• 한국식물학회:학술대회논문집
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• 한국식물학회 1999년도 제13회 식물생명공학심포지움 New Approaches to Understand Gene Function in Plants and Application to Plant Biotechnology
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• pp.21-35
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• 1999

We have previously isolated OsMADS4 gene that is a member of the class B MADS box genes from rice. In this study, another member of the class B MADS box genes was isolated from rice flower by the yeast two-hybrid screening method using OsMADS4 as bait. RNA blot analyses revealed that the clone, OsMADS16, was expressed in the second and third whorls, whereas the OsMADS4 transcripts were present in the second, third, and fourth whorls. These expression patterns of the OsMADS16 and OsMADS4 genes are very similar with those of AP3 and PI, the class B genes of Arabidopsis, respectively. In the yeast two-hybrid system, OsMADS4 interacted only with OsMADS16 among several rice MADS genes investigated, suggesting that OsMADS4 and OsMADS16 function as a heterodimer in specifying sepal and petal identities. We have also isolated OsMADS6 gene using OsMADS1 as a probe. Both are members of the AGL2 MADS family. Various MADS genes that encode for protein-protein interaction partners of the OsMADS6 protein were isolated by the yeast two-hybrid screening method. A majority of these genes belong to the AGL2 family. Sequence Homology, expression pattern, and ectopic expression phenotypes indicated that one of the interaction partners, OsMADS14, appears to be homologous to API, the class A MADS gene of Arabidopsis.

• 디자인학연구
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• 제19권3호
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• pp.71-92
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• 2006

People have their own cultural backgrounds and experiences in terms of visual perceptional thinking so that they could misunderstand the cultural symbols, trademarks, Brand Identities, and trade characters, especially, animal trademarks. Sometimes Easterners and Westerners seem to not comprehend the different meanings of the cultural symbols. The signs of twelve Chinese zodiac animals are the typical symbol of the Asian mythology. What I wanted to focus on emphasizing the different views and perspective of an animal trademark is according to the Chinese Zodiac between Eastern and Western cultures. Generally, multiple symbolisms are difficult to comprehend, because they are created by individual ideas and incorporate several mythologies and histories. How do Westerners interpret the implied meaning of Eastern animals in general? How are they going to understand the Eastern animal logos or marks accurately? How can we solve the problem to make people understand their different meanings? There were some confusing pictorial images in the area of the design field when a designer creates an animal mark for globalization and localization. Creating of hybrid symbol is the best way to break the communication barriers with people all around the world.

• 한국의상디자인학회지
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• 제24권2호
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• pp.147-165
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• 2022

The purpose of this study is to examine various types and characteristics of masks and to consider what meanings they have in the recent fashion world. To this end, this study attempts to reflect on the internal meaning of masks exhibited in fashion designers' collections rather than functional meanings. It has an implication; in that it tries to help understand the expressive needs for variety and freshness pursued by modern fashion and use the unique design development to understand the internal meanings of masks. It, therefore, examines the existing domestic and foreign literature and data about masks from a theoretical perspective, and also attempts to draw findings from the data of fashion collections which have been held since the 2000s, as well as from literature research based on books about fashion and various other media. The meanings of masks in the field of fashion are as follows: First, they express identity, by criticizing the couture fashion, through the fashion. Second, they present a new concept of body, showing an illogical and ambiguous identity in which both feminine and masculine images coexist. Third, they are media externally communicating insights about human beings' inner world, through which various messages are transferred to modern people who are attached to external appearances, and the identities possessed by designers are revealed by the masks. Fourth, they ask about a boundary between gender and sexuality, as a means to make us concentrate on the important social issue, while expressing various and new identities, like the hybrid identity. In other words, they can be found to be used as effective media in communicating fashion massages intended by fashion experimental and creative designers.

• 한국언론정보학보
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• 제70권
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• pp.66-94
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• 2015

포스트식민주의는 근자의 글로벌 사회 문화 현상을 설명하고 이해하는 데 중요한 이론적 자원으로 자리잡아 왔다. 문화가 갖는 보편성이나 초월적 진정성을 부정하는 포스트식민주의 이론은 근본주의적 가정을 벗어나 주체와 정체성이 재개념화되는 길을 열어 주며, 지리적 경계를 가로질러 부유하는 디아스포라의 혼종적 문화 경험을 통해 기존의 지배적인 문화적 상상과 사회관계에 대한 담론 질서를 전복시킬 수 있는 가능성을 그려 내기도 한다. 그러나 전 세계 문화의 차이와 다양성을 강조하는 포스트식민주의 서사는 변화와 재조정 과정에 있으나 여전히 강고하게 자리 잡고 있는 중심부와 주변부 국가들 간 불평등한 권력 관계 속에서 특정한 지역민들과 이주민들이 새로운 형태의 피착취 집단으로 구성되고 있는 현실을 제대로 조명하지 못하는 경향이 있다. 이 글의 목적은 포스트식민주의 이론이 전개되고 전유되어 온 과정에 대한 비판적 리뷰를 통해 지금 시기 글로벌 수준에서 발생하고 있는 부정의의 문제들을 보다 비판적으로 성찰할 수 있는 방안을 모색하는 것이다.

