• 한국산학기술학회논문지
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• 제11권2호
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• pp.532-539
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• 2010

본 논문에서 제안하는 시스템은 기존 미용예술분야와 영상처리 기술을 결합한 헤어스타일 검색 및 적용 시스템을 제안한다. 제안하는 시스템은 데이터베이스에 여러 헤어스타일 정보를 저장하고 사용자가 웹캠을 이용하여 실시간으로 자신에 얼굴 이미지 정보를 전송하여 자신의 얼굴형에 맞는 헤어스타일을 찾을 수 있는 시스템을 제안하고자 한다.

• 한국콘텐츠학회논문지
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• 제19권6호
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• pp.72-79
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• 2019

본 연구는 문삼석의 동시(童詩)에 등장하는 매개항이 탈구축한 공간의 시적의미를 연구하여 동시 (童詩) 교육 및 지도방법론에 도움을 주고자 한다. 연구방법은 기호학적 공간이미지 읽기를 전제로 한다. 즉 <상 중 하> <좌 중 우>로 구축된 대극(對極)공간이 매개항인 '바람'의 개입에 의해 일탈(逸脫), 융합으로 탈구축화 되는 시적공간의 시적의미를 도출하고자 한다. 연구텍스트는 문삼석의 연작시 중에서 "바람과 다람쥐", "바람과 난로", "바람과 빈 병", "바람과 염전", "바람과 바위" 5편이다. 연구결과 첫째, 바람은 물질의 유/무로 차별된 공간을 '상생의 공간'으로 탈구축화 하였다. 이러한 시적공간은 구별은 하되 차별하지 않는 전체성 속에서 상생하는 이상적인 삶의 공간으로 시적의미를 상징화한다. 둘째, 바람은 소외 고통 고독의 간극을 없애버렸다. 즉, 바람이 탈구축한 시적공간은 존재의 본질에 대한 동질성을 전제로 한 '소통의 공간'으로 시적의미를 도출시켰다. 결론적으로 문삼석의 시적 언술(Poetic discourse)은 매개항을 등장시켜 시적공간의 이산성을 일탈과 융합으로 탈구축화함으로써 '소통'과 '상생'의 공간으로 시적의미를 표출하고자 하였음을 알 수 있다.

• 복식
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• 제64권7호
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• pp.172-183
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• 2014

The term "new woman" (신여성 [Sinyeoseong], 新女性) refers to an idealized image of contemporary women during the so-called modern period in East Asia. In Korea, these "modern girls" were also referred to as modan (毛斷), or "cut-hair", reflecting changes in appearances that rejected the traditional value system in favor of "the new" in everyday life. Although it was used to refer to the perceived educated leaders of this new period, it also had the negative connotation of referring to frivolous women only interested in the latest fashion. The popular discourse on this "new woman" was constantly changing during this early modern period in East Asia, ranging from male-driven women's movements to women-driven liberal and socialist movements. The discourse often included ideals of what constituted female impeccability in women's domestic roles and enlightened views on housekeeping, yet in most cases the "new woman" was also expected to be a good wife and mother as well as a successful career woman. The concept of the "new woman" was also accompanied by an upheaval in women's social roles and their physical boundaries, and resulted in women repositioning themselves in the new society. The new look was a way of constructing their bodies to fit their new roles, and this again was rapidly reproduced in visual media. Newspapers, magazines, and plays had gained immense popularity by this time and provided visual material for the age with covers, advertisements, and illustrations. This research will explore the fashion of the "new woman" through archival resources, specifically magazines published in the 1920s and 1930s. It will investigate how women's appearances and the images they pursued reflected the ideal image of the "new woman." Fashion information providers, trendsetters, and levels of popular acceptance will also be examined in the context of the early stage of the fashion industry in East Asia, including production and distribution. Additionally, as the idea of the "new woman" was a worldwide phenomenon throughout the 19th and early 20th century, the effect of Japanese colonialism on the structure of Korean culture and its role as a cultural mediator will also be considered in how the ideal image of beauty was sought, and whether this was a western, colonial, or national preference.

