• 한국염색가공학회지
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• 제29권2호
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• pp.62-68
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• 2017

Coffee sludge and onion shells are known typically as waste resources as well as simultaneously being the raw material for dye having a golden brown color. This research studies the dyeability, functionality, and colors of woolen fabric after being dyed by different dyeing method using coffee sludge and onion shells extract. The woolen fabric was refined and pre-mordanted with tannin. The dyeing process conducted was single-dye, using coffee sludge and onion shells extract, sequential multi-dye, consecutively dyeing with coffee sludge and onion shells, and mixed-dye, blending coffee sludge extract and onion shells extract to dye. The dyeing was measured on the surface color, color fastness, and UV-protection ability. As a result, the expression of various hues of tan using coffee sludge and onion shells extract were shown to be possible. Additionally, single-dye, sequential multi-dye, mixed-dye had generally superiority in color fastness to light, all rating 3 and color fastness to washing, rating 3 or 4, showing relatively stable color fastness to washing. The UV protection ability was shown to be better, especially appearing satisfactory in the UV-B protection, all measured to be over 90%.

• 디자인학연구
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• 16호
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• pp.89-98
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• 1996

본 연구는 색채조화의 원리연구라기보다 우리 나라에서 채택한 표색 계를 이용한 실용적 색채배색 안을 제시하고 저 한다. 연구대상의 표색 계로는 먼셀 표색 계와 오스트발드 표색 계 그리고 미국의 ISCC-NBS 색명 법에 대하여 알아보았고, 색채조화 론에서는 오스트발드 색채조화 론과 쟈드 색채조화론 등을 통하여 색채조화의 일반적 원리를 정리하였다. 표색 계를 이용한 색채배색 방법으로는 우리 나라에서 색채교육용과 공업규격으로 채택하고 있는 먼셀 표색 계의 10색상환과 ISCC-NBS 색명 법을 사용하여 만든 색조 분류법을 이용하여 색채배색의 사례들을 제시하였다. 이 배색방법은 색채교육을 통하여 보다 쉽게 효율적으로 균형 잡힌 색채배색을 행하기 위한 것이다.

• Journal of the Korean Wood Science and Technology
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• 제50권1호
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• pp.31-45
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• 2022

After manufacturing the natural dyed actual size Hanji using 11 kinds of plant natural dyeing materials and 2 kinds of animal natural dyeing materials, the color characteristics and color change and color fastness after post-mordanting were compared and discussed. The hues of 13 types of natural dyed Hanji were black, PB, and RP, each with 1 type, YP with 3 types, and Y with 7 types. Among the natural dyeing materials, Chinese ink, indigo and Lac showed high color yield and color difference, and violet-root cromwell and gardenia seeds showed low color yield. The color fastness of Hanji dyed with turpentine diluted Ottchil, Pagoda tree seeds, Chinese ink and indigo was excellent, while that of gardenia seeds and violet-root cromwell were very poor. After post-mordanting of natural dyed Hanji with Al, Cu, and Fe mordants, the hue changes were show up the Alnus firma, clove, lac and cochineal. In addition, the color difference was very diverse and was overall the most biggest due to Fe mordant. After 72 hr. of UV irradiation on post-mordanting natural dyed Hanji, hue change was observed in 3 types and color fastness was improved in 8 types by post-mordanting. The Hue and color fastness are significantly different depending on the type of natural dying materials and post-mordants. Therefore, when dyeing Hanji with natural dyes, it is necessary to dye with sufficient knowledges and informations about the desired color and fastness.

• The Journal of Advanced Prosthodontics
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• 제16권1호
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• pp.48-56
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• 2024

PURPOSE. To evaluate the metameric disparities among monolithic zirconia materials with differing yttrium compositions across various lighting conditions. MATERIALS AND METHODS. Thirty-six square-shaped zirconia samples measuring 10 × 10 × 0.5 mm were prepared from monolithic zirconia materials with three different yttrium contents. A 0.2 mm thick layer of polymerized dual-polymerizable self-adhesive resin cement was created using a silicone mold with the same dimensions as the prepared zirconia specimens. To evaluate metamerism, color measurements were conducted using a spectrophotometer device on a neutral gray background in a color measurement cabinet that offers four different illumination environments. All samples underwent aging by subjecting them to 10000 thermal cycles using a thermal cycle tester. Following thermal aging, color measurements were taken once more, and the data were recorded using the CIE L^*, a^*, b^* color system. Two-way ANOVA and Post-hoc Bonferroni tests were employed to analyze the data. RESULTS. It was observed that there was no statistical difference among the color measurements made in different illumination environments of the monolithic zirconia ceramics used to evaluate metamerism (P > .05). This observation remained consistent both before and after thermal aging. After thermal aging, the color of monolithic zirconia materials exhibited a tendency towards red and yellow hues, accompanied by a decrease in brightness levels. CONCLUSION. It can be stated that different illumination conditions did not affect the metamerism of monolithic zirconia materials, but there was a color change in monolithic zirconia materials after a thermal aging period equivalent to one year.

