 구성된 최종 한글판 BCBS 9문항을 사용하여 여자대학생 100명을 대상으로 신뢰도 및 타당도를 검증하였다. 한글판 BCBS의 신뢰도를 검증하기 위해 내적 일치도를 확인한 결과 Cronbach's 𝜶는 0.878, 주관적 미 0.874, 신체적 미 0.808, 심리적 미 0.880로 높은 신뢰성을 보였다. 한글판 BCBS의 타당도를 검증하기 위해 탐색적 및 확인적 요인분석을 시행한 결과 모든 항목에서 유의미한 결과로 나타나 타당도를 확보하였다. 따라서 본 연구를 통해서 한글판 BCBS는 여성의 광범위한 미의 개념을 종합하여 평가하는 유용한 측정도구로 입증되었으며, 이를 기초자료로 하여 여자 대학생들을 대상으로 수행하는 내면화된 미의 전문적인 발전과 연구에 활용되어 도움을 줄 수 있을 것으로 사료된다.

• 한국융합학회논문지
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• 제7권5호
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• pp.135-143
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• 2016

아름다움(美, Beauty)은 시대와 지역, 그리고 문화와 학자들에 의해 다양하게 해석되어 왔다. 본 논문에서는 인간의 아름다움과 대학 캠퍼스 환경의 아름다움, 그리고 이 아름다움에 대한 인식과 융합교육과의 관련성에 대해 분석하였다. 특히 본 논문은 B대학의 대학생들을 대상으로 실시한 아름다움 인식에 관한 설문자료를 토대로 연구하였다. 또한 본 연구에서는 아름다움이 무엇인지, 인간의 아름다움을 어떻게 인식하고 있는지, 캠퍼스 환경의 아름다움이 어떤 것인지에 대해 고찰하였다. 나아가 학생들의 아름다움 인식과 융합교육의 관련성에 대해서도 살펴보았다. 전공교육과 미학의 융합교육의 관련성이나, 인성교육과 미학의 융합교육의 관련성을 살펴보았다. 자료에서 학생들은 인간에 대한 통합적 아름다움이라는 인식과 외면적 아름다움보다는 내면적 아름다움을 더 우선하는 인식을 지니고 있음을 알 수 있다. 대학 캠퍼스 환경의 아름다움도 대학 구성원들의 아름다움이 중요하고, 교수와 직원들의 설립이념에 적합한 개별 인성과 전공역량도 중요하며, 감성세대에 적합한 감성 교육과 행정 지원도 필요함을 알 수 있다. 대학 프로그램의 아름다움 인식도 이것을 경험한 학생들의 인성과 전공역량을 통해 나타나기 때문에, 대학 프로그램의 융합적 아름다움 교육도 중요함을 인지할 수 있었다.

• 복식
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• 제67권4호
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• pp.71-88
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• 2017

The purpose of this study is to reveal that the deconstructive dis de phenomenon in contemporary fashion beauty design can be interpreted from the viewpoint of Korean aesthetics by having an open mind of coexistence. The typical characteristics of dis de phenomenon are decomposition, decentralization, and discontinuity, and these can be compared with beauty of non-artificialness, unity, and humor, which are characteristics of Korean aesthetics. In other words, the dis de-phenomenon rejects traditional composition and uniformized expression, and seeks various images by accepting the bi-national confrontation concept, this is similar to Korean aesthetics, which experienced atypical diversity by concentrating on the inner spirit rather than the outer form through indifference to technique, form, and honest human emotion.

• 복식
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• 제25권
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• pp.5-20
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• 1995

The fashion of late Yi dynasty had explored a possibility of new fashional beauty from its own experiences throughout the history of Korean fashion excluding any interference of foreign fashions, and brought out some characteristics ; first, the aesthetical value focused on the more human fashion resulted in the exposure of waist. This aesthetical change in the fashion of late Yi dynasty produced out results as follows ; the length and width of jacket became short and narrow maintaining the basic form, while the width of skirt became increased to be contrasted exceptionally with the upper coat. This mode of fashion reveals the transitional movement from the emphasis on balance to that on unbalance in the late period of Yi dynasty. But regarding the fact that the proportional change by the ways of putting on skirt became to be similar to the golden ratio, we can see many examples throughout the folk paintings by Shin Yun bok, we find that the fashional beauty of that age pursued ideal harmony and unity all the time being in spite of its tendency toward non-refinement. Second, we see another peculiarity in the mode of woman's fashion from the paintings by Shin Yun-bok who always depicted the hu-man nature frankly. For example, the jacket became shorter to emphasize lady's slim waist, and underwears began to be exposed after the upper part of skirt had been to expose lady's waist while the bottom line pulled up highter than before. Thus, as the function of robe had changed from a mere means of covering into an expression of beauty, the fashion of late Yi dynasty began to express a perfectly new beauty possessing an erotic mood and sensu-ality of a woman, which was its inner aesthetic need. Third, this emergence of new fashional beauty made the mental value of man and the aesthetic views of that time quite different from the previous ones, and finally there came various expressions of a new beauty. There-fore, the woman's fashion of late Yi dynasty is noted for the exposure and emphasis on the body line of a woman after the aesthetic view-point had changed of time toward pragmatism and humanism, while upholding the traditions of Korean clothes and pride for the nation. And our ancestors realized very Korean fashional beauty by pursuing the expressional ways of gentle, indirect emphasis upon the feminine and natural beauty to exclude and ar-tificial, direct and straightforward exposures and images.