• 복식
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• 제59권9호
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• pp.55-70
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• 2009

This study aims at analyzing the formativeness of women fashion shoes shown in the high fashion since 2000 along with the necessity of study for such purposes. Fashion shoes designed for the perfection of high fashion have been positioned as an important item to increase the value of fashion. Subsequently, three formative images through the research method under the literature study could be analyzed as follows. First, the Fetishism image appeared from 18th century and the shoe heel has the erotic internal beauty while attracting the erotic nature from the perspective of 'feet confinement'. The high heel came to have an absolute relationship with the feminine beauty, and the feet and shoes are accepted for the erotic symbol regardless of anyone in the East or West. Second, the fashion shoes in the Maximalism image to pursue for the dream and excitement at the same time have been shown at the same time by using various ornaments in an exaggerated manner for the use of ornaments to clothes through designs by shoe designers. Third, the Aristocratism image in the fashion shoes was remarkably highlighted with the use of materials from processing natural materials with the best quality, which was expressed in an exotic manner with roughness and comfort despite the nature of refinement balanced with the simple reactionary tendency and technical senses of handicrafts. It can be perceived that the inner emotions of human beings are expressed by intentionally dismantling the functions of shoes in terms of functionality even in the fashion shoes in completing the ideal images after which are pursued by people.

• 한국의류산업학회지
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• 제10권3호
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• pp.389-393
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• 2008

The purpose of this study is to provide beauticians with the fundamental material for them to use effectively heat permanent wave and satisfy their customers. It carried out an experiment with hair of a woman in her late twenties to investigate the change of physical and morphologic characteristics by its water content when performing heat permanent wave. It evaluated the water content as 0g, 1g, 2g, 3g and 4g respectively when performing the heat permanent wave on hair, then it compared and observed the wave type, tensile strength and elongation for its physical change also observed the morphologic change by scanning electronic microscope and transmission electronic microscope. The result of experiment on the physical specificity revealed that the wave was the most ideal when the water content was 2 g. The material with much water content made wave but the result was not satisfied. In the case of hair with water content of nearly 0g didn't make wave. In terms of tensile strength and elongation, the tensile strength was generally reduced as hair was damaged, on the contrary, the elongation was increased. It observed the change of morphologic characteristic and got the result that the damage on hair cuticle was deepen as its water content was decreased. It also showed the result that damage happened on hair cuticle more than hair cortex with the observation of fine structure on hair section by transmission electronic microscope. Generally chemical treatment damaged hair. Under consideration of this aspect, the ultimate goal of this thesis is to minimize the damage of hair caused by chemical treatment and get the satisfaction on the hair style. The result of experiment presented that the hair showed the best result when its water content was 2 g.

• 산업융합연구
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• 제19권3호
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• pp.91-96
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• 2021

이상적 외모 표현을 위해 남녀노소 누구나 외모 관리에 과감한 투자를 하며 특히 헤어컬러링과 아이롱을 이용한 헤어스타일링은 더욱 광범위하게 보편화되면서 사용되지만, 미용 시술로 인한 모발 손상과 퇴색은 불가피하기 때문에 이를 최소화할 필요가 있다. 이에 효율적 플랫 아이롱 사용법을 제시할 목적으로 120℃ 열처리에서의 버진 헤어와 블리치 헤어 열분석 변화연구를 하고자 한다. 연구 결과 플랫 아이롱의 모든 시술 온도에서 버진 헤어보다 블리치 헤어의 중량이 전반적으로 많이 감소하는 것으로 나타났다. 버진 헤어와 블리치 헤어의 온도 상승에 따른 무게 변화를 측정한 본 열 분석 연구를 통해 물리적 마찰을 받은 모발에서 색상 유지와 함께 모발 손상 및 퇴색을 최소화할 수 있는 최적 온도의 플랫 아이롱 시술 정보를 미용 소비자에게 효율적으로 제공할 것으로 사료된다.

• 한국의류산업학회지
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• 제15권5호
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• pp.704-712
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• 2013

Contemporary young men are consumption-oriented, pursue ideal male images displayed in commercials, and are highly interested in fashion, beauty, and appearance. This metrosexual tendency(which values appearance) is largely influenced by mass media. This study examines how men's media information utilization influences appearance awareness and metrosexual tendency as well as how these two variables influence cosmetics consumption and fashion product consumption behavior. The results are as follows. First, metrosexual tendency consists of four dimensions: fashion involvement, pursuit of individuality beyond sexuality, cognition of fashion taste, and preference of a high quality product. The sum of variance is 65.594%. Second, media information utilization influenced metrosexual tendency and metrosexual tendency influence cosmetic consumption, brand-sensitive consumption and commercial-sensitive consumption; however, it did not affect price-sensitive consumption. Third, media information utilization affected appearance awareness; however, appearance awareness did not affect metrosexual tendency. In conclusion, appearance management behavior for men in their 20s is clearly affected by media. This phenomenon is caused by the metrosexual desire to express identity through fashion. Men in their 20's do not take care of their looks because of the social perception of appearance (as related to showing off their competence or pursuit of social success); rather, they have a desire to express their individuality and personally enjoy grooming and maintaining their appearance. Therefore, we can expect increased beauty and fashion expenditures.