• 감성과학
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• 제15권2호
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• pp.231-238
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• 2012

본 연구는 하나의 감각으로 인해 다른 영역의 감각을 불러일으키는 공감각 현상을 기초로 하여 사운드에서 컬러이미지를 유추하여 생성하는 응용 시스템의 구현을 최종 목표로 한다. 이를 위해 사운드의 특징정보인 기본주파수(F0, Fundamental Frequency)에서 음계(Scale) 및 옥타브(Octave) 성분을 추출한 후, HSI 컬러모델인 색상(Hue), 명도(Intensity) 성분에 각각 매핑한다. 본 논문에서 채도(saturation)값은 고정된 값을 사용한다. 이를 다시 RGB 컬러모델로 변환한 후 최종 BMP 포맷으로 컬러 이미지를 출력한다. 본 연구에서 제시한 사운드-컬러이미지 변환 방법을 토대로 기본 변환 시스템을 구현해 본 결과, 기본주파수에서 추출된 음계 및 옥타브 성분의 변화에 따라 색상 및 명도가 상이한 다양한 컬러가 나오는 것을 확인할 수 있었다. 또한 하드웨어적 구현을 위해 TMS320C6713 DSP Board에 포팅하여 실험한 결과 제안된 시스템의 시뮬레이션 결과와 동일한 컬러 이미지가 출력됨을 확인하였다.

• 한국의상디자인학회지
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• 제18권2호
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• pp.115-125
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• 2016

This study analyzes the characteristics of the motifs and colors in flower and bird paintings which contain and present Korea's unique aesthetics based on its richest data among all other types of Korean folk paintings. With a theoretical exploration of folk paintings and an analysis of the motifs and colors, textile design with an aim to present highly valued korean modern fashion design was developed. Two hundred and seventy flower and bird paintings were selected from relevant materials, resulting in an extraction of 5,068 colors. A palette of representative colors was made based on densely distributed hues and tones. The research can be summarized as follows: Flower and bird paintings contain flowers, birds, trees and animals and the motifs in the paintings stand for spirituality, philosophies from different times and other symbols of our nation. Each of the motifs in these paintings is a prayer for good luck, especially conjugal harmony and fecundity to bring about happiness and richness. Colors in flower and bird paintings are characteristic of the order: YR(25.5%)>R(19.2%)>Y(10.6%)>PB(9.2%)>G(7.9%), with low-chromatic YR and highly bright R taking up a larger percent. The order of tones is: d(13.5%)>dk (10.5%)>s(10.4%)>dkg(10.0%)>sf(9.1%)and the tone is dark in general. YR, taking up the largest percent, was dull, light, and soft. As for the achromatic colors, the order is: W(5.2%)>Gy(1.9%)>Bk(0.7%). Based on the above analyzed color data, those colors which were high in their hue and tone were extracted to present representative colors. In this way, representative colors like yellow, yellowish red, red, green, and purplish blue were extracted. This was the basis to present motifs and colors originating from subjects of folk paintings in various patterns using Illustrator CS6, to create modern fashion design.

• 한국의상디자인학회지
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• 제12권1호
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• pp.117-130
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• 2010

The main objective of this research was to understand the characteristics of contrast color coordination through the analysis of modern woman fashion color coordination as they appear in the 'Collections' from '04 SS to '09/'10 AW. Data collection of 122 was done through review of '$pr{\hat{e}}t$-$\grave{a}$-porter Collections' of four cities; Milan, London, New York, Paris. Statistical analysis of frequency and qualitative interpretation of contrast color coordination characteristics were completed. The main findings were as follows; (1) The combined color type of 'red+blue' and 'yellow+blue' were the most frequently appeared in the same ratio, and followed by 'green+violet', 'red+yellow', 'green+orange', and 'orange+violet'. The contrast tone showed the most, and followed by the similarity and identity, and the type of tone harmony used differently according to the type of contrasting color combination. (2) The general characteristics of contrasting color harmony were as follows,; Some contrasting colors looked harmonious when used light colors and the contrast between light and dull colors which made the hues even more harmonious. Also combinations of dull colors which work well with other dull colors or vivid colors. Light & vivid color or light & dark color, however, often showed too much contrast and using two contrasting vivid colors presented awkward and restless look. When used one vivid color and one dark color, a little easier to looked at, but still not particularly elegance or effectively harmonious. (3) The types of contrasting color harmony showed some differences between seasons. Contrasting color harmony showed more frequently in the S/S collections than in A/W collections.