• 한국조리학회지
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• 제23권5호
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• pp.151-158
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• 2017

In this study, the Rhus chinensis Mill was divided into bark and inner bark. The antimicrobial activity and the antioxidative activity of the extracts were investigated by using the organic solvent fractions after the extraction and concentration with ethanol. This study showed the possibility of functional materials such as raw materials for cosmetics and food supplements. This study was the antimicrobial activity and antioxidant activity of five microorganisms (S. aureus, E. coli, B. subtilis, P. aeruginosa, and P. ovale). The following conclusions were obtained. First, the antimicrobial activity of B. subtilis was found to be high in the ethanol extract of. Second, DPPH scavenging activity was 86.4% free radical scavenging activity at 2.5 mg/mL bark part and 61.9% free radical scavenging activity at 2.5 mg/mL in inner Rhus chinensis Mill bark part. The ABTS scavenging activity was 79.2% free radical scavenging at 1 mg/mL bark fraction and 63% free radical scavenging activity at 1 mg/mL in inner bark, and bark showed higher antioxidant activity than inner bark. These results suggested that the antimicrobial activity and antioxidant activity of Rhus chinensis Mill extract can be used as a natural material. Specific and diverse physiological activity studies are expected in the future.

• Journal of Dairy Science and Biotechnology
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• 제35권4호
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• pp.232-243
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• 2017

Although several supplementary foods are available for pregnant and lactating women, there is a need for foods able to maintain a woman's beauty without any changes in body shape. In this study, four questionnaires about nutrition management, skin care, body shape, and the intent of purchasing beauty supplementary foods, were prepared for an online survey (http://pms8011.wixsite.com/project). A total of 95 answers from 293 women were classified into four groups, based on age, income, occupation, and skin type. The data were statistically analyzed using SPSS/WIN Program 22.0. The significances of the F-value analyzed by one-way ANOVA and the differences within the groups were verified by Scheffe's method. All groups were shown to have very high requirements for nutrition management and beauty standards. In the skin patterns, the groups of middle-aged women, house wife and the lower income showed high interests, with a high significance (P<0.01) in ages. With respect to body shape, significant interest was found within the groups of skin type (P<0.05) and age (P<0.001). With regard to supplementary foods, all groups showed a strong intention to purchase, but no significant differences were found. This study indicates the necessity to categorize supplementary foods by the intended target group, such as women planning to conceive, pregnant women, and lactating women.

• 대한화장품학회지
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• 제30권3호
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• pp.307-311
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• 2004

화장품 산업에서 웰빙과 관련하여 inner beauty와 body shaping 상품을 비롯하여 SPA, esthetique, mass-customization, organics, naturals 등에 관련된 상품개발이 연구의 중요한 축을 이룰 것으로 보이며, 웰빙에 대한 고객의 기대로는 건강에 대한 관심과 함께 상품에 대한 안심감, 신뢰성, 윤리성이 우선되어야 할 것이다. 따라서 화장품 영역에서의 웰빙 관련 연구로는 지방 분해, 비타민, 폴리페놀, 오가닉과 함께 항노화에 관련된 체계적인 연구가 이루어져야 할 것이며 아울러 피부과학과 감성 공학을 바탕으로 효능증대, 피부흡수제어, 피부적합성, 제형 및 활성성분안정화, 지속성 증진, 신원료개발이 중요할 것이며, 특히 최근의 바이오 기술. 나노기술. 천연소재기술은 웰빙상품 개발의 초석이라 하겠다.

• 조형예술학연구
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• 제6권
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• pp.100-118
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• 2004

Mi Fu, who was associated with Wen Tong, invented the Mijoem Technique (Dotting Technique) in landscape painting with his son Mi Youren. His landscapes, which referred to Dong Yuan's landscape technique and was inspired by the scenery of Jiang Nan, illustrate the mood of a cloud-covered foggy landscape by liberally applying dots with ink. 'Chunsansoesong' which is considered done by Mi Fu, clearly shows the virtues of ink painting's spreading, absorbing and omission techniques. This simply rendered landscape - whose mountains and hills are wrapped in both clouds and fog - displays exquisiteness by using small dots. In 'Chunsansoesong', the characteristics of Song painting: a 'vital energy', a 'poem within the painting', a 'beauty of margin', a 'beauty of one brush stroke, and a 'display of inner meanings' are implicatively expressed This is because it's simple but connotatively delineative. There is the characteristic of a 'poem within the painting' when analyzing the both fragmented and combined 'Chunsansoesong'. The margins support an imaginative space as the height of the mountains get higher which result in deepening both the width and depth of the landscape space. Furthermore, the soft thickness of ink, clouds, pine trees, and pavilion evoke delineative feelings and a desire to write a poem Every thing in 'Chunsansoesong' is enveloped in both clouds and fog regardless of its distance and this delivers boundless feelings of Oriental mystery and urges a desire for 'writing a poem'. The pavilion that faces the cloud and fog-bound mountains especially flames the poetic urge further by inducing viewers' poetic imaginations. As we reviewed above, 'Chunsansoesong's cloud and fog-covered landscape is a good example that clearly showcases the characteristics of a 'Poem within the Painting'.