• 한국의상디자인학회지
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• 제10권3호
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• pp.101-110
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• 2008

We believe distinguishable product development to be competitive against foreign products, and realize the need to expand domestic business worldwide. In order to be competitive, we should produce fashion items that meets global taste, and at the same time contain exclusive Korean culture and emotional beauty. This article examines and creates unique textile design with the touch of Korean art. Desigus have been proceeded under the following three themes: 'Strong Ego,' 'Gorgeous Days' and 'Song Eternal Seeking Love' using Primavision Computer-aided Design ("CAD"). We have put our interestes in Korean traditional paintings called Hangukhwa. Suitable design motives had been selected and modified from the four gracious plants (bamboos, peonies etc.), and paintings of birds and flowers. Primavision, a CAD software, had been used to manipulate those desigus, and to add instant changes in color, scale, and layout. We had modified Korean traditional motives to make modem image, and had arranged layouts which can be suitable for half-drop repeat and square repeat. The use of color is essential in pattern design. Thus, we explored coloring ways for each design to meet the trends, and the final mapping had been conducted in western style of dresses. We have tried to mix Korean image of textile designs with Western clothing style, expressing hybrid in the mapping process. With global movements, we need to develop products with Korean traditional exotic taste to attract foreign consumers. Therefore, we selected symbolic motives from Korean paintings to express deep spiritual significance. We developed textile design and processed mapping on selected western designer's dress, employing current trend colors and making crossover coordination. We realized Korean painting would be an excellent source for exclusive fabric design, and tried to create a modernized design which maintains Korean ethnical identities.

• 복식
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• 제58권6호
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• pp.110-123
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• 2008

The objectives of this study are to define the fundamental notions of collaboration in design field. The results of this study are summarized as follows: Firstly, collaboration means a cooperative work which are cooperatively done by collabarator and collaboratee on the equal status within a certain period of time, based on core ability of each of them. This cooperative work is presented with a visual image based on the identity of participants, and it creates an added value. Collaboration is different from convergence and hybrid in the methodological aspects and from brand alliance and strategic alliance in the aspects of the subject of project. Secondly, collaboration has been developing through step of using the specific ability, step of sharing each core abilities, and step of fusing their identities, in a view of the sphere of cooperative work and the intimate relations in reciprocity. Thirdly, according to strategic purpose, collaboration can be classified into value ascending collaboration, image changing collaboration, business-field extension collaboration, and event collaboration. Fourthly, production methods of collaboration consist of limited edition method, premium line method, common line method, producing a collaborative product, and so on. Fifthly, differentiation effect, image upgrade effect, production of higher value-added products, sale increase, diversification of business, sharing the targets, and promotion effect are achievable through collaboration. Sixthly, to make progress in collaboration successfully, the compatibility of combination between collaborator and collaboratee, the superiority of collaboratee, definitude of collaboration, the fit method of collaboration, the novelty of collatoration, possibility of issuing of collaboration, and perfection of collabo-product must be the points which deserve our attention.

• 한국콘텐츠학회논문지
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• 제13권7호
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• pp.38-50
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• 2013

영화감독 양영희의 두 편의 다큐멘터리 <디어 평양>(2005), <굿바이, 평양>(2009)과 극영화 <가족의 나라>(2013)는 재일코리안 디아스포라로서 감독의 자전적 경험을 바탕으로 제작된 영화로 남북한과 일본이라는 국민국가의 틈바구니에 선 재일코리안 디아스포라 문제를 제기하고 있다. 세 편의 영화는 제주, 오사카, 평양을 횡단하며 구축된 가족의 서사를 질문하는 것을 통해 국민국가가 부과한 경계를 의심하고 '가족의 나라'라는 새로운 탈주의 공간을 모색한다. 이 글은 양영희의 영화가 분단으로 한반도에 발생한 두 개의 국민국가가 강력하게 추구하는 통합과 일체감, 조국에 대한 획일적인 교육에 긴장을 일으키고 그것을 이질화시키면서 자신의 정체성을 재조정해가는 과정을 추적하였다. 결국 이들 영화는 국민국가의 경계를 넘나드는 혼종적 정체성에서 재일코리안 디아스포라의 미래 정체성을 예견하고 있는데 이는 동북아의 평화와 공존, 남북한의 적대성을 해체하는 작업에서 요구되는 타자 수용성, 개방성, 연대성의 가능성이 재일 코리안 디아스포라에게 있음을 보여주는 것이라 할 수 있다.