• 한국컴퓨터정보학회논문지
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• 제14권4호
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• pp.101-109
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• 2009

오라클 DBMS의 8i버전에서는 암호화 모듈이 기본적으로 장착되어 있으나, 암호화 모듈은 성능저하가 야기되어 제한적으로 적용되고 있다. 본 논문에서는 인덱스검색, 객체관리 혼란, 암호화로 인한 심각한 DB성능 저하, 실시간 데이터 암호화 미지원 IP기반의 데이터 접근제어 미지원으로 인한 기술별로 DB 보안의 문제점을 분석한다. 그리고 DB 보안의 가용성을 향상시키기 위해 암호화기술의 대체수단인 DB Masking 기법을 활용한 종합적인 보안 프레임워크를 제안한다. 취약점 개선안으로 가상계정을 이용하여 보안등급별로 DB Masking 기준을 설정하고, 가상계정을 통한 사용자 인증과 SQL문의 사전, 사후 결재 및 무결성을 체크하고, 감사 로그로 수집하여 DB를 안전하게 관리 할 수 있는 방안으로 활용한다.

• 복식
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• 제58권8호
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• pp.1-12
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• 2008

This study begins by establishing the theory that paintings serve as a visual documentation of a particular era and record the ideal fashions and customs about dress behavior through the costumes represented in them and examines the close relationship between fashion and art, focusing on the influence of art on fashion, as well as that of fashion on art, for both painters and fashion designers. To attain the goal of the study, the selected objects of study are written references and dresses represented in paintings produced in the 19th century. Painters who were the subject of documentation created or popularized new fashion styles before the concept of 'fashion designer' was introduced in history. In order to capture and represent the ideal beauty of certain period, painters understood the important role of fashion. Their work not only included the designing of costumes or accessories for the sitters, but also the spreading of new fashion styles by showing the sitters wearing them. Study of the mutual relationship between fashion and art grew more vigorous among many intellectuals in a variety of fields beginning in the 19th century. The standing of fashion was elevated and the concept of the 'fashion designer' was introduced and the interest in the themes of a specific style or the background of a trend increased during this time period. Many contemporary fashion designers created dresses inspired by the costumes represented in paintings. The result of this study which focuses on the relationships between fashion, artist, fashion designer and art is that connection between fashion and art is closely and firmly formed. For several hundred years, painters were the creators as well as promulgators of fashion and fashion designers, from the 19th century until today, have obtained their creative inspiration from art.

• 패션비즈니스
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• 제6권4호
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• pp.83-98
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• 2002

The purpose of this study is to find out the orientations and characteristic in clothes buying of each age group of elderly women, based on the actual self-image and the ideal self-image of clothing. Grasping the diversity of their clothes' buying orientations will be helpful in making a better merchandise production planning for apparel, and in launching new brands into the market. The study will also provide useful data in developing sales strategies which enable to supply goods that meet consumers' needs and tastes in the quality market, and consequently will help to classify the market. Samples were 488 women of 55 and over, dwelling in Pusan Metropolitan City. The data was analysed by using MANOVA, ANOVA, and the Cronbach's $\alpha$ reliability was also applied. The conclusions based on the theoretical background and the result of questionnaire surveys were as follows: 1. The order of priority of buying orientations based on clothes's actual self-image was 'practicality', 'cautiousness' and 'economical effectiveness' without regard to age. The items that showed the significant differences in 50's were 'cautiousness', 'experimentation', 'fashion-consciousness' and ostentatiouness, and in 70's were 'economical effectiveness', 'experimentation', 'impulsiveness' and 'environmental friendliness', and none in 60's. 2. The order of priority based on clothes' ideal self-image was the same as that of actual one, and there was no significant difference between age groups.