• Asian-Australasian Journal of Animal Sciences
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• 제23권4호
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• pp.444-449
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• 2010

The aim of this study was to measure the hair melanins of various colors and to find the relationship between the quantity of melanins and hair color phenotypes in alpacas. According to the Munsell color system, 3 healthy alpacas were selected for each of the 22 different hair color phenotypes (66 alpacas altogether). Alpaca hair was taken from the lateral thoracic region and then dissolved with different solutions to obtain melanins. The values of alkali-soluble melanins (ASM), eumelanin (EM) and pheomelanin (PM) were measured by spectrophotometric assay, and labeled as Sp.ASM, Sp.EM and Sp.PM, respectively. Data were analyzed using SPSS11.5 software. Results showed that average Sp.ASM and Sp.PM were increased as the color deepened from white to black, ranging from 0.500 to 4.543 for Sp.ASM and from 0.268 to 1.457 for Sp.EM. However, average Sp.PM had no such apparent relationship with color. Based on the value of Sp.ASM and EM, 7 hues were produced and gray was a single hue. Most of the data were in a normal distribution (p>0.10). ANOVA analysis showed that mean values of Sp.ASM, Sp.EM and Sp.PM were significantly different (p<0.05). The results also showed that Sp.ASM was positively correlated with Sp.EM but the correlation between Sp.ASM and Sp.PM was not significantly different from 0. It is concluded that EM is the major constituent of alpaca hair melanin; there is a significant correlation among ASM, EM and alpaca hair colors, and EM is the most reliable parameter for distinguishing these groups.

• 대한전자공학회논문지TC
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• 제44권10호
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• pp.20-28
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• 2007

IEEE 802.15.4를 기반으로 하는 Zigbee 센서 네트워크에서는 전송되는 패킷에는 2byte의 지역 주소가 존재한다. Ziebee 센서 네트워크 내에서 이 2byte의 주소를 가지고 각 센서의 주소를 식별한다. 이러한 Zigbee 센서 네트워크는 많은 센서들을 하나의 네트워크로 구성할 수 있어야 ubiquitous 시대를 뒷받침 할 수 있는 솔루션으로 자리매김할 수 있다. 그러나 Zigbee 계층 구조에서 표준에 제정되어 있는 알고리즘인 Cskip 알고리즘을 이용한 할당 방식에는 많은 수의 센서를 배치하는 것에 문제가 있다. Cskip 알고리즘을 이용하여 주소를 할당하기 위해서는 라우터나 코디네이터가 가질 수 있는 자식노드의 최대 개수, 자식노드가 라우터로 될 수 있는 최대 개수, 네트워크의 최대 깊이를 알아야 한다. 이러한 네트워크는 유연성이 없고 공간적이 측면으로 봤을 때 주소 할당에 있어서도 많은 낭비를 초래하게 된다. 본 논문에서는 이러한 주소 공간의 낭비를 최소화 할 수 있는 주소할당 알고리즘을 제안한다.

• 한국가구학회지
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• 제24권4호
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• pp.408-415
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• 2013

In order to evaluate a feasibility of industrial art use of veneer such as cylindrical laminated veneer lumber, the veneers of 4 species of Korean pine, radiata pine, yellow poplar and Japanese cypress were natural dye-colored and clear finished. Natural dyes were red color originated from sappanwood, blue color from polygonum indigo, and yellow color from Amur cork tree and gardenia. the clear coats of crack seal clear and UV protection oil were applied on the dyed veneer. The dyeing and finishing characteristics through fading test were summarized as follows; In non-dyed and non-finished Korean pine veneer, lightness was decreased and yellow and red hues increased after fading test. In natural dyed- and finished-veneer, color difference of gardenia-mixed Amur cork tree was generally highest, and that of polygonum indigo was lowest. Compared to non-treatment of veneers of Korean pine and yellow poplar, color difference decreasing effect by finishing was shown in crack seal clear and UV protection oil. In addition, UV protection oil was more favorable than crack seal clear with more decreased color difference. In result, maximum values of color difference after fading for 8 days were recorded about 16 to 20, which are remarked 'very much' of 12.1 or more when reviewing with 'National bureau of standards unit in USA'.