• 비교문화연구
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• 제48권
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• pp.253-287
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• 2017

이 글의 목적은 본 연구자가 에티오피아 아셀라 타운에서의 현지조사를 통해 수집한 자료를 토대로, 종족 현상을 다층적 맥락에서 살펴보는 데 있다. 생태학적 조건, 양대 종족의 숫자상 균형, 빈번한 종족 외혼 및 '젖 먹이기'라는 사회문화적 관행의 영향 등으로 인해, 이 타운에서는 집단적 수준의 종족 갈등이 거의 발생하지 않았다. 하지만 이러한 관행의 긍정적인 영향에도 불구하고, 아셀라에서는 지배 종족에 의한 차별과 위협이 지속적으로 발생해 온 것으로 파악되었다. 대개의 제보자는 종족 외혼이 종족 집단 및 공동체 구성원의 유대를 강화하고, 상이한 종족 문화를 습득하고, 사람들 간의 관용 정신을 배양하고, 혼종적(다중적) 종족 정체성을 가진 우수한 2세를 생산하는 데 기여한다고 여기고 있었다. 그러나 일부 제보자는 종족 외혼이 그 당사자의 이기적인 선택에 불과할 뿐만 아니라 종족 정체성을 손상시키므로, 결코 바람직한 일이 아니라는 입장을 견지했다. 상당수의 제보자는 현재 진행 중인 오로모화가 지극히 당연한 현상이라 여기고 있는 반면, 일부 제보자는 오로모화를 강제성, 피상성 및 생존 전략의 맥락에서 파악될 필요가 있다고 역설했다.

• 영어영문학
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• 제54권1호
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• pp.149-167
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• 2008

Korea has persisted in the notion of "ethnic nationalism." That is "one race, one people, one language" as a homogeneous entity. This social ideal of unity prevails, even in overseas Korean communities formed by voluntary and involuntary displacement in the turmoil of modern history: communities made intermittent with the Japanese colonial occupation and with postcolonial encounters with the West. Given that the Korean people suffered from the trauma of deprivation of the language caused by the loss of the nation, nation has been equated with the language. Accordingly, "these bearers of a homeland" are also firm Korean language holders. The linguistic patriotism of unity based on the intertwining of "mother tongue" and "father country" has become prevalent in the collective memory of the people of the Korean diaspora. Korean American literature has grappled with this concept of the national history of Korea and the Korean language. The aesthetics of Korean American literature has been marked by an influx of literary resources of 'Korea' in sensibilities and structure of feelings; Korean myth, folk lore, songs, humor, traditional stories, manners, customs and historic moments. An experimental use of the Korean alphabet, Hangeul, written down as pronounced, provides an ethnic flavor in the midst of the English texts. Despite its national framework of mind, however, Korean American literature as an interstitial art reveals a keen awareness of inbetweenness, and transnational hybrid identities. By exploring the complex interrelationships of cultural and linguistic boundary-crossing practices in Korean American literature, this paper argues that the poetics of the Korean diaspora challenges the closed structure of identity formation, and offers a transnational sphere to deconstruct a rigidly demarcated national ideology of "one race, one people, one language," for the world literary history.

• 식물분류학회지
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• 제45권3호
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• pp.243-253
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• 2015

붓꽃속(Genus Iris)의 금붓꽃계열(Series Chinensis)은 극동아시아에 국한되어 분포하고 있으며 한국에는 총 6분류군이 자생하고 있다. 이는 크게 두 개의 주요 그룹 (각시붓꽃 complex와 금붓꽃 complex)으로 나뉜다. 본 연구에서는 팔공산에서 발견된 잡종추정개체들의 실체와 붓꽃속 금붓꽃계열 분류군간의 계통학적 유연관계를 규명하기 위해 핵 rDNA ITS와 엽록체 matK 유전자의 염기서열을 확보하여 분석하였다. 총 55개체로부터 얻은 106 개 ITS amplicon의 염기서열 및 군외군의 염기서열을 분석한 결과, 금붓꽃계열의 노랑무늬붓꽃, 노랑붓꽃, 금붓꽃 및 잡종추정군은 군외군과 구분되어 유집되었으나, 군내군 사이에서는 높은 다형성 염기서열이 관측되었다. ITS 계통수에서 잡종추정군의 일부는 노랑무늬붓꽃과 하나의 분계조를 나타내었고, 나머지 잡종추정군의 경우는 금붓꽃+노랑붓꽃과 분계조를 형성하였다. 한편 cpDNA의 경우 matK를 제외한 나머지 마커는 금붓꽃과 노랑붓꽃의 차이를 보여주지 못하였다. matK의 NJ 계통수에서 잡종추정군이 금붓꽃과 높은 Bootstrap 값으로 하나의 분계조를 형성하였으며, 염기서열이 일치하였다. 이 결과를 바탕으로 팔공산에서 발견된 잡종추정군의 모계는 금붓꽃이고 부계는 노랑무늬붓꽃이라는 가능성을 제시하